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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 72.4 216.4 it is the complementary color RGB 226 182.6 38.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 72.4 216.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 72.4 216.4 shade: RGB 34 72.4 211.4, RGB 51 90.4 230.4, RGB 68 108.4 249.4, RGB 85 126.4 255 and RGB 102 144.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 72.4 216.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 72.4 216.4 shade: RGB 29 72.4 216.4, RGB 12 54.4 197.4, RGB 0 36.4 178.4, RGB 0 18.4 159.4 and RGB 0 0.40000000000001 140.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 72.4 216.4 shade: RGB 29 72 215, RGB 36 29 215, RGB 87 29 215, RGB 137 29 215 and RGB 187 29 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 72.4 216.4 shade: RGB 29 72 215 and RGB 29 29 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 72.4 216.4 shade matches the following richer shades: RGB 29 72 215 and RGB 10 62 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 72.4 216.4 shade: RGB 29 72 215, RGB 49 83 196, RGB 69 94 176, RGB 89 104 156 and RGB 109 115 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 72.4 216.4 shade: RGB 29 172 215, RGB 29 122 215, RGB 29 73 215, RGB 36 29 215 and RGB 85 29 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 72.4 216.4 shade: RGB 19 48 143, RGB 24 60 179, RGB 29 72 215, RGB 58 97 228 and RGB 94 126 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 72.4 216.4 shade: RGB 29 72.4 216.4, RGB 209 29 215 and RGB 147 215 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 72.4 216.4 shade: RGB 29 72.4 216.4, RGB 215 29 73 and RGB 73 215 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 72.4 216.4 shade: RGB 29 72.4 216.4, RGB 209 29 215, RGB 215 172 29 and RGB 36 215 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 72.4 216.4 shade: RGB 29 72.4 216.4, RGB 215 29 166, RGB 215 172 29 and RGB 29 215 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 67 / 0 / 15

HEX #1D48D8

RGB 29 72.4 216.4

HSL 226.1, 0.76%, 0.48%

LAB 37.71, 40.46, -76.95

 

Complementary color

CMYK 0 / 19 / 83 / 11

HEX #E2B626

RGB 226 182.6 38.6

HSL 46.1, 0.76%, 0.52%

LAB 76.08, 2.87, 71.7

 

CMYK 84 / 66 / 0 / 17

HEX #2248D3

RGB 34 72.4 211.4

HSL 227.01, 0.72%, 0.48%

LAB 37.39, 38.93, -74.6

 

CMYK 78 / 61 / 0 / 10

HEX #335AE6

RGB 51 90.4 230.4

HSL 226.82, 0.78%, 0.55%

LAB 43.97, 35.86, -74.63

 

CMYK 73 / 57 / 0 / 2

HEX #446CF9

RGB 68 108.4 249.4

HSL 226.64, 0.94%, 0.62%

LAB 50.57, 33.19, -74.49

 

CMYK 67 / 50 / 0 / 0

HEX #557EFF

RGB 85 126.4 255

HSL 225.39, 1%, 0.67%

LAB 56.26, 26.32, -68.33

 

CMYK 60 / 43 / 0 / 0

HEX #6690FF

RGB 102 144.4 255

HSL 223.37, 1%, 0.7%

LAB 61.75, 18.28, -59.47

 

CMYK 87 / 67 / 0 / 15

HEX #1D48D8

RGB 29 72.4 216.4

HSL 226.1, 0.76%, 0.48%

LAB 37.71, 40.46, -76.95

 

CMYK 94 / 72 / 0 / 23

HEX #0C36C5

RGB 12 54.4 197.4

HSL 226.28, 0.89%, 0.41%

LAB 31.36, 43.99, -76.43

 

CMYK 100 / 80 / 0 / 30

HEX #0024B2

RGB 0 36.4 178.4

HSL 227.76, 1%, 0.35%

LAB 25.31, 47.44, -75.22

 

CMYK 100 / 88 / 0 / 37

HEX #00129F

RGB 0 18.4 159.4

HSL 233.07, 1%, 0.31%

LAB 19.89, 49.92, -72.74

 

