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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31.1 90.8 129 it is the complementary color RGB 223.9 164.2 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31.1 90.8 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31.1 90.8 129 shade: RGB 36.1 90.8 124, RGB 53.1 108.8 143, RGB 70.1 126.8 162, RGB 87.1 144.8 181 and RGB 104.1 162.8 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31.1 90.8 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31.1 90.8 129 shade: RGB 31.1 90.8 129, RGB 14.1 72.8 110, RGB 0 54.8 91, RGB 0 36.8 72 and RGB 0 18.8 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31.1 90.8 129 shade: RGB 30 89 127, RGB 30 63 127, RGB 30 37 127, RGB 50 30 127 and RGB 76 30 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31.1 90.8 129 shade: RGB 30 89 127, RGB 30 63 127, RGB 30 37 127 and RGB 30 30 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31.1 90.8 129 shade matches the following richer shades: RGB 30 89 127, RGB 18 92 140 and RGB 5 95 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31.1 90.8 129 shade: RGB 30 89 127, RGB 43 86 114, RGB 56 84 101, RGB 69 81 88 and RGB 81 78 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31.1 90.8 129 shade: RGB 30 127 112, RGB 30 116 127, RGB 30 90 127, RGB 30 64 127 and RGB 30 38 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31.1 90.8 129 shade: RGB 14 42 60, RGB 22 66 94, RGB 30 89 127, RGB 38 113 160 and RGB 46 136 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31.1 90.8 129 shade: RGB 31.1 90.8 129, RGB 87 30 127 and RGB 127 125 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31.1 90.8 129 shade: RGB 31.1 90.8 129, RGB 127 30 90 and RGB 90 127 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31.1 90.8 129 shade: RGB 31.1 90.8 129, RGB 87 30 127, RGB 127 67 30 and RGB 71 127 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31.1 90.8 129 shade: RGB 31.1 90.8 129, RGB 116 30 127, RGB 127 67 30 and RGB 42 127 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 30 / 0 / 49

HEX #1F5A81

RGB 31.1 90.8 129

HSL 203.41, 0.61%, 0.31%

LAB 36.6, -5.32, -26.9

 

Complementary color

CMYK 0 / 27 / 44 / 12

HEX #DFA47E

RGB 223.9 164.2 126

HSL 23.41, 0.61%, 0.69%

LAB 72.2, 17.4, 28.46

 

CMYK 71 / 27 / 0 / 51

HEX #245A7C

RGB 36.1 90.8 124

HSL 202.66, 0.55%, 0.31%

LAB 36.52, -6.4, -23.96

 

CMYK 63 / 24 / 0 / 44

HEX #356C8F

RGB 53.1 108.8 143

HSL 202.83, 0.46%, 0.38%

LAB 43.71, -7.38, -24.23

 

CMYK 57 / 22 / 0 / 36

HEX #467EA2

RGB 70.1 126.8 162

HSL 202.98, 0.4%, 0.46%

LAB 50.74, -8.07, -24.48

 

CMYK 52 / 20 / 0 / 29

HEX #5790B5

RGB 87.1 144.8 181

HSL 203.13, 0.39%, 0.53%

LAB 57.61, -8.57, -24.73

 

CMYK 48 / 19 / 0 / 22

HEX #68A2C8

RGB 104.1 162.8 200

HSL 203.27, 0.47%, 0.6%

LAB 64.36, -8.96, -24.98

 

CMYK 76 / 30 / 0 / 49

HEX #1F5A81

RGB 31.1 90.8 129

HSL 203.41, 0.61%, 0.31%

LAB 36.6, -5.32, -26.9

 

CMYK 87 / 34 / 0 / 57

HEX #0E486E

RGB 14.1 72.8 110

HSL 203.27, 0.77%, 0.24%

LAB 29.31, -3.48, -26.58

 

CMYK 100 / 40 / 0 / 64

HEX #00365B

RGB 0 54.8 91

HSL 203.87, 1%, 0.18%

LAB 21.83, -0.86, -26.19

 

CMYK 100 / 49 / 0 / 72

HEX #002448

RGB 0 36.8 72

HSL 209.33, 1%, 0.14%

LAB 14.28, 3.37, -25.47

 

