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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 255 215 it is the complementary color RGB 224 0 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 255 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 255 215 shade: RGB 36 255 210, RGB 53 255 229, RGB 70 255 248, RGB 87 255 255 and RGB 104 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 255 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 14 237 196, RGB 0 219 177, RGB 0 201 158 and RGB 0 183 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 31 255 154, RGB 31 255 94, RGB 31 255 33 and RGB 88 255 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 31 235 255, RGB 31 174 255, RGB 31 114 255 and RGB 31 53 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 255 215 shade matches the following richer shades: RGB 31 255 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 49 237 203, RGB 67 219 192, RGB 85 201 180 and RGB 103 182 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 255 215 shade: RGB 31 255 94, RGB 31 255 154, RGB 31 255 214, RGB 31 236 255 and RGB 31 176 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 255 215 shade: RGB 0 203 167, RGB 0 244 201, RGB 31 255 215, RGB 72 255 222 and RGB 113 255 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 34 31 255 and RGB 255 124 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 214 31 255 and RGB 255 214 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 34 31 255, RGB 255 31 72 and RGB 251 255 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 255 215 shade: RGB 31 255 215, RGB 102 31 255, RGB 255 31 72 and RGB 184 255 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

Complementary color

CMYK 0 / 100 / 82 / 12

HEX #E00028

RGB 224 0 40

HSL 349.29, 1%, 0.44%

LAB 46.98, 73.19, 45.26

 

CMYK 86 / 0 / 18 / 0

HEX #24FFD2

RGB 36 255 210

HSL 167.67, 1%, 0.57%

LAB 90.11, -58.88, 7.74

 

CMYK 79 / 0 / 10 / 0

HEX #35FFE5

RGB 53 255 229

HSL 172.28, 1%, 0.6%

LAB 90.75, -52.85, -1.15

 

CMYK 73 / 0 / 3 / 0

HEX #46FFF8

RGB 70 255 248

HSL 177.73, 1%, 0.64%

LAB 91.5, -46.15, -9.87

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFF

RGB 87 255 255

HSL 180, 1%, 0.67%

LAB 92.03, -42.17, -12.68

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 94 / 0 / 17 / 7

HEX #0EEDC4

RGB 14 237 196

HSL 168.97, 0.89%, 0.49%

LAB 84.3, -56.31, 6.66

 

CMYK 100 / 0 / 19 / 14

HEX #00DBB1

RGB 0 219 177

HSL 168.49, 1%, 0.43%

LAB 78.37, -54.39, 8.16

 

CMYK 100 / 0 / 21 / 21

HEX #00C99E

RGB 0 201 158

HSL 167.16, 1%, 0.39%

LAB 72.39, -52.07, 9.8

 

CMYK 100 / 0 / 24 / 28

HEX #00B78B

RGB 0 183 139

HSL 165.57, 1%, 0.36%

LAB 66.31, -49.71, 11.51

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 88 / 0 / 40 / 0

HEX #1FFF9A

RGB 31 255 154

HSL 152.95, 1%, 0.56%

LAB 88.99, -71.23, 34.67

 

CMYK 88 / 0 / 63 / 0

HEX #1FFF5E

RGB 31 255 94

HSL 136.88, 1%, 0.56%

LAB 88.27, -79.97, 61.38

 

CMYK 88 / 0 / 87 / 0

HEX #1FFF21

RGB 31 255 33

HSL 120.54, 1%, 0.56%

LAB 87.93, -84.22, 79.73

 

CMYK 65 / 0 / 88 / 0

HEX #58FF1F

RGB 88 255 31

HSL 104.73, 1%, 0.56%

LAB 88.78, -76.83, 81.14

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 88 / 8 / 0 / 0

HEX #1FEBFF

RGB 31 235 255

HSL 185.36, 1%, 0.56%

LAB 85.47, -38.3, -22.64

 

CMYK 88 / 32 / 0 / 0

HEX #1FAEFF

RGB 31 174 255

HSL 201.7, 1%, 0.56%

LAB 67.86, -7.4, -49.9

 

CMYK 88 / 55 / 0 / 0

HEX #1F72FF

RGB 31 114 255

HSL 217.77, 1%, 0.56%

LAB 51.32, 28.61, -76.43

 

CMYK 88 / 79 / 0 / 0

HEX #1F35FF

RGB 31 53 255

HSL 234.11, 1%, 0.56%

LAB 37.95, 64.32, -98.44

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 79 / 0 / 14 / 7

HEX #31EDCB

RGB 49 237 203

HSL 169.15, 0.84%, 0.56%

LAB 84.76, -52.47, 3.68

 

