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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 211 211 it is the complementary color RGB 253 44 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 211 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 211 211 shade: RGB 7 211 206, RGB 24 229 225, RGB 41 247 244, RGB 58 255 255 and RGB 75 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 211 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 211 211 shade: RGB 2 211 211, RGB 0 193 192, RGB 0 175 173, RGB 0 157 154 and RGB 0 139 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 211 211 shade: RGB 2 212 212, RGB 2 212 155, RGB 2 212 98, RGB 2 212 42 and RGB 18 212 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 211 211 shade: RGB 2 212 212, RGB 2 155 212, RGB 2 98 212, RGB 2 42 212 and RGB 2 2 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 211 211 shade matches the following richer shades: RGB 2 212 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 211 211 shade: RGB 2 212 212, RGB 19 194 194, RGB 36 177 177, RGB 54 160 160 and RGB 71 142 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 211 211 shade: RGB 2 212 100, RGB 2 212 156, RGB 2 212 212, RGB 2 156 212 and RGB 2 100 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 211 211 shade: RGB 1 130 130, RGB 1 171 171, RGB 2 212 212, RGB 3 252 252 and RGB 43 252 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 211 211 shade: RGB 2 211 211, RGB 44 2 212 and RGB 212 128 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 211 211 shade: RGB 2 211 211, RGB 212 2 212 and RGB 212 212 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 211 211 shade: RGB 2 211 211, RGB 44 2 212, RGB 212 2 2 and RGB 170 212 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 211 211 shade: RGB 2 211 211, RGB 107 2 212, RGB 212 2 2 and RGB 107 212 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 0 / 17

HEX #02D3D3

RGB 2 211 211

HSL 180, 0.98%, 0.42%

LAB 76.86, -41.63, -12.24

 

Complementary color

CMYK 0 / 83 / 83 / 1

HEX #FD2C2C

RGB 253 44 44

HSL 0, 0.98%, 0.58%

LAB 54.93, 74.67, 52.69

 

CMYK 97 / 0 / 2 / 17

HEX #07D3CE

RGB 7 211 206

HSL 178.53, 0.94%, 0.43%

LAB 76.73, -42.97, -9.75

 

CMYK 90 / 0 / 2 / 10

HEX #18E5E1

RGB 24 229 225

HSL 178.83, 0.81%, 0.5%

LAB 82.74, -44.79, -10.93

 

CMYK 83 / 0 / 1 / 3

HEX #29F7F4

RGB 41 247 244

HSL 179.13, 0.93%, 0.56%

LAB 88.7, -46.3, -12.01

 

CMYK 77 / 0 / 0 / 0

HEX #3AFFFF

RGB 58 255 255

HSL 180, 1%, 0.61%

LAB 91.52, -45.41, -13.49

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 99 / 0 / 0 / 17

HEX #02D3D3

RGB 2 211 211

HSL 180, 0.98%, 0.42%

LAB 76.86, -41.63, -12.24

 

CMYK 100 / 0 / 1 / 24

HEX #00C1C0

RGB 0 193 192

HSL 179.69, 1%, 0.38%

LAB 70.83, -39.29, -10.96

 

CMYK 100 / 0 / 1 / 31

HEX #00AFAD

RGB 0 175 173

HSL 179.31, 1%, 0.34%

LAB 64.71, -36.87, -9.64

 

CMYK 100 / 0 / 2 / 38

HEX #009D9A

RGB 0 157 154

HSL 178.85, 1%, 0.31%

LAB 58.46, -34.4, -8.28

 

CMYK 100 / 0 / 3 / 45

HEX #008B87

RGB 0 139 135

HSL 178.27, 1%, 0.27%

LAB 52.08, -31.89, -6.87

 

CMYK 99 / 0 / 0 / 17

HEX #02D4D4

RGB 2 212 212

HSL 180, 0.98%, 0.42%

LAB 77.19, -41.78, -12.29

 

CMYK 99 / 0 / 27 / 17

HEX #02D49B

RGB 2 212 155

HSL 163.71, 0.98%, 0.42%

LAB 75.74, -56.96, 16.13

 

CMYK 99 / 0 / 54 / 17

HEX #02D462

RGB 2 212 98

HSL 147.43, 0.98%, 0.42%

LAB 74.81, -67.81, 43.92

 

CMYK 99 / 0 / 80 / 17

HEX #02D42A

RGB 2 212 42

HSL 131.43, 0.98%, 0.42%

LAB 74.36, -73.51, 65.41

 

CMYK 92 / 0 / 99 / 17

HEX #12D402

RGB 18 212 2

HSL 115.43, 0.98%, 0.42%

LAB 74.33, -74.19, 72.26

 

CMYK 99 / 0 / 0 / 17

HEX #02D4D4

RGB 2 212 212

HSL 180, 0.98%, 0.42%

LAB 77.19, -41.78, -12.29

 

CMYK 99 / 27 / 0 / 17

HEX #029BD4

RGB 2 155 212

HSL 196.29, 0.98%, 0.42%

LAB 60.08, -13.52, -38.51

 

CMYK 99 / 54 / 0 / 17

HEX #0262D4

RGB 2 98 212

HSL 212.57, 0.98%, 0.42%

LAB 43.51, 21.15, -64.96

 

CMYK 99 / 80 / 0 / 17

HEX #022AD4

RGB 2 42 212

HSL 228.57, 0.98%, 0.42%

LAB 30.45, 55.63, -86.44

 

CMYK 99 / 99 / 0 / 17

HEX #0202D4

RGB 2 2 212

HSL 240, 0.98%, 0.42%

LAB 26.19, 68.51, -93.56

 

