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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 74.2 94.6 it is the complementary color RGB 223 180.8 160.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 74.2 94.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 32 74.2 94.6 shade: RGB 37 74.2 89.6, RGB 54 92.2 108.6, RGB 71 110.2 127.6, RGB 88 128.2 146.6 and RGB 105 146.2 165.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 74.2 94.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 32 74.2 94.6 shade: RGB 32 74.2 94.6, RGB 15 56.2 75.6, RGB 0 38.2 56.6, RGB 0 20.2 37.6 and RGB 0 2.2 18.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 32 74.2 94.6 shade: RGB 33 75 95, RGB 33 58 95, RGB 33 41 95, RGB 41 33 95 and RGB 58 33 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 32 74.2 94.6 shade: RGB 33 75 95, RGB 33 58 95, RGB 33 41 95 and RGB 33 33 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 32 74.2 94.6 shade matches the following richer shades: RGB 33 75 95, RGB 22 78 105, RGB 12 82 116 and RGB 2 85 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 32 74.2 94.6 shade: RGB 33 75 95, RGB 43 71 85, RGB 53 67 74, RGB 63 64 64 and RGB 74 60 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 32 74.2 94.6 shade: RGB 33 95 81, RGB 33 92 95, RGB 33 75 95, RGB 33 59 95 and RGB 33 42 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 32 74.2 94.6 shade: RGB 11 26 34, RGB 22 50 64, RGB 33 75 95, RGB 43 99 126 and RGB 54 123 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 32 74.2 94.6 shade: RGB 32 74.2 94.6, RGB 65 33 95 and RGB 95 90 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 32 74.2 94.6 shade: RGB 32 74.2 94.6, RGB 95 33 75 and RGB 75 95 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 32 74.2 94.6 shade: RGB 32 74.2 94.6, RGB 65 33 95, RGB 95 52 33 and RGB 63 95 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 32 74.2 94.6 shade: RGB 32 74.2 94.6, RGB 84 33 95, RGB 95 52 33 and RGB 44 95 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 22 / 0 / 63

HEX #204A5E

RGB 32 74.2 94.6

HSL 199.55, 0.49%, 0.25%

LAB 29.54, -7.64, -16.38

 

Complementary color

CMYK 0 / 19 / 28 / 13

HEX #DFB4A0

RGB 223 180.8 160.4

HSL 19.55, 0.49%, 0.75%

LAB 76.8, 12.29, 16.15

 

CMYK 59 / 17 / 0 / 65

HEX #254A59

RGB 37 74.2 89.6

HSL 197.57, 0.42%, 0.25%

LAB 29.54, -8.26, -13.16

 

CMYK 50 / 15 / 0 / 57

HEX #365C6C

RGB 54 92.2 108.6

HSL 198.02, 0.34%, 0.32%

LAB 37.06, -8.62, -13.57

 

CMYK 44 / 14 / 0 / 50

HEX #476E7F

RGB 71 110.2 127.6

HSL 198.45, 0.28%, 0.39%

LAB 44.35, -8.84, -13.95

 

CMYK 40 / 13 / 0 / 43

HEX #588092

RGB 88 128.2 146.6

HSL 198.84, 0.25%, 0.46%

LAB 51.45, -8.99, -14.34

 

CMYK 37 / 12 / 0 / 35

HEX #6992A5

RGB 105 146.2 165.6

HSL 199.21, 0.25%, 0.53%

LAB 58.38, -9.1, -14.72

 

CMYK 66 / 22 / 0 / 63

HEX #204A5E

RGB 32 74.2 94.6

HSL 199.55, 0.49%, 0.25%

LAB 29.54, -7.64, -16.38

 

CMYK 80 / 26 / 0 / 70

HEX #0F384B

RGB 15 56.2 75.6

HSL 199.21, 0.67%, 0.18%

LAB 21.82, -6.57, -15.97

 

CMYK 100 / 33 / 0 / 78

HEX #002638

RGB 0 38.2 56.6

HSL 199.51, 1%, 0.11%

LAB 13.77, -4.94, -15.54

 

CMYK 100 / 46 / 0 / 85

HEX #001425

RGB 0 20.2 37.6

HSL 207.77, 1%, 0.07%

LAB 5.82, -0.64, -14.18

 

