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Color name
RGB 29 89 2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 89 2 it is the complementary color RGB 226 166 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 89 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 89 2 shade: RGB 34 89 0, RGB 51 107 16, RGB 68 125 35, RGB 85 143 54 and RGB 102 161 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 89 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 89 2 shade: RGB 29 89 2, RGB 12 71 0, RGB 0 53 0, RGB 0 35 0 and RGB 0 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 89 2 shade: RGB 29 89 1, RGB 52 89 1, RGB 76 89 1, RGB 89 79 1 and RGB 89 55 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 89 2 shade: RGB 29 89 1, RGB 5 89 1, RGB 1 89 22, RGB 1 89 45 and RGB 1 89 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 89 2 shade matches the following richer shades: RGB 29 89 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 89 2 shade: RGB 29 89 1, RGB 32 82 9, RGB 34 75 16, RGB 37 67 24 and RGB 40 60 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 89 2 shade: RGB 76 89 1, RGB 53 89 1, RGB 29 89 1, RGB 6 89 1 and RGB 1 89 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 89 2 shade: RGB 2 9 0, RGB 16 49 1, RGB 29 89 1, RGB 42 130 2 and RGB 55 170 3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 89 2 shade: RGB 29 89 2, RGB 1 89 79 and RGB 89 1 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 89 2 shade: RGB 29 89 2, RGB 1 29 89 and RGB 89 1 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 89 2 shade: RGB 29 89 2, RGB 1 89 79, RGB 62 1 89 and RGB 89 1 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 89 2 shade: RGB 29 89 2, RGB 1 73 89, RGB 62 1 89 and RGB 89 17 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 98 / 65

HEX #1D5902

RGB 29 89 2

HSL 101.38, 0.96%, 0.18%

LAB 32.72, -34.8, 38.62

 

Complementary color

CMYK 11 / 34 / 0 / 1

HEX #E2A6FD

RGB 226 166 253

HSL 281.38, 0.96%, 0.82%

LAB 76.4, 37.07, -34.7

 

CMYK 62 / 0 / 100 / 65

HEX #225900

RGB 34 89 0

HSL 97.08, 1%, 0.17%

LAB 32.89, -33.5, 39.51

 

CMYK 52 / 0 / 85 / 58

HEX #336B10

RGB 51 107 16

HSL 96.92, 0.74%, 0.24%

LAB 40.01, -34.71, 41.21

 

CMYK 46 / 0 / 72 / 51

HEX #447D23

RGB 68 125 35

HSL 98, 0.56%, 0.31%

LAB 47, -35.33, 41.29

 

CMYK 41 / 0 / 62 / 44

HEX #558F36

RGB 85 143 54

HSL 99.1, 0.45%, 0.39%

LAB 53.86, -35.59, 40.5

 

CMYK 37 / 0 / 55 / 37

HEX #66A149

RGB 102 161 73

HSL 100.23, 0.38%, 0.46%

LAB 60.6, -35.65, 39.38

 

CMYK 67 / 0 / 98 / 65

HEX #1D5902

RGB 29 89 2

HSL 101.38, 0.96%, 0.18%

LAB 32.72, -34.8, 38.62

 

CMYK 83 / 0 / 100 / 72

HEX #0C4700

RGB 12 71 0

HSL 109.86, 1%, 0.14%

LAB 25.52, -32.17, 33.15

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 67 / 0 / 99 / 65

HEX #1D5901

RGB 29 89 1

HSL 100.91, 0.98%, 0.18%

LAB 32.72, -34.86, 38.96

 

CMYK 42 / 0 / 99 / 65

HEX #345901

RGB 52 89 1

HSL 85.23, 0.98%, 0.18%

LAB 33.73, -27.06, 40.19

 

CMYK 15 / 0 / 99 / 65

HEX #4C5901

RGB 76 89 1

HSL 68.86, 0.98%, 0.18%

LAB 35.37, -16.33, 42.17

 

CMYK 0 / 11 / 99 / 65

HEX #594F01

RGB 89 79 1

HSL 53.18, 0.98%, 0.18%

LAB 33.39, -4.09, 41.23

 

CMYK 0 / 38 / 99 / 65

HEX #593701

RGB 89 55 1

HSL 36.82, 0.98%, 0.18%

LAB 26.33, 10.85, 35.71

 

CMYK 67 / 0 / 99 / 65

HEX #1D5901

RGB 29 89 1

HSL 100.91, 0.98%, 0.18%

LAB 32.72, -34.86, 38.96

 

CMYK 94 / 0 / 99 / 65

HEX #055901

RGB 5 89 1

HSL 117.27, 0.98%, 0.18%

LAB 32.21, -39.27, 38.34

 

CMYK 99 / 0 / 75 / 65

HEX #015916

RGB 1 89 22

HSL 134.32, 0.98%, 0.18%

LAB 32.28, -38.19, 30.88

 

CMYK 99 / 0 / 49 / 65

HEX #01592D

RGB 1 89 45

HSL 150, 0.98%, 0.18%

LAB 32.57, -34.59, 19.05

 

CMYK 99 / 0 / 22 / 65

HEX #015945

RGB 1 89 69

HSL 166.36, 0.98%, 0.18%

LAB 33.09, -28.62, 5.11

 

CMYK 67 / 0 / 99 / 65

HEX #1D5901

RGB 29 89 1

HSL 100.91, 0.98%, 0.18%

LAB 32.72, -34.86, 38.96

 

CMYK 67 / 0 / 99 / 65

HEX #1D5901

RGB 29 89 1

HSL 100.91, 0.98%, 0.18%

LAB 32.72, -34.86, 38.96

 