CMYK 99 / 0 / 0 / 17

HEX #02D4D4

RGB 2 212 212

HSL 180, 0.98%, 0.42%

LAB 77.19, -41.78, -12.29

 

CMYK 99 / 0 / 0 / 17

HEX #02D4D4

RGB 2 212 212

HSL 180, 0.98%, 0.42%

LAB 77.19, -41.78, -12.29

 

CMYK 90 / 0 / 0 / 24

HEX #13C2C2

RGB 19 194 194

HSL 180, 0.82%, 0.42%

LAB 71.29, -38.51, -11.36

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 66 / 0 / 0 / 37

HEX #36A0A0

RGB 54 160 160

HSL 180, 0.5%, 0.42%

LAB 60.31, -29.36, -8.85

 

CMYK 50 / 0 / 0 / 44

HEX #478E8E

RGB 71 142 142

HSL 180, 0.33%, 0.42%

LAB 54.7, -22.17, -6.87

 

CMYK 99 / 0 / 53 / 17

HEX #02D464

RGB 2 212 100

HSL 148, 0.98%, 0.42%

LAB 74.84, -67.51, 43

 

CMYK 99 / 0 / 26 / 17

HEX #02D49C

RGB 2 212 156

HSL 164, 0.98%, 0.42%

LAB 75.76, -56.73, 15.63

 

CMYK 99 / 0 / 0 / 17

HEX #02D4D4

RGB 2 212 212

HSL 180, 0.98%, 0.42%

LAB 77.19, -41.78, -12.29

 

CMYK 99 / 26 / 0 / 17

HEX #029CD4

RGB 2 156 212

HSL 196, 0.98%, 0.42%

LAB 60.38, -14.07, -38.04

 

CMYK 99 / 53 / 0 / 17

HEX #0264D4

RGB 2 100 212

HSL 212, 0.98%, 0.42%

LAB 44.06, 19.85, -64.07

 

CMYK 99 / 0 / 0 / 49

HEX #018282

RGB 1 130 130

HSL 180, 0.98%, 0.26%

LAB 48.99, -29.11, -8.56

 

CMYK 99 / 0 / 0 / 33

HEX #01ABAB

RGB 1 171 171

HSL 180, 0.99%, 0.34%

LAB 63.4, -35.6, -10.47

 

CMYK 99 / 0 / 0 / 17

HEX #02D4D4

RGB 2 212 212

HSL 180, 0.98%, 0.42%

LAB 77.19, -41.78, -12.29

 

CMYK 99 / 0 / 0 / 1

HEX #03FCFC

RGB 3 252 252

HSL 180, 0.98%, 0.5%

LAB 90.17, -47.59, -14

 

CMYK 83 / 0 / 0 / 1

HEX #2BFCFC

RGB 43 252 252

HSL 180, 0.97%, 0.58%

LAB 90.4, -46.09, -13.63

 

CMYK 99 / 0 / 0 / 17

HEX #02D3D3

RGB 2 211 211

HSL 180, 0.98%, 0.42%

LAB 76.86, -41.63, -12.24

 

CMYK 79 / 99 / 0 / 17

HEX #2C02D4

RGB 44 2 212

HSL 252, 0.98%, 0.42%

LAB 27.66, 69.05, -91.06

 

CMYK 0 / 40 / 99 / 17

HEX #D48002

RGB 212 128 2

HSL 36, 0.98%, 0.42%

LAB 61.17, 25.36, 67.11

 

CMYK 99 / 0 / 0 / 17

HEX #02D3D3

RGB 2 211 211

HSL 180, 0.98%, 0.42%

LAB 76.86, -41.63, -12.24

 

CMYK 0 / 99 / 0 / 17

HEX #D402D4

RGB 212 2 212

HSL 300, 0.98%, 0.42%

LAB 50.45, 85.32, -52.85

 

CMYK 0 / 0 / 99 / 17

HEX #D4D402

RGB 212 212 2

HSL 60, 0.98%, 0.42%

LAB 82.43, -18.73, 82.01

 

CMYK 99 / 0 / 0 / 17

HEX #02D3D3

RGB 2 211 211

HSL 180, 0.98%, 0.42%

LAB 76.86, -41.63, -12.24

 

CMYK 79 / 99 / 0 / 17

HEX #2C02D4

RGB 44 2 212

HSL 252, 0.98%, 0.42%

LAB 27.66, 69.05, -91.06

 

CMYK 0 / 99 / 99 / 17

HEX #D40202

RGB 212 2 2

HSL 0, 0.98%, 0.42%

LAB 44.3, 69.53, 57.84

 

CMYK 20 / 0 / 99 / 17

HEX #AAD402

RGB 170 212 2

HSL 72, 0.98%, 0.42%

LAB 79.41, -36.13, 78.41

 

CMYK 99 / 0 / 0 / 17

HEX #02D3D3

RGB 2 211 211

HSL 180, 0.98%, 0.42%

LAB 76.86, -41.63, -12.24

 

CMYK 50 / 99 / 0 / 17

HEX #6B02D4

RGB 107 2 212

HSL 270, 0.98%, 0.42%

LAB 33.82, 72.22, -80.64

 

CMYK 0 / 99 / 99 / 17

HEX #D40202

RGB 212 2 2

HSL 0, 0.98%, 0.42%

LAB 44.3, 69.53, 57.84

 

CMYK 50 / 0 / 99 / 17

HEX #6BD402

RGB 107 212 2

HSL 90, 0.98%, 0.42%

LAB 76.2, -58.44, 74.55

 

Description

Color code: RGB 2 211 211 | qconv.com Color code: RGB 2 211 211 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 211 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 211 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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