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Color name
RGB 33.5 21 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33.5 21 19 it is the complementary color RGB 221.5 234 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33.5 21 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33.5 21 19 shade: RGB 38.5 21 14, RGB 55.5 39 33, RGB 72.5 57 52, RGB 89.5 75 71 and RGB 106.5 93 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33.5 21 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33.5 21 19 shade: RGB 33.5 21 19 and RGB 16.5 3 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33.5 21 19 shade: RGB 33 20 18 and RGB 33 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33.5 21 19 shade: RGB 33 20 18, RGB 33 24 18, RGB 33 28 18, RGB 33 32 18 and RGB 30 33 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33.5 21 19 shade matches the following richer shades: RGB 33 20 18, RGB 37 17 14, RGB 41 14 10, RGB 45 11 6 and RGB 49 8 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33.5 21 19 shade: RGB 33 20 18, RGB 29 23 22, RGB 24 26 27, RGB 20 29 31 and RGB 16 32 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33.5 21 19 shade: RGB 33 18 24, RGB 33 18 20, RGB 33 20 18, RGB 33 24 18 and RGB 33 28 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33.5 21 19 shade: RGB 0 0 0, RGB 6 4 4, RGB 33 20 18, RGB 59 37 33 and RGB 85 53 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33.5 21 19 shade: RGB 33.5 21 19, RGB 28 33 18 and RGB 18 22 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33.5 21 19 shade: RGB 33.5 21 19, RGB 18 33 20 and RGB 20 18 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33.5 21 19 shade: RGB 33.5 21 19, RGB 28 33 18, RGB 18 31 33 and RGB 23 18 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33.5 21 19 shade: RGB 33.5 21 19, RGB 24 33 18, RGB 18 31 33 and RGB 27 18 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 43 / 87

HEX #211513

RGB 33.5 21 19

HSL 8.28, 0.28%, 0.1%

LAB 8.26, 6.03, 3.68

 

Complementary color

CMYK 6 / 1 / 0 / 7

HEX #DDEAEC

RGB 221.5 234 236

HSL 188.28, 0.28%, 0.9%

LAB 91.84, -3.76, -2.41

 

CMYK 0 / 45 / 64 / 85

HEX #26150E

RGB 38.5 21 14

HSL 17.14, 0.47%, 0.1%

LAB 8.91, 7.94, 7.56

 

CMYK 0 / 30 / 41 / 78

HEX #372721

RGB 55.5 39 33

HSL 16, 0.25%, 0.17%

LAB 17.4, 6.75, 7

 

CMYK 0 / 21 / 28 / 72

HEX #483934

RGB 72.5 57 52

HSL 14.63, 0.16%, 0.24%

LAB 25.48, 5.95, 5.71

 

CMYK 0 / 16 / 21 / 65

HEX #594B47

RGB 89.5 75 71

HSL 12.97, 0.12%, 0.31%

LAB 33.21, 5.36, 4.64

 

CMYK 0 / 13 / 15 / 58

HEX #6A5D5A

RGB 106.5 93 90

HSL 10.91, 0.08%, 0.39%

LAB 40.67, 4.89, 3.71

 

CMYK 0 / 37 / 43 / 87

HEX #211513

RGB 33.5 21 19

HSL 8.28, 0.28%, 0.1%

LAB 8.26, 6.03, 3.68

 

CMYK 0 / 82 / 100 / 94

HEX #100300

RGB 16.5 3 0

HSL 10.91, 1%, 0.03%

LAB 1.62, 3.44, 2.5

 

CMYK 0 / 39 / 45 / 87

HEX #211412

RGB 33 20 18

HSL 8, 0.29%, 0.1%

LAB 7.83, 6.33, 3.67

 

CMYK 0 / 45 / 45 / 87

HEX #211212

RGB 33 18 18

HSL 0, 0.29%, 0.1%

LAB 7.22, 7.71, 2.78

 

CMYK 0 / 39 / 45 / 87

HEX #211412

RGB 33 20 18

HSL 8, 0.29%, 0.1%

LAB 7.83, 6.33, 3.67

 

CMYK 0 / 27 / 45 / 87

HEX #211812

RGB 33 24 18

HSL 24, 0.29%, 0.1%

LAB 9.16, 3.37, 5.59

 

CMYK 0 / 15 / 45 / 87

HEX #211C12

RGB 33 28 18

HSL 40, 0.29%, 0.1%

LAB 10.54, 0.45, 7.55

 

CMYK 0 / 3 / 45 / 87

HEX #212012

RGB 33 32 18

HSL 56, 0.29%, 0.1%

LAB 11.96, -2.4, 9.51

 

CMYK 9 / 0 / 45 / 87

HEX #1E2112

RGB 30 33 18

HSL 72, 0.29%, 0.1%

LAB 12.01, -4.67, 9.53

 

CMYK 0 / 39 / 45 / 87

HEX #211412

RGB 33 20 18

HSL 8, 0.29%, 0.1%

LAB 7.83, 6.33, 3.67

 

CMYK 0 / 54 / 62 / 85

HEX #25110E

RGB 37 17 14

HSL 7.83, 0.45%, 0.1%

LAB 7.46, 9.98, 5.43

 

CMYK 0 / 66 / 76 / 84

HEX #290E0A

RGB 41 14 10

HSL 7.74, 0.61%, 0.1%

LAB 7.29, 13.59, 7.09

 

CMYK 0 / 76 / 87 / 82

HEX #2D0B06

RGB 45 11 6

HSL 7.69, 0.76%, 0.1%

LAB 7.32, 17.02, 8.85

 

