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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34.1 183 174 it is the complementary color RGB 220.9 72 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34.1 183 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34.1 183 174 shade: RGB 39.1 183 169, RGB 56.1 201 188, RGB 73.1 219 207, RGB 90.1 237 226 and RGB 107.1 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34.1 183 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34.1 183 174 shade: RGB 34.1 183 174, RGB 17.1 165 155, RGB 0.1 147 136, RGB 0 129 117 and RGB 0 111 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34.1 183 174 shade: RGB 34 185 176, RGB 34 185 135, RGB 34 185 95, RGB 34 185 54 and RGB 55 185 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34.1 183 174 shade: RGB 34 185 176, RGB 34 154 185, RGB 34 113 185, RGB 34 72 185 and RGB 34 34 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34.1 183 174 shade matches the following richer shades: RGB 34 185 176 and RGB 16 203 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34.1 183 174 shade: RGB 34 185 176, RGB 52 168 161, RGB 69 150 145, RGB 87 132 129 and RGB 105 114 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34.1 183 174 shade: RGB 34 185 95, RGB 34 185 135, RGB 34 185 175, RGB 34 155 185 and RGB 34 115 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34.1 183 174 shade: RGB 21 116 110, RGB 28 150 143, RGB 34 185 176, RGB 44 216 206 and RGB 79 223 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34.1 183 174 shade: RGB 34.1 183 174, RGB 54 34 185 and RGB 185 115 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34.1 183 174 shade: RGB 34.1 183 174, RGB 175 34 185 and RGB 185 175 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34.1 183 174 shade: RGB 34.1 183 174, RGB 54 34 185, RGB 185 34 44 and RGB 165 185 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34.1 183 174 shade: RGB 34.1 183 174, RGB 100 34 185, RGB 185 34 44 and RGB 120 185 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 5 / 28

HEX #22B7AE

RGB 34.1 183 174

HSL 176.37, 0.69%, 0.43%

LAB 67.48, -38.44, -6.05

 

Complementary color

CMYK 0 / 67 / 63 / 13

HEX #DC4851

RGB 220.9 72 81

HSL 356.37, 0.69%, 0.57%

LAB 52.49, 58.28, 27.89

 

CMYK 79 / 0 / 8 / 28

HEX #27B7A9

RGB 39.1 183 169

HSL 174.16, 0.65%, 0.44%

LAB 67.4, -39.4, -3.39

 

CMYK 72 / 0 / 6 / 21

HEX #38C9BC

RGB 56.1 201 188

HSL 174.62, 0.57%, 0.5%

LAB 73.71, -40.28, -4.46

 

CMYK 67 / 0 / 5 / 14

HEX #49DBCF

RGB 73.1 219 207

HSL 175.07, 0.67%, 0.57%

LAB 79.95, -40.92, -5.43

 

CMYK 62 / 0 / 5 / 7

HEX #5AEDE2

RGB 90.1 237 226

HSL 175.51, 0.8%, 0.64%

LAB 86.13, -41.37, -6.31

 

CMYK 58 / 0 / 4 / 0

HEX #6BFFF5

RGB 107.1 255 245

HSL 175.94, 1%, 0.71%

LAB 92.24, -41.68, -7.13

 

CMYK 81 / 0 / 5 / 28

HEX #22B7AE

RGB 34.1 183 174

HSL 176.37, 0.69%, 0.43%

LAB 67.48, -38.44, -6.05

 

CMYK 90 / 0 / 6 / 35

HEX #11A59B

RGB 17.1 165 155

HSL 175.94, 0.81%, 0.36%

LAB 61.13, -37.04, -4.87

 

CMYK 100 / 0 / 7 / 42

HEX #009388

RGB 0.1 147 136

HSL 175.51, 1%, 0.29%

LAB 54.71, -35.29, -3.56

 

CMYK 100 / 0 / 9 / 49

HEX #008175

RGB 0 129 117

HSL 174.42, 1%, 0.25%

LAB 48.24, -32.79, -2.02

 

