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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 237 103 it is the complementary color RGB 253 18 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 237 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 237 103 shade: RGB 7 237 98, RGB 24 255 117, RGB 41 255 136, RGB 58 255 155 and RGB 75 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 237 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 0 219 84, RGB 0 201 65, RGB 0 183 46 and RGB 0 165 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 2 237 40, RGB 28 237 2, RGB 91 237 2 and RGB 155 237 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 2 237 167, RGB 2 237 230, RGB 2 181 237 and RGB 2 118 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 237 103 shade matches the following richer shades: RGB 2 237 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 22 218 106, RGB 41 199 109, RGB 61 179 112 and RGB 80 160 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 237 103 shade: RGB 30 237 2, RGB 2 237 38, RGB 2 237 100, RGB 2 237 163 and RGB 2 237 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 237 103 shade: RGB 2 156 68, RGB 2 196 86, RGB 2 237 103, RGB 28 253 125 and RGB 69 253 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 2 92 237 and RGB 237 6 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 100 2 237 and RGB 237 100 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 2 92 237, RGB 237 2 139 and RGB 237 147 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 237 103 shade: RGB 2 237 103, RGB 2 22 237, RGB 237 2 139 and RGB 237 218 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

Complementary color

CMYK 0 / 93 / 40 / 1

HEX #FD1298

RGB 253 18 152

HSL 325.79, 0.98%, 0.53%

LAB 55.67, 84.76, -9.15

 

CMYK 97 / 0 / 59 / 7

HEX #07ED62

RGB 7 237 98

HSL 143.74, 0.94%, 0.48%

LAB 82.64, -75.28, 53.24

 

CMYK 91 / 0 / 54 / 0

HEX #18FF75

RGB 24 255 117

HSL 144.16, 1%, 0.55%

LAB 88.45, -77.56, 51.63

 

CMYK 84 / 0 / 47 / 0

HEX #29FF88

RGB 41 255 136

HSL 146.64, 1%, 0.58%

LAB 88.81, -73.63, 43.23

 

CMYK 77 / 0 / 39 / 0

HEX #3AFF9B

RGB 58 255 155

HSL 149.54, 1%, 0.61%

LAB 89.29, -68.76, 34.63

 

CMYK 71 / 0 / 32 / 0

HEX #4BFFAE

RGB 75 255 174

HSL 153, 1%, 0.65%

LAB 89.89, -63.01, 25.96

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 100 / 0 / 62 / 14

HEX #00DB54

RGB 0 219 84

HSL 143.01, 1%, 0.43%

LAB 76.86, -71.86, 52.69

 

CMYK 100 / 0 / 68 / 21

HEX #00C941

RGB 0 201 65

HSL 139.4, 1%, 0.39%

LAB 70.98, -68.65, 54.11

 

CMYK 100 / 0 / 75 / 28

HEX #00B72E

RGB 0 183 46

HSL 135.08, 1%, 0.36%

LAB 65.01, -65.15, 55.08

 

CMYK 100 / 0 / 84 / 35

HEX #00A51B

RGB 0 165 27

HSL 129.82, 1%, 0.32%

LAB 58.96, -61.26, 55.2

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 99 / 0 / 83 / 7

HEX #02ED28

RGB 2 237 40

HSL 129.7, 0.98%, 0.47%

LAB 82.24, -80.4, 73.18

 

CMYK 88 / 0 / 99 / 7

HEX #1CED02

RGB 28 237 2

HSL 113.36, 0.98%, 0.47%

LAB 82.28, -80.29, 78.69

 

CMYK 62 / 0 / 99 / 7

HEX #5BED02

RGB 91 237 2

HSL 97.28, 0.98%, 0.47%

LAB 83.34, -71.13, 79.98

 

CMYK 35 / 0 / 99 / 7

HEX #9BED02

RGB 155 237 2

HSL 80.94, 0.98%, 0.47%

LAB 85.78, -52.45, 82.94

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 99 / 0 / 30 / 7

HEX #02EDA7

RGB 2 237 167

HSL 162.13, 0.98%, 0.47%

LAB 83.64, -63.46, 20.82

 

CMYK 99 / 0 / 3 / 7

HEX #02EDE6

RGB 2 237 230

HSL 178.21, 0.98%, 0.47%

LAB 85.15, -47.46, -9.99

 

CMYK 99 / 24 / 0 / 7

HEX #02B5ED

RGB 2 181 237

HSL 194.3, 0.98%, 0.47%

LAB 68.88, -18.62, -38.54

 

CMYK 99 / 50 / 0 / 7

HEX #0276ED

RGB 2 118 237

HSL 210.38, 0.98%, 0.47%

LAB 50.79, 18.14, -67.3

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 90 / 0 / 51 / 15

HEX #16DA6A

RGB 22 218 106

HSL 145.71, 0.82%, 0.47%

LAB 76.89, -67.69, 42.67

 

