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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 151 11 it is the complementary color RGB 253 104 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 151 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 151 11 shade: RGB 7 151 6, RGB 24 169 25, RGB 41 187 44, RGB 58 205 63 and RGB 75 223 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 151 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 0 133 0, RGB 0 115 0, RGB 0 97 0 and RGB 0 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 33 151 2, RGB 73 151 2, RGB 113 151 2 and RGB 151 148 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 2 151 51, RGB 2 151 91, RGB 2 151 131 and RGB 2 130 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 151 11 shade matches the following richer shades: RGB 2 151 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 15 138 22, RGB 27 126 33, RGB 39 114 44 and RGB 52 101 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 151 11 shade: RGB 74 151 2, RGB 34 151 2, RGB 2 151 10, RGB 2 151 49 and RGB 2 151 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 151 11 shade: RGB 1 69 5, RGB 2 110 8, RGB 2 151 11, RGB 3 191 14 and RGB 4 232 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 2 114 151 and RGB 151 2 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 10 2 151 and RGB 151 10 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 2 114 151, RGB 151 2 143 and RGB 151 39 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 151 11 shade: RGB 2 151 11, RGB 2 69 151, RGB 151 2 143 and RGB 151 84 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

Complementary color

CMYK 0 / 59 / 4 / 1

HEX #FD68F4

RGB 253 104 244

HSL 303.62, 0.97%, 0.7%

LAB 67.51, 73.17, -43.39

 

CMYK 95 / 0 / 96 / 41

HEX #079706

RGB 7 151 6

HSL 119.59, 0.92%, 0.31%

LAB 54.23, -57.68, 55.35

 

CMYK 86 / 0 / 85 / 34

HEX #18A919

RGB 24 169 25

HSL 120.41, 0.75%, 0.38%

LAB 60.46, -60.95, 57.14

 

CMYK 78 / 0 / 76 / 27

HEX #29BB2C

RGB 41 187 44

HSL 121.23, 0.64%, 0.45%

LAB 66.67, -63.26, 57.52

 

CMYK 72 / 0 / 69 / 20

HEX #3ACD3F

RGB 58 205 63

HSL 122.04, 0.6%, 0.52%

LAB 72.84, -64.84, 57.06

 

CMYK 66 / 0 / 63 / 13

HEX #4BDF52

RGB 75 223 82

HSL 122.84, 0.7%, 0.58%

LAB 78.97, -65.89, 56.15

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 78 / 0 / 99 / 41

HEX #219702

RGB 33 151 2

HSL 107.52, 0.97%, 0.3%

LAB 54.51, -55.18, 56.35

 

CMYK 52 / 0 / 99 / 41

HEX #499702

RGB 73 151 2

HSL 91.41, 0.97%, 0.3%

LAB 55.64, -45.83, 57.73

 

CMYK 25 / 0 / 99 / 41

HEX #719702

RGB 113 151 2

HSL 75.3, 0.97%, 0.3%

LAB 57.7, -31.15, 60.23

 

CMYK 0 / 2 / 99 / 41

HEX #979402

RGB 151 148 2

HSL 58.79, 0.97%, 0.3%

LAB 59.67, -12.97, 62.98

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 99 / 0 / 66 / 41

HEX #029733

RGB 2 151 51

HSL 139.73, 0.97%, 0.3%

LAB 54.43, -54.94, 41.94

 

CMYK 99 / 0 / 40 / 41

HEX #02975B

RGB 2 151 91

HSL 155.84, 0.97%, 0.3%

LAB 54.97, -48.43, 22.31

 

CMYK 99 / 0 / 13 / 41

HEX #029783

RGB 2 151 131

HSL 171.95, 0.97%, 0.3%

LAB 55.87, -38.46, 1.02

 

CMYK 99 / 14 / 0 / 41

HEX #028297

RGB 2 130 151

HSL 188.46, 0.97%, 0.3%

LAB 49.75, -21.94, -19.71

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 89 / 0 / 84 / 46

HEX #0F8A16

RGB 15 138 22

HSL 123.41, 0.8%, 0.3%

LAB 49.9, -52.59, 48.26

 

CMYK 79 / 0 / 74 / 51

HEX #1B7E21

RGB 27 126 33

HSL 123.64, 0.65%, 0.3%

LAB 45.99, -46.4, 40.66

 