CMYK 100 / 0 / 12 / 56

HEX #006F62

RGB 0 111 98

HSL 172.97, 1%, 0.22%

LAB 41.61, -30.22, -0.41

RGB 0 111 98

CMYK 82 / 0 / 5 / 27

HEX #22B9B0

RGB 34 185 176

HSL 176.42, 0.69%, 0.43%

LAB 68.15, -38.78, -6.15

 

CMYK 82 / 0 / 27 / 27

HEX #22B987

RGB 34 185 135

HSL 160.13, 0.69%, 0.43%

LAB 67.12, -49.5, 14.86

 

CMYK 82 / 0 / 49 / 27

HEX #22B95F

RGB 34 185 95

HSL 144.24, 0.69%, 0.43%

LAB 66.42, -57.48, 35.06

 

CMYK 82 / 0 / 71 / 27

HEX #22B936

RGB 34 185 54

HSL 127.95, 0.69%, 0.43%

LAB 65.98, -62.71, 53.21

 

CMYK 70 / 0 / 82 / 27

HEX #37B922

RGB 55 185 34

HSL 111.66, 0.69%, 0.43%

LAB 66.23, -61.01, 60.25

 

CMYK 82 / 0 / 5 / 27

HEX #22B9B0

RGB 34 185 176

HSL 176.42, 0.69%, 0.43%

LAB 68.15, -38.78, -6.15

 

CMYK 82 / 17 / 0 / 27

HEX #229AB9

RGB 34 154 185

HSL 192.32, 0.69%, 0.43%

LAB 58.93, -20.84, -25.1

 

CMYK 82 / 39 / 0 / 27

HEX #2271B9

RGB 34 113 185

HSL 208.61, 0.69%, 0.43%

LAB 46.52, 2.65, -44.55

 

CMYK 82 / 61 / 0 / 27

HEX #2248B9

RGB 34 72 185

HSL 224.9, 0.69%, 0.43%

LAB 34.96, 29.32, -63.2

 

CMYK 82 / 82 / 0 / 27

HEX #2222B9

RGB 34 34 185

HSL 240, 0.69%, 0.43%

LAB 26.7, 51.91, -76.82

 

CMYK 82 / 0 / 5 / 27

HEX #22B9B0

RGB 34 185 176

HSL 176.42, 0.69%, 0.43%

LAB 68.15, -38.78, -6.15

 

CMYK 92 / 0 / 5 / 20

HEX #10CBC0

RGB 16 203 192

HSL 176.47, 0.85%, 0.43%

LAB 73.95, -43.24, -6.32

 

CMYK 82 / 0 / 5 / 27

HEX #22B9B0

RGB 34 185 176

HSL 176.42, 0.69%, 0.43%

LAB 68.15, -38.78, -6.15

 

CMYK 69 / 0 / 4 / 34

HEX #34A8A1

RGB 52 168 161

HSL 176.38, 0.53%, 0.43%

LAB 62.77, -33.21, -5.75

 

CMYK 54 / 0 / 3 / 41

HEX #459691

RGB 69 150 145

HSL 176.3, 0.37%, 0.43%

LAB 57.19, -25.88, -4.9

 

CMYK 34 / 0 / 2 / 48

HEX #578481

RGB 87 132 129

HSL 176, 0.21%, 0.43%

LAB 51.97, -16.05, -3.3

 

CMYK 8 / 0 / 0 / 55

HEX #697272

RGB 105 114 114

HSL 180, 0.04%, 0.43%

LAB 47.3, -3.38, -1.17

 

CMYK 82 / 0 / 49 / 27

HEX #22B95F

RGB 34 185 95

HSL 144.24, 0.69%, 0.43%

LAB 66.42, -57.48, 35.06

 

CMYK 82 / 0 / 27 / 27

HEX #22B987

RGB 34 185 135

HSL 160.13, 0.69%, 0.43%

LAB 67.12, -49.5, 14.86

 

CMYK 82 / 0 / 5 / 27

HEX #22B9AF

RGB 34 185 175

HSL 176.03, 0.69%, 0.43%

LAB 68.12, -39.06, -5.65

 

CMYK 82 / 16 / 0 / 27

HEX #229BB9

RGB 34 155 185

HSL 191.92, 0.69%, 0.43%

LAB 59.24, -21.37, -24.63

 

