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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 136 151 it is the complementary color RGB 224 119 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 136 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 136 151 shade: RGB 36 136 146, RGB 53 154 165, RGB 70 172 184, RGB 87 190 203 and RGB 104 208 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 136 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 136 151 shade: RGB 31 136 151, RGB 14 118 132, RGB 0 100 113, RGB 0 82 94 and RGB 0 64 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 136 151 shade: RGB 31 137 152, RGB 31 104 152, RGB 31 71 152, RGB 31 39 152 and RGB 55 31 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 136 151 shade: RGB 31 137 152, RGB 31 104 152, RGB 31 71 152, RGB 31 39 152 and RGB 31 31 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 136 151 shade matches the following richer shades: RGB 31 137 152, RGB 16 148 167 and RGB 1 159 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 136 151 shade: RGB 31 137 152, RGB 46 126 137, RGB 60 114 122, RGB 75 103 107 and RGB 90 92 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 136 151 shade: RGB 31 152 101, RGB 31 152 134, RGB 31 138 152, RGB 31 105 152 and RGB 31 73 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 136 151 shade: RGB 17 75 83, RGB 24 106 118, RGB 31 137 152, RGB 38 168 186 and RGB 52 193 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 136 151 shade: RGB 31 136 151, RGB 69 31 152 and RGB 152 118 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 136 151 shade: RGB 31 136 151, RGB 152 31 138 and RGB 138 152 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 136 151 shade: RGB 31 136 151, RGB 69 31 152, RGB 152 45 31 and RGB 114 152 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 136 151 shade: RGB 31 136 151, RGB 105 31 152, RGB 152 45 31 and RGB 77 152 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 10 / 0 / 41

HEX #1F8897

RGB 31 136 151

HSL 187.5, 0.66%, 0.36%

LAB 51.99, -23.12, -16.27

 

Complementary color

CMYK 0 / 47 / 54 / 12

HEX #E07768

RGB 224 119 104

HSL 7.5, 0.66%, 0.64%

LAB 61.69, 39.31, 26.69

 

CMYK 75 / 7 / 0 / 43

HEX #248892

RGB 36 136 146

HSL 185.45, 0.6%, 0.36%

LAB 51.9, -24.18, -13.48

 

CMYK 68 / 7 / 0 / 35

HEX #359AA5

RGB 53 154 165

HSL 185.89, 0.51%, 0.43%

LAB 58.59, -25.02, -14.26

 

CMYK 62 / 7 / 0 / 28

HEX #46ACB8

RGB 70 172 184

HSL 186.32, 0.45%, 0.5%

LAB 65.17, -25.61, -14.95

 

CMYK 57 / 6 / 0 / 20

HEX #57BECB

RGB 87 190 203

HSL 186.72, 0.53%, 0.57%

LAB 71.67, -26.01, -15.58

 

CMYK 53 / 6 / 0 / 13

HEX #68D0DE

RGB 104 208 222

HSL 187.12, 0.64%, 0.64%

LAB 78.07, -26.3, -16.17

 

CMYK 79 / 10 / 0 / 41

HEX #1F8897

RGB 31 136 151

HSL 187.5, 0.66%, 0.36%

LAB 51.99, -23.12, -16.27

 

CMYK 89 / 11 / 0 / 48

HEX #0E7684

RGB 14 118 132

HSL 187.12, 0.81%, 0.29%

LAB 45.24, -21.62, -15.39

 

CMYK 100 / 12 / 0 / 56

HEX #006471

RGB 0 100 113

HSL 186.9, 1%, 0.22%

LAB 38.39, -19.61, -14.38

 

CMYK 100 / 13 / 0 / 63

HEX #00525E

RGB 0 82 94

HSL 187.66, 1%, 0.18%

LAB 31.45, -16.69, -13.13

 

CMYK 100 / 15 / 0 / 71

HEX #00404B

RGB 0 64 75

HSL 188.8, 1%, 0.15%

LAB 24.24, -13.64, -11.86

 

CMYK 80 / 10 / 0 / 40

HEX #1F8998

RGB 31 137 152

HSL 187.44, 0.66%, 0.36%

LAB 52.34, -23.31, -16.31

 