CMYK 100 / 65 / 0 / 79

HEX #001235

RGB 0 18.8 53

HSL 218.72, 1%, 0.1%

LAB 6.47, 7.83, -24.61

 

CMYK 76 / 30 / 0 / 50

HEX #1E597F

RGB 30 89 127

HSL 203.51, 0.62%, 0.31%

LAB 35.89, -5.12, -26.79

 

CMYK 76 / 50 / 0 / 50

HEX #1E3F7F

RGB 30 63 127

HSL 219.59, 0.62%, 0.31%

LAB 27.75, 12.1, -39.74

 

CMYK 76 / 71 / 0 / 50

HEX #1E257F

RGB 30 37 127

HSL 235.67, 0.62%, 0.31%

LAB 20.56, 30.09, -51.44

 

CMYK 61 / 76 / 0 / 50

HEX #321E7F

RGB 50 30 127

HSL 252.37, 0.62%, 0.31%

LAB 20.59, 36.96, -51.33

 

CMYK 40 / 76 / 0 / 50

HEX #4C1E7F

RGB 76 30 127

HSL 268.45, 0.62%, 0.31%

LAB 23.66, 41.34, -46.18

 

CMYK 76 / 30 / 0 / 50

HEX #1E597F

RGB 30 89 127

HSL 203.51, 0.62%, 0.31%

LAB 35.89, -5.12, -26.79

 

CMYK 76 / 50 / 0 / 50

HEX #1E3F7F

RGB 30 63 127

HSL 219.59, 0.62%, 0.31%

LAB 27.75, 12.1, -39.74

 

CMYK 76 / 71 / 0 / 50

HEX #1E257F

RGB 30 37 127

HSL 235.67, 0.62%, 0.31%

LAB 20.56, 30.09, -51.44

 

CMYK 76 / 76 / 0 / 50

HEX #1E1E7F

RGB 30 30 127

HSL 240, 0.62%, 0.31%

LAB 18.96, 34.53, -54.08

 

CMYK 76 / 30 / 0 / 50

HEX #1E597F

RGB 30 89 127

HSL 203.51, 0.62%, 0.31%

LAB 35.89, -5.12, -26.79

 

CMYK 87 / 34 / 0 / 45

HEX #125C8C

RGB 18 92 140

HSL 203.61, 0.77%, 0.31%

LAB 37.26, -3.26, -32.6

 

CMYK 97 / 38 / 0 / 40

HEX #055F98

RGB 5 95 152

HSL 203.27, 0.94%, 0.31%

LAB 38.7, -1.13, -37.57

 

CMYK 76 / 30 / 0 / 50

HEX #1E597F

RGB 30 89 127

HSL 203.51, 0.62%, 0.31%

LAB 35.89, -5.12, -26.79

 

CMYK 62 / 25 / 0 / 55

HEX #2B5672

RGB 43 86 114

HSL 203.66, 0.45%, 0.31%

LAB 34.77, -5.71, -20.47

 

CMYK 45 / 17 / 0 / 60

HEX #385465

RGB 56 84 101

HSL 202.67, 0.29%, 0.31%

LAB 34.23, -5.45, -13.13

 

CMYK 22 / 8 / 0 / 65

HEX #455158

RGB 69 81 88

HSL 202.11, 0.12%, 0.31%

LAB 33.68, -2.98, -5.69

 

CMYK 0 / 4 / 6 / 68

HEX #514E4C

RGB 81 78 76

HSL 24, 0.03%, 0.31%

LAB 33.39, 0.82, 1.62

 

CMYK 76 / 0 / 12 / 50

HEX #1E7F70

RGB 30 127 112

HSL 170.72, 0.62%, 0.31%

LAB 47.78, -30.9, 0.3

 

CMYK 76 / 9 / 0 / 50

HEX #1E747F

RGB 30 116 127

HSL 186.8, 0.62%, 0.31%

LAB 44.66, -20.7, -13.27

 

CMYK 76 / 29 / 0 / 50

HEX #1E5A7F

RGB 30 90 127

HSL 202.89, 0.62%, 0.31%

LAB 36.22, -5.74, -26.29

 

CMYK 76 / 50 / 0 / 50

HEX #1E407F

RGB 30 64 127

HSL 218.97, 0.62%, 0.31%

LAB 28.05, 11.41, -39.26

 

