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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 110.2 212.6 it is the complementary color RGB 225 144.8 42.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 110.2 212.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 110.2 212.6 shade: RGB 35 110.2 207.6, RGB 52 128.2 226.6, RGB 69 146.2 245.6, RGB 86 164.2 255 and RGB 103 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 110.2 212.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 110.2 212.6 shade: RGB 30 110.2 212.6, RGB 13 92.2 193.6, RGB 0 74.2 174.6, RGB 0 56.2 155.6 and RGB 0 38.2 136.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 110.2 212.6 shade: RGB 31 111 214, RGB 31 62 214, RGB 49 31 214, RGB 99 31 214 and RGB 148 31 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 110.2 212.6 shade: RGB 31 111 214, RGB 31 62 214 and RGB 31 31 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 110.2 212.6 shade matches the following richer shades: RGB 31 111 214 and RGB 11 109 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 110.2 212.6 shade: RGB 31 111 214, RGB 50 114 194, RGB 70 116 175, RGB 90 118 155 and RGB 110 121 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 110.2 212.6 shade: RGB 31 211 214, RGB 31 162 214, RGB 31 113 214, RGB 31 64 214 and RGB 46 31 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 110.2 212.6 shade: RGB 20 74 142, RGB 25 92 178, RGB 31 111 214, RGB 59 133 227 and RGB 95 155 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 110.2 212.6 shade: RGB 30 110.2 212.6, RGB 168 31 214 and RGB 187 214 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 110.2 212.6 shade: RGB 30 110.2 212.6, RGB 214 31 113 and RGB 113 214 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 110.2 212.6 shade: RGB 30 110.2 212.6, RGB 168 31 214, RGB 214 132 31 and RGB 77 214 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 110.2 212.6 shade: RGB 30 110.2 212.6, RGB 214 31 205, RGB 214 132 31 and RGB 31 214 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 48 / 0 / 17

HEX #1E6ED4

RGB 30 110.2 212.6

HSL 213.65, 0.75%, 0.48%

LAB 47.31, 14.75, -59.14

 

Complementary color

CMYK 0 / 36 / 81 / 12

HEX #E1902A

RGB 225 144.8 42.4

HSL 33.65, 0.75%, 0.52%

LAB 66.8, 22.64, 62.42

 

CMYK 83 / 47 / 0 / 19

HEX #236ECF

RGB 35 110.2 207.6

HSL 213.86, 0.71%, 0.48%

LAB 47.09, 13.2, -56.63

 

CMYK 77 / 43 / 0 / 11

HEX #3480E2

RGB 52 128.2 226.6

HSL 213.81, 0.75%, 0.55%

LAB 53.75, 10.78, -56.65

 

CMYK 72 / 40 / 0 / 4

HEX #4592F5

RGB 69 146.2 245.6

HSL 213.77, 0.9%, 0.62%

LAB 60.35, 8.81, -56.63

 

CMYK 66 / 36 / 0 / 0

HEX #56A4FF

RGB 86 164.2 255

HSL 212.24, 1%, 0.67%

LAB 66.38, 3.96, -52.15

 

CMYK 60 / 29 / 0 / 0

HEX #67B6FF

RGB 103 182.2 255

HSL 208.74, 1%, 0.7%

LAB 71.99, -3.28, -43.28

 

CMYK 86 / 48 / 0 / 17

HEX #1E6ED4

RGB 30 110.2 212.6

HSL 213.65, 0.75%, 0.48%

LAB 47.31, 14.75, -59.14

 

CMYK 93 / 52 / 0 / 24

HEX #0D5CC1

RGB 13 92.2 193.6

HSL 213.69, 0.87%, 0.41%

LAB 40.66, 17.97, -58.98

 

CMYK 100 / 58 / 0 / 32

HEX #004AAE

RGB 0 74.2 174.6

HSL 214.5, 1%, 0.34%

LAB 33.99, 21.82, -58.66

 

CMYK 100 / 64 / 0 / 39

HEX #00389B

RGB 0 56.2 155.6

HSL 218.33, 1%, 0.31%

LAB 27.39, 26.38, -58.01

 

