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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 201 162 it is the complementary color RGB 224 54 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 201 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 201 162 shade: RGB 36 201 157, RGB 53 219 176, RGB 70 237 195, RGB 87 255 214 and RGB 104 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 201 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 201 162 shade: RGB 31 201 162, RGB 14 183 143, RGB 0 165 124, RGB 0 147 105 and RGB 0 129 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 201 162 shade: RGB 30 198 160, RGB 30 198 114, RGB 30 198 69, RGB 37 198 30 and RGB 82 198 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 201 162 shade: RGB 30 198 160, RGB 30 191 198, RGB 30 146 198, RGB 30 101 198 and RGB 30 56 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 201 162 shade matches the following richer shades: RGB 30 198 160 and RGB 12 217 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 201 162 shade: RGB 30 198 160, RGB 49 179 150, RGB 68 161 139, RGB 86 142 129 and RGB 105 124 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 201 162 shade: RGB 30 198 70, RGB 30 198 114, RGB 30 198 159, RGB 30 192 198 and RGB 30 148 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 201 162 shade: RGB 19 127 102, RGB 25 162 131, RGB 30 198 160, RGB 48 222 182 and RGB 83 228 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 201 162 shade: RGB 31 201 162, RGB 30 36 198 and RGB 198 92 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 201 162 shade: RGB 31 201 162, RGB 159 30 198 and RGB 198 159 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 201 162 shade: RGB 31 201 162, RGB 30 36 198, RGB 198 30 70 and RGB 198 192 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 201 162 shade: RGB 31 201 162, RGB 75 30 198, RGB 198 30 70 and RGB 153 198 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 19 / 21

HEX #1FC9A2

RGB 31 201 162

HSL 166.24, 0.73%, 0.45%

LAB 72.68, -49.64, 8.08

 

Complementary color

CMYK 0 / 76 / 58 / 12

HEX #E0365D

RGB 224 54 93

HSL 346.24, 0.73%, 0.55%

LAB 51.01, 66.23, 18.9

 

CMYK 82 / 0 / 22 / 21

HEX #24C99D

RGB 36 201 157

HSL 164, 0.7%, 0.46%

LAB 72.62, -50.47, 10.7

 

CMYK 76 / 0 / 20 / 14

HEX #35DBB0

RGB 53 219 176

HSL 164.46, 0.7%, 0.53%

LAB 78.78, -51.42, 9.35

 

CMYK 70 / 0 / 18 / 7

HEX #46EDC3

RGB 70 237 195

HSL 164.91, 0.82%, 0.6%

LAB 84.9, -52.09, 8.12

 

CMYK 66 / 0 / 16 / 0

HEX #57FFD6

RGB 87 255 214

HSL 165.36, 1%, 0.67%

LAB 90.96, -52.56, 6.99

 

CMYK 59 / 0 / 9 / 0

HEX #68FFE9

RGB 104 255 233

HSL 171.26, 1%, 0.7%

LAB 91.84, -45.22, -1.51

 

CMYK 85 / 0 / 19 / 21

HEX #1FC9A2

RGB 31 201 162

HSL 166.24, 0.73%, 0.45%

LAB 72.68, -49.64, 8.08

 

CMYK 92 / 0 / 22 / 28

HEX #0EB78F

RGB 14 183 143

HSL 165.8, 0.86%, 0.39%

LAB 66.48, -48.17, 9.56

 

CMYK 100 / 0 / 25 / 35

HEX #00A57C

RGB 0 165 124

HSL 165.09, 1%, 0.32%

LAB 60.22, -46.3, 11.2

 

CMYK 100 / 0 / 29 / 42

HEX #009369

RGB 0 147 105

HSL 162.86, 1%, 0.29%

LAB 53.91, -43.82, 13.04

 

CMYK 100 / 0 / 33 / 49

HEX #008156

RGB 0 129 86

HSL 160, 1%, 0.25%

LAB 47.46, -41.25, 14.98

 

CMYK 85 / 0 / 19 / 22

HEX #1EC6A0

RGB 30 198 160

HSL 166.43, 0.74%, 0.45%

LAB 71.69, -49, 7.75

 