CMYK 80 / 32 / 0 / 40

HEX #1F6898

RGB 31 104 152

HSL 203.8, 0.66%, 0.36%

LAB 41.94, -4.72, -32.41

 

CMYK 80 / 53 / 0 / 40

HEX #1F4798

RGB 31 71 152

HSL 220.17, 0.66%, 0.36%

LAB 31.95, 16.77, -48.36

 

CMYK 80 / 74 / 0 / 40

HEX #1F2798

RGB 31 39 152

HSL 236.03, 0.66%, 0.36%

LAB 23.7, 38.03, -61.85

 

CMYK 64 / 80 / 0 / 40

HEX #371F98

RGB 55 31 152

HSL 251.9, 0.66%, 0.36%

LAB 23.87, 44.82, -61.53

 

CMYK 80 / 10 / 0 / 40

HEX #1F8998

RGB 31 137 152

HSL 187.44, 0.66%, 0.36%

LAB 52.34, -23.31, -16.31

 

CMYK 80 / 32 / 0 / 40

HEX #1F6898

RGB 31 104 152

HSL 203.8, 0.66%, 0.36%

LAB 41.94, -4.72, -32.41

 

CMYK 80 / 53 / 0 / 40

HEX #1F4798

RGB 31 71 152

HSL 220.17, 0.66%, 0.36%

LAB 31.95, 16.77, -48.36

 

CMYK 80 / 74 / 0 / 40

HEX #1F2798

RGB 31 39 152

HSL 236.03, 0.66%, 0.36%

LAB 23.7, 38.03, -61.85

 

CMYK 80 / 80 / 0 / 40

HEX #1F1F98

RGB 31 31 152

HSL 240, 0.66%, 0.36%

LAB 22.08, 42.63, -64.53

 

CMYK 80 / 10 / 0 / 40

HEX #1F8998

RGB 31 137 152

HSL 187.44, 0.66%, 0.36%

LAB 52.34, -23.31, -16.31

 

CMYK 90 / 11 / 0 / 35

HEX #1094A7

RGB 16 148 167

HSL 187.55, 0.83%, 0.36%

LAB 56.17, -25.12, -19.13

 

CMYK 99 / 13 / 0 / 29

HEX #019FB6

RGB 1 159 182

HSL 187.62, 0.99%, 0.36%

LAB 60.05, -26.24, -21.72

 

CMYK 80 / 10 / 0 / 40

HEX #1F8998

RGB 31 137 152

HSL 187.44, 0.66%, 0.36%

LAB 52.34, -23.31, -16.31

 

CMYK 66 / 8 / 0 / 46

HEX #2E7E89

RGB 46 126 137

HSL 187.25, 0.5%, 0.36%

LAB 48.65, -20.36, -13.12

 

CMYK 51 / 7 / 0 / 52

HEX #3C727A

RGB 60 114 122

HSL 187.74, 0.34%, 0.36%

LAB 44.8, -15.54, -9.97

 

CMYK 30 / 4 / 0 / 58

HEX #4B676B

RGB 75 103 107

HSL 187.5, 0.18%, 0.36%

LAB 41.62, -9.18, -5.59

 

CMYK 2 / 0 / 0 / 64

HEX #5A5C5C

RGB 90 92 92

HSL 180, 0.01%, 0.36%

LAB 38.9, -0.79, -0.28

 

CMYK 80 / 0 / 34 / 40

HEX #1F9865

RGB 31 152 101

HSL 154.71, 0.66%, 0.36%

LAB 55.77, -44.42, 17.9

 

CMYK 80 / 0 / 12 / 40

HEX #1F9886

RGB 31 152 134

HSL 171.07, 0.66%, 0.36%

LAB 56.55, -36.1, 0.34

 

CMYK 80 / 9 / 0 / 40

HEX #1F8A98

RGB 31 138 152

HSL 186.94, 0.66%, 0.36%

LAB 52.66, -23.83, -15.83

 

CMYK 80 / 31 / 0 / 40

HEX #1F6998

RGB 31 105 152

HSL 203.31, 0.66%, 0.36%

LAB 42.25, -5.33, -31.92

 

