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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30.3 180.4 222 it is the complementary color RGB 224.7 74.6 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30.3 180.4 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30.3 180.4 222 shade: RGB 35.3 180.4 217, RGB 52.3 198.4 236, RGB 69.3 216.4 255, RGB 86.3 234.4 255 and RGB 103.3 252.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30.3 180.4 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30.3 180.4 222 shade: RGB 30.3 180.4 222, RGB 13.3 162.4 203, RGB 0 144.4 184, RGB 0 126.4 165 and RGB 0 108.4 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30.3 180.4 222 shade: RGB 30 179 220, RGB 30 127 220, RGB 30 76 220, RGB 35 30 220 and RGB 86 30 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30.3 180.4 222 shade: RGB 30 179 220, RGB 30 127 220, RGB 30 76 220 and RGB 30 30 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30.3 180.4 222 shade matches the following richer shades: RGB 30 179 220 and RGB 10 190 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30.3 180.4 222 shade: RGB 30 179 220, RGB 50 167 200, RGB 70 156 179, RGB 91 144 159 and RGB 111 133 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30.3 180.4 222 shade: RGB 30 220 160, RGB 30 220 210, RGB 30 179 220, RGB 30 128 220 and RGB 30 77 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30.3 180.4 222 shade: RGB 20 120 147, RGB 25 149 184, RGB 30 179 220, RGB 62 193 229 and RGB 99 204 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30.3 180.4 222 shade: RGB 30.3 180.4 222, RGB 109 30 220 and RGB 220 185 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30.3 180.4 222 shade: RGB 30.3 180.4 222, RGB 220 30 179 and RGB 179 220 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30.3 180.4 222 shade: RGB 30.3 180.4 222, RGB 109 30 220, RGB 220 71 30 and RGB 141 220 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30.3 180.4 222 shade: RGB 30.3 180.4 222, RGB 166 30 220, RGB 220 71 30 and RGB 84 220 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 19 / 0 / 13

HEX #1EB4DE

RGB 30.3 180.4 222

HSL 193.02, 0.76%, 0.49%

LAB 68.28, -22.37, -31.25

 

Complementary color

CMYK 0 / 67 / 85 / 12

HEX #E04A21

RGB 224.7 74.6 33

HSL 13.02, 0.76%, 0.51%

LAB 53, 56.55, 54.05

 

CMYK 84 / 17 / 0 / 15

HEX #23B4D9

RGB 35.3 180.4 217

HSL 192.09, 0.72%, 0.49%

LAB 68.15, -23.69, -28.71

 

CMYK 78 / 16 / 0 / 7

HEX #34C6EC

RGB 52.3 198.4 236

HSL 192.28, 0.83%, 0.57%

LAB 74.42, -25.14, -29.37

 

CMYK 73 / 15 / 0 / 0

HEX #45D8FF

RGB 69.3 216.4 255

HSL 192.47, 1%, 0.64%

LAB 80.63, -26.3, -29.96

 

CMYK 66 / 8 / 0 / 0

HEX #56EAFF

RGB 86.3 234.4 255

HSL 187.33, 1%, 0.67%

LAB 86.15, -32.8, -21.52

 

CMYK 59 / 1 / 0 / 0

HEX #67FCFF

RGB 103.3 252.4 255

HSL 181.03, 1%, 0.7%

LAB 91.68, -38.56, -13.16

 

CMYK 86 / 19 / 0 / 13

HEX #1EB4DE

RGB 30.3 180.4 222

HSL 193.02, 0.76%, 0.49%

LAB 68.28, -22.37, -31.25

 

CMYK 93 / 20 / 0 / 20

HEX #0DA2CB

RGB 13.3 162.4 203

HSL 192.84, 0.88%, 0.42%

LAB 61.98, -20.36, -30.51

 

CMYK 100 / 22 / 0 / 28

HEX #0090B8

RGB 0 144.4 184

HSL 192.91, 1%, 0.36%

LAB 55.61, -17.94, -29.69

 

CMYK 100 / 23 / 0 / 35

HEX #007EA5

RGB 0 126.4 165

HSL 194.04, 1%, 0.32%

LAB 49.18, -15, -28.76

 

CMYK 100 / 26 / 0 / 43

HEX #006C92

RGB 0 108.4 146

HSL 195.45, 1%, 0.29%

LAB 42.59, -11.92, -27.84

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 86 / 42 / 0 / 14

HEX #1E7FDC

RGB 30 127 220

HSL 209.37, 0.76%, 0.49%

LAB 52.53, 7.08, -54.93

 

CMYK 86 / 65 / 0 / 14

HEX #1E4CDC

RGB 30 76 220

HSL 225.47, 0.76%, 0.49%

LAB 38.92, 39.57, -77.03

 

CMYK 84 / 86 / 0 / 14

HEX #231EDC

RGB 35 30 220

HSL 241.58, 0.76%, 0.49%

LAB 30.53, 63.98, -90.91

 

CMYK 61 / 86 / 0 / 14

HEX #561EDC

RGB 86 30 220

HSL 257.68, 0.76%, 0.49%

LAB 34.14, 66.82, -84.81

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 86 / 42 / 0 / 14

HEX #1E7FDC

RGB 30 127 220

HSL 209.37, 0.76%, 0.49%

LAB 52.53, 7.08, -54.93

 

CMYK 86 / 65 / 0 / 14

HEX #1E4CDC

RGB 30 76 220

HSL 225.47, 0.76%, 0.49%

LAB 38.92, 39.57, -77.03

 