CMYK 100 / 72 / 0 / 46

HEX #002688

RGB 0 38.2 136.6

HSL 223.22, 1%, 0.27%

LAB 20.8, 31.01, -57.12

 

CMYK 86 / 48 / 0 / 16

HEX #1F6FD6

RGB 31 111 214

HSL 213.77, 0.75%, 0.48%

LAB 47.64, 14.85, -59.39

 

CMYK 86 / 71 / 0 / 16

HEX #1F3ED6

RGB 31 62 214

HSL 229.84, 0.75%, 0.48%

LAB 35.19, 46.08, -79.73

 

CMYK 77 / 86 / 0 / 16

HEX #311FD6

RGB 49 31 214

HSL 245.9, 0.75%, 0.48%

LAB 30.61, 62.48, -87.29

 

CMYK 54 / 86 / 0 / 16

HEX #631FD6

RGB 99 31 214

HSL 262.3, 0.75%, 0.48%

LAB 34.98, 66.19, -79.92

 

CMYK 31 / 86 / 0 / 16

HEX #941FD6

RGB 148 31 214

HSL 278.36, 0.75%, 0.48%

LAB 41.42, 72.16, -69.09

 

CMYK 86 / 48 / 0 / 16

HEX #1F6FD6

RGB 31 111 214

HSL 213.77, 0.75%, 0.48%

LAB 47.64, 14.85, -59.39

 

CMYK 86 / 71 / 0 / 16

HEX #1F3ED6

RGB 31 62 214

HSL 229.84, 0.75%, 0.48%

LAB 35.19, 46.08, -79.73

 

CMYK 86 / 86 / 0 / 16

HEX #1F1FD6

RGB 31 31 214

HSL 240, 0.75%, 0.48%

LAB 29.73, 61.77, -88.78

 

CMYK 86 / 48 / 0 / 16

HEX #1F6FD6

RGB 31 111 214

HSL 213.77, 0.75%, 0.48%

LAB 47.64, 14.85, -59.39

 

CMYK 95 / 53 / 0 / 8

HEX #0B6DEA

RGB 11 109 234

HSL 213.63, 0.91%, 0.48%

LAB 48.2, 22.94, -69.81

 

CMYK 86 / 48 / 0 / 16

HEX #1F6FD6

RGB 31 111 214

HSL 213.77, 0.75%, 0.48%

LAB 47.64, 14.85, -59.39

 

CMYK 74 / 41 / 0 / 24

HEX #3272C2

RGB 50 114 194

HSL 213.33, 0.59%, 0.48%

LAB 47.76, 7.26, -47.73

 

CMYK 60 / 34 / 0 / 31

HEX #4674AF

RGB 70 116 175

HSL 213.71, 0.43%, 0.48%

LAB 48.12, 2.6, -36.13

 

CMYK 42 / 24 / 0 / 39

HEX #5A769B

RGB 90 118 155

HSL 214.15, 0.27%, 0.48%

LAB 48.88, -0.11, -23.17

 

CMYK 19 / 10 / 0 / 47

HEX #6E7987

RGB 110 121 135

HSL 213.6, 0.1%, 0.48%

LAB 50.38, -0.91, -9.01

 

CMYK 86 / 1 / 0 / 16

HEX #1FD3D6

RGB 31 211 214

HSL 180.98, 0.75%, 0.48%

LAB 77.12, -39.63, -13.45

 

CMYK 86 / 24 / 0 / 16

HEX #1FA2D6

RGB 31 162 214

HSL 197.05, 0.75%, 0.48%

LAB 62.5, -15.35, -35.82

 

CMYK 86 / 47 / 0 / 16

HEX #1F71D6

RGB 31 113 214

HSL 213.11, 0.75%, 0.48%

LAB 48.21, 13.58, -58.49

 

CMYK 86 / 70 / 0 / 16

HEX #1F40D6

RGB 31 64 214

HSL 229.18, 0.75%, 0.48%

LAB 35.62, 44.88, -79.01

 

CMYK 79 / 86 / 0 / 16

HEX #2E1FD6

RGB 46 31 214

HSL 244.92, 0.75%, 0.48%

LAB 30.44, 62.34, -87.58

 