CMYK 100 / 88 / 0 / 93

HEX #000212

RGB 0 2.2 18.6

HSL 232.9, 1%, 0.04%

LAB 0.84, 2.02, -7.26

 

CMYK 65 / 21 / 0 / 63

HEX #214B5F

RGB 33 75 95

HSL 199.35, 0.48%, 0.25%

LAB 29.87, -7.78, -16.13

 

CMYK 65 / 39 / 0 / 63

HEX #213A5F

RGB 33 58 95

HSL 215.81, 0.48%, 0.25%

LAB 24.24, 3.39, -24.91

 

CMYK 65 / 57 / 0 / 63

HEX #21295F

RGB 33 41 95

HSL 232.26, 0.48%, 0.25%

LAB 18.95, 15.47, -33.37

 

CMYK 57 / 65 / 0 / 63

HEX #29215F

RGB 41 33 95

HSL 247.74, 0.48%, 0.25%

LAB 17.39, 22.79, -35.86

 

CMYK 39 / 65 / 0 / 63

HEX #3A215F

RGB 58 33 95

HSL 264.19, 0.48%, 0.25%

LAB 19.28, 26.84, -32.71

 

CMYK 65 / 21 / 0 / 63

HEX #214B5F

RGB 33 75 95

HSL 199.35, 0.48%, 0.25%

LAB 29.87, -7.78, -16.13

 

CMYK 65 / 39 / 0 / 63

HEX #213A5F

RGB 33 58 95

HSL 215.81, 0.48%, 0.25%

LAB 24.24, 3.39, -24.91

 

CMYK 65 / 57 / 0 / 63

HEX #21295F

RGB 33 41 95

HSL 232.26, 0.48%, 0.25%

LAB 18.95, 15.47, -33.37

 

CMYK 65 / 65 / 0 / 63

HEX #21215F

RGB 33 33 95

HSL 240, 0.48%, 0.25%

LAB 16.69, 21.18, -37.04

 

CMYK 65 / 21 / 0 / 63

HEX #214B5F

RGB 33 75 95

HSL 199.35, 0.48%, 0.25%

LAB 29.87, -7.78, -16.13

 

CMYK 79 / 26 / 0 / 59

HEX #164E69

RGB 22 78 105

HSL 199.52, 0.65%, 0.25%

LAB 30.97, -7.84, -20.8

 

CMYK 90 / 29 / 0 / 55

HEX #0C5274

RGB 12 82 116

HSL 199.62, 0.81%, 0.25%

LAB 32.64, -7.09, -25.11

 

CMYK 98 / 33 / 0 / 51

HEX #02557E

RGB 2 85 126

HSL 199.84, 0.97%, 0.25%

LAB 34.02, -5.61, -29.16

 

CMYK 65 / 21 / 0 / 63

HEX #214B5F

RGB 33 75 95

HSL 199.35, 0.48%, 0.25%

LAB 29.87, -7.78, -16.13

 

CMYK 49 / 16 / 0 / 67

HEX #2B4755

RGB 43 71 85

HSL 200, 0.33%, 0.25%

LAB 28.58, -6.2, -11.63

 

CMYK 28 / 9 / 0 / 71

HEX #35434A

RGB 53 67 74

HSL 200, 0.17%, 0.25%

LAB 27.48, -3.74, -6.09

 

CMYK 2 / 0 / 0 / 75

HEX #3F4040

RGB 63 64 64

HSL 180, 0.01%, 0.25%

LAB 27, -0.42, -0.15

 

CMYK 0 / 19 / 27 / 71

HEX #4A3C36

RGB 74 60 54

HSL 18, 0.16%, 0.25%

LAB 26.6, 5.03, 6

 

CMYK 65 / 0 / 15 / 63

HEX #215F51

RGB 33 95 81

HSL 166.45, 0.48%, 0.25%

LAB 36.18, -23.59, 2.16

 

CMYK 65 / 3 / 0 / 63

HEX #215C5F

RGB 33 92 95

HSL 182.9, 0.48%, 0.25%

LAB 35.6, -17.75, -7.4

 

CMYK 65 / 21 / 0 / 63

HEX #214B5F

RGB 33 75 95

HSL 199.35, 0.48%, 0.25%

LAB 29.87, -7.78, -16.13

 