CMYK 86 / 86 / 0 / 14

HEX #1E1EDC

RGB 30 30 220

HSL 240, 0.76%, 0.49%

LAB 30.33, 63.83, -91.24

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 96 / 21 / 0 / 6

HEX #0ABEF0

RGB 10 190 240

HSL 193.04, 0.92%, 0.49%

LAB 71.68, -22.06, -35.81

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 75 / 17 / 0 / 22

HEX #32A7C8

RGB 50 167 200

HSL 193.2, 0.6%, 0.49%

LAB 63.74, -20.99, -26.09

 

CMYK 61 / 13 / 0 / 30

HEX #469CB3

RGB 70 156 179

HSL 192.66, 0.44%, 0.49%

LAB 60.19, -18.86, -19.71

 

CMYK 43 / 9 / 0 / 38

HEX #5B909F

RGB 91 144 159

HSL 193.24, 0.27%, 0.49%

LAB 56.76, -13.53, -13.47

 

CMYK 20 / 4 / 0 / 45

HEX #6F858B

RGB 111 133 139

HSL 192.86, 0.11%, 0.49%

LAB 54.05, -6.51, -5.87

 

CMYK 86 / 0 / 27 / 14

HEX #1EDCA0

RGB 30 220 160

HSL 161.05, 0.76%, 0.49%

LAB 78.46, -57.62, 17.31

 

CMYK 86 / 0 / 5 / 14

HEX #1EDCD2

RGB 30 220 210

HSL 176.84, 0.76%, 0.49%

LAB 79.68, -44.84, -7.5

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 86 / 42 / 0 / 14

HEX #1E80DC

RGB 30 128 220

HSL 209.05, 0.76%, 0.49%

LAB 52.82, 6.46, -54.47

 

CMYK 86 / 65 / 0 / 14

HEX #1E4DDC

RGB 30 77 220

HSL 225.16, 0.76%, 0.49%

LAB 39.16, 38.94, -76.64

 

CMYK 86 / 18 / 0 / 42

HEX #147893

RGB 20 120 147

HSL 192.76, 0.76%, 0.33%

LAB 46.56, -16.96, -22.25

 

CMYK 86 / 19 / 0 / 28

HEX #1995B8

RGB 25 149 184

HSL 193.21, 0.76%, 0.41%

LAB 57.23, -19.26, -27.17

 

CMYK 86 / 19 / 0 / 14

HEX #1EB3DC

RGB 30 179 220

HSL 192.95, 0.76%, 0.49%

LAB 67.79, -22.34, -30.92

 

CMYK 73 / 16 / 0 / 10

HEX #3EC1E5

RGB 62 193 229

HSL 192.93, 0.76%, 0.57%

LAB 72.77, -23.58, -28.1

 

CMYK 58 / 13 / 0 / 8

HEX #63CCEA

RGB 99 204 234

HSL 193.33, 0.76%, 0.65%

LAB 77.15, -21.91, -24.02

 

CMYK 86 / 19 / 0 / 13

HEX #1EB4DE

RGB 30.3 180.4 222

HSL 193.02, 0.76%, 0.49%

LAB 68.28, -22.37, -31.25

 

CMYK 50 / 86 / 0 / 14

HEX #6D1EDC

RGB 109 30 220

HSL 264.95, 0.76%, 0.49%

LAB 36.64, 68.93, -80.59

 

CMYK 0 / 16 / 86 / 14

HEX #DCB91E

RGB 220 185 30

HSL 48.95, 0.76%, 0.49%

LAB 76.07, -1.21, 73.61

 

CMYK 86 / 19 / 0 / 13

HEX #1EB4DE

RGB 30.3 180.4 222

HSL 193.02, 0.76%, 0.49%

LAB 68.28, -22.37, -31.25

 

CMYK 0 / 86 / 19 / 14

HEX #DC1EB3

RGB 220 30 179

HSL 312.95, 0.76%, 0.49%

LAB 51.15, 79.27, -32.51

 

CMYK 19 / 0 / 86 / 14

HEX #B3DC1E

RGB 179 220 30

HSL 72.95, 0.76%, 0.49%

LAB 82.31, -35.72, 77.39

 

CMYK 86 / 19 / 0 / 13

HEX #1EB4DE

RGB 30.3 180.4 222

HSL 193.02, 0.76%, 0.49%

LAB 68.28, -22.37, -31.25

 

CMYK 50 / 86 / 0 / 14

HEX #6D1EDC

RGB 109 30 220

HSL 264.95, 0.76%, 0.49%

LAB 36.64, 68.93, -80.59

 

CMYK 0 / 68 / 86 / 14

HEX #DC471E

RGB 220 71 30

HSL 12.95, 0.76%, 0.49%

LAB 51.63, 56.34, 53.83

 

CMYK 36 / 0 / 86 / 14

HEX #8DDC1E

RGB 141 220 30

HSL 84.95, 0.76%, 0.49%

LAB 80.15, -49.97, 74.7

 

CMYK 86 / 19 / 0 / 13

HEX #1EB4DE

RGB 30.3 180.4 222

HSL 193.02, 0.76%, 0.49%

LAB 68.28, -22.37, -31.25

 

CMYK 25 / 86 / 0 / 14

HEX #A61EDC

RGB 166 30 220

HSL 282.95, 0.76%, 0.49%

LAB 44.52, 76.15, -67.37

 

CMYK 0 / 68 / 86 / 14

HEX #DC471E

RGB 220 71 30

HSL 12.95, 0.76%, 0.49%

LAB 51.63, 56.34, 53.83

 

CMYK 62 / 0 / 86 / 14

HEX #54DC1E

RGB 84 220 30

HSL 102.95, 0.76%, 0.49%

LAB 77.97, -66.58, 71.98

 

Description

Color code: RGB 30.3 180.4 222 | qconv.com Color code: RGB 30.3 180.4 222 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30.3 red, 180.4 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30.3 180.4 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 19 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 19% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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