CMYK 82 / 38 / 0 / 27

HEX #2273B9

RGB 34 115 185

HSL 207.81, 0.69%, 0.43%

LAB 47.11, 1.42, -43.6

 

CMYK 82 / 0 / 5 / 55

HEX #15746E

RGB 21 116 110

HSL 176.21, 0.69%, 0.27%

LAB 43.91, -27.26, -4.23

 

CMYK 81 / 0 / 5 / 41

HEX #1C968F

RGB 28 150 143

HSL 176.56, 0.69%, 0.35%

LAB 56.13, -32.87, -5.44

 

CMYK 82 / 0 / 5 / 27

HEX #22B9B0

RGB 34 185 176

HSL 176.42, 0.69%, 0.43%

LAB 68.15, -38.78, -6.15

 

CMYK 80 / 0 / 5 / 15

HEX #2CD8CE

RGB 44 216 206

HSL 176.51, 0.69%, 0.51%

LAB 78.52, -43.21, -7.06

 

CMYK 65 / 0 / 4 / 13

HEX #4FDFD6

RGB 79 223 214

HSL 176.25, 0.69%, 0.59%

LAB 81.45, -39.97, -6.91

 

CMYK 81 / 0 / 5 / 28

HEX #22B7AE

RGB 34.1 183 174

HSL 176.37, 0.69%, 0.43%

LAB 67.48, -38.44, -6.05

 

CMYK 71 / 82 / 0 / 27

HEX #3622B9

RGB 54 34 185

HSL 247.95, 0.69%, 0.43%

LAB 27.93, 53.2, -74.74

 

CMYK 0 / 38 / 82 / 27

HEX #B97322

RGB 185 115 34

HSL 32.19, 0.69%, 0.43%

LAB 54.75, 21.37, 52.84

 

CMYK 81 / 0 / 5 / 28

HEX #22B7AE

RGB 34.1 183 174

HSL 176.37, 0.69%, 0.43%

LAB 67.48, -38.44, -6.05

 

CMYK 5 / 82 / 0 / 27

HEX #AF22B9

RGB 175 34 185

HSL 296.03, 0.69%, 0.43%

LAB 43.89, 70.58, -48.04

 

CMYK 0 / 5 / 82 / 27

HEX #B9AF22

RGB 185 175 34

HSL 56.03, 0.69%, 0.43%

LAB 70.24, -11.21, 66.46

 

CMYK 81 / 0 / 5 / 28

HEX #22B7AE

RGB 34.1 183 174

HSL 176.37, 0.69%, 0.43%

LAB 67.48, -38.44, -6.05

 

CMYK 71 / 82 / 0 / 27

HEX #3622B9

RGB 54 34 185

HSL 247.95, 0.69%, 0.43%

LAB 27.93, 53.2, -74.74

 

CMYK 0 / 82 / 76 / 27

HEX #B9222C

RGB 185 34 44

HSL 356.03, 0.69%, 0.43%

LAB 40.64, 58.3, 33.93

 

CMYK 11 / 0 / 82 / 27

HEX #A5B922

RGB 165 185 34

HSL 67.95, 0.69%, 0.43%

LAB 71.43, -24.87, 66.87

 

CMYK 81 / 0 / 5 / 28

HEX #22B7AE

RGB 34.1 183 174

HSL 176.37, 0.69%, 0.43%

LAB 67.48, -38.44, -6.05

 

CMYK 46 / 82 / 0 / 27

HEX #6422B9

RGB 100 34 185

HSL 266.23, 0.69%, 0.43%

LAB 32.6, 58.18, -66.87

 

CMYK 0 / 82 / 76 / 27

HEX #B9222C

RGB 185 34 44

HSL 356.03, 0.69%, 0.43%

LAB 40.64, 58.3, 33.93

 

CMYK 35 / 0 / 82 / 27

HEX #78B922

RGB 120 185 34

HSL 85.83, 0.69%, 0.43%

LAB 68.61, -42.71, 63.3

 

Description

Color code: RGB 34.1 183 174 | qconv.com Color code: RGB 34.1 183 174 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34.1 red, 183 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34.1 183 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 5 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 5% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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