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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 53 48 it is the complementary color RGB 224 202 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 53 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 53 48 shade: RGB 36 53 43, RGB 53 71 62, RGB 70 89 81, RGB 87 107 100 and RGB 104 125 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 53 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 53 48 shade: RGB 31 53 48, RGB 14 35 29, RGB 0 17 10 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 53 48 shade: RGB 30 51 47, RGB 30 51 41, RGB 30 51 35, RGB 31 51 30 and RGB 37 51 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 53 48 shade: RGB 30 51 47, RGB 30 51 51, RGB 30 45 51, RGB 30 39 51 and RGB 30 33 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 53 48 shade matches the following richer shades: RGB 30 51 47, RGB 24 58 50, RGB 17 65 54, RGB 10 71 57 and RGB 4 78 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 53 48 shade: RGB 30 51 47, RGB 37 45 43, RGB 43 38 39, RGB 50 32 36 and RGB 57 25 32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 53 48 shade: RGB 30 51 35, RGB 30 51 41, RGB 30 51 46, RGB 30 51 51 and RGB 30 45 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 53 48 shade: RGB 0 0 0, RGB 15 25 23, RGB 30 51 47, RGB 45 77 70 and RGB 61 103 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 53 48 shade: RGB 31 53 48, RGB 30 31 51 and RGB 51 38 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 53 48 shade: RGB 31 53 48, RGB 46 30 51 and RGB 51 46 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 53 48 shade: RGB 31 53 48, RGB 30 31 51, RGB 51 30 35 and RGB 51 51 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 53 48 shade: RGB 31 53 48, RGB 36 30 51, RGB 51 30 35 and RGB 46 51 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 9 / 79

HEX #1F3530

RGB 31 53 48

HSL 166.36, 0.26%, 0.16%

LAB 20.25, -10.13, 0.39

 

Complementary color

CMYK 0 / 10 / 8 / 12

HEX #E0CACF

RGB 224 202 207

HSL 346.36, 0.26%, 0.84%

LAB 83.23, 8.53, 0.31

 

CMYK 32 / 0 / 19 / 79

HEX #24352B

RGB 36 53 43

HSL 144.71, 0.19%, 0.17%

LAB 20.42, -9.56, 4.09

 

CMYK 25 / 0 / 13 / 72

HEX #35473E

RGB 53 71 62

HSL 150, 0.15%, 0.24%

LAB 28.41, -9.33, 3.09

 

CMYK 21 / 0 / 9 / 65

HEX #465951

RGB 70 89 81

HSL 154.74, 0.12%, 0.31%

LAB 36.06, -9.16, 2.23

 

CMYK 19 / 0 / 7 / 58

HEX #576B64

RGB 87 107 100

HSL 159, 0.1%, 0.38%

LAB 43.45, -9.04, 1.44

 

CMYK 17 / 0 / 5 / 51

HEX #687D77

RGB 104 125 119

HSL 162.86, 0.09%, 0.45%

LAB 50.62, -8.95, 0.71

 

CMYK 42 / 0 / 9 / 79

HEX #1F3530

RGB 31 53 48

HSL 166.36, 0.26%, 0.16%

LAB 20.25, -10.13, 0.39

 

CMYK 60 / 0 / 17 / 86

HEX #0E231D

RGB 14 35 29

HSL 162.86, 0.43%, 0.1%

LAB 11.85, -10.35, 1.43

 

CMYK 100 / 0 / 41 / 93

HEX #00110A

RGB 0 17 10

HSL 155.29, 1%, 0.03%

LAB 3.82, -6.01, 1.5

 

CMYK 41 / 0 / 8 / 80

HEX #1E332F

RGB 30 51 47

HSL 168.57, 0.26%, 0.16%

LAB 19.43, -9.52, -0.13

 

CMYK 41 / 0 / 20 / 80

HEX #1E3329

RGB 30 51 41

HSL 151.43, 0.26%, 0.16%

LAB 19.24, -11.16, 3.71

 