CMYK 65 / 38 / 0 / 63

HEX #213B5F

RGB 33 59 95

HSL 214.84, 0.48%, 0.25%

LAB 24.57, 2.7, -24.39

 

CMYK 65 / 56 / 0 / 63

HEX #212A5F

RGB 33 42 95

HSL 231.29, 0.48%, 0.25%

LAB 19.25, 14.75, -32.89

 

CMYK 68 / 24 / 0 / 87

HEX #0B1A22

RGB 11 26 34

HSL 200.87, 0.51%, 0.09%

LAB 8.35, -3.4, -7.5

 

CMYK 66 / 22 / 0 / 75

HEX #163240

RGB 22 50 64

HSL 200, 0.49%, 0.17%

LAB 19.32, -5.6, -11.99

 

CMYK 65 / 21 / 0 / 63

HEX #214B5F

RGB 33 75 95

HSL 199.35, 0.48%, 0.25%

LAB 29.87, -7.78, -16.13

 

CMYK 66 / 21 / 0 / 51

HEX #2B637E

RGB 43 99 126

HSL 199.52, 0.49%, 0.33%

LAB 39.49, -9.39, -20.55

 

CMYK 65 / 21 / 0 / 39

HEX #367B9C

RGB 54 123 156

HSL 199.41, 0.49%, 0.41%

LAB 48.7, -11.06, -24.18

 

CMYK 66 / 22 / 0 / 63

HEX #204A5E

RGB 32 74.2 94.6

HSL 199.55, 0.49%, 0.25%

LAB 29.54, -7.64, -16.38

 

CMYK 32 / 65 / 0 / 63

HEX #41215F

RGB 65 33 95

HSL 270.97, 0.48%, 0.25%

LAB 20.19, 28.67, -31.19

 

CMYK 0 / 5 / 65 / 63

HEX #5F5A21

RGB 95 90 33

HSL 55.16, 0.48%, 0.25%

LAB 37.58, -6.05, 32.76

 

CMYK 66 / 22 / 0 / 63

HEX #204A5E

RGB 32 74.2 94.6

HSL 199.55, 0.49%, 0.25%

LAB 29.54, -7.64, -16.38

 

CMYK 0 / 65 / 21 / 63

HEX #5F214B

RGB 95 33 75

HSL 319.35, 0.48%, 0.25%

LAB 23.77, 33.41, -11.9

 

CMYK 21 / 0 / 65 / 63

HEX #4B5F21

RGB 75 95 33

HSL 79.35, 0.48%, 0.25%

LAB 37.46, -18.22, 32.14

 

CMYK 66 / 22 / 0 / 63

HEX #204A5E

RGB 32 74.2 94.6

HSL 199.55, 0.49%, 0.25%

LAB 29.54, -7.64, -16.38

 

CMYK 32 / 65 / 0 / 63

HEX #41215F

RGB 65 33 95

HSL 270.97, 0.48%, 0.25%

LAB 20.19, 28.67, -31.19

 

CMYK 0 / 45 / 65 / 63

HEX #5F3421

RGB 95 52 33

HSL 18.39, 0.48%, 0.25%

LAB 26.73, 17.32, 20.25

 

CMYK 34 / 0 / 65 / 63

HEX #3F5F21

RGB 63 95 33

HSL 90.97, 0.48%, 0.25%

LAB 36.65, -23.35, 31.01

 

CMYK 66 / 22 / 0 / 63

HEX #204A5E

RGB 32 74.2 94.6

HSL 199.55, 0.49%, 0.25%

LAB 29.54, -7.64, -16.38

 

CMYK 12 / 65 / 0 / 63

HEX #54215F

RGB 84 33 95

HSL 289.35, 0.48%, 0.25%

LAB 22.99, 33.9, -26.56

 

CMYK 0 / 45 / 65 / 63

HEX #5F3421

RGB 95 52 33

HSL 18.39, 0.48%, 0.25%

LAB 26.73, 17.32, 20.25

 

CMYK 54 / 0 / 65 / 63

HEX #2C5F21

RGB 44 95 33

HSL 109.35, 0.48%, 0.25%

LAB 35.65, -30.37, 29.62

 

Description

Color code: RGB 32 74.2 94.6 | qconv.com Color code: RGB 32 74.2 94.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 74.2 green and 94.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 74.2 94.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 22 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 22% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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