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Color name
RGB 30 225 162

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 225 162 it is the complementary color RGB 225 30 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 225 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 225 162 shade: RGB 35 225 157, RGB 52 243 176, RGB 69 255 195, RGB 86 255 214 and RGB 103 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 225 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 225 162 shade: RGB 30 225 162, RGB 13 207 143, RGB 0 189 124, RGB 0 171 105 and RGB 0 153 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 225 162 shade: RGB 31 224 162, RGB 31 224 110, RGB 31 224 57, RGB 56 224 31 and RGB 108 224 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 225 162 shade: RGB 31 224 162, RGB 31 224 214, RGB 31 182 224, RGB 31 130 224 and RGB 31 78 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 225 162 shade matches the following richer shades: RGB 31 224 162 and RGB 10 245 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 225 162 shade: RGB 31 224 162, RGB 51 204 154, RGB 72 183 147, RGB 92 163 140 and RGB 113 142 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 225 162 shade: RGB 31 224 56, RGB 31 224 108, RGB 31 224 160, RGB 31 224 211 and RGB 31 186 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 225 162 shade: RGB 21 152 109, RGB 26 188 136, RGB 31 224 162, RGB 67 229 177 and RGB 103 234 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 225 162 shade: RGB 30 225 162, RGB 31 56 224 and RGB 224 82 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 225 162 shade: RGB 30 225 162, RGB 160 31 224 and RGB 224 160 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 225 162 shade: RGB 30 225 162, RGB 31 56 224, RGB 224 31 95 and RGB 224 199 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 225 162 shade: RGB 30 225 162, RGB 63 31 224, RGB 224 31 95 and RGB 192 224 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 28 / 12

HEX #1EE1A2

RGB 30 225 162

HSL 160.62, 0.76%, 0.5%

LAB 80.03, -59.05, 18.45

 

Complementary color

CMYK 0 / 87 / 59 / 12

HEX #E11E5D

RGB 225 30 93

HSL 340.62, 0.76%, 0.5%

LAB 49.16, 72.28, 16.43

 

CMYK 84 / 0 / 30 / 12

HEX #23E19D

RGB 35 225 157

HSL 158.53, 0.76%, 0.51%

LAB 79.98, -59.79, 20.99

 

CMYK 79 / 0 / 28 / 5

HEX #34F3B0

RGB 52 243 176

HSL 158.95, 0.89%, 0.58%

LAB 85.99, -60.89, 19.5

 

CMYK 73 / 0 / 24 / 0

HEX #45FFC3

RGB 69 255 195

HSL 160.65, 1%, 0.64%

LAB 90.2, -59.39, 15.64

 

CMYK 66 / 0 / 16 / 0

HEX #56FFD6

RGB 86 255 214

HSL 165.44, 1%, 0.67%

LAB 90.94, -52.71, 6.96

 

CMYK 60 / 0 / 9 / 0

HEX #67FFE9

RGB 103 255 233

HSL 171.32, 1%, 0.7%

LAB 91.81, -45.39, -1.56

 

CMYK 87 / 0 / 28 / 12

HEX #1EE1A2

RGB 30 225 162

HSL 160.62, 0.76%, 0.5%

LAB 80.03, -59.05, 18.45

 

CMYK 94 / 0 / 31 / 19

HEX #0DCF8F

RGB 13 207 143

HSL 160.21, 0.88%, 0.43%

LAB 73.99, -57.46, 20.07

 

CMYK 100 / 0 / 34 / 26

HEX #00BD7C

RGB 0 189 124

HSL 159.37, 1%, 0.37%

LAB 67.91, -55.45, 21.84

 

CMYK 100 / 0 / 39 / 33

HEX #00AB69

RGB 0 171 105

HSL 156.84, 1%, 0.34%

LAB 61.78, -52.92, 23.77

 

CMYK 100 / 0 / 44 / 40

HEX #009956

RGB 0 153 86

HSL 153.73, 1%, 0.3%

LAB 55.54, -50.27, 25.77

 

CMYK 86 / 0 / 28 / 12

HEX #1FE0A2

RGB 31 224 162

HSL 160.73, 0.76%, 0.5%

LAB 79.73, -58.61, 18.04

 