CMYK 100 / 100 / 0 / 45

HEX #00008C

RGB 0 0.40000000000001 140.4

HSL 239.83, 1%, 0.28%

LAB 15.03, 50.65, -69.11

 

CMYK 87 / 67 / 0 / 16

HEX #1D48D7

RGB 29 72 215

HSL 226.13, 0.76%, 0.48%

LAB 37.49, 40.2, -76.52

 

CMYK 83 / 87 / 0 / 16

HEX #241DD7

RGB 36 29 215

HSL 242.26, 0.76%, 0.48%

LAB 29.81, 62.97, -89.22

 

CMYK 60 / 87 / 0 / 16

HEX #571DD7

RGB 87 29 215

HSL 258.71, 0.76%, 0.48%

LAB 33.59, 65.95, -82.84

 

CMYK 36 / 87 / 0 / 16

HEX #891DD7

RGB 137 29 215

HSL 274.84, 0.76%, 0.48%

LAB 39.75, 71.36, -72.46

 

CMYK 13 / 87 / 0 / 16

HEX #BB1DD7

RGB 187 29 215

HSL 290.97, 0.76%, 0.48%

LAB 47.43, 78.72, -59.64

 

CMYK 87 / 67 / 0 / 16

HEX #1D48D7

RGB 29 72 215

HSL 226.13, 0.76%, 0.48%

LAB 37.49, 40.2, -76.52

 

CMYK 87 / 87 / 0 / 16

HEX #1D1DD7

RGB 29 29 215

HSL 240, 0.76%, 0.48%

LAB 29.53, 62.76, -89.7

 

CMYK 87 / 67 / 0 / 16

HEX #1D48D7

RGB 29 72 215

HSL 226.13, 0.76%, 0.48%

LAB 37.49, 40.2, -76.52

 

CMYK 96 / 74 / 0 / 8

HEX #0A3EEB

RGB 10 62 235

HSL 226.13, 0.92%, 0.48%

LAB 36.94, 52.64, -88.84

 

CMYK 87 / 67 / 0 / 16

HEX #1D48D7

RGB 29 72 215

HSL 226.13, 0.76%, 0.48%

LAB 37.49, 40.2, -76.52

 

CMYK 75 / 58 / 0 / 23

HEX #3153C4

RGB 49 83 196

HSL 226.12, 0.6%, 0.48%

LAB 39.28, 27.78, -62.56

 

CMYK 61 / 47 / 0 / 31

HEX #455EB0

RGB 69 94 176

HSL 225.98, 0.44%, 0.48%

LAB 41.85, 16.52, -46.66

 

CMYK 43 / 33 / 0 / 39

HEX #59689C

RGB 89 104 156

HSL 226.57, 0.27%, 0.48%

LAB 44.84, 8.4, -30.05

 

CMYK 20 / 15 / 0 / 47

HEX #6D7388

RGB 109 115 136

HSL 226.67, 0.11%, 0.48%

LAB 48.62, 2.51, -12.24

 

CMYK 87 / 20 / 0 / 16

HEX #1DACD7

RGB 29 172 215

HSL 193.87, 0.76%, 0.48%

LAB 65.49, -20.46, -31.72

 

CMYK 87 / 43 / 0 / 16

HEX #1D7AD7

RGB 29 122 215

HSL 210, 0.76%, 0.48%

LAB 50.79, 8.18, -54.9

 

CMYK 87 / 66 / 0 / 16

HEX #1D49D7

RGB 29 73 215

HSL 225.81, 0.76%, 0.48%

LAB 37.72, 39.57, -76.13

 

CMYK 83 / 87 / 0 / 16

HEX #241DD7

RGB 36 29 215

HSL 242.26, 0.76%, 0.48%

LAB 29.81, 62.97, -89.22

 

CMYK 60 / 87 / 0 / 16

HEX #551DD7

RGB 85 29 215

HSL 258.06, 0.76%, 0.48%

LAB 33.38, 65.78, -83.18

 

