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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 200 83 it is the complementary color RGB 223 55 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 200 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 32 200 83: RGB 37 200 78, RGB 54 218 97, RGB 71 236 116, RGB 88 254 135 and RGB 105 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 200 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 32 200 83: RGB 32 200 83, RGB 15 182 64, RGB 0 164 45, RGB 0 146 26 and RGB 0 128 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

Complementary color

CMYK 0 / 75 / 23 / 13

HEX #DF37AC

RGB 223 55 172

HSL 318.21, 0.72%, 0.55%

LAB 53.38, 73.25, -24.9

 

CMYK 82 / 0 / 61 / 22

HEX #25C84E

RGB 37 200 78

HSL 135.09, 0.69%, 0.46%

LAB 71.04, -64.55, 48.74

 

CMYK 75 / 0 / 56 / 15

HEX #36DA61

RGB 54 218 97

HSL 135.73, 0.69%, 0.53%

LAB 77.16, -65.89, 47.32

 

CMYK 70 / 0 / 51 / 7

HEX #47EC74

RGB 71 236 116

HSL 136.36, 0.81%, 0.6%

LAB 83.23, -66.79, 45.87

 

CMYK 65 / 0 / 47 / 0

HEX #58FE87

RGB 88 254 135

HSL 136.99, 0.99%, 0.67%

LAB 89.26, -67.37, 44.43

 

CMYK 59 / 0 / 40 / 0

HEX #69FF9A

RGB 105 255 154

HSL 139.6, 1%, 0.71%

LAB 90.26, -61.44, 36.57

 

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

CMYK 92 / 0 / 65 / 29

HEX #0FB640

RGB 15 182 64

HSL 137.6, 0.85%, 0.39%

LAB 64.91, -62.39, 47.9

 

CMYK 100 / 0 / 73 / 36

HEX #00A42D

RGB 0 164 45

HSL 136.46, 1%, 0.32%

LAB 58.73, -59.65, 49.04

 

CMYK 100 / 0 / 82 / 43

HEX #00921A

RGB 0 146 26

HSL 130.68, 1%, 0.29%

LAB 52.54, -55.8, 49.51

 

CMYK 100 / 0 / 95 / 50

HEX #008007

RGB 0 128 7

HSL 123.28, 1%, 0.25%

LAB 46.25, -51.43, 48.47

 

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

CMYK 84 / 0 / 45 / 23

HEX #20C56D

RGB 32 197 109

HSL 148, 0.72%, 0.45%

LAB 70.42, -59.46, 33.04

 

CMYK 84 / 0 / 31 / 23

HEX #20C588

RGB 32 197 136

HSL 157.82, 0.72%, 0.45%

LAB 70.88, -54.11, 19.53

 

CMYK 84 / 0 / 17 / 23

HEX #20C5A4

RGB 32 197 164

HSL 168, 0.72%, 0.45%

LAB 71.5, -47.41, 5.31

 

CMYK 84 / 0 / 3 / 23

HEX #20C5BF

RGB 32 197 191

HSL 177.82, 0.72%, 0.45%

LAB 72.23, -40, -8.32

 

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

CMYK 84 / 0 / 59 / 2

HEX #28FB68

RGB 40 251 104

HSL 138.2, 0.96%, 0.57%

LAB 87.21, -76.97, 55.98

 

CMYK 83 / 0 / 57 / 82

HEX #082F14

RGB 8 47 20

HSL 138.46, 0.71%, 0.11%

LAB 16.18, -20.91, 13.48

 

CMYK 84 / 0 / 58 / 62

HEX #106229

RGB 16 98 41

HSL 138.29, 0.72%, 0.22%

LAB 36, -37, 25.61

 

CMYK 84 / 0 / 58 / 42

HEX #18953E

RGB 24 149 62

HSL 138.24, 0.72%, 0.34%

LAB 54.07, -51.22, 36.42

 

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

CMYK 84 / 42 / 0 / 23

HEX #2072C5

RGB 32 114 197

HSL 210.18, 0.72%, 0.45%

LAB 47.46, 6.46, -49.97

 

CMYK 0 / 84 / 76 / 23

HEX #C52030

RGB 197 32 48

HSL 354.18, 0.72%, 0.45%

LAB 42.94, 62.32, 34.81

 

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

CMYK 59 / 84 / 0 / 23

HEX #5120C5

RGB 81 32 197

HSL 257.82, 0.72%, 0.45%

LAB 31.38, 59.76, -76.04

 

CMYK 0 / 59 / 84 / 23

HEX #C55120

RGB 197 81 32

HSL 17.82, 0.72%, 0.45%

LAB 49.33, 43.95, 49.46

 

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

CMYK 84 / 42 / 0 / 23

HEX #2072C5

RGB 32 114 197

HSL 210.18, 0.72%, 0.45%

LAB 47.46, 6.46, -49.97

 

CMYK 0 / 84 / 25 / 23

HEX #C52093

RGB 197 32 147

HSL 318.18, 0.72%, 0.45%

LAB 45.65, 70.14, -22.36

 

CMYK 0 / 42 / 84 / 23

HEX #C57220

RGB 197 114 32

HSL 29.82, 0.72%, 0.45%

LAB 56.1, 27.02, 55.38

 

CMYK 84 / 0 / 59 / 22

HEX #20C853

RGB 32 200 83

HSL 138.21, 0.72%, 0.45%

LAB 71.04, -64.43, 46.46

 

CMYK 84 / 67 / 0 / 23

HEX #2041C5

RGB 32 65 197

HSL 228, 0.72%, 0.45%

LAB 34.23, 38.2, -71.44

 

CMYK 0 / 84 / 25 / 23

HEX #C52093

RGB 197 32 147

HSL 318.18, 0.72%, 0.45%

LAB 45.65, 70.14, -22.36

 

CMYK 0 / 17 / 84 / 23

HEX #C5A420

RGB 197 164 32

HSL 48, 0.72%, 0.45%

LAB 68.41, -0.18, 65.88

 

Description

Color code: RGB 32 200 83 | qconv.com Color code: RGB 32 200 83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 200 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 200 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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