CMYK 86 / 48 / 0 / 44

HEX #144A8E

RGB 20 74 142

HSL 213.44, 0.75%, 0.32%

LAB 31.81, 9.54, -42.51

 

CMYK 86 / 48 / 0 / 30

HEX #195CB2

RGB 25 92 178

HSL 213.73, 0.75%, 0.4%

LAB 39.71, 12.54, -51.38

 

CMYK 86 / 48 / 0 / 16

HEX #1F6FD6

RGB 31 111 214

HSL 213.77, 0.75%, 0.48%

LAB 47.64, 14.85, -59.39

 

CMYK 74 / 41 / 0 / 11

HEX #3B85E3

RGB 59 133 227

HSL 213.57, 0.75%, 0.56%

LAB 55.33, 8.82, -54.35

 

CMYK 59 / 33 / 0 / 9

HEX #5F9BE8

RGB 95 155 232

HSL 213.72, 0.75%, 0.64%

LAB 63.1, 3.27, -44.72

 

CMYK 86 / 48 / 0 / 17

HEX #1E6ED4

RGB 30 110.2 212.6

HSL 213.65, 0.75%, 0.48%

LAB 47.31, 14.75, -59.14

 

CMYK 21 / 86 / 0 / 16

HEX #A81FD6

RGB 168 31 214

HSL 284.92, 0.75%, 0.48%

LAB 44.46, 75.13, -64.02

 

CMYK 13 / 0 / 86 / 16

HEX #BBD61F

RGB 187 214 31

HSL 68.85, 0.75%, 0.48%

LAB 81.16, -29.7, 76.45

 

CMYK 86 / 48 / 0 / 17

HEX #1E6ED4

RGB 30 110.2 212.6

HSL 213.65, 0.75%, 0.48%

LAB 47.31, 14.75, -59.14

 

CMYK 0 / 86 / 47 / 16

HEX #D61F71

RGB 214 31 113

HSL 333.11, 0.75%, 0.48%

LAB 47.58, 70.86, 1.6

 

CMYK 47 / 0 / 86 / 16

HEX #71D61F

RGB 113 214 31

HSL 93.11, 0.75%, 0.48%

LAB 77.1, -56.75, 71.39

 

CMYK 86 / 48 / 0 / 17

HEX #1E6ED4

RGB 30 110.2 212.6

HSL 213.65, 0.75%, 0.48%

LAB 47.31, 14.75, -59.14

 

CMYK 21 / 86 / 0 / 16

HEX #A81FD6

RGB 168 31 214

HSL 284.92, 0.75%, 0.48%

LAB 44.46, 75.13, -64.02

 

CMYK 0 / 38 / 86 / 16

HEX #D6841F

RGB 214 132 31

HSL 33.11, 0.75%, 0.48%

LAB 62.42, 24.51, 61.95

 

CMYK 64 / 0 / 86 / 16

HEX #4DD61F

RGB 77 214 31

HSL 104.92, 0.75%, 0.48%

LAB 75.93, -66.12, 69.91

 

CMYK 86 / 48 / 0 / 17

HEX #1E6ED4

RGB 30 110.2 212.6

HSL 213.65, 0.75%, 0.48%

LAB 47.31, 14.75, -59.14

 

CMYK 0 / 86 / 4 / 16

HEX #D61FCD

RGB 214 31 205

HSL 302.95, 0.75%, 0.48%

LAB 51.48, 81.46, -47.16

 

CMYK 0 / 38 / 86 / 16

HEX #D6841F

RGB 214 132 31

HSL 33.11, 0.75%, 0.48%

LAB 62.42, 24.51, 61.95

 

CMYK 86 / 0 / 81 / 16

HEX #1FD628

RGB 31 214 40

HSL 122.95, 0.75%, 0.48%

LAB 75.16, -72.61, 66.77

 

Description

Color code: RGB 30 110.2 212.6 | qconv.com Color code: RGB 30 110.2 212.6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 110.2 green and 212.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 110.2 212.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 48 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 48% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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