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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 232 105 it is the complementary color RGB 224 23 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 232 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 232 105 shade: RGB 36 232 100, RGB 53 250 119, RGB 70 255 138, RGB 87 255 157 and RGB 104 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 232 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 232 105 shade: RGB 31 232 105, RGB 14 214 86, RGB 0 196 67, RGB 0 178 48 and RGB 0 160 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 232 105 shade: RGB 33 231 106, RGB 33 231 52, RGB 67 231 33, RGB 120 231 33 and RGB 174 231 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 232 105 shade: RGB 33 231 106, RGB 33 231 159, RGB 33 231 213, RGB 33 196 231 and RGB 33 143 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 232 105 shade matches the following richer shades: RGB 33 231 106 and RGB 13 251 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 232 105 shade: RGB 33 231 106, RGB 53 211 111, RGB 73 192 116, RGB 92 172 122 and RGB 112 152 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 232 105 shade: RGB 66 231 33, RGB 33 231 53, RGB 33 231 106, RGB 33 231 159 and RGB 33 231 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 232 105 shade: RGB 17 165 71, RGB 21 202 88, RGB 33 231 106, RGB 70 235 131 and RGB 108 239 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 232 105 shade: RGB 31 232 105, RGB 33 119 231 and RGB 231 33 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 232 105 shade: RGB 31 232 105, RGB 106 33 231 and RGB 231 106 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 232 105 shade: RGB 31 232 105, RGB 33 119 231, RGB 231 33 159 and RGB 231 145 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 232 105 shade: RGB 31 232 105, RGB 33 59 231, RGB 231 33 159 and RGB 231 205 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 55 / 9

HEX #1FE869

RGB 31 232 105

HSL 142.09, 0.81%, 0.52%

LAB 81.31, -71.69, 48.53

 

Complementary color

CMYK 0 / 90 / 33 / 12

HEX #E01796

RGB 224 23 150

HSL 322.09, 0.81%, 0.48%

LAB 50.29, 77.87, -16.61

 

CMYK 84 / 0 / 57 / 9

HEX #24E864

RGB 36 232 100

HSL 139.59, 0.81%, 0.53%

LAB 81.3, -71.96, 50.81

 

CMYK 79 / 0 / 52 / 2

HEX #35FA77

RGB 53 250 119

HSL 140.1, 0.95%, 0.59%

LAB 87.22, -73.43, 49.29

 

CMYK 73 / 0 / 46 / 0

HEX #46FF8A

RGB 70 255 138

HSL 142.05, 1%, 0.64%

LAB 89.23, -70.13, 42.89

 

CMYK 66 / 0 / 38 / 0

HEX #57FF9D

RGB 87 255 157

HSL 145, 1%, 0.67%

LAB 89.85, -64.33, 34.47

 

CMYK 59 / 0 / 31 / 0

HEX #68FFB0

RGB 104 255 176

HSL 148.61, 1%, 0.7%

LAB 90.6, -57.72, 26.01

 

CMYK 87 / 0 / 55 / 9

HEX #1FE869

RGB 31 232 105

HSL 142.09, 0.81%, 0.52%

LAB 81.31, -71.69, 48.53

 

CMYK 93 / 0 / 60 / 16

HEX #0ED656

RGB 14 214 86

HSL 141.6, 0.88%, 0.45%

LAB 75.36, -69.62, 50.11

 

CMYK 100 / 0 / 66 / 23

HEX #00C443

RGB 0 196 67

HSL 140.51, 1%, 0.38%

LAB 69.39, -66.97, 51.56

 

CMYK 100 / 0 / 73 / 30

HEX #00B230

RGB 0 178 48

HSL 136.18, 1%, 0.35%

LAB 63.39, -63.52, 52.7

 

CMYK 100 / 0 / 82 / 37

HEX #00A01D

RGB 0 160 29

HSL 130.88, 1%, 0.31%

LAB 57.3, -59.71, 53.09

 

CMYK 86 / 0 / 54 / 9

HEX #21E76A

RGB 33 231 106

HSL 142.12, 0.8%, 0.52%

LAB 81.02, -71.08, 47.74

 