CMYK 79 / 0 / 45 / 22

HEX #29C76D

RGB 41 199 109

HSL 145.82, 0.66%, 0.47%

LAB 71.16, -59.23, 34.02

 

CMYK 66 / 0 / 37 / 30

HEX #3DB370

RGB 61 179 112

HSL 145.93, 0.49%, 0.47%

LAB 65.28, -48.22, 24.83

 

CMYK 50 / 0 / 29 / 37

HEX #50A072

RGB 80 160 114

HSL 145.5, 0.33%, 0.47%

LAB 59.94, -35.42, 16.61

 

CMYK 87 / 0 / 99 / 7

HEX #1EED02

RGB 30 237 2

HSL 112.85, 0.98%, 0.47%

LAB 82.3, -80.15, 78.71

 

CMYK 99 / 0 / 84 / 7

HEX #02ED26

RGB 2 237 38

HSL 129.19, 0.98%, 0.47%

LAB 82.23, -80.49, 73.64

 

CMYK 99 / 0 / 58 / 7

HEX #02ED64

RGB 2 237 100

HSL 145.02, 0.98%, 0.47%

LAB 82.65, -75.18, 52.35

 

CMYK 99 / 0 / 31 / 7

HEX #02EDA3

RGB 2 237 163

HSL 161.11, 0.98%, 0.47%

LAB 83.56, -64.32, 22.78

 

CMYK 99 / 0 / 5 / 7

HEX #02EDE2

RGB 2 237 226

HSL 177.19, 0.98%, 0.47%

LAB 85.03, -48.59, -8.05

 

CMYK 99 / 0 / 56 / 39

HEX #029C44

RGB 2 156 68

HSL 145.71, 0.97%, 0.31%

LAB 56.29, -54.28, 36.07

 

CMYK 99 / 0 / 56 / 23

HEX #02C456

RGB 2 196 86

HSL 145.98, 0.98%, 0.39%

LAB 69.59, -64.52, 43.3

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 89 / 0 / 51 / 1

HEX #1CFD7D

RGB 28 253 125

HSL 145.87, 0.98%, 0.55%

LAB 87.96, -75.58, 47.35

 

CMYK 73 / 0 / 42 / 1

HEX #45FD94

RGB 69 253 148

HSL 145.76, 0.98%, 0.63%

LAB 88.76, -67.93, 37.41

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 99 / 61 / 0 / 7

HEX #025CED

RGB 2 92 237

HSL 217.02, 0.98%, 0.47%

LAB 43.92, 34.79, -78.49

 

CMYK 0 / 97 / 99 / 7

HEX #ED0602

RGB 237 6 2

HSL 1.02, 0.98%, 0.47%

LAB 49.66, 75.35, 63.09

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 58 / 99 / 0 / 7

HEX #6402ED

RGB 100 2 237

HSL 265.02, 0.98%, 0.47%

LAB 35.73, 77.2, -91.85

 

CMYK 0 / 58 / 99 / 7

HEX #ED6402

RGB 237 100 2

HSL 25.02, 0.98%, 0.47%

LAB 59.09, 49.45, 67.67

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 99 / 61 / 0 / 7

HEX #025CED

RGB 2 92 237

HSL 217.02, 0.98%, 0.47%

LAB 43.92, 34.79, -78.49

 

CMYK 0 / 99 / 41 / 7

HEX #ED028B

RGB 237 2 139

HSL 325.02, 0.98%, 0.47%

LAB 51.74, 81.49, -7.58

 

CMYK 0 / 38 / 99 / 7

HEX #ED9302

RGB 237 147 2

HSL 37.02, 0.98%, 0.47%

LAB 68.66, 25.84, 73.55

 

CMYK 99 / 0 / 57 / 7

HEX #02ED67

RGB 2 237 103

HSL 145.79, 0.98%, 0.47%

LAB 82.68, -74.78, 51.05

 

CMYK 99 / 91 / 0 / 7

HEX #0216ED

RGB 2 22 237

HSL 234.89, 0.98%, 0.47%

LAB 31.12, 70.66, -99.68

 

CMYK 0 / 99 / 41 / 7

HEX #ED028B

RGB 237 2 139

HSL 325.02, 0.98%, 0.47%

LAB 51.74, 81.49, -7.58

 

CMYK 0 / 8 / 99 / 7

HEX #EDDA02

RGB 237 218 2

HSL 55.15, 0.98%, 0.47%

LAB 86.08, -11.07, 85.62

 

Description

Color code: RGB 2 237 103 | qconv.com Color code: RGB 2 237 103 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 237 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 237 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 57 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 57% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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