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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 96 22 it is the complementary color RGB 226 159 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 96 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 29 96 22: RGB 34 96 17, RGB 51 114 36, RGB 68 132 55, RGB 85 150 74 and RGB 102 168 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 96 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 29 96 22: RGB 29 96 22, RGB 12 78 3, RGB 0 60 0, RGB 0 42 0 and RGB 0 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

Complementary color

CMYK 3 / 32 / 0 / 9

HEX #E29FE9

RGB 226 159 233

HSL 294.32, 0.63%, 0.77%

LAB 74.09, 36.91, -27.4

 

CMYK 65 / 0 / 82 / 62

HEX #226011

RGB 34 96 17

HSL 107.09, 0.7%, 0.22%

LAB 35.49, -35.3, 36.38

 

CMYK 55 / 0 / 68 / 55

HEX #337224

RGB 51 114 36

HSL 108.46, 0.52%, 0.29%

LAB 42.56, -36.06, 35.92

 

CMYK 48 / 0 / 58 / 48

HEX #448437

RGB 68 132 55

HSL 109.87, 0.41%, 0.37%

LAB 49.5, -36.31, 34.8

 

CMYK 43 / 0 / 51 / 41

HEX #55964A

RGB 85 150 74

HSL 111.32, 0.34%, 0.44%

LAB 56.33, -36.31, 33.51

 

CMYK 39 / 0 / 45 / 34

HEX #66A85D

RGB 102 168 93

HSL 112.8, 0.3%, 0.51%

LAB 63.03, -36.18, 32.21

 

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

CMYK 85 / 0 / 96 / 69

HEX #0C4E03

RGB 12 78 3

HSL 112.8, 0.93%, 0.16%

LAB 28.2, -34.43, 34.3

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

CMYK 78 / 0 / 73 / 63

HEX #155F1A

RGB 21 95 26

HSL 124.05, 0.64%, 0.23%

LAB 34.84, -37.08, 31.89

 

CMYK 78 / 0 / 60 / 63

HEX #155F26

RGB 21 95 38

HSL 133.78, 0.64%, 0.23%

LAB 34.97, -35.51, 26.03

 

CMYK 78 / 0 / 46 / 63

HEX #155F33

RGB 21 95 51

HSL 144.32, 0.64%, 0.23%

LAB 35.17, -33.22, 18.94

 

CMYK 78 / 0 / 34 / 63

HEX #155F3F

RGB 21 95 63

HSL 154.05, 0.64%, 0.23%

LAB 35.41, -30.57, 12.09

 

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

CMYK 70 / 0 / 77 / 42

HEX #2C9322

RGB 44 147 34

HSL 114.69, 0.62%, 0.35%

LAB 53.51, -50.46, 48.01

 

CMYK 70 / 0 / 77 / 22

HEX #3CC62D

RGB 60 198 45

HSL 114.12, 0.63%, 0.48%

LAB 70.55, -63.62, 61.11

 

CMYK 70 / 0 / 77 / 2

HEX #4BF939

RGB 75 249 57

HSL 114.38, 0.94%, 0.6%

LAB 86.77, -76.21, 73.18

 

CMYK 69 / 0 / 78 / 82

HEX #0E2D0A

RGB 14 45 10

HSL 113.14, 0.64%, 0.11%

LAB 15.45, -19.95, 17.91

 

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

CMYK 78 / 7 / 0 / 63

HEX #15585F

RGB 21 88 95

HSL 185.68, 0.64%, 0.23%

LAB 33.91, -17.55, -9.98

 

CMYK 0 / 78 / 39 / 63

HEX #5F153A

RGB 95 21 58

HSL 330, 0.64%, 0.23%

LAB 21.11, 36.33, -4.29

 

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

CMYK 78 / 69 / 0 / 63

HEX #151D5F

RGB 21 29 95

HSL 233.51, 0.64%, 0.23%

LAB 14.76, 22.1, -40.22

 

CMYK 0 / 78 / 69 / 63

HEX #5F151D

RGB 95 21 29

HSL 353.51, 0.64%, 0.23%

LAB 20.27, 33.57, 14.83

 

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

CMYK 78 / 7 / 0 / 63

HEX #15585F

RGB 21 88 95

HSL 185.68, 0.64%, 0.23%

LAB 33.91, -17.55, -9.98

 

CMYK 7 / 78 / 0 / 63

HEX #58155F

RGB 88 21 95

HSL 294.32, 0.64%, 0.23%

LAB 21.72, 40.4, -28.56

 

CMYK 0 / 69 / 78 / 63

HEX #5F1D15

RGB 95 29 21

HSL 6.49, 0.64%, 0.23%

LAB 21.45, 29.51, 21.6

 

CMYK 70 / 0 / 77 / 62

HEX #1D6016

RGB 29 96 22

HSL 114.32, 0.63%, 0.23%

LAB 35.37, -36.17, 34.26

 

CMYK 78 / 31 / 0 / 63

HEX #15425F

RGB 21 66 95

HSL 203.51, 0.64%, 0.23%

LAB 26.4, -4.26, -21.55

 

CMYK 7 / 78 / 0 / 63

HEX #58155F

RGB 88 21 95

HSL 294.32, 0.64%, 0.23%

LAB 21.72, 40.4, -28.56

 

CMYK 0 / 46 / 78 / 63

HEX #5F3315

RGB 95 51 21

HSL 24.32, 0.64%, 0.23%

LAB 26.32, 17.11, 26.92

 

Description

Color code: RGB 29 96 22 | qconv.com Color code: RGB 29 96 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 96 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 96 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 77 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 77% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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