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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 162.8 196.4 it is the complementary color RGB 224 92.2 58.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 162.8 196.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 162.8 196.4 shade: RGB 36 162.8 191.4, RGB 53 180.8 210.4, RGB 70 198.8 229.4, RGB 87 216.8 248.4 and RGB 104 234.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 162.8 196.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 162.8 196.4 shade: RGB 31 162.8 196.4, RGB 14 144.8 177.4, RGB 0 126.8 158.4, RGB 0 108.8 139.4 and RGB 0 90.8 120.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 162.8 196.4 shade: RGB 31 164 199, RGB 31 119 199, RGB 31 74 199, RGB 33 31 199 and RGB 78 31 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 162.8 196.4 shade: RGB 31 164 199, RGB 31 119 199, RGB 31 74 199 and RGB 31 31 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 162.8 196.4 shade matches the following richer shades: RGB 31 164 199 and RGB 12 176 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 162.8 196.4 shade: RGB 31 164 199, RGB 50 153 180, RGB 68 142 161, RGB 87 131 143 and RGB 105 120 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 162.8 196.4 shade: RGB 31 199 143, RGB 31 199 187, RGB 31 165 199, RGB 31 120 199 and RGB 31 76 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 162.8 196.4 shade: RGB 20 105 127, RGB 25 135 163, RGB 31 164 199, RGB 48 187 223 and RGB 84 199 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 162.8 196.4 shade: RGB 31 162.8 196.4, RGB 98 31 199 and RGB 199 165 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 162.8 196.4 shade: RGB 31 162.8 196.4, RGB 199 31 165 and RGB 165 199 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 162.8 196.4 shade: RGB 31 162.8 196.4, RGB 98 31 199, RGB 199 64 31 and RGB 132 199 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 162.8 196.4 shade: RGB 31 162.8 196.4, RGB 148 31 199, RGB 199 64 31 and RGB 81 199 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 17 / 0 / 23

HEX #1FA2C4

RGB 31 162.8 196.4

HSL 192.19, 0.73%, 0.45%

LAB 62.01, -21.84, -26.77

 

Complementary color

CMYK 0 / 59 / 74 / 12

HEX #E05C3A

RGB 224 92.2 58.6

HSL 12.19, 0.73%, 0.55%

LAB 55.94, 49.56, 44.59

 

CMYK 81 / 15 / 0 / 25

HEX #24A2BF

RGB 36 162.8 191.4

HSL 191.04, 0.68%, 0.45%

LAB 61.89, -23.1, -24.15

 

CMYK 75 / 14 / 0 / 17

HEX #35B4D2

RGB 53 180.8 210.4

HSL 191.28, 0.64%, 0.52%

LAB 68.31, -24.37, -24.82

 

CMYK 69 / 13 / 0 / 10

HEX #46C6E5

RGB 70 198.8 229.4

HSL 191.52, 0.76%, 0.59%

LAB 74.66, -25.35, -25.42

 

CMYK 65 / 13 / 0 / 3

HEX #57D8F8

RGB 87 216.8 248.4

HSL 191.75, 0.92%, 0.66%

LAB 80.93, -26.12, -25.97

 

CMYK 59 / 8 / 0 / 0

HEX #68EAFF

RGB 104 234.8 255

HSL 188.03, 1%, 0.7%

LAB 86.73, -30.22, -20.59

 

CMYK 84 / 17 / 0 / 23

HEX #1FA2C4

RGB 31 162.8 196.4

HSL 192.19, 0.73%, 0.45%

LAB 62.01, -21.84, -26.77

 

CMYK 92 / 18 / 0 / 30

HEX #0E90B1

RGB 14 144.8 177.4

HSL 191.97, 0.85%, 0.38%

LAB 55.56, -19.97, -26.01

 

CMYK 100 / 20 / 0 / 38

HEX #007E9E

RGB 0 126.8 158.4

HSL 191.97, 1%, 0.31%

LAB 49.02, -17.65, -25.16

 

CMYK 100 / 22 / 0 / 45

HEX #006C8B

RGB 0 108.8 139.4

HSL 193.17, 1%, 0.27%

LAB 42.42, -14.68, -24.17

 

