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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 136 106 it is the complementary color RGB 225 119 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 136 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 136 106 shade: RGB 35 136 101, RGB 52 154 120, RGB 69 172 139, RGB 86 190 158 and RGB 103 208 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 136 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 136 106 shade: RGB 30 136 106, RGB 13 118 87, RGB 0 100 68, RGB 0 82 49 and RGB 0 64 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 136 106 shade: RGB 30 138 107, RGB 30 138 78, RGB 30 138 49, RGB 40 138 30 and RGB 69 138 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 136 106 shade: RGB 30 138 107, RGB 30 138 136, RGB 30 110 138, RGB 30 81 138 and RGB 30 52 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 136 106 shade matches the following richer shades: RGB 30 138 107, RGB 16 151 113 and RGB 3 165 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 136 106 shade: RGB 30 138 107, RGB 43 124 101, RGB 57 110 95, RGB 71 97 89 and RGB 84 83 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 136 106 shade: RGB 30 138 50, RGB 30 138 78, RGB 30 138 107, RGB 30 138 136 and RGB 30 111 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 136 106 shade: RGB 15 70 54, RGB 22 104 81, RGB 30 138 107, RGB 37 171 133 and RGB 45 205 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 136 106 shade: RGB 30 136 106, RGB 30 39 138 and RGB 138 64 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 136 106 shade: RGB 30 136 106, RGB 107 30 138 and RGB 138 107 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 136 106 shade: RGB 30 136 106, RGB 30 39 138, RGB 138 30 60 and RGB 138 129 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 136 106 shade: RGB 30 136 106, RGB 53 30 138, RGB 138 30 60 and RGB 114 138 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 22 / 47

HEX #1E886A

RGB 30 136 106

HSL 163.02, 0.64%, 0.33%

LAB 50.6, -36.64, 7.86

 

Complementary color

CMYK 0 / 47 / 34 / 12

HEX #E17795

RGB 225 119 149

HSL 343.02, 0.64%, 0.67%

LAB 62.82, 44.31, 2.62

 

CMYK 74 / 0 / 26 / 47

HEX #238865

RGB 35 136 101

HSL 159.21, 0.59%, 0.34%

LAB 50.58, -37.21, 10.73

 

CMYK 66 / 0 / 22 / 40

HEX #349A78

RGB 52 154 120

HSL 160, 0.5%, 0.4%

LAB 57.27, -37.66, 9.37

 

CMYK 60 / 0 / 19 / 33

HEX #45AC8B

RGB 69 172 139

HSL 160.78, 0.43%, 0.47%

LAB 63.86, -37.87, 8.18

 

CMYK 55 / 0 / 17 / 25

HEX #56BE9E

RGB 86 190 158

HSL 161.54, 0.44%, 0.54%

LAB 70.37, -37.91, 7.1

 

CMYK 50 / 0 / 15 / 18

HEX #67D0B1

RGB 103 208 177

HSL 162.29, 0.53%, 0.61%

LAB 76.78, -37.87, 6.11

 

CMYK 78 / 0 / 22 / 47

HEX #1E886A

RGB 30 136 106

HSL 163.02, 0.64%, 0.33%

LAB 50.6, -36.64, 7.86

 

CMYK 89 / 0 / 26 / 54

HEX #0D7657

RGB 13 118 87

HSL 162.29, 0.8%, 0.26%

LAB 43.84, -35.55, 9.4

 

CMYK 100 / 0 / 32 / 61

HEX #006444

RGB 0 100 68

HSL 160.8, 1%, 0.2%

LAB 36.99, -33.83, 11.19

 

CMYK 100 / 0 / 40 / 68

HEX #005231

RGB 0 82 49

HSL 155.85, 1%, 0.16%

LAB 30.05, -31.02, 13.33

 

CMYK 100 / 0 / 53 / 75

HEX #00401E

RGB 0 64 30

HSL 148.13, 1%, 0.13%

LAB 22.86, -27.93, 15.63

 

CMYK 78 / 0 / 22 / 46

HEX #1E8A6B

RGB 30 138 107

HSL 162.78, 0.64%, 0.33%

LAB 51.28, -37.26, 8.25

 