CMYK 86 / 0 / 77 / 9

HEX #21E734

RGB 33 231 52

HSL 125.76, 0.8%, 0.52%

LAB 80.58, -76.55, 68.5

 

CMYK 71 / 0 / 86 / 9

HEX #43E721

RGB 67 231 33

HSL 109.7, 0.8%, 0.52%

LAB 80.99, -73.28, 73.85

 

CMYK 48 / 0 / 86 / 9

HEX #78E721

RGB 120 231 33

HSL 93.64, 0.8%, 0.52%

LAB 82.52, -60.89, 75.77

 

CMYK 25 / 0 / 86 / 9

HEX #AEE721

RGB 174 231 33

HSL 77.27, 0.8%, 0.52%

LAB 85.13, -42.47, 79.04

 

CMYK 86 / 0 / 54 / 9

HEX #21E76A

RGB 33 231 106

HSL 142.12, 0.8%, 0.52%

LAB 81.02, -71.08, 47.74

 

CMYK 86 / 0 / 31 / 9

HEX #21E79F

RGB 33 231 159

HSL 158.18, 0.8%, 0.52%

LAB 81.83, -61.72, 22.49

 

CMYK 86 / 0 / 8 / 9

HEX #21E7D5

RGB 33 231 213

HSL 174.55, 0.8%, 0.52%

LAB 83.06, -48.54, -4.09

 

CMYK 86 / 15 / 0 / 9

HEX #21C4E7

RGB 33 196 231

HSL 190.61, 0.8%, 0.52%

LAB 73.27, -27.11, -28.47

 

CMYK 86 / 38 / 0 / 9

HEX #218FE7

RGB 33 143 231

HSL 206.67, 0.8%, 0.52%

LAB 57.79, 1.77, -52.69

 

CMYK 86 / 0 / 54 / 9

HEX #21E76A

RGB 33 231 106

HSL 142.12, 0.8%, 0.52%

LAB 81.02, -71.08, 47.74

 

CMYK 95 / 0 / 60 / 2

HEX #0DFB65

RGB 13 251 101

HSL 142.18, 0.97%, 0.52%

LAB 87.01, -78.87, 56.99

 

CMYK 86 / 0 / 54 / 9

HEX #21E76A

RGB 33 231 106

HSL 142.12, 0.8%, 0.52%

LAB 81.02, -71.08, 47.74

 

CMYK 75 / 0 / 47 / 17

HEX #35D36F

RGB 53 211 111

HSL 142.03, 0.64%, 0.52%

LAB 75.13, -61.6, 38.12

 

CMYK 62 / 0 / 40 / 25

HEX #49C074

RGB 73 192 116

HSL 141.68, 0.49%, 0.52%

LAB 69.74, -50.27, 28.69

 

CMYK 47 / 0 / 29 / 33

HEX #5CAC7A

RGB 92 172 122

HSL 142.5, 0.33%, 0.52%

LAB 64.31, -36.05, 18.29

 

CMYK 26 / 0 / 16 / 40

HEX #70987F

RGB 112 152 127

HSL 142.5, 0.16%, 0.52%

LAB 59.37, -19.1, 8.76

 

CMYK 71 / 0 / 86 / 9

HEX #42E721

RGB 66 231 33

HSL 110, 0.8%, 0.52%

LAB 80.97, -73.45, 73.83

 

CMYK 86 / 0 / 77 / 9

HEX #21E735

RGB 33 231 53

HSL 126.06, 0.8%, 0.52%

LAB 80.59, -76.49, 68.21

 

CMYK 86 / 0 / 54 / 9

HEX #21E76A

RGB 33 231 106

HSL 142.12, 0.8%, 0.52%

LAB 81.02, -71.08, 47.74

 

CMYK 86 / 0 / 31 / 9

HEX #21E79F

RGB 33 231 159

HSL 158.18, 0.8%, 0.52%

LAB 81.83, -61.72, 22.49

 

