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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 166 79 it is the complementary color RGB 224 89 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 166 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 31 166 79: RGB 36 166 74, RGB 53 184 93, RGB 70 202 112, RGB 87 220 131 and RGB 104 238 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 166 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 31 166 79: RGB 31 166 79, RGB 14 148 60, RGB 0 130 41, RGB 0 112 22 and RGB 0 94 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

Complementary color

CMYK 0 / 60 / 21 / 12

HEX #E059B0

RGB 224 89 176

HSL 321.33, 0.69%, 0.61%

LAB 58.16, 61.65, -19.89

 

CMYK 78 / 0 / 55 / 35

HEX #24A64A

RGB 36 166 74

HSL 137.54, 0.64%, 0.4%

LAB 60.02, -53.9, 37.67

 

CMYK 71 / 0 / 49 / 28

HEX #35B85D

RGB 53 184 93

HSL 138.32, 0.55%, 0.46%

LAB 66.39, -54.86, 36.1

 

CMYK 65 / 0 / 45 / 21

HEX #46CA70

RGB 70 202 112

HSL 139.09, 0.55%, 0.53%

LAB 72.7, -55.4, 34.59

 

CMYK 60 / 0 / 40 / 14

HEX #57DC83

RGB 87 220 131

HSL 139.85, 0.66%, 0.6%

LAB 78.96, -55.68, 33.16

 

CMYK 56 / 0 / 37 / 7

HEX #68EE96

RGB 104 238 150

HSL 140.6, 0.8%, 0.67%

LAB 85.15, -55.78, 31.81

 

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

CMYK 91 / 0 / 59 / 42

HEX #0E943C

RGB 14 148 60

HSL 140.6, 0.83%, 0.32%

LAB 53.6, -52.08, 36.82

 

CMYK 100 / 0 / 68 / 49

HEX #008229

RGB 0 130 41

HSL 138.92, 1%, 0.25%

LAB 47.14, -49.58, 38.36

 

CMYK 100 / 0 / 80 / 56

HEX #007016

RGB 0 112 22

HSL 131.79, 1%, 0.22%

LAB 40.65, -45.76, 39.39

 

CMYK 100 / 0 / 97 / 63

HEX #005E03

RGB 0 94 3

HSL 121.91, 1%, 0.18%

LAB 34.01, -41.36, 39.14

 

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

CMYK 82 / 0 / 40 / 34

HEX #1EA865

RGB 30 168 101

HSL 150.87, 0.7%, 0.39%

LAB 60.98, -50.71, 24.89

 

CMYK 82 / 0 / 26 / 34

HEX #1EA87C

RGB 30 168 124

HSL 160.87, 0.7%, 0.39%

LAB 61.43, -45.67, 12.93

 

CMYK 82 / 0 / 13 / 34

HEX #1EA893

RGB 30 168 147

HSL 170.87, 0.7%, 0.39%

LAB 61.99, -39.73, 0.9

 

CMYK 82 / 2 / 0 / 34

HEX #1EA5A8

RGB 30 165 168

HSL 181.3, 0.7%, 0.39%

LAB 61.67, -32.21, -11.37

 

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

CMYK 81 / 0 / 53 / 15

HEX #29D967

RGB 41 217 103

HSL 141.14, 0.7%, 0.51%

LAB 76.73, -66.29, 43.94

 

CMYK 85 / 0 / 54 / 95

HEX #020D06

RGB 2 13 6

HSL 141.82, 0.73%, 0.03%

LAB 2.84, -3.95, 1.71

 

CMYK 81 / 0 / 53 / 75

HEX #0C401E

RGB 12 64 30

HSL 140.77, 0.68%, 0.15%

LAB 23.13, -25.76, 16.03

 

CMYK 82 / 0 / 52 / 55

HEX #157337

RGB 21 115 55

HSL 141.7, 0.69%, 0.27%

LAB 42.3, -40.44, 25.75

 

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

CMYK 82 / 45 / 0 / 34

HEX #1E5CA8

RGB 30 92 168

HSL 213.04, 0.7%, 0.39%

LAB 39.17, 9, -46.33

 

CMYK 0 / 82 / 78 / 34

HEX #A81E25

RGB 168 30 37

HSL 356.96, 0.7%, 0.39%

LAB 36.72, 54.18, 32.8

 

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

CMYK 54 / 82 / 0 / 34

HEX #4E1EA8

RGB 78 30 168

HSL 260.87, 0.7%, 0.39%

LAB 27.78, 52.53, -64.74

 

CMYK 0 / 54 / 82 / 34

HEX #A84E1E

RGB 168 78 30

HSL 20.87, 0.7%, 0.39%

LAB 44.04, 34.1, 43.81

 

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

CMYK 82 / 45 / 0 / 34

HEX #1E5CA8

RGB 30 92 168

HSL 213.04, 0.7%, 0.39%

LAB 39.17, 9, -46.33

 

CMYK 0 / 82 / 29 / 34

HEX #A81E78

RGB 168 30 120

HSL 320.87, 0.7%, 0.39%

LAB 38.91, 60.71, -16.61

 

CMYK 0 / 37 / 82 / 34

HEX #A86A1E

RGB 168 106 30

HSL 33.04, 0.7%, 0.39%

LAB 50.37, 18.77, 49.6

 

CMYK 81 / 0 / 52 / 35

HEX #1FA64F

RGB 31 166 79

HSL 141.33, 0.69%, 0.39%

LAB 60, -53.77, 35.14

 

CMYK 82 / 70 / 0 / 34

HEX #1E33A8

RGB 30 51 168

HSL 230.87, 0.7%, 0.39%

LAB 28.04, 36.27, -64.44

 

CMYK 0 / 82 / 29 / 34

HEX #A81E78

RGB 168 30 120

HSL 320.87, 0.7%, 0.39%

LAB 38.91, 60.71, -16.61

 

CMYK 0 / 13 / 82 / 34

HEX #A8931E

RGB 168 147 30

HSL 50.87, 0.7%, 0.39%

LAB 61.03, -4.1, 59.03

 

Description

Color code: RGB 31 166 79 | qconv.com Color code: RGB 31 166 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 166 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 166 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 52 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 52% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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