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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 147 148 it is the complementary color RGB 222 108 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 147 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 33 147 148: RGB 38 147 143, RGB 55 165 162, RGB 72 183 181, RGB 89 201 200 and RGB 106 219 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 147 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 33 147 148: RGB 33 147 148, RGB 16 129 129, RGB 0 111 110, RGB 0 93 91 and RGB 0 75 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

Complementary color

CMYK 0 / 51 / 52 / 13

HEX #DE6C6B

RGB 222 108 107

HSL 0.52, 0.64%, 0.65%

LAB 59.27, 44.37, 21.71

 

CMYK 74 / 0 / 3 / 42

HEX #26938F

RGB 38 147 143

HSL 177.8, 0.59%, 0.36%

LAB 55.34, -30.34, -6.59

 

CMYK 67 / 0 / 2 / 35

HEX #37A5A2

RGB 55 165 162

HSL 178.36, 0.5%, 0.43%

LAB 61.94, -31.05, -7.54

 

CMYK 61 / 0 / 1 / 28

HEX #48B7B5

RGB 72 183 181

HSL 178.92, 0.44%, 0.5%

LAB 68.45, -31.51, -8.38

 

CMYK 56 / 0 / 0 / 21

HEX #59C9C8

RGB 89 201 200

HSL 179.46, 0.51%, 0.57%

LAB 74.87, -31.82, -9.15

 

CMYK 52 / 0 / 0 / 14

HEX #6ADBDB

RGB 106 219 219

HSL 180, 0.61%, 0.64%

LAB 81.2, -32.02, -9.86

 

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

CMYK 88 / 0 / 0 / 49

HEX #108181

RGB 16 129 129

HSL 180, 0.78%, 0.28%

LAB 48.75, -28.1, -8.31

 

CMYK 100 / 0 / 1 / 56

HEX #006F6E

RGB 0 111 110

HSL 179.46, 1%, 0.22%

LAB 41.99, -26.38, -7.1

 

CMYK 100 / 0 / 2 / 64

HEX #005D5B

RGB 0 93 91

HSL 178.71, 1%, 0.18%

LAB 35.17, -23.68, -5.62

 

CMYK 100 / 0 / 4 / 71

HEX #004B48

RGB 0 75 72

HSL 177.6, 1%, 0.15%

LAB 28.11, -20.91, -4.05

NCS® S6030-B50G

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

CMYK 78 / 13 / 0 / 43

HEX #207F92

RGB 32 127 146

HSL 190, 0.64%, 0.35%

LAB 48.96, -19.94, -17.97

 

CMYK 78 / 26 / 0 / 43

HEX #206C92

RGB 32 108 146

HSL 200, 0.64%, 0.35%

LAB 42.92, -9.25, -27.29

 

CMYK 78 / 39 / 0 / 43

HEX #205992

RGB 32 89 146

HSL 210, 0.64%, 0.35%

LAB 36.98, 2.5, -36.65

 

CMYK 78 / 52 / 0 / 43

HEX #204692

RGB 32 70 146

HSL 220, 0.64%, 0.35%

LAB 31.26, 15.18, -45.82

 

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

CMYK 78 / 1 / 0 / 22

HEX #2CC6C7

RGB 44 198 199

HSL 180.39, 0.64%, 0.48%

LAB 72.92, -37.12, -11.62

 

CMYK 78 / 1 / 0 / 2

HEX #38F8FA

RGB 56 248 250

HSL 180.62, 0.95%, 0.6%

LAB 89.34, -43.91, -14.16

 

CMYK 78 / 0 / 0 / 82

HEX #0A2E2E

RGB 10 46 46

HSL 180, 0.64%, 0.11%

LAB 16.58, -12.42, -3.75

 

CMYK 77 / 1 / 0 / 62

HEX #166061

RGB 22 96 97

HSL 180.8, 0.63%, 0.23%

LAB 36.74, -21.09, -6.97

 

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

CMYK 63 / 78 / 0 / 43

HEX #362092

RGB 54 32 146

HSL 251.58, 0.64%, 0.35%

LAB 23.31, 42.36, -58.74

 

CMYK 0 / 32 / 78 / 43

HEX #926420

RGB 146 100 32

HSL 35.79, 0.64%, 0.35%

LAB 46.08, 12.29, 43.77

 

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

CMYK 0 / 78 / 0 / 43

HEX #922092

RGB 146 32 146

HSL 300, 0.64%, 0.35%

LAB 36.4, 58.89, -36.91

 

CMYK 0 / 0 / 78 / 43

HEX #929220

RGB 146 146 32

HSL 60, 0.64%, 0.35%

LAB 58.76, -13.44, 55.63

 

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

CMYK 63 / 78 / 0 / 43

HEX #362092

RGB 54 32 146

HSL 251.58, 0.64%, 0.35%

LAB 23.31, 42.36, -58.74

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 16 / 0 / 78 / 43

HEX #7B9220

RGB 123 146 32

HSL 72.11, 0.64%, 0.35%

LAB 56.95, -23.6, 53.3

 

CMYK 78 / 1 / 0 / 42

HEX #219394

RGB 33 147 148

HSL 180.52, 0.64%, 0.35%

LAB 55.41, -29.41, -9.37

 

CMYK 39 / 78 / 0 / 43

HEX #592092

RGB 89 32 146

HSL 270, 0.64%, 0.35%

LAB 27.39, 47.64, -51.9

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 39 / 0 / 78 / 43

HEX #599220

RGB 89 146 32

HSL 90, 0.64%, 0.35%

LAB 54.85, -37.25, 50.58

 

Description

Color code: RGB 33 147 148 | qconv.com Color code: RGB 33 147 148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 147 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 147 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 1 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 1% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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