CMYK 100 / 25 / 0 / 53

HEX #005A78

RGB 0 90.8 120.4

HSL 194.75, 1%, 0.24%

LAB 35.62, -11.56, -23.19

 

CMYK 84 / 18 / 0 / 22

HEX #1FA4C7

RGB 31 164 199

HSL 192.5, 0.73%, 0.45%

LAB 62.48, -21.59, -27.5

 

CMYK 84 / 40 / 0 / 22

HEX #1F77C7

RGB 31 119 199

HSL 208.57, 0.73%, 0.45%

LAB 49.02, 4.04, -48.63

 

CMYK 84 / 63 / 0 / 22

HEX #1F4AC7

RGB 31 74 199

HSL 224.64, 0.73%, 0.45%

LAB 36.58, 33.1, -68.75

 

CMYK 83 / 84 / 0 / 22

HEX #211FC7

RGB 33 31 199

HSL 240.71, 0.73%, 0.45%

LAB 27.92, 57.47, -83.06

 

CMYK 61 / 84 / 0 / 22

HEX #4E1FC7

RGB 78 31 199

HSL 256.79, 0.73%, 0.45%

LAB 31.17, 60.37, -77.57

 

CMYK 84 / 18 / 0 / 22

HEX #1FA4C7

RGB 31 164 199

HSL 192.5, 0.73%, 0.45%

LAB 62.48, -21.59, -27.5

 

CMYK 84 / 40 / 0 / 22

HEX #1F77C7

RGB 31 119 199

HSL 208.57, 0.73%, 0.45%

LAB 49.02, 4.04, -48.63

 

CMYK 84 / 63 / 0 / 22

HEX #1F4AC7

RGB 31 74 199

HSL 224.64, 0.73%, 0.45%

LAB 36.58, 33.1, -68.75

 

CMYK 84 / 84 / 0 / 22

HEX #1F1FC7

RGB 31 31 199

HSL 240, 0.73%, 0.45%

LAB 27.83, 57.39, -83.2

 

CMYK 84 / 18 / 0 / 22

HEX #1FA4C7

RGB 31 164 199

HSL 192.5, 0.73%, 0.45%

LAB 62.48, -21.59, -27.5

 

CMYK 94 / 19 / 0 / 15

HEX #0CB0D9

RGB 12 176 217

HSL 192, 0.9%, 0.45%

LAB 66.63, -22.66, -31.08

 

CMYK 84 / 18 / 0 / 22

HEX #1FA4C7

RGB 31 164 199

HSL 192.5, 0.73%, 0.45%

LAB 62.48, -21.59, -27.5

 

CMYK 72 / 15 / 0 / 29

HEX #3299B4

RGB 50 153 180

HSL 192.46, 0.57%, 0.45%

LAB 58.75, -20.18, -22.53

 

CMYK 58 / 12 / 0 / 37

HEX #448EA1

RGB 68 142 161

HSL 192.26, 0.41%, 0.45%

LAB 55.22, -17.29, -17.03

 

CMYK 39 / 8 / 0 / 44

HEX #57838F

RGB 87 131 143

HSL 192.86, 0.24%, 0.45%

LAB 52.11, -11.84, -11.25

 

CMYK 15 / 3 / 0 / 51

HEX #69787C

RGB 105 120 124

HSL 192.63, 0.08%, 0.45%

LAB 49.36, -4.63, -4.07

 

CMYK 84 / 0 / 28 / 22

HEX #1FC78F

RGB 31 199 143

HSL 160, 0.73%, 0.45%

LAB 71.64, -53.39, 16.83

 

CMYK 84 / 0 / 6 / 22

HEX #1FC7BB

RGB 31 199 187

HSL 175.71, 0.73%, 0.45%

LAB 72.71, -42.1, -5.43

 

CMYK 84 / 17 / 0 / 22

HEX #1FA5C7

RGB 31 165 199

HSL 192.14, 0.73%, 0.45%

LAB 62.78, -22.11, -27.04

 

CMYK 84 / 40 / 0 / 22

HEX #1F78C7

RGB 31 120 199

HSL 208.21, 0.73%, 0.45%

LAB 49.31, 3.42, -48.16

 

