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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 54.4 92.4 it is the complementary color RGB 224 200.6 162.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 54.4 92.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 54.4 92.4 shade: RGB 36 54.4 87.4, RGB 53 72.4 106.4, RGB 70 90.4 125.4, RGB 87 108.4 144.4 and RGB 104 126.4 163.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 54.4 92.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 54.4 92.4 shade: RGB 31 54.4 92.4, RGB 14 36.4 73.4, RGB 0 18.4 54.4, RGB 0 0.4 35.4 and RGB 0 0 16.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 54.4 92.4 shade: RGB 31 54 92, RGB 31 37 92, RGB 40 31 92, RGB 57 31 92 and RGB 73 31 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 54.4 92.4 shade: RGB 31 54 92, RGB 31 37 92 and RGB 31 31 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 54.4 92.4 shade matches the following richer shades: RGB 31 54 92, RGB 21 52 102, RGB 11 49 112 and RGB 1 47 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 54.4 92.4 shade: RGB 31 54 92, RGB 41 56 82, RGB 50 59 72, RGB 60 61 62 and RGB 70 63 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 54.4 92.4 shade: RGB 31 87 92, RGB 31 70 92, RGB 31 54 92, RGB 31 38 92 and RGB 40 31 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 54.4 92.4 shade: RGB 10 18 30, RGB 20 36 61, RGB 31 54 92, RGB 41 72 123 and RGB 51 90 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 54.4 92.4 shade: RGB 31 54.4 92.4, RGB 81 31 92 and RGB 79 92 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 54.4 92.4 shade: RGB 31 54.4 92.4, RGB 92 31 54 and RGB 54 92 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 54.4 92.4 shade: RGB 31 54.4 92.4, RGB 81 31 92, RGB 92 68 31 and RGB 42 92 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 54.4 92.4 shade: RGB 31 54.4 92.4, RGB 92 31 85, RGB 92 68 31 and RGB 31 92 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54.4 92.4

HSL 217.13, 0.5%, 0.24%

LAB 22.82, 4.44, -25.48

 

Complementary color

CMYK 0 / 10 / 27 / 12

HEX #E0C8A2

RGB 224 200.6 162.6

HSL 37.13, 0.5%, 0.76%

LAB 81.87, 2.5, 22.02

 

CMYK 59 / 38 / 0 / 66

HEX #243657

RGB 36 54.4 87.4

HSL 218.52, 0.42%, 0.24%

LAB 22.81, 3.71, -22.18

 

CMYK 50 / 32 / 0 / 58

HEX #35486A

RGB 53 72.4 106.4

HSL 218.2, 0.34%, 0.31%

LAB 30.62, 2.82, -22.12

 

CMYK 44 / 28 / 0 / 51

HEX #465A7D

RGB 70 90.4 125.4

HSL 217.91, 0.28%, 0.38%

LAB 38.15, 2.18, -22.15

 

CMYK 40 / 25 / 0 / 43

HEX #576C90

RGB 87 108.4 144.4

HSL 217.63, 0.25%, 0.45%

LAB 45.44, 1.7, -22.23

 

CMYK 36 / 23 / 0 / 36

HEX #687EA3

RGB 104 126.4 163.4

HSL 217.37, 0.24%, 0.52%

LAB 52.54, 1.32, -22.36

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54.4 92.4

HSL 217.13, 0.5%, 0.24%

LAB 22.82, 4.44, -25.48

 

CMYK 81 / 50 / 0 / 71

HEX #0E2449

RGB 14 36.4 73.4

HSL 217.37, 0.68%, 0.17%

LAB 14.77, 6.34, -25.62

 

CMYK 100 / 66 / 0 / 79

HEX #001236

RGB 0 18.4 54.4

HSL 219.71, 1%, 0.11%

LAB 6.47, 8.87, -25.64

 

CMYK 100 / 99 / 0 / 86

HEX #000023

RGB 0 0.4 35.4

HSL 239.32, 1%, 0.07%

LAB 1.2, 7.69, -19.65

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16.4

HSL 240, 1%, 0.03%

LAB 0.35, 2.45, -6.67

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54 92

HSL 217.38, 0.5%, 0.24%

LAB 22.66, 4.56, -25.46

 

CMYK 66 / 60 / 0 / 64

HEX #1F255C

RGB 31 37 92

HSL 234.1, 0.5%, 0.24%

LAB 17.4, 16.78, -33.89

 

CMYK 57 / 66 / 0 / 64

HEX #281F5C

RGB 40 31 92

HSL 248.85, 0.5%, 0.24%

LAB 16.52, 22.88, -35.28

 

CMYK 38 / 66 / 0 / 64

HEX #391F5C

RGB 57 31 92

HSL 265.57, 0.5%, 0.24%

LAB 18.46, 26.93, -32.05

 

CMYK 21 / 66 / 0 / 64

HEX #491F5C

RGB 73 31 92

HSL 281.31, 0.5%, 0.24%

LAB 20.71, 31.21, -28.32

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54 92

HSL 217.38, 0.5%, 0.24%

LAB 22.66, 4.56, -25.46

 

CMYK 66 / 60 / 0 / 64

HEX #1F255C

RGB 31 37 92

HSL 234.1, 0.5%, 0.24%

LAB 17.4, 16.78, -33.89

 

CMYK 66 / 66 / 0 / 64

HEX #1F1F5C

RGB 31 31 92

HSL 240, 0.5%, 0.24%

LAB 15.72, 21.07, -36.63

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54 92

HSL 217.38, 0.5%, 0.24%

LAB 22.66, 4.56, -25.46

 

CMYK 79 / 49 / 0 / 60

HEX #153466

RGB 21 52 102

HSL 217.04, 0.66%, 0.24%

LAB 22.21, 8.27, -32.73

 

