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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 104 101 it is the complementary color RGB 253 151 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 104 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 104 101 shade: RGB 7 104 96, RGB 24 122 115, RGB 41 140 134, RGB 58 158 153 and RGB 75 176 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 104 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 0 86 82, RGB 0 68 63, RGB 0 50 44 and RGB 0 32 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 2 104 74, RGB 2 104 46, RGB 2 104 18 and RGB 13 104 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 2 80 104, RGB 2 52 104, RGB 2 24 104 and RGB 2 2 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 104 101 shade matches the following richer shades: RGB 2 104 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 10 96 93, RGB 19 87 85, RGB 28 78 77 and RGB 36 70 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 104 101 shade: RGB 2 104 46, RGB 2 104 74, RGB 2 104 101, RGB 2 80 104 and RGB 2 53 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 104 101 shade: RGB 0 24 23, RGB 1 64 62, RGB 2 104 101, RGB 2 145 141 and RGB 3 185 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 19 2 104 and RGB 104 60 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 101 2 104 and RGB 104 101 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 19 2 104, RGB 104 2 5 and RGB 87 104 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 104 101 shade: RGB 2 104 101, RGB 50 2 104, RGB 104 2 5 and RGB 56 104 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

Complementary color

CMYK 0 / 40 / 39 / 1

HEX #FD979A

RGB 253 151 154

HSL 358.24, 0.96%, 0.79%

LAB 73.12, 38.51, 14.98

 

CMYK 93 / 0 / 8 / 59

HEX #076860

RGB 7 104 96

HSL 175.05, 0.87%, 0.22%

LAB 39.23, -26.98, -2.69

 

CMYK 80 / 0 / 6 / 52

HEX #187A73

RGB 24 122 115

HSL 175.71, 0.67%, 0.29%

LAB 46.11, -28.34, -3.95

 

CMYK 71 / 0 / 4 / 45

HEX #298C86

RGB 41 140 134

HSL 176.36, 0.55%, 0.35%

LAB 52.89, -29.2, -5.02

 

CMYK 63 / 0 / 3 / 38

HEX #3A9E99

RGB 58 158 153

HSL 177, 0.46%, 0.42%

LAB 59.57, -29.74, -5.96

 

CMYK 57 / 0 / 2 / 31

HEX #4BB0AC

RGB 75 176 172

HSL 177.62, 0.4%, 0.49%

LAB 66.16, -30.07, -6.8

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 100 / 0 / 5 / 66

HEX #005652

RGB 0 86 82

HSL 177.21, 1%, 0.17%

LAB 32.4, -23.17, -4.08

 

CMYK 100 / 0 / 7 / 73

HEX #00443F

RGB 0 68 63

HSL 175.59, 1%, 0.13%

LAB 25.24, -20.37, -2.44

 

CMYK 100 / 0 / 12 / 80

HEX #00322C

RGB 0 50 44

HSL 172.8, 1%, 0.1%

LAB 17.75, -17.46, -0.66

 

CMYK 100 / 0 / 22 / 87

HEX #002019

RGB 0 32 25

HSL 166.88, 1%, 0.06%

LAB 9.82, -14, 1.34

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 98 / 0 / 29 / 59

HEX #02684A

RGB 2 104 74

HSL 162.35, 0.96%, 0.21%

LAB 38.56, -33.8, 9.76

 

CMYK 98 / 0 / 56 / 59

HEX #02682E

RGB 2 104 46

HSL 145.88, 0.96%, 0.21%

LAB 38.04, -39.91, 25.34

 

CMYK 98 / 0 / 83 / 59

HEX #026812

RGB 2 104 18

HSL 129.41, 0.96%, 0.21%

LAB 37.77, -43.35, 38.01

 

CMYK 88 / 0 / 98 / 59

HEX #0D6802

RGB 13 104 2

HSL 113.53, 0.96%, 0.21%

LAB 37.83, -43.08, 42.66

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 98 / 23 / 0 / 59

HEX #025068

RGB 2 80 104

HSL 194.12, 0.96%, 0.21%

LAB 31.23, -11.45, -19.79

 

CMYK 98 / 50 / 0 / 59

HEX #023468

RGB 2 52 104

HSL 210.59, 0.96%, 0.21%

LAB 21.83, 7.18, -34.67

 

CMYK 98 / 77 / 0 / 59

HEX #021868

RGB 2 24 104

HSL 227.06, 0.96%, 0.21%

LAB 13.62, 27.65, -48.08

 