CMYK 84 / 62 / 0 / 22

HEX #1F4CC7

RGB 31 76 199

HSL 223.93, 0.73%, 0.45%

LAB 37.08, 31.79, -67.92

 

CMYK 84 / 17 / 0 / 50

HEX #14697F

RGB 20 105 127

HSL 192.34, 0.73%, 0.29%

LAB 40.87, -15.8, -19.07

 

CMYK 85 / 17 / 0 / 36

HEX #1987A3

RGB 25 135 163

HSL 192.17, 0.73%, 0.37%

LAB 52.04, -19.07, -23.16

 

CMYK 84 / 18 / 0 / 22

HEX #1FA4C7

RGB 31 164 199

HSL 192.5, 0.73%, 0.45%

LAB 62.48, -21.59, -27.5

 

CMYK 78 / 16 / 0 / 13

HEX #30BBDF

RGB 48 187 223

HSL 192.34, 0.73%, 0.53%

LAB 70.52, -23.99, -28.33

 

CMYK 63 / 13 / 0 / 11

HEX #54C7E4

RGB 84 199 228

HSL 192.08, 0.73%, 0.61%

LAB 75.03, -23.78, -24.05

 

CMYK 84 / 17 / 0 / 23

HEX #1FA2C4

RGB 31 162.8 196.4

HSL 192.19, 0.73%, 0.45%

LAB 62.01, -21.84, -26.77

 

CMYK 51 / 84 / 0 / 22

HEX #621FC7

RGB 98 31 199

HSL 263.93, 0.73%, 0.45%

LAB 33.35, 62.41, -73.89

 

CMYK 0 / 17 / 84 / 22

HEX #C7A51F

RGB 199 165 31

HSL 47.86, 0.73%, 0.45%

LAB 68.86, 0.14, 66.61

 

CMYK 84 / 17 / 0 / 23

HEX #1FA2C4

RGB 31 162.8 196.4

HSL 192.19, 0.73%, 0.45%

LAB 62.01, -21.84, -26.77

 

CMYK 0 / 84 / 17 / 22

HEX #C71FA5

RGB 199 31 165

HSL 312.14, 0.73%, 0.45%

LAB 46.76, 73.03, -31.39

 

CMYK 17 / 0 / 84 / 22

HEX #A5C71F

RGB 165 199 31

HSL 72.14, 0.73%, 0.45%

LAB 75.42, -31.65, 71.03

 

CMYK 84 / 17 / 0 / 23

HEX #1FA2C4

RGB 31 162.8 196.4

HSL 192.19, 0.73%, 0.45%

LAB 62.01, -21.84, -26.77

 

CMYK 51 / 84 / 0 / 22

HEX #621FC7

RGB 98 31 199

HSL 263.93, 0.73%, 0.45%

LAB 33.35, 62.41, -73.89

 

CMYK 0 / 68 / 84 / 22

HEX #C7401F

RGB 199 64 31

HSL 11.79, 0.73%, 0.45%

LAB 46.85, 52.12, 47.86

 

CMYK 34 / 0 / 84 / 22

HEX #84C71F

RGB 132 199 31

HSL 83.93, 0.73%, 0.45%

LAB 73.45, -44.42, 68.56

 

CMYK 84 / 17 / 0 / 23

HEX #1FA2C4

RGB 31 162.8 196.4

HSL 192.19, 0.73%, 0.45%

LAB 62.01, -21.84, -26.77

 

CMYK 26 / 84 / 0 / 22

HEX #941FC7

RGB 148 31 199

HSL 281.79, 0.73%, 0.45%

LAB 40.25, 69.19, -62.33

 

CMYK 0 / 68 / 84 / 22

HEX #C7401F

RGB 199 64 31

HSL 11.79, 0.73%, 0.45%

LAB 46.85, 52.12, 47.86

 

CMYK 59 / 0 / 84 / 22

HEX #51C71F

RGB 81 199 31

HSL 102.14, 0.73%, 0.45%

LAB 71.35, -60.19, 65.9

 

Description

Color code: RGB 31 162.8 196.4 | qconv.com Color code: RGB 31 162.8 196.4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 162.8 green and 196.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 162.8 196.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 17 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 17% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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