CMYK 85 / 0 / 42 / 22

HEX #1EC672

RGB 30 198 114

HSL 150, 0.74%, 0.45%

LAB 70.79, -59.08, 30.95

 

CMYK 85 / 0 / 65 / 22

HEX #1EC645

RGB 30 198 69

HSL 133.93, 0.74%, 0.45%

LAB 70.24, -65.65, 51.72

 

CMYK 81 / 0 / 85 / 22

HEX #25C61E

RGB 37 198 30

HSL 117.5, 0.74%, 0.45%

LAB 70.09, -67.88, 64.66

 

CMYK 59 / 0 / 85 / 22

HEX #52C61E

RGB 82 198 30

HSL 101.43, 0.74%, 0.45%

LAB 71.06, -59.64, 65.89

 

CMYK 85 / 0 / 19 / 22

HEX #1EC6A0

RGB 30 198 160

HSL 166.43, 0.74%, 0.45%

LAB 71.69, -49, 7.75

 

CMYK 85 / 4 / 0 / 22

HEX #1EBFC6

RGB 30 191 198

HSL 182.5, 0.74%, 0.45%

LAB 70.6, -35.3, -14.57

 

CMYK 85 / 26 / 0 / 22

HEX #1E92C6

RGB 30 146 198

HSL 198.57, 0.74%, 0.45%

LAB 56.99, -12.3, -35.47

 

CMYK 85 / 49 / 0 / 22

HEX #1E65C6

RGB 30 101 198

HSL 214.64, 0.74%, 0.45%

LAB 43.74, 14.97, -56.52

 

CMYK 85 / 72 / 0 / 22

HEX #1E38C6

RGB 30 56 198

HSL 230.71, 0.74%, 0.45%

LAB 32.22, 43.99, -75.35

 

CMYK 85 / 0 / 19 / 22

HEX #1EC6A0

RGB 30 198 160

HSL 166.43, 0.74%, 0.45%

LAB 71.69, -49, 7.75

 

CMYK 94 / 0 / 22 / 15

HEX #0CD9AA

RGB 12 217 170

HSL 166.24, 0.9%, 0.45%

LAB 77.64, -55, 10.85

 

CMYK 85 / 0 / 19 / 22

HEX #1EC6A0

RGB 30 198 160

HSL 166.43, 0.74%, 0.45%

LAB 71.69, -49, 7.75

 

CMYK 73 / 0 / 16 / 30

HEX #31B396

RGB 49 179 150

HSL 166.62, 0.57%, 0.45%

LAB 65.82, -41.6, 4.83

 

CMYK 58 / 0 / 14 / 37

HEX #44A18B

RGB 68 161 139

HSL 165.81, 0.41%, 0.45%

LAB 60.41, -33.01, 3.21

 

CMYK 39 / 0 / 9 / 44

HEX #568E81

RGB 86 142 129

HSL 166.07, 0.25%, 0.45%

LAB 54.98, -21.64, 1.11

 

CMYK 15 / 0 / 4 / 51

HEX #697C77

RGB 105 124 119

HSL 164.21, 0.08%, 0.45%

LAB 50.39, -8.03, 0.39

 

CMYK 85 / 0 / 65 / 22

HEX #1EC646

RGB 30 198 70

HSL 134.29, 0.74%, 0.45%

LAB 70.25, -65.54, 51.3

 

CMYK 85 / 0 / 42 / 22

HEX #1EC672

RGB 30 198 114

HSL 150, 0.74%, 0.45%

LAB 70.79, -59.08, 30.95

 

CMYK 85 / 0 / 20 / 22

HEX #1EC69F

RGB 30 198 159

HSL 166.07, 0.74%, 0.45%

LAB 71.67, -49.25, 8.26

 

CMYK 85 / 3 / 0 / 22

HEX #1EC0C6

RGB 30 192 198

HSL 182.14, 0.74%, 0.45%

LAB 70.91, -35.77, -14.11

 