CMYK 41 / 0 / 31 / 80

HEX #1E3323

RGB 30 51 35

HSL 134.29, 0.26%, 0.16%

LAB 19.08, -12.64, 7.56

 

CMYK 39 / 0 / 41 / 80

HEX #1F331E

RGB 31 51 30

HSL 117.14, 0.26%, 0.16%

LAB 19.02, -13.32, 10.84

 

CMYK 27 / 0 / 41 / 80

HEX #25331E

RGB 37 51 30

HSL 100, 0.26%, 0.16%

LAB 19.45, -10.73, 11.49

 

CMYK 41 / 0 / 8 / 80

HEX #1E332F

RGB 30 51 47

HSL 168.57, 0.26%, 0.16%

LAB 19.43, -9.52, -0.13

 

CMYK 41 / 0 / 0 / 80

HEX #1E3333

RGB 30 51 51

HSL 180, 0.26%, 0.16%

LAB 19.57, -8.34, -2.67

 

CMYK 41 / 12 / 0 / 80

HEX #1E2D33

RGB 30 45 51

HSL 197.14, 0.26%, 0.16%

LAB 17.42, -4.4, -5.87

 

CMYK 41 / 24 / 0 / 80

HEX #1E2733

RGB 30 39 51

HSL 214.29, 0.26%, 0.16%

LAB 15.31, -0.25, -9.08

 

CMYK 41 / 35 / 0 / 80

HEX #1E2133

RGB 30 33 51

HSL 231.43, 0.26%, 0.16%

LAB 13.25, 4.1, -12.26

 

CMYK 41 / 0 / 8 / 80

HEX #1E332F

RGB 30 51 47

HSL 168.57, 0.26%, 0.16%

LAB 19.43, -9.52, -0.13

 

CMYK 59 / 0 / 14 / 77

HEX #183A32

RGB 24 58 50

HSL 165.88, 0.41%, 0.16%

LAB 21.76, -14.77, 1.2

 

CMYK 74 / 0 / 17 / 75

HEX #114136

RGB 17 65 54

HSL 166.25, 0.59%, 0.16%

LAB 24.21, -19.14, 2.04

 

CMYK 86 / 0 / 20 / 72

HEX #0A4739

RGB 10 71 57

HSL 166.23, 0.75%, 0.16%

LAB 26.35, -22.5, 3.13

 

CMYK 95 / 0 / 22 / 69

HEX #044E3D

RGB 4 78 61

HSL 166.22, 0.9%, 0.16%

LAB 28.93, -25.5, 4.23

 

CMYK 41 / 0 / 8 / 80

HEX #1E332F

RGB 30 51 47

HSL 168.57, 0.26%, 0.16%

LAB 19.43, -9.52, -0.13

 

CMYK 18 / 0 / 4 / 82

HEX #252D2B

RGB 37 45 43

HSL 165, 0.1%, 0.16%

LAB 17.67, -3.98, 0.12

 

CMYK 0 / 12 / 9 / 83

HEX #2B2627

RGB 43 38 39

HSL 348, 0.06%, 0.16%

LAB 15.73, 2.55, 0.18

 

CMYK 0 / 36 / 28 / 80

HEX #322024

RGB 50 32 36

HSL 346.67, 0.22%, 0.16%

LAB 14.62, 9.45, 0.81

 

CMYK 0 / 56 / 44 / 78

HEX #391920

RGB 57 25 32

HSL 346.88, 0.39%, 0.16%

LAB 13.65, 16.74, 2.46

 

CMYK 41 / 0 / 31 / 80

HEX #1E3323

RGB 30 51 35

HSL 134.29, 0.26%, 0.16%

LAB 19.08, -12.64, 7.56

 

CMYK 41 / 0 / 20 / 80

HEX #1E3329

RGB 30 51 41

HSL 151.43, 0.26%, 0.16%

LAB 19.24, -11.16, 3.71

 

CMYK 41 / 0 / 10 / 80

HEX #1E332E

RGB 30 51 46

HSL 165.71, 0.26%, 0.16%

LAB 19.4, -9.8, 0.51

 