CMYK 80 / 52 / 0 / 40

HEX #1F4998

RGB 31 73 152

HSL 219.17, 0.66%, 0.36%

LAB 32.53, 15.41, -47.42

 

CMYK 80 / 10 / 0 / 67

HEX #114B53

RGB 17 75 83

HSL 187.27, 0.66%, 0.2%

LAB 28.84, -15, -10.04

 

CMYK 80 / 10 / 0 / 54

HEX #186A76

RGB 24 106 118

HSL 187.66, 0.66%, 0.28%

LAB 40.91, -19.11, -13.55

 

CMYK 80 / 10 / 0 / 40

HEX #1F8998

RGB 31 137 152

HSL 187.44, 0.66%, 0.36%

LAB 52.34, -23.31, -16.31

 

CMYK 80 / 10 / 0 / 27

HEX #26A8BA

RGB 38 168 186

HSL 187.3, 0.66%, 0.44%

LAB 63.31, -27.31, -18.96

 

CMYK 76 / 9 / 0 / 16

HEX #34C1D5

RGB 52 193 213

HSL 187.45, 0.66%, 0.52%

LAB 72.01, -29.73, -20.6

 

CMYK 79 / 10 / 0 / 41

HEX #1F8897

RGB 31 136 151

HSL 187.5, 0.66%, 0.36%

LAB 51.99, -23.12, -16.27

 

CMYK 55 / 80 / 0 / 40

HEX #451F98

RGB 69 31 152

HSL 258.84, 0.66%, 0.36%

LAB 25.3, 46.57, -59.12

 

CMYK 0 / 22 / 80 / 40

HEX #98761F

RGB 152 118 31

HSL 43.14, 0.66%, 0.36%

LAB 51.53, 4.69, 49.57

 

CMYK 79 / 10 / 0 / 41

HEX #1F8897

RGB 31 136 151

HSL 187.5, 0.66%, 0.36%

LAB 51.99, -23.12, -16.27

 

CMYK 0 / 80 / 9 / 40

HEX #981F8A

RGB 152 31 138

HSL 306.94, 0.66%, 0.36%

LAB 36.91, 59.2, -31.12

 

CMYK 9 / 0 / 80 / 40

HEX #8A981F

RGB 138 152 31

HSL 66.94, 0.66%, 0.36%

LAB 59.85, -20.15, 56.69

 

CMYK 79 / 10 / 0 / 41

HEX #1F8897

RGB 31 136 151

HSL 187.5, 0.66%, 0.36%

LAB 51.99, -23.12, -16.27

 

CMYK 55 / 80 / 0 / 40

HEX #451F98

RGB 69 31 152

HSL 258.84, 0.66%, 0.36%

LAB 25.3, 46.57, -59.12

 

CMYK 0 / 70 / 80 / 40

HEX #982D1F

RGB 152 45 31

HSL 6.94, 0.66%, 0.36%

LAB 35.3, 43.77, 33.81

 

CMYK 25 / 0 / 80 / 40

HEX #72981F

RGB 114 152 31

HSL 78.84, 0.66%, 0.36%

LAB 58.16, -30.35, 54.52

 

CMYK 79 / 10 / 0 / 41

HEX #1F8897

RGB 31 136 151

HSL 187.5, 0.66%, 0.36%

LAB 51.99, -23.12, -16.27

 

CMYK 31 / 80 / 0 / 40

HEX #691F98

RGB 105 31 152

HSL 276.69, 0.66%, 0.36%

LAB 30.04, 52.29, -51.18

 

CMYK 0 / 70 / 80 / 40

HEX #982D1F

RGB 152 45 31

HSL 6.94, 0.66%, 0.36%

LAB 35.3, 43.77, 33.81

 

CMYK 49 / 0 / 80 / 40

HEX #4D981F

RGB 77 152 31

HSL 97.19, 0.66%, 0.36%

LAB 56.22, -43.91, 52.01

 

Description

Color code: RGB 31 136 151 | qconv.com Color code: RGB 31 136 151 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 136 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 136 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 10 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 10% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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