CMYK 78 / 0 / 43 / 46

HEX #1E8A4E

RGB 30 138 78

HSL 146.67, 0.64%, 0.33%

LAB 50.69, -43.81, 23.87

 

CMYK 78 / 0 / 64 / 46

HEX #1E8A31

RGB 30 138 49

HSL 130.56, 0.64%, 0.33%

LAB 50.3, -48.36, 38.32

 

CMYK 71 / 0 / 78 / 46

HEX #288A1E

RGB 40 138 30

HSL 114.44, 0.64%, 0.33%

LAB 50.36, -48.45, 46.28

 

CMYK 50 / 0 / 78 / 46

HEX #458A1E

RGB 69 138 30

HSL 98.33, 0.64%, 0.33%

LAB 51.31, -40.85, 47.53

 

CMYK 78 / 0 / 22 / 46

HEX #1E8A6B

RGB 30 138 107

HSL 162.78, 0.64%, 0.33%

LAB 51.28, -37.26, 8.25

 

CMYK 78 / 0 / 1 / 46

HEX #1E8A88

RGB 30 138 136

HSL 178.89, 0.64%, 0.33%

LAB 52.1, -29.04, -7.39

 

CMYK 78 / 20 / 0 / 46

HEX #1E6E8A

RGB 30 110 138

HSL 195.56, 0.64%, 0.33%

LAB 43.16, -13.57, -22.15

 

CMYK 78 / 41 / 0 / 46

HEX #1E518A

RGB 30 81 138

HSL 211.67, 0.64%, 0.33%

LAB 33.97, 4.31, -36.57

 

CMYK 78 / 62 / 0 / 46

HEX #1E348A

RGB 30 52 138

HSL 227.78, 0.64%, 0.33%

LAB 25.46, 24.17, -50.31

 

CMYK 78 / 0 / 22 / 46

HEX #1E8A6B

RGB 30 138 107

HSL 162.78, 0.64%, 0.33%

LAB 51.28, -37.26, 8.25

 

CMYK 89 / 0 / 25 / 41

HEX #109771

RGB 16 151 113

HSL 163.11, 0.81%, 0.33%

LAB 55.52, -42.58, 10.78

 

CMYK 98 / 0 / 28 / 35

HEX #03A577

RGB 3 165 119

HSL 162.96, 0.96%, 0.33%

LAB 60.12, -47.39, 13.85

 

CMYK 78 / 0 / 22 / 46

HEX #1E8A6B

RGB 30 138 107

HSL 162.78, 0.64%, 0.33%

LAB 51.28, -37.26, 8.25

 

CMYK 65 / 0 / 19 / 51

HEX #2B7C65

RGB 43 124 101

HSL 162.96, 0.49%, 0.33%

LAB 46.8, -30.38, 5.4

 

CMYK 48 / 0 / 14 / 57

HEX #396E5F

RGB 57 110 95

HSL 163.02, 0.32%, 0.33%

LAB 42.53, -21.66, 2.91

 

CMYK 27 / 0 / 8 / 62

HEX #476159

RGB 71 97 89

HSL 161.54, 0.15%, 0.33%

LAB 38.92, -11.58, 1.42

 

CMYK 0 / 1 / 1 / 67

HEX #545353

RGB 84 83 83

HSL 0, 0.01%, 0.33%

LAB 35.39, 0.41, 0.14

 

CMYK 78 / 0 / 64 / 46

HEX #1E8A32

RGB 30 138 50

HSL 131.11, 0.64%, 0.33%

LAB 50.31, -48.24, 37.87

 

CMYK 78 / 0 / 43 / 46

HEX #1E8A4E

RGB 30 138 78

HSL 146.67, 0.64%, 0.33%

LAB 50.69, -43.81, 23.87

 

CMYK 78 / 0 / 22 / 46

HEX #1E8A6B

RGB 30 138 107

HSL 162.78, 0.64%, 0.33%

LAB 51.28, -37.26, 8.25

 

CMYK 78 / 0 / 1 / 46

HEX #1E8A88

RGB 30 138 136

HSL 178.89, 0.64%, 0.33%

LAB 52.1, -29.04, -7.39

 