CMYK 86 / 0 / 51 / 12

HEX #1FE06E

RGB 31 224 110

HSL 144.56, 0.76%, 0.5%

LAB 78.88, -68.42, 43.23

 

CMYK 86 / 0 / 75 / 12

HEX #1FE039

RGB 31 224 57

HSL 128.08, 0.76%, 0.5%

LAB 78.4, -74.38, 64.79

 

CMYK 75 / 0 / 86 / 12

HEX #38E01F

RGB 56 224 31

HSL 112.23, 0.76%, 0.5%

LAB 78.61, -73, 72.09

 

CMYK 52 / 0 / 86 / 12

HEX #6CE01F

RGB 108 224 31

HSL 96.06, 0.76%, 0.5%

LAB 79.95, -61.86, 73.79

 

CMYK 86 / 0 / 28 / 12

HEX #1FE0A2

RGB 31 224 162

HSL 160.73, 0.76%, 0.5%

LAB 79.73, -58.61, 18.04

 

CMYK 86 / 0 / 4 / 12

HEX #1FE0D6

RGB 31 224 214

HSL 176.89, 0.76%, 0.5%

LAB 80.99, -45.39, -7.68

 

CMYK 86 / 19 / 0 / 12

HEX #1FB6E0

RGB 31 182 224

HSL 193.06, 0.76%, 0.5%

LAB 68.84, -22.47, -31.48

 

CMYK 86 / 42 / 0 / 12

HEX #1F82E0

RGB 31 130 224

HSL 209.22, 0.76%, 0.5%

LAB 53.64, 6.83, -55.4

 

CMYK 86 / 65 / 0 / 12

HEX #1F4EE0

RGB 31 78 224

HSL 225.39, 0.76%, 0.5%

LAB 39.79, 39.84, -77.89

 

CMYK 86 / 0 / 28 / 12

HEX #1FE0A2

RGB 31 224 162

HSL 160.73, 0.76%, 0.5%

LAB 79.73, -58.61, 18.04

 

CMYK 96 / 0 / 31 / 4

HEX #0AF5A9

RGB 10 245 169

HSL 160.6, 0.92%, 0.5%

LAB 86.12, -65.68, 23.23

 

CMYK 86 / 0 / 28 / 12

HEX #1FE0A2

RGB 31 224 162

HSL 160.73, 0.76%, 0.5%

LAB 79.73, -58.61, 18.04

 

CMYK 75 / 0 / 25 / 20

HEX #33CC9A

RGB 51 204 154

HSL 160.39, 0.6%, 0.5%

LAB 73.69, -50.8, 13.86

 

CMYK 61 / 0 / 20 / 28

HEX #48B793

RGB 72 183 147

HSL 160.54, 0.44%, 0.5%

LAB 67.54, -40.27, 9.01

 

CMYK 44 / 0 / 14 / 36

HEX #5CA38C

RGB 92 163 140

HSL 160.56, 0.28%, 0.5%

LAB 61.97, -27.93, 5.01

 

CMYK 20 / 0 / 6 / 44

HEX #718E85

RGB 113 142 133

HSL 161.38, 0.11%, 0.5%

LAB 56.63, -12.17, 1.41

 

CMYK 86 / 0 / 75 / 12

HEX #1FE038

RGB 31 224 56

HSL 127.77, 0.76%, 0.5%

LAB 78.4, -74.45, 65.11

 

CMYK 86 / 0 / 52 / 12

HEX #1FE06C

RGB 31 224 108

HSL 143.94, 0.76%, 0.5%

LAB 78.86, -68.72, 44.16

 

CMYK 86 / 0 / 29 / 12

HEX #1FE0A0

RGB 31 224 160

HSL 160.1, 0.76%, 0.5%

LAB 79.69, -59.05, 19.03

 

CMYK 86 / 0 / 6 / 12

HEX #1FE0D3

RGB 31 224 211

HSL 175.96, 0.76%, 0.5%

LAB 80.91, -46.23, -6.21

 