CMYK 0 / 84 / 96 / 81

HEX #310802

RGB 49 8 2

HSL 7.66, 0.92%, 0.1%

LAB 7.51, 20.2, 10.86

 

CMYK 0 / 39 / 45 / 87

HEX #211412

RGB 33 20 18

HSL 8, 0.29%, 0.1%

LAB 7.83, 6.33, 3.67

 

CMYK 0 / 21 / 24 / 89

HEX #1D1716

RGB 29 23 22

HSL 8.57, 0.14%, 0.1%

LAB 8.41, 2.78, 1.79

 

CMYK 11 / 4 / 0 / 89

HEX #181A1B

RGB 24 26 27

HSL 200, 0.06%, 0.1%

LAB 9.09, -0.68, -1.03

 

CMYK 35 / 6 / 0 / 88

HEX #141D1F

RGB 20 29 31

HSL 190.91, 0.22%, 0.1%

LAB 10, -3.43, -2.71

 

CMYK 54 / 9 / 0 / 86

HEX #102023

RGB 16 32 35

HSL 189.47, 0.37%, 0.1%

LAB 11.03, -5.71, -4.16

 

CMYK 0 / 45 / 27 / 87

HEX #211218

RGB 33 18 24

HSL 336, 0.29%, 0.1%

LAB 7.42, 8.9, -1.07

 

CMYK 0 / 45 / 39 / 87

HEX #211214

RGB 33 18 20

HSL 352, 0.29%, 0.1%

LAB 7.28, 8.08, 1.6

 

CMYK 0 / 39 / 45 / 87

HEX #211412

RGB 33 20 18

HSL 8, 0.29%, 0.1%

LAB 7.83, 6.33, 3.67

 

CMYK 0 / 27 / 45 / 87

HEX #211812

RGB 33 24 18

HSL 24, 0.29%, 0.1%

LAB 9.16, 3.37, 5.59

 

CMYK 0 / 15 / 45 / 87

HEX #211C12

RGB 33 28 18

HSL 40, 0.29%, 0.1%

LAB 10.54, 0.45, 7.55

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 33 / 33 / 98

HEX #060404

RGB 6 4 4

HSL 0, 0.2%, 0.02%

LAB 1.21, 0.52, 0.18

 

CMYK 0 / 39 / 45 / 87

HEX #211412

RGB 33 20 18

HSL 8, 0.29%, 0.1%

LAB 7.83, 6.33, 3.67

 

CMYK 0 / 37 / 44 / 77

HEX #3B2521

RGB 59 37 33

HSL 9.23, 0.28%, 0.18%

LAB 17.29, 9.83, 6.91

 

CMYK 0 / 38 / 44 / 67

HEX #553530

RGB 85 53 48

HSL 8.11, 0.28%, 0.26%

LAB 25.84, 13.69, 9.09

 

CMYK 0 / 37 / 43 / 87

HEX #211513

RGB 33.5 21 19

HSL 8.28, 0.28%, 0.1%

LAB 8.26, 6.03, 3.68

 

CMYK 15 / 0 / 45 / 87

HEX #1C2112

RGB 28 33 18

HSL 80, 0.29%, 0.1%

LAB 11.81, -5.7, 9.23

 

CMYK 45 / 33 / 0 / 87

HEX #121621

RGB 18 22 33

HSL 224, 0.29%, 0.1%

LAB 7.34, 1.59, -8.27

 

CMYK 0 / 37 / 43 / 87

HEX #211513

RGB 33.5 21 19

HSL 8.28, 0.28%, 0.1%

LAB 8.26, 6.03, 3.68

 

CMYK 45 / 0 / 39 / 87

HEX #122114

RGB 18 33 20

HSL 128, 0.29%, 0.1%

LAB 11.04, -10.02, 6.77

 

CMYK 39 / 45 / 0 / 87

HEX #141221

RGB 20 18 33

HSL 248, 0.29%, 0.1%

LAB 6.24, 5.01, -9.92

 

CMYK 0 / 37 / 43 / 87

HEX #211513

RGB 33.5 21 19

HSL 8.28, 0.28%, 0.1%

LAB 8.26, 6.03, 3.68

 

CMYK 15 / 0 / 45 / 87

HEX #1C2112

RGB 28 33 18

HSL 80, 0.29%, 0.1%

LAB 11.81, -5.7, 9.23

 

CMYK 45 / 6 / 0 / 87

HEX #121F21

RGB 18 31 33

HSL 188, 0.29%, 0.1%

LAB 10.69, -4.98, -3.18

 

CMYK 30 / 45 / 0 / 87

HEX #171221

RGB 23 18 33

HSL 260, 0.29%, 0.1%

LAB 6.55, 6.37, -9.44

 

CMYK 0 / 37 / 43 / 87

HEX #211513

RGB 33.5 21 19

HSL 8.28, 0.28%, 0.1%

LAB 8.26, 6.03, 3.68

 

CMYK 27 / 0 / 45 / 87

HEX #182112

RGB 24 33 18

HSL 96, 0.29%, 0.1%

LAB 11.45, -7.7, 8.68

 

CMYK 45 / 6 / 0 / 87

HEX #121F21

RGB 18 31 33

HSL 188, 0.29%, 0.1%

LAB 10.69, -4.98, -3.18

 

CMYK 18 / 45 / 0 / 87

HEX #1B1221

RGB 27 18 33

HSL 276, 0.29%, 0.1%

LAB 7, 8.27, -8.69

 

Description

Color code: RGB 33.5 21 19 | qconv.com Color code: RGB 33.5 21 19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33.5 red, 21 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33.5 21 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 43 yellow and 87 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 43% 87% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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