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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33.7 110.6 189 it is the complementary color RGB 221.3 144.4 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33.7 110.6 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33.7 110.6 189 shade: RGB 38.7 110.6 184, RGB 55.7 128.6 203, RGB 72.7 146.6 222, RGB 89.7 164.6 241 and RGB 106.7 182.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33.7 110.6 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33.7 110.6 189 shade: RGB 33.7 110.6 189, RGB 16.7 92.6 170, RGB 0 74.6 151, RGB 0 56.6 132 and RGB 0 38.6 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33.7 110.6 189 shade: RGB 34 111 191, RGB 34 69 191, RGB 41 34 191, RGB 83 34 191 and RGB 125 34 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33.7 110.6 189 shade: RGB 34 111 191, RGB 34 69 191 and RGB 34 34 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33.7 110.6 189 shade matches the following richer shades: RGB 34 111 191 and RGB 16 111 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33.7 110.6 189 shade: RGB 34 111 191, RGB 52 112 173, RGB 70 112 154, RGB 88 112 136 and RGB 106 112 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33.7 110.6 189 shade: RGB 34 191 186, RGB 34 154 191, RGB 34 112 191, RGB 34 70 191 and RGB 39 34 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33.7 110.6 189 shade: RGB 21 70 121, RGB 27 91 156, RGB 34 111 191, RGB 47 132 218 and RGB 82 153 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33.7 110.6 189 shade: RGB 33.7 110.6 189, RGB 144 34 191 and RGB 175 191 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33.7 110.6 189 shade: RGB 33.7 110.6 189, RGB 191 34 112 and RGB 112 191 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33.7 110.6 189 shade: RGB 33.7 110.6 189, RGB 144 34 191, RGB 191 112 34 and RGB 81 191 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33.7 110.6 189 shade: RGB 33.7 110.6 189, RGB 191 34 191, RGB 191 112 34 and RGB 34 191 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 41 / 0 / 26

HEX #216EBD

RGB 33.7 110.6 189

HSL 210.29, 0.7%, 0.44%

LAB 46.03, 5.66, -47.64

 

Complementary color

CMYK 0 / 35 / 70 / 13

HEX #DD9042

RGB 221.3 144.4 66

HSL 30.29, 0.7%, 0.56%

LAB 66.43, 22.27, 52.12

 

CMYK 79 / 40 / 0 / 28

HEX #266EB8

RGB 38.7 110.6 184

HSL 210.31, 0.65%, 0.44%

LAB 45.86, 4.26, -45

 

CMYK 73 / 37 / 0 / 20

HEX #3780CB

RGB 55.7 128.6 203

HSL 210.31, 0.59%, 0.51%

LAB 52.66, 2.38, -45.07

 

CMYK 67 / 34 / 0 / 13

HEX #4892DE

RGB 72.7 146.6 222

HSL 210.3, 0.69%, 0.58%

LAB 59.36, 0.9, -45.12

 

CMYK 63 / 32 / 0 / 5

HEX #59A4F1

RGB 89.7 164.6 241

HSL 210.3, 0.84%, 0.65%

LAB 65.96, -0.28, -45.17

 

CMYK 58 / 28 / 0 / 0

HEX #6AB6FF

RGB 106.7 182.6 255

HSL 209.29, 1%, 0.71%

LAB 72.25, -2.81, -42.87

 

CMYK 82 / 41 / 0 / 26

HEX #216EBD

RGB 33.7 110.6 189

HSL 210.29, 0.7%, 0.44%

LAB 46.03, 5.66, -47.64

 

CMYK 90 / 46 / 0 / 33

HEX #105CAA

RGB 16.7 92.6 170

HSL 210.29, 0.82%, 0.37%

LAB 39.2, 8.35, -47.48

 

CMYK 100 / 51 / 0 / 41

HEX #004A97

RGB 0 74.6 151

HSL 210.36, 1%, 0.3%

LAB 32.29, 11.68, -47.24

 

CMYK 100 / 57 / 0 / 48

HEX #003884

RGB 0 56.6 132

HSL 214.27, 1%, 0.26%

LAB 25.42, 16.12, -46.67

 