CMYK 98 / 98 / 0 / 59

HEX #020268

RGB 2 2 104

HSL 240, 0.96%, 0.21%

LAB 9.45, 39.9, -55.02

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 90 / 0 / 3 / 62

HEX #0A605D

RGB 10 96 93

HSL 177.91, 0.81%, 0.21%

LAB 36.41, -23.71, -5.01

 

CMYK 78 / 0 / 2 / 66

HEX #135755

RGB 19 87 85

HSL 178.24, 0.64%, 0.21%

LAB 33.16, -20.67, -4.82

 

CMYK 64 / 0 / 1 / 69

HEX #1C4E4D

RGB 28 78 77

HSL 178.8, 0.47%, 0.21%

LAB 29.99, -16.78, -4.42

 

CMYK 49 / 0 / 1 / 73

HEX #244645

RGB 36 70 69

HSL 178.24, 0.32%, 0.21%

LAB 27.26, -12.65, -3.27

 

CMYK 98 / 0 / 56 / 59

HEX #02682E

RGB 2 104 46

HSL 145.88, 0.96%, 0.21%

LAB 38.04, -39.91, 25.34

 

CMYK 98 / 0 / 29 / 59

HEX #02684A

RGB 2 104 74

HSL 162.35, 0.96%, 0.21%

LAB 38.56, -33.8, 9.76

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 98 / 23 / 0 / 59

HEX #025068

RGB 2 80 104

HSL 194.12, 0.96%, 0.21%

LAB 31.23, -11.45, -19.79

 

CMYK 98 / 49 / 0 / 59

HEX #023568

RGB 2 53 104

HSL 210, 0.96%, 0.21%

LAB 22.15, 6.46, -34.15

 

CMYK 100 / 0 / 4 / 91

HEX #001817

RGB 0 24 23

HSL 177.5, 1%, 0.05%

LAB 6.46, -8.13, -2.07

 

CMYK 98 / 0 / 3 / 75

HEX #01403E

RGB 1 64 62

HSL 178.1, 0.97%, 0.13%

LAB 23.74, -18.45, -4

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 99 / 0 / 3 / 43

HEX #02918D

RGB 2 145 141

HSL 178.32, 0.97%, 0.29%

LAB 54.22, -32.74, -7.15

 

CMYK 98 / 0 / 3 / 27

HEX #03B9B4

RGB 3 185 180

HSL 178.35, 0.97%, 0.37%

LAB 68.03, -39.19, -8.56

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 82 / 98 / 0 / 59

HEX #130268

RGB 19 2 104

HSL 250, 0.96%, 0.21%

LAB 10.42, 40.34, -53.38

 

CMYK 0 / 42 / 98 / 59

HEX #683C02

RGB 104 60 2

HSL 34.12, 0.96%, 0.21%

LAB 29.86, 15.21, 39.13

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 3 / 98 / 0 / 59

HEX #650268

RGB 101 2 104

HSL 298.24, 0.96%, 0.21%

LAB 23.03, 49.85, -32.23

 

CMYK 0 / 3 / 98 / 59

HEX #686502

RGB 104 101 2

HSL 58.24, 0.96%, 0.21%

LAB 41.62, -9.41, 47.68

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 82 / 98 / 0 / 59

HEX #130268

RGB 19 2 104

HSL 250, 0.96%, 0.21%

LAB 10.42, 40.34, -53.38

 

CMYK 0 / 98 / 95 / 59

HEX #680205

RGB 104 2 5

HSL 358.24, 0.96%, 0.21%

LAB 20.03, 41.06, 28.55

 

CMYK 16 / 0 / 98 / 59

HEX #576802

RGB 87 104 2

HSL 70, 0.96%, 0.21%

LAB 41.11, -19.17, 46.66

 

CMYK 98 / 0 / 3 / 59

HEX #026865

RGB 2 104 101

HSL 178.24, 0.96%, 0.21%

LAB 39.33, -25.73, -5.6

 

CMYK 52 / 98 / 0 / 59

HEX #320268

RGB 50 2 104

HSL 268.24, 0.96%, 0.21%

LAB 13.95, 42.41, -47.41

 

CMYK 0 / 98 / 95 / 59

HEX #680205

RGB 104 2 5

HSL 358.24, 0.96%, 0.21%

LAB 20.03, 41.06, 28.55

 

CMYK 46 / 0 / 98 / 59

HEX #386802

RGB 56 104 2

HSL 88.24, 0.96%, 0.21%

LAB 39.15, -32.28, 44.29

 

Description

Color code: RGB 2 104 101 | qconv.com Color code: RGB 2 104 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 104 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 104 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 3 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 3% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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