CMYK 61 / 0 / 89 / 68

HEX #205209

RGB 32 82 9

HSL 101.1, 0.8%, 0.18%

LAB 30.31, -30.72, 34.21

 

CMYK 55 / 0 / 79 / 71

HEX #224B10

RGB 34 75 16

HSL 101.69, 0.65%, 0.18%

LAB 27.87, -26.49, 29.21

 

CMYK 45 / 0 / 64 / 74

HEX #254318

RGB 37 67 24

HSL 101.86, 0.47%, 0.18%

LAB 25.18, -20.63, 22.29

 

CMYK 33 / 0 / 48 / 76

HEX #283C1F

RGB 40 60 31

HSL 101.38, 0.32%, 0.18%

LAB 22.94, -14.55, 15.42

 

CMYK 15 / 0 / 99 / 65

HEX #4C5901

RGB 76 89 1

HSL 68.86, 0.98%, 0.18%

LAB 35.37, -16.33, 42.17

 

CMYK 40 / 0 / 99 / 65

HEX #355901

RGB 53 89 1

HSL 84.55, 0.98%, 0.18%

LAB 33.78, -26.66, 40.26

 

CMYK 67 / 0 / 99 / 65

HEX #1D5901

RGB 29 89 1

HSL 100.91, 0.98%, 0.18%

LAB 32.72, -34.86, 38.96

 

CMYK 93 / 0 / 99 / 65

HEX #065901

RGB 6 89 1

HSL 116.59, 0.98%, 0.18%

LAB 32.23, -39.14, 38.36

 

CMYK 99 / 0 / 78 / 65

HEX #015914

RGB 1 89 20

HSL 132.95, 0.98%, 0.18%

LAB 32.26, -38.4, 31.74

 

CMYK 78 / 0 / 100 / 96

HEX #020900

RGB 2 9 0

HSL 106.67, 1%, 0.02%

LAB 1.88, -3.08, 2.76

 

CMYK 67 / 0 / 98 / 81

HEX #103101

RGB 16 49 1

HSL 101.25, 0.96%, 0.1%

LAB 17.03, -22.27, 23.57

 

CMYK 67 / 0 / 99 / 65

HEX #1D5901

RGB 29 89 1

HSL 100.91, 0.98%, 0.18%

LAB 32.72, -34.86, 38.96

 

CMYK 68 / 0 / 98 / 49

HEX #2A8202

RGB 42 130 2

HSL 101.25, 0.97%, 0.26%

LAB 47.57, -46.57, 50.84

 

CMYK 68 / 0 / 98 / 33

HEX #37AA03

RGB 55 170 3

HSL 101.32, 0.97%, 0.34%

LAB 61.28, -57.22, 61.85

 

CMYK 67 / 0 / 98 / 65

HEX #1D5902

RGB 29 89 2

HSL 101.38, 0.96%, 0.18%

LAB 32.72, -34.8, 38.62

 

CMYK 99 / 0 / 11 / 65

HEX #01594F

RGB 1 89 79

HSL 173.18, 0.98%, 0.18%

LAB 33.38, -25.56, -0.74

 

CMYK 0 / 99 / 28 / 65

HEX #590140

RGB 89 1 64

HSL 317.05, 0.98%, 0.18%

LAB 17.99, 41.54, -13.35

 

CMYK 67 / 0 / 98 / 65

HEX #1D5902

RGB 29 89 2

HSL 101.38, 0.96%, 0.18%

LAB 32.72, -34.8, 38.62

 

CMYK 99 / 67 / 0 / 65

HEX #011D59

RGB 1 29 89

HSL 220.91, 0.98%, 0.18%

LAB 13.27, 17.51, -38.68

 

CMYK 0 / 99 / 67 / 65

HEX #59011D

RGB 89 1 29

HSL 340.91, 0.98%, 0.18%

LAB 16.67, 38.06, 9.88

 

CMYK 67 / 0 / 98 / 65

HEX #1D5902

RGB 29 89 2

HSL 101.38, 0.96%, 0.18%

LAB 32.72, -34.8, 38.62

 

CMYK 99 / 0 / 11 / 65

HEX #01594F

RGB 1 89 79

HSL 173.18, 0.98%, 0.18%

LAB 33.38, -25.56, -0.74

 

CMYK 30 / 99 / 0 / 65

HEX #3E0159

RGB 62 1 89

HSL 281.59, 0.98%, 0.18%

LAB 14.21, 40.74, -36.9

 

CMYK 0 / 99 / 87 / 65

HEX #59010C

RGB 89 1 12

HSL 352.5, 0.98%, 0.18%

LAB 16.37, 37.22, 20.41

 

CMYK 67 / 0 / 98 / 65

HEX #1D5902

RGB 29 89 2

HSL 101.38, 0.96%, 0.18%

LAB 32.72, -34.8, 38.62

 

CMYK 99 / 18 / 0 / 65

HEX #014959

RGB 1 73 89

HSL 190.91, 0.98%, 0.18%

LAB 28.1, -13.32, -15.07

 

CMYK 30 / 99 / 0 / 65

HEX #3E0159

RGB 62 1 89

HSL 281.59, 0.98%, 0.18%

LAB 14.21, 40.74, -36.9

 

CMYK 0 / 81 / 99 / 65

HEX #591101

RGB 89 17 1

HSL 10.91, 0.98%, 0.18%

LAB 18.04, 31.79, 26.98

 

Description

Color code: RGB 29 89 2 | qconv.com Color code: RGB 29 89 2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 89 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 89 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 98 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 98% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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