CMYK 100 / 66 / 0 / 56

HEX #002671

RGB 0 38.6 113

HSL 219.5, 1%, 0.22%

LAB 18.44, 20.9, -46.01

 

CMYK 82 / 42 / 0 / 25

HEX #226FBF

RGB 34 111 191

HSL 210.57, 0.7%, 0.44%

LAB 46.27, 6.21, -48.41

 

CMYK 82 / 64 / 0 / 25

HEX #2245BF

RGB 34 69 191

HSL 226.62, 0.7%, 0.44%

LAB 34.72, 33.55, -67.12

 

CMYK 79 / 82 / 0 / 25

HEX #2922BF

RGB 41 34 191

HSL 242.68, 0.7%, 0.44%

LAB 27.78, 54.13, -78.56

 

CMYK 57 / 82 / 0 / 25

HEX #5322BF

RGB 83 34 191

HSL 258.73, 0.7%, 0.44%

LAB 31.22, 57.63, -72.76

 

CMYK 35 / 82 / 0 / 25

HEX #7D22BF

RGB 125 34 191

HSL 274.78, 0.7%, 0.44%

LAB 36.49, 63.17, -63.91

 

CMYK 82 / 42 / 0 / 25

HEX #226FBF

RGB 34 111 191

HSL 210.57, 0.7%, 0.44%

LAB 46.27, 6.21, -48.41

 

CMYK 82 / 64 / 0 / 25

HEX #2245BF

RGB 34 69 191

HSL 226.62, 0.7%, 0.44%

LAB 34.72, 33.55, -67.12

 

CMYK 82 / 82 / 0 / 25

HEX #2222BF

RGB 34 34 191

HSL 240, 0.7%, 0.44%

LAB 27.42, 53.77, -79.17

 

CMYK 82 / 42 / 0 / 25

HEX #226FBF

RGB 34 111 191

HSL 210.57, 0.7%, 0.44%

LAB 46.27, 6.21, -48.41

 

CMYK 92 / 47 / 0 / 18

HEX #106FD1

RGB 16 111 209

HSL 210.47, 0.86%, 0.44%

LAB 47.08, 12.03, -57.46

 

CMYK 82 / 42 / 0 / 25

HEX #226FBF

RGB 34 111 191

HSL 210.57, 0.7%, 0.44%

LAB 46.27, 6.21, -48.41

 

CMYK 70 / 35 / 0 / 32

HEX #3470AD

RGB 52 112 173

HSL 210.25, 0.54%, 0.44%

LAB 46.09, 1.08, -38.21

 

CMYK 55 / 27 / 0 / 40

HEX #46709A

RGB 70 112 154

HSL 210, 0.38%, 0.44%

LAB 45.94, -1.96, -27.23

 

CMYK 35 / 18 / 0 / 47

HEX #587088

RGB 88 112 136

HSL 210, 0.21%, 0.44%

LAB 46.23, -2.54, -16.02

 

CMYK 10 / 5 / 0 / 54

HEX #6A7076

RGB 106 112 118

HSL 210, 0.05%, 0.44%

LAB 46.92, -0.97, -4.11

 

CMYK 82 / 0 / 3 / 25

HEX #22BFBA

RGB 34 191 186

HSL 178.09, 0.7%, 0.44%

LAB 70.28, -38.59, -8.48

 

CMYK 82 / 19 / 0 / 25

HEX #229ABF

RGB 34 154 191

HSL 194.14, 0.7%, 0.44%

LAB 59.17, -18.8, -28.12

 

CMYK 82 / 41 / 0 / 25

HEX #2270BF

RGB 34 112 191

HSL 210.19, 0.7%, 0.44%

LAB 46.57, 5.58, -47.94

 

CMYK 82 / 63 / 0 / 25

HEX #2246BF

RGB 34 70 191

HSL 226.24, 0.7%, 0.44%

LAB 34.97, 32.9, -66.71

 