CMYK 69 / 0 / 12 / 14

HEX #43DBC0

RGB 67 219 192

HSL 169.34, 0.68%, 0.56%

LAB 79.42, -45.69, 1.79

 

CMYK 58 / 0 / 10 / 21

HEX #55C9B4

RGB 85 201 180

HSL 169.14, 0.52%, 0.56%

LAB 74.19, -37.78, 0.67

 

CMYK 43 / 0 / 8 / 29

HEX #67B6A8

RGB 103 182 168

HSL 169.37, 0.35%, 0.56%

LAB 68.87, -27.72, -0.47

 

CMYK 88 / 0 / 63 / 0

HEX #1FFF5E

RGB 31 255 94

HSL 136.88, 1%, 0.56%

LAB 88.27, -79.97, 61.38

 

CMYK 88 / 0 / 40 / 0

HEX #1FFF9A

RGB 31 255 154

HSL 152.95, 1%, 0.56%

LAB 88.99, -71.23, 34.67

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD6

RGB 31 255 214

HSL 169.02, 1%, 0.56%

LAB 90.17, -58.17, 5.74

 

CMYK 88 / 7 / 0 / 0

HEX #1FECFF

RGB 31 236 255

HSL 185.09, 1%, 0.56%

LAB 85.76, -38.75, -22.2

 

CMYK 88 / 31 / 0 / 0

HEX #1FB0FF

RGB 31 176 255

HSL 201.16, 1%, 0.56%

LAB 68.43, -8.51, -49

 

CMYK 100 / 0 / 18 / 20

HEX #00CBA7

RGB 0 203 167

HSL 169.36, 1%, 0.4%

LAB 73.22, -50.58, 6.14

 

CMYK 100 / 0 / 18 / 4

HEX #00F4C9

RGB 0 244 201

HSL 169.43, 1%, 0.48%

LAB 86.46, -58.13, 7.14

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 72 / 0 / 13 / 0

HEX #48FFDE

RGB 72 255 222

HSL 169.18, 1%, 0.64%

LAB 90.86, -52.66, 2.66

 

CMYK 56 / 0 / 10 / 0

HEX #71FFE6

RGB 113 255 230

HSL 169.44, 1%, 0.72%

LAB 92.02, -44.31, 0.33

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 87 / 88 / 0 / 0

HEX #221FFF

RGB 34 31 255

HSL 240.8, 1%, 0.56%

LAB 35.08, 73.19, -103.2

 

CMYK 0 / 51 / 88 / 0

HEX #FF7C1F

RGB 255 124 31

HSL 24.91, 1%, 0.56%

LAB 66.35, 45.14, 67.45

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 16 / 88 / 0 / 0

HEX #D61FFF

RGB 214 31 255

HSL 289.02, 1%, 0.56%

LAB 54.55, 89.24, -70.48

 

CMYK 0 / 16 / 88 / 0

HEX #FFD61F

RGB 255 214 31

HSL 49.02, 1%, 0.56%

LAB 86.73, -1.07, 83.27

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 87 / 88 / 0 / 0

HEX #221FFF

RGB 34 31 255

HSL 240.8, 1%, 0.56%

LAB 35.08, 73.19, -103.2

 

CMYK 0 / 88 / 72 / 0

HEX #FF1F48

RGB 255 31 72

HSL 349.02, 1%, 0.56%

LAB 54.77, 78.49, 37.38

 

CMYK 2 / 0 / 88 / 0

HEX #FBFF1F

RGB 251 255 31

HSL 61.07, 1%, 0.56%

LAB 96.87, -22.86, 91.12

 

CMYK 88 / 0 / 16 / 0

HEX #1FFFD7

RGB 31 255 215

HSL 169.29, 1%, 0.56%

LAB 90.19, -57.92, 5.26

 

CMYK 60 / 88 / 0 / 0

HEX #661FFF

RGB 102 31 255

HSL 259.02, 1%, 0.56%

LAB 39.62, 76.36, -95.52

 

CMYK 0 / 88 / 72 / 0

HEX #FF1F48

RGB 255 31 72

HSL 349.02, 1%, 0.56%

LAB 54.77, 78.49, 37.38

 

CMYK 28 / 0 / 88 / 0

HEX #B8FF1F

RGB 184 255 31

HSL 79.02, 1%, 0.56%

LAB 92.49, -49.03, 85.75

 

Description

Color code: RGB 31 255 215 | qconv.com Color code: RGB 31 255 215 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 255 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 255 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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