CMYK 86 / 17 / 0 / 12

HEX #1FBAE0

RGB 31 186 224

HSL 191.81, 0.76%, 0.5%

LAB 70.03, -24.51, -29.65

 

CMYK 86 / 0 / 28 / 40

HEX #15986D

RGB 21 152 109

HSL 160.31, 0.76%, 0.34%

LAB 55.81, -43.59, 13.45

 

CMYK 86 / 0 / 28 / 26

HEX #1ABC88

RGB 26 188 136

HSL 160.74, 0.76%, 0.42%

LAB 67.99, -51.13, 15.53

 

CMYK 86 / 0 / 28 / 12

HEX #1FE0A2

RGB 31 224 162

HSL 160.73, 0.76%, 0.5%

LAB 79.73, -58.61, 18.04

 

CMYK 71 / 0 / 23 / 10

HEX #43E5B1

RGB 67 229 177

HSL 160.74, 0.76%, 0.58%

LAB 82.06, -53.45, 13.5

 

CMYK 56 / 0 / 18 / 8

HEX #67EAC0

RGB 103 234 192

HSL 160.76, 0.76%, 0.66%

LAB 84.76, -45.97, 9.6

 

CMYK 87 / 0 / 28 / 12

HEX #1EE1A2

RGB 30 225 162

HSL 160.62, 0.76%, 0.5%

LAB 80.03, -59.05, 18.45

 

CMYK 86 / 75 / 0 / 12

HEX #1F38E0

RGB 31 56 224

HSL 232.23, 0.76%, 0.5%

LAB 35.01, 52.93, -85.77

 

CMYK 0 / 63 / 86 / 12

HEX #E0521F

RGB 224 82 31

HSL 15.85, 0.76%, 0.5%

LAB 54.01, 53.2, 55.65

 

CMYK 87 / 0 / 28 / 12

HEX #1EE1A2

RGB 30 225 162

HSL 160.62, 0.76%, 0.5%

LAB 80.03, -59.05, 18.45

 

CMYK 29 / 86 / 0 / 12

HEX #A01FE0

RGB 160 31 224

HSL 280.1, 0.76%, 0.5%

LAB 44, 75.83, -70.55

 

CMYK 0 / 29 / 86 / 12

HEX #E0A01F

RGB 224 160 31

HSL 40.1, 0.76%, 0.5%

LAB 70.24, 13.78, 68.83

 

CMYK 87 / 0 / 28 / 12

HEX #1EE1A2

RGB 30 225 162

HSL 160.62, 0.76%, 0.5%

LAB 80.03, -59.05, 18.45

 

CMYK 86 / 75 / 0 / 12

HEX #1F38E0

RGB 31 56 224

HSL 232.23, 0.76%, 0.5%

LAB 35.01, 52.93, -85.77

 

CMYK 0 / 86 / 58 / 12

HEX #E01F5F

RGB 224 31 95

HSL 340.1, 0.76%, 0.5%

LAB 49.07, 71.98, 15.05

 

CMYK 0 / 11 / 86 / 12

HEX #E0C71F

RGB 224 199 31

HSL 52.23, 0.76%, 0.5%

LAB 80.06, -6.68, 76.77

 

CMYK 87 / 0 / 28 / 12

HEX #1EE1A2

RGB 30 225 162

HSL 160.62, 0.76%, 0.5%

LAB 80.03, -59.05, 18.45

 

CMYK 72 / 86 / 0 / 12

HEX #3F1FE0

RGB 63 31 224

HSL 249.95, 0.76%, 0.5%

LAB 32.74, 65.95, -89.48

 

CMYK 0 / 86 / 58 / 12

HEX #E01F5F

RGB 224 31 95

HSL 340.1, 0.76%, 0.5%

LAB 49.07, 71.98, 15.05

 

CMYK 14 / 0 / 86 / 12

HEX #C0E01F

RGB 192 224 31

HSL 69.95, 0.76%, 0.5%

LAB 84.29, -32.33, 79.18

 

Description

Color code: RGB 30 225 162 | qconv.com Color code: RGB 30 225 162 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 225 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 225 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 28% 12% C M Y K

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Provide designers and agencies with accurate color values.

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