CMYK 80 / 82 / 0 / 25

HEX #2722BF

RGB 39 34 191

HSL 241.91, 0.7%, 0.44%

LAB 27.67, 54.02, -78.74

 

CMYK 83 / 42 / 0 / 53

HEX #154679

RGB 21 70 121

HSL 210.6, 0.7%, 0.28%

LAB 29.21, 3.67, -33.65

 

CMYK 83 / 42 / 0 / 39

HEX #1B5B9C

RGB 27 91 156

HSL 210.23, 0.7%, 0.36%

LAB 38.05, 4.59, -40.98

 

CMYK 82 / 42 / 0 / 25

HEX #226FBF

RGB 34 111 191

HSL 210.57, 0.7%, 0.44%

LAB 46.27, 6.21, -48.41

 

CMYK 78 / 39 / 0 / 15

HEX #2F84DA

RGB 47 132 218

HSL 210.18, 0.7%, 0.52%

LAB 54.21, 4.75, -51.11

 

CMYK 64 / 32 / 0 / 12

HEX #5299E1

RGB 82 153 225

HSL 210.21, 0.7%, 0.6%

LAB 61.67, -0.25, -43.14

 

CMYK 82 / 41 / 0 / 26

HEX #216EBD

RGB 33.7 110.6 189

HSL 210.29, 0.7%, 0.44%

LAB 46.03, 5.66, -47.64

 

CMYK 25 / 82 / 0 / 25

HEX #9022BF

RGB 144 34 191

HSL 282.04, 0.7%, 0.44%

LAB 39.3, 66.18, -59.21

 

CMYK 8 / 0 / 82 / 25

HEX #AFBF22

RGB 175 191 34

HSL 66.11, 0.7%, 0.44%

LAB 73.86, -23.58, 69.26

 

CMYK 82 / 41 / 0 / 26

HEX #216EBD

RGB 33.7 110.6 189

HSL 210.29, 0.7%, 0.44%

LAB 46.03, 5.66, -47.64

 

CMYK 0 / 82 / 41 / 25

HEX #BF2270

RGB 191 34 112

HSL 330.19, 0.7%, 0.44%

LAB 43.35, 64.48, -4.52

 

CMYK 41 / 0 / 82 / 25

HEX #70BF22

RGB 112 191 34

HSL 90.19, 0.7%, 0.44%

LAB 70.05, -48, 64.45

 

CMYK 82 / 41 / 0 / 26

HEX #216EBD

RGB 33.7 110.6 189

HSL 210.29, 0.7%, 0.44%

LAB 46.03, 5.66, -47.64

 

CMYK 25 / 82 / 0 / 25

HEX #9022BF

RGB 144 34 191

HSL 282.04, 0.7%, 0.44%

LAB 39.3, 66.18, -59.21

 

CMYK 0 / 41 / 82 / 25

HEX #BF7022

RGB 191 112 34

HSL 29.81, 0.7%, 0.44%

LAB 54.85, 25.61, 53.22

 

CMYK 58 / 0 / 82 / 25

HEX #51BF22

RGB 81 191 34

HSL 102.04, 0.7%, 0.44%

LAB 68.84, -57.26, 62.9

 

CMYK 82 / 41 / 0 / 26

HEX #216EBD

RGB 33.7 110.6 189

HSL 210.29, 0.7%, 0.44%

LAB 46.03, 5.66, -47.64

 

CMYK 0 / 82 / 0 / 25

HEX #BF22BF

RGB 191 34 191

HSL 300, 0.7%, 0.44%

LAB 46.95, 74.53, -46.5

 

CMYK 0 / 41 / 82 / 25

HEX #BF7022

RGB 191 112 34

HSL 29.81, 0.7%, 0.44%

LAB 54.85, 25.61, 53.22

 

CMYK 82 / 0 / 82 / 25

HEX #22BF22

RGB 34 191 34

HSL 120, 0.7%, 0.44%

LAB 67.81, -65.96, 61.58

 

Description

Color code: RGB 33.7 110.6 189 | qconv.com Color code: RGB 33.7 110.6 189 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33.7 red, 110.6 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33.7 110.6 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 41 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 41% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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