CMYK 66 / 0 / 61 / 55

HEX #27722C

RGB 39 114 44

HSL 124, 0.49%, 0.3%

LAB 42.23, -38.36, 31.56

 

CMYK 49 / 0 / 46 / 60

HEX #346537

RGB 52 101 55

HSL 123.67, 0.32%, 0.3%

LAB 38.4, -27.32, 21

 

CMYK 51 / 0 / 99 / 41

HEX #4A9702

RGB 74 151 2

HSL 91.01, 0.97%, 0.3%

LAB 55.68, -45.52, 57.78

 

CMYK 77 / 0 / 99 / 41

HEX #229702

RGB 34 151 2

HSL 107.11, 0.97%, 0.3%

LAB 54.53, -55.02, 56.37

 

CMYK 99 / 0 / 93 / 41

HEX #02970A

RGB 2 151 10

HSL 123.22, 0.97%, 0.3%

LAB 54.2, -57.87, 54.68

 

CMYK 99 / 0 / 68 / 41

HEX #029731

RGB 2 151 49

HSL 138.93, 0.97%, 0.3%

LAB 54.42, -55.17, 42.8

 

CMYK 99 / 0 / 41 / 41

HEX #029759

RGB 2 151 89

HSL 155.03, 0.97%, 0.3%

LAB 54.94, -48.84, 23.35

 

CMYK 99 / 0 / 93 / 73

HEX #014505

RGB 1 69 5

HSL 123.53, 0.97%, 0.14%

LAB 24.56, -33.01, 30.12

 

CMYK 98 / 0 / 93 / 57

HEX #026E08

RGB 2 110 8

HSL 123.33, 0.96%, 0.22%

LAB 39.89, -45.81, 42.8

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 98 / 0 / 93 / 25

HEX #03BF0E

RGB 3 191 14

HSL 123.51, 0.97%, 0.38%

LAB 67.51, -68.91, 65.3

 

CMYK 98 / 0 / 93 / 9

HEX #04E811

RGB 4 232 17

HSL 123.42, 0.97%, 0.46%

LAB 80.62, -79.81, 75.88

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 99 / 25 / 0 / 41

HEX #027297

RGB 2 114 151

HSL 194.9, 0.97%, 0.3%

LAB 44.63, -13.14, -27.62

 

CMYK 0 / 99 / 64 / 41

HEX #970236

RGB 151 2 54

HSL 339.06, 0.97%, 0.3%

LAB 31.55, 55.58, 14.89

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 93 / 99 / 0 / 41

HEX #0A0297

RGB 10 2 151

HSL 243.22, 0.97%, 0.3%

LAB 17.19, 53.03, -72.09

 

CMYK 0 / 93 / 99 / 41

HEX #970A02

RGB 151 10 2

HSL 3.22, 0.97%, 0.3%

LAB 31.35, 52.74, 44.16

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 99 / 25 / 0 / 41

HEX #027297

RGB 2 114 151

HSL 194.9, 0.97%, 0.3%

LAB 44.63, -13.14, -27.62

 

CMYK 0 / 99 / 5 / 41

HEX #97028F

RGB 151 2 143

HSL 303.22, 0.97%, 0.3%

LAB 35.21, 65, -36.9

 

CMYK 0 / 74 / 99 / 41

HEX #972702

RGB 151 39 2

HSL 14.9, 0.97%, 0.3%

LAB 34.06, 45.12, 45.89

 

CMYK 99 / 0 / 93 / 41

HEX #02970B

RGB 2 151 11

HSL 123.62, 0.97%, 0.3%

LAB 54.21, -57.84, 54.52

 

CMYK 99 / 54 / 0 / 41

HEX #024597

RGB 2 69 151

HSL 213.02, 0.97%, 0.3%

LAB 30.65, 15.64, -49.89

 

CMYK 0 / 99 / 5 / 41

HEX #97028F

RGB 151 2 143

HSL 303.22, 0.97%, 0.3%

LAB 35.21, 65, -36.9

 

CMYK 0 / 44 / 99 / 41

HEX #975402

RGB 151 84 2

HSL 33.02, 0.97%, 0.3%

LAB 42.65, 22.96, 51.02

 

Description

Color code: RGB 2 151 11 | qconv.com Color code: RGB 2 151 11 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 151 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 151 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 93 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 93% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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