CMYK 41 / 0 / 0 / 80

HEX #1E3333

RGB 30 51 51

HSL 180, 0.26%, 0.16%

LAB 19.57, -8.34, -2.67

 

CMYK 41 / 12 / 0 / 80

HEX #1E2D33

RGB 30 45 51

HSL 197.14, 0.26%, 0.16%

LAB 17.42, -4.4, -5.87

 

CMYK 40 / 0 / 8 / 90

HEX #0F1917

RGB 15 25 23

HSL 168, 0.25%, 0.08%

LAB 7.76, -4.79, -0.06

 

CMYK 41 / 0 / 8 / 80

HEX #1E332F

RGB 30 51 47

HSL 168.57, 0.26%, 0.16%

LAB 19.43, -9.52, -0.13

 

CMYK 42 / 0 / 9 / 70

HEX #2D4D46

RGB 45 77 70

HSL 166.88, 0.26%, 0.24%

LAB 30.18, -13.69, 0.43

 

CMYK 41 / 0 / 9 / 60

HEX #3D675E

RGB 61 103 94

HSL 167.14, 0.26%, 0.32%

LAB 40.41, -17, 0.46

 

CMYK 42 / 0 / 9 / 79

HEX #1F3530

RGB 31 53 48

HSL 166.36, 0.26%, 0.16%

LAB 20.25, -10.13, 0.39

 

CMYK 41 / 39 / 0 / 80

HEX #1E1F33

RGB 30 31 51

HSL 237.14, 0.26%, 0.16%

LAB 12.58, 5.58, -13.31

 

CMYK 0 / 25 / 41 / 80

HEX #33261E

RGB 51 38 30

HSL 22.86, 0.26%, 0.16%

LAB 16.42, 4.71, 7.65

 

CMYK 42 / 0 / 9 / 79

HEX #1F3530

RGB 31 53 48

HSL 166.36, 0.26%, 0.16%

LAB 20.25, -10.13, 0.39

 

CMYK 10 / 41 / 0 / 80

HEX #2E1E33

RGB 46 30 51

HSL 285.71, 0.26%, 0.16%

LAB 14.11, 12.47, -10.79

 

CMYK 0 / 10 / 41 / 80

HEX #332E1E

RGB 51 46 30

HSL 45.71, 0.26%, 0.16%

LAB 19.02, -0.75, 11.15

 

CMYK 42 / 0 / 9 / 79

HEX #1F3530

RGB 31 53 48

HSL 166.36, 0.26%, 0.16%

LAB 20.25, -10.13, 0.39

 

CMYK 41 / 39 / 0 / 80

HEX #1E1F33

RGB 30 31 51

HSL 237.14, 0.26%, 0.16%

LAB 12.58, 5.58, -13.31

 

CMYK 0 / 41 / 31 / 80

HEX #331E23

RGB 51 30 35

HSL 345.71, 0.26%, 0.16%

LAB 14.14, 11.13, 0.86

 

CMYK 0 / 0 / 41 / 80

HEX #33331E

RGB 51 51 30

HSL 60, 0.26%, 0.16%

LAB 20.69, -4.05, 13.35

 

CMYK 42 / 0 / 9 / 79

HEX #1F3530

RGB 31 53 48

HSL 166.36, 0.26%, 0.16%

LAB 20.25, -10.13, 0.39

 

CMYK 29 / 41 / 0 / 80

HEX #241E33

RGB 36 30 51

HSL 257.14, 0.26%, 0.16%

LAB 12.88, 8.54, -12.79

 

CMYK 0 / 41 / 31 / 80

HEX #331E23

RGB 51 30 35

HSL 345.71, 0.26%, 0.16%

LAB 14.14, 11.13, 0.86

 

CMYK 10 / 0 / 41 / 80

HEX #2E331E

RGB 46 51 30

HSL 74.29, 0.26%, 0.16%

LAB 20.21, -6.51, 12.63

 

Description

Color code: RGB 31 53 48 | qconv.com Color code: RGB 31 53 48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 53 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 53 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 9 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 9% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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