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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 225 134 it is the complementary color RGB 226 30 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 225 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 225 134 shade: RGB 34 225 129, RGB 51 243 148, RGB 68 255 167, RGB 85 255 186 and RGB 102 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 225 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 12 207 115, RGB 0 189 96, RGB 0 171 77 and RGB 0 153 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 29 225 81, RGB 30 225 29, RGB 82 225 29 and RGB 135 225 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 29 225 187, RGB 29 210 225, RGB 29 157