CMYK 90 / 56 / 0 / 56

HEX #0B3170

RGB 11 49 112

HSL 217.43, 0.82%, 0.24%

LAB 21.72, 13.64, -40.01

 

CMYK 99 / 61 / 0 / 52

HEX #012F7A

RGB 1 47 122

HSL 217.19, 0.98%, 0.24%

LAB 21.74, 18.76, -46.37

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54 92

HSL 217.38, 0.5%, 0.24%

LAB 22.66, 4.56, -25.46

 

CMYK 50 / 32 / 0 / 68

HEX #293852

RGB 41 56 82

HSL 218.05, 0.33%, 0.24%

LAB 23.37, 2.05, -17.72

 

CMYK 31 / 18 / 0 / 72

HEX #323B48

RGB 50 59 72

HSL 215.45, 0.18%, 0.24%

LAB 24.56, -0.19, -9.2

 

CMYK 3 / 2 / 0 / 76

HEX #3C3D3E

RGB 60 61 62

HSL 210, 0.02%, 0.24%

LAB 25.7, -0.19, -0.77

 

CMYK 0 / 10 / 26 / 73

HEX #463F34

RGB 70 63 52

HSL 36.67, 0.15%, 0.24%

LAB 27.03, 0.9, 7.85

 

CMYK 66 / 5 / 0 / 64

HEX #1F575C

RGB 31 87 92

HSL 184.92, 0.5%, 0.24%

LAB 33.73, -16.33, -8.34

 

CMYK 66 / 24 / 0 / 64

HEX #1F465C

RGB 31 70 92

HSL 201.64, 0.5%, 0.24%

LAB 27.96, -6.15, -17.15

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54 92

HSL 217.38, 0.5%, 0.24%

LAB 22.66, 4.56, -25.46

 

CMYK 66 / 59 / 0 / 64

HEX #1F265C

RGB 31 38 92

HSL 233.11, 0.5%, 0.24%

LAB 17.69, 16.06, -33.42

 

CMYK 57 / 66 / 0 / 64

HEX #281F5C

RGB 40 31 92

HSL 248.85, 0.5%, 0.24%

LAB 16.52, 22.88, -35.28

 

CMYK 67 / 40 / 0 / 88

HEX #0A121E

RGB 10 18 30

HSL 216, 0.5%, 0.08%

LAB 5.34, 0.58, -9.06

 

CMYK 67 / 41 / 0 / 76

HEX #14243D

RGB 20 36 61

HSL 216.59, 0.51%, 0.16%

LAB 14.1, 2.57, -18.06

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54 92

HSL 217.38, 0.5%, 0.24%

LAB 22.66, 4.56, -25.46

 

CMYK 67 / 41 / 0 / 52

HEX #29487B

RGB 41 72 123

HSL 217.32, 0.5%, 0.32%

LAB 30.73, 6.23, -32.44

 

CMYK 67 / 42 / 0 / 40

HEX #335A9A

RGB 51 90 154

HSL 217.28, 0.5%, 0.4%

LAB 38.46, 7.83, -39.07

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54.4 92.4

HSL 217.13, 0.5%, 0.24%

LAB 22.82, 4.44, -25.48

 

CMYK 12 / 66 / 0 / 64

HEX #511F5C

RGB 81 31 92

HSL 289.18, 0.5%, 0.24%

LAB 21.95, 33.43, -26.27

 

CMYK 14 / 0 / 66 / 64

HEX #4F5C1F

RGB 79 92 31

HSL 72.79, 0.5%, 0.24%

LAB 36.77, -14.94, 32.46

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54.4 92.4

HSL 217.13, 0.5%, 0.24%

LAB 22.82, 4.44, -25.48

 

CMYK 0 / 66 / 41 / 64

HEX #5C1F36

RGB 92 31 54

HSL 337.38, 0.5%, 0.24%

LAB 22.02, 30.32, -0.24

 

CMYK 41 / 0 / 66 / 64

HEX #365C1F

RGB 54 92 31

HSL 97.38, 0.5%, 0.24%

LAB 35.08, -25.65, 30.11

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54.4 92.4

HSL 217.13, 0.5%, 0.24%

LAB 22.82, 4.44, -25.48

 

CMYK 12 / 66 / 0 / 64

HEX #511F5C

RGB 81 31 92

HSL 289.18, 0.5%, 0.24%

LAB 21.95, 33.43, -26.27

 

CMYK 0 / 26 / 66 / 64

HEX #5C441F

RGB 92 68 31

HSL 36.39, 0.5%, 0.24%

LAB 30.66, 5.71, 25.99

 

CMYK 54 / 0 / 66 / 64

HEX #2A5C1F

RGB 42 92 31

HSL 109.18, 0.5%, 0.24%

LAB 34.49, -29.91, 29.29

 

CMYK 66 / 41 / 0 / 64

HEX #1F365C

RGB 31 54.4 92.4

HSL 217.13, 0.5%, 0.24%

LAB 22.82, 4.44, -25.48

 

CMYK 0 / 66 / 8 / 64

HEX #5C1F55

RGB 92 31 85

HSL 306.89, 0.5%, 0.24%

LAB 23.38, 35.2, -19.25

 

CMYK 0 / 26 / 66 / 64

HEX #5C441F

RGB 92 68 31

HSL 36.39, 0.5%, 0.24%

LAB 30.66, 5.71, 25.99

 

CMYK 66 / 0 / 59 / 64

HEX #1F5C26

RGB 31 92 38

HSL 126.89, 0.5%, 0.24%

LAB 34.16, -32.14, 25.12

 

Description

Color code: RGB 31 54.4 92.4 | qconv.com Color code: RGB 31 54.4 92.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 54.4 green and 92.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 54.4 92.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 41 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 41% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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