CMYK 86 / 0 / 9 / 9

HEX #21E7D3

RGB 33 231 211

HSL 173.94, 0.8%, 0.52%

LAB 83.01, -49.09, -3.11

 

CMYK 90 / 0 / 57 / 35

HEX #11A547

RGB 17 165 71

HSL 141.89, 0.81%, 0.36%

LAB 59.42, -55.95, 38.36

 

CMYK 90 / 0 / 56 / 21

HEX #15CA58

RGB 21 202 88

HSL 142.21, 0.81%, 0.44%

LAB 71.63, -65.26, 44.82

 

CMYK 86 / 0 / 54 / 9

HEX #21E76A

RGB 33 231 106

HSL 142.12, 0.8%, 0.52%

LAB 81.02, -71.08, 47.74

 

CMYK 70 / 0 / 44 / 8

HEX #46EB83

RGB 70 235 131

HSL 142.18, 0.8%, 0.6%

LAB 83.1, -64.3, 38.46

 

CMYK 55 / 0 / 35 / 6

HEX #6CEF9C

RGB 108 239 156

HSL 141.98, 0.8%, 0.68%

LAB 85.67, -54.23, 29.49

 

CMYK 87 / 0 / 55 / 9

HEX #1FE869

RGB 31 232 105

HSL 142.09, 0.81%, 0.52%

LAB 81.31, -71.69, 48.53

 

CMYK 86 / 48 / 0 / 9

HEX #2177E7

RGB 33 119 231

HSL 213.94, 0.8%, 0.52%

LAB 51.02, 16.47, -63.54

 

CMYK 0 / 86 / 83 / 9

HEX #E72128

RGB 231 33 40

HSL 357.88, 0.8%, 0.52%

LAB 49.77, 71.02, 48.39

 

CMYK 87 / 0 / 55 / 9

HEX #1FE869

RGB 31 232 105

HSL 142.09, 0.81%, 0.52%

LAB 81.31, -71.69, 48.53

 

CMYK 54 / 86 / 0 / 9

HEX #6A21E7

RGB 106 33 231

HSL 262.12, 0.8%, 0.52%

LAB 37.7, 70.38, -85.15

 

CMYK 0 / 54 / 86 / 9

HEX #E76A21

RGB 231 106 33

HSL 22.12, 0.8%, 0.52%

LAB 59.35, 44.8, 59.73

 

CMYK 87 / 0 / 55 / 9

HEX #1FE869

RGB 31 232 105

HSL 142.09, 0.81%, 0.52%

LAB 81.31, -71.69, 48.53

 

CMYK 86 / 48 / 0 / 9

HEX #2177E7

RGB 33 119 231

HSL 213.94, 0.8%, 0.52%

LAB 51.02, 16.47, -63.54

 

CMYK 0 / 86 / 31 / 9

HEX #E7219F

RGB 231 33 159

HSL 321.82, 0.8%, 0.52%

LAB 52.49, 78.73, -18.5

 

CMYK 0 / 37 / 86 / 9

HEX #E79121

RGB 231 145 33

HSL 33.94, 0.8%, 0.52%

LAB 67.54, 24.81, 66.42

 

CMYK 87 / 0 / 55 / 9

HEX #1FE869

RGB 31 232 105

HSL 142.09, 0.81%, 0.52%

LAB 81.31, -71.69, 48.53

 

CMYK 86 / 74 / 0 / 9

HEX #213BE7

RGB 33 59 231

HSL 232.12, 0.8%, 0.52%

LAB 36.41, 53.68, -87.45

 

CMYK 0 / 86 / 31 / 9

HEX #E7219F

RGB 231 33 159

HSL 321.82, 0.8%, 0.52%

LAB 52.49, 78.73, -18.5

 

CMYK 0 / 11 / 86 / 9

HEX #E7CD21

RGB 231 205 33

HSL 52.12, 0.8%, 0.52%

LAB 82.25, -6.68, 78.37

 

Description

Color code: RGB 31 232 105 | qconv.com Color code: RGB 31 232 105 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 232 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 232 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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