CMYK 76 / 70 / 0 / 50

HEX #1E267F

RGB 30 38 127

HSL 235.05, 0.62%, 0.31%

LAB 20.81, 29.43, -51.04

 

CMYK 77 / 30 / 0 / 76

HEX #0E2A3C

RGB 14 42 60

HSL 203.48, 0.62%, 0.15%

LAB 15.88, -3.53, -14.59

 

CMYK 77 / 30 / 0 / 63

HEX #16425E

RGB 22 66 94

HSL 203.33, 0.62%, 0.23%

LAB 26.38, -4.5, -20.94

 

CMYK 76 / 30 / 0 / 50

HEX #1E597F

RGB 30 89 127

HSL 203.51, 0.62%, 0.31%

LAB 35.89, -5.12, -26.79

 

CMYK 76 / 29 / 0 / 37

HEX #2671A0

RGB 38 113 160

HSL 203.11, 0.62%, 0.39%

LAB 45.3, -6.3, -31.85

 

CMYK 76 / 30 / 0 / 24

HEX #2E88C1

RGB 46 136 193

HSL 203.27, 0.62%, 0.47%

LAB 54.07, -6.84, -37.18

 

CMYK 76 / 30 / 0 / 49

HEX #1F5A81

RGB 31.1 90.8 129

HSL 203.41, 0.61%, 0.31%

LAB 36.6, -5.32, -26.9

 

CMYK 31 / 76 / 0 / 50

HEX #571E7F

RGB 87 30 127

HSL 275.26, 0.62%, 0.31%

LAB 25.22, 43.49, -43.58

 

CMYK 0 / 2 / 76 / 50

HEX #7F7D1E

RGB 127 125 30

HSL 58.76, 0.62%, 0.31%

LAB 51.01, -10.91, 48.56

 

CMYK 76 / 30 / 0 / 49

HEX #1F5A81

RGB 31.1 90.8 129

HSL 203.41, 0.61%, 0.31%

LAB 36.6, -5.32, -26.9

 

CMYK 0 / 76 / 29 / 50

HEX #7F1E5A

RGB 127 30 90

HSL 322.89, 0.62%, 0.31%

LAB 29.86, 46.45, -12.01

 

CMYK 29 / 0 / 76 / 50

HEX #5A7F1E

RGB 90 127 30

HSL 82.89, 0.62%, 0.31%

LAB 48.82, -28.27, 45.48

 

CMYK 76 / 30 / 0 / 49

HEX #1F5A81

RGB 31.1 90.8 129

HSL 203.41, 0.61%, 0.31%

LAB 36.6, -5.32, -26.9

 

CMYK 31 / 76 / 0 / 50

HEX #571E7F

RGB 87 30 127

HSL 275.26, 0.62%, 0.31%

LAB 25.22, 43.49, -43.58

 

CMYK 0 / 47 / 76 / 50

HEX #7F431E

RGB 127 67 30

HSL 22.89, 0.62%, 0.31%

LAB 35.24, 22.75, 32.96

 

CMYK 44 / 0 / 76 / 50

HEX #477F1E

RGB 71 127 30

HSL 94.64, 0.62%, 0.31%

LAB 47.77, -35.54, 44.1

 

CMYK 76 / 30 / 0 / 49

HEX #1F5A81

RGB 31.1 90.8 129

HSL 203.41, 0.61%, 0.31%

LAB 36.6, -5.32, -26.9

 

CMYK 9 / 76 / 0 / 50

HEX #741E7F

RGB 116 30 127

HSL 293.2, 0.62%, 0.31%

LAB 29.85, 49.67, -35.89

 

CMYK 0 / 47 / 76 / 50

HEX #7F431E

RGB 127 67 30

HSL 22.89, 0.62%, 0.31%

LAB 35.24, 22.75, 32.96

 

CMYK 67 / 0 / 76 / 50

HEX #2A7F1E

RGB 42 127 30

HSL 112.58, 0.62%, 0.31%

LAB 46.66, -44.09, 42.63

 

Description

Color code: RGB 31.1 90.8 129 | qconv.com Color code: RGB 31.1 90.8 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31.1 red, 90.8 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31.1 90.8 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 30 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 30% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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