CMYK 85 / 25 / 0 / 22

HEX #1E94C6

RGB 30 148 198

HSL 197.86, 0.74%, 0.45%

LAB 57.59, -13.41, -34.52

 

CMYK 85 / 0 / 20 / 50

HEX #137F66

RGB 19 127 102

HSL 166.11, 0.74%, 0.29%

LAB 47.34, -34.95, 5.51

 

CMYK 85 / 0 / 19 / 36

HEX #19A283

RGB 25 162 131

HSL 166.42, 0.73%, 0.37%

LAB 59.6, -41.88, 6.43

 

CMYK 85 / 0 / 19 / 22

HEX #1EC6A0

RGB 30 198 160

HSL 166.43, 0.74%, 0.45%

LAB 71.69, -49, 7.75

 

CMYK 78 / 0 / 18 / 13

HEX #30DEB6

RGB 48 222 182

HSL 166.21, 0.73%, 0.53%

LAB 79.75, -51.7, 7.54

 

CMYK 64 / 0 / 14 / 11

HEX #53E4C3

RGB 83 228 195

HSL 166.34, 0.73%, 0.61%

LAB 82.52, -46.38, 4.73

 

CMYK 85 / 0 / 19 / 21

HEX #1FC9A2

RGB 31 201 162

HSL 166.24, 0.73%, 0.45%

LAB 72.68, -49.64, 8.08

 

CMYK 85 / 82 / 0 / 22

HEX #1E24C6

RGB 30 36 198

HSL 237.86, 0.74%, 0.45%

LAB 28.42, 54.82, -81.64

 

CMYK 0 / 54 / 85 / 22

HEX #C65C1E

RGB 198 92 30

HSL 22.14, 0.74%, 0.45%

LAB 51.56, 38.9, 52.29

 

CMYK 85 / 0 / 19 / 21

HEX #1FC9A2

RGB 31 201 162

HSL 166.24, 0.73%, 0.45%

LAB 72.68, -49.64, 8.08

 

CMYK 20 / 85 / 0 / 22

HEX #9F1EC6

RGB 159 30 198

HSL 286.07, 0.74%, 0.45%

LAB 41.81, 70.99, -59.13

 

CMYK 0 / 20 / 85 / 22

HEX #C69F1E

RGB 198 159 30

HSL 46.07, 0.74%, 0.45%

LAB 67.2, 2.88, 65.45

 

CMYK 85 / 0 / 19 / 21

HEX #1FC9A2

RGB 31 201 162

HSL 166.24, 0.73%, 0.45%

LAB 72.68, -49.64, 8.08

 

CMYK 85 / 82 / 0 / 22

HEX #1E24C6

RGB 30 36 198

HSL 237.86, 0.74%, 0.45%

LAB 28.42, 54.82, -81.64

 

CMYK 0 / 85 / 65 / 22

HEX #C61E46

RGB 198 30 70

HSL 345.71, 0.74%, 0.45%

LAB 43.33, 64.04, 21.91

 

CMYK 0 / 3 / 85 / 22

HEX #C6C01E

RGB 198 192 30

HSL 57.86, 0.74%, 0.45%

LAB 75.95, -14.36, 72.69

 

CMYK 85 / 0 / 19 / 21

HEX #1FC9A2

RGB 31 201 162

HSL 166.24, 0.73%, 0.45%

LAB 72.68, -49.64, 8.08

 

CMYK 62 / 85 / 0 / 22

HEX #4B1EC6

RGB 75 30 198

HSL 256.07, 0.74%, 0.45%

LAB 30.64, 60.2, -77.86

 

CMYK 0 / 85 / 65 / 22

HEX #C61E46

RGB 198 30 70

HSL 345.71, 0.74%, 0.45%

LAB 43.33, 64.04, 21.91

 

CMYK 23 / 0 / 85 / 22

HEX #99C61E

RGB 153 198 30

HSL 76.07, 0.74%, 0.45%

LAB 74.35, -36.03, 70.03

 

Description

Color code: RGB 31 201 162 | qconv.com Color code: RGB 31 201 162 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 201 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 201 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 19 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 19% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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