CMYK 78 / 20 / 0 / 46

HEX #1E6F8A

RGB 30 111 138

HSL 195, 0.64%, 0.33%

LAB 43.48, -14.14, -21.65

 

CMYK 79 / 0 / 23 / 73

HEX #0F4636

RGB 15 70 54

HSL 162.55, 0.65%, 0.17%

LAB 26.01, -22.12, 4.6

 

CMYK 79 / 0 / 22 / 59

HEX #166851

RGB 22 104 81

HSL 163.17, 0.65%, 0.25%

LAB 39.01, -29.89, 6.18

 

CMYK 78 / 0 / 22 / 46

HEX #1E8A6B

RGB 30 138 107

HSL 162.78, 0.64%, 0.33%

LAB 51.28, -37.26, 8.25

 

CMYK 78 / 0 / 22 / 33

HEX #25AB85

RGB 37 171 133

HSL 162.99, 0.64%, 0.41%

LAB 62.69, -43.97, 9.73

 

CMYK 78 / 0 / 22 / 20

HEX #2DCDA0

RGB 45 205 160

HSL 163.13, 0.64%, 0.49%

LAB 74.04, -50.48, 11.11

 

CMYK 78 / 0 / 22 / 47

HEX #1E886A

RGB 30 136 106

HSL 163.02, 0.64%, 0.33%

LAB 50.6, -36.64, 7.86

 

CMYK 78 / 72 / 0 / 46

HEX #1E278A

RGB 30 39 138

HSL 235, 0.64%, 0.33%

LAB 22.17, 32.88, -55.71

 

CMYK 0 / 54 / 78 / 46

HEX #8A401E

RGB 138 64 30

HSL 18.89, 0.64%, 0.33%

LAB 36.3, 29.18, 34.6

 

CMYK 78 / 0 / 22 / 47

HEX #1E886A

RGB 30 136 106

HSL 163.02, 0.64%, 0.33%

LAB 50.6, -36.64, 7.86

 

CMYK 22 / 78 / 0 / 46

HEX #6B1E8A

RGB 107 30 138

HSL 282.78, 0.64%, 0.33%

LAB 29.13, 49.98, -43.99

 

CMYK 0 / 22 / 78 / 46

HEX #8A6B1E

RGB 138 107 30

HSL 42.78, 0.64%, 0.33%

LAB 46.99, 4.41, 45.15

 

CMYK 78 / 0 / 22 / 47

HEX #1E886A

RGB 30 136 106

HSL 163.02, 0.64%, 0.33%

LAB 50.6, -36.64, 7.86

 

CMYK 78 / 72 / 0 / 46

HEX #1E278A

RGB 30 39 138

HSL 235, 0.64%, 0.33%

LAB 22.17, 32.88, -55.71

 

CMYK 0 / 78 / 57 / 46

HEX #8A1E3C

RGB 138 30 60

HSL 343.33, 0.64%, 0.33%

LAB 31.02, 46.5, 9.73

 

CMYK 0 / 7 / 78 / 46

HEX #8A811E

RGB 138 129 30

HSL 55, 0.64%, 0.33%

LAB 53.16, -8.02, 50.92

 

CMYK 78 / 0 / 22 / 47

HEX #1E886A

RGB 30 136 106

HSL 163.02, 0.64%, 0.33%

LAB 50.6, -36.64, 7.86

 

CMYK 62 / 78 / 0 / 46

HEX #351E8A

RGB 53 30 138

HSL 252.78, 0.64%, 0.33%

LAB 22.02, 40.81, -55.9

 

CMYK 0 / 78 / 57 / 46

HEX #8A1E3C

RGB 138 30 60

HSL 343.33, 0.64%, 0.33%

LAB 31.02, 46.5, 9.73

 

CMYK 17 / 0 / 78 / 46

HEX #728A1E

RGB 114 138 30

HSL 73.33, 0.64%, 0.33%

LAB 53.87, -23.57, 50.86

 

Description

Color code: RGB 30 136 106 | qconv.com Color code: RGB 30 136 106 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 136 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 136 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 22 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 22% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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