CMYK 87 / 66 / 0 / 44

HEX #13308F

RGB 19 48 143

HSL 225.97, 0.77%, 0.32%

LAB 24.44, 27.88, -55.11

 

CMYK 87 / 66 / 0 / 30

HEX #183CB3

RGB 24 60 179

HSL 226.06, 0.76%, 0.4%

LAB 31.07, 34.17, -66.04

 

CMYK 87 / 67 / 0 / 16

HEX #1D48D7

RGB 29 72 215

HSL 226.13, 0.76%, 0.48%

LAB 37.49, 40.2, -76.52

 

CMYK 75 / 57 / 0 / 11

HEX #3A61E4

RGB 58 97 228

HSL 226.24, 0.76%, 0.56%

LAB 45.7, 31.55, -70.44

 

CMYK 60 / 46 / 0 / 9

HEX #5E7EE9

RGB 94 126 233

HSL 226.19, 0.76%, 0.64%

LAB 55.26, 20.65, -57.72

 

CMYK 87 / 67 / 0 / 15

HEX #1D48D8

RGB 29 72.4 216.4

HSL 226.1, 0.76%, 0.48%

LAB 37.71, 40.46, -76.95

 

CMYK 3 / 87 / 0 / 16

HEX #D11DD7

RGB 209 29 215

HSL 298.06, 0.76%, 0.48%

LAB 51.08, 82.39, -53.57

 

CMYK 32 / 0 / 87 / 16

HEX #93D71D

RGB 147 215 29

HSL 81.94, 0.76%, 0.48%

LAB 78.98, -45.78, 74.03

 

CMYK 87 / 67 / 0 / 15

HEX #1D48D8

RGB 29 72.4 216.4

HSL 226.1, 0.76%, 0.48%

LAB 37.71, 40.46, -76.95

 

CMYK 0 / 87 / 66 / 16

HEX #D71D49

RGB 215 29 73

HSL 345.81, 0.76%, 0.48%

LAB 46.72, 68.82, 25.11

 

CMYK 66 / 0 / 87 / 16

HEX #49D71D

RGB 73 215 29

HSL 105.81, 0.76%, 0.48%

LAB 76.13, -67.36, 70.47

 

CMYK 87 / 67 / 0 / 15

HEX #1D48D8

RGB 29 72.4 216.4

HSL 226.1, 0.76%, 0.48%

LAB 37.71, 40.46, -76.95

 

CMYK 3 / 87 / 0 / 16

HEX #D11DD7

RGB 209 29 215

HSL 298.06, 0.76%, 0.48%

LAB 51.08, 82.39, -53.57

 

CMYK 0 / 20 / 87 / 16

HEX #D7AC1D

RGB 215 172 29

HSL 46.13, 0.76%, 0.48%

LAB 72.26, 3.42, 70.56

 

CMYK 83 / 0 / 87 / 16

HEX #24D71D

RGB 36 215 29

HSL 117.74, 0.76%, 0.48%

LAB 75.49, -72.94, 69.66

 

CMYK 87 / 67 / 0 / 15

HEX #1D48D8

RGB 29 72.4 216.4

HSL 226.1, 0.76%, 0.48%

LAB 37.71, 40.46, -76.95

 

CMYK 0 / 87 / 23 / 16

HEX #D71DA6

RGB 215 29 166

HSL 315.81, 0.76%, 0.48%

LAB 49.59, 76.84, -27.35

 

CMYK 0 / 20 / 87 / 16

HEX #D7AC1D

RGB 215 172 29

HSL 46.13, 0.76%, 0.48%

LAB 72.26, 3.42, 70.56

 

CMYK 87 / 0 / 63 / 16

HEX #1DD74F

RGB 29 215 79

HSL 136.13, 0.76%, 0.48%

LAB 75.72, -69.85, 53.58

 

Description

Color code: RGB 29 72.4 216.4 | qconv.com Color code: RGB 29 72.4 216.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 72.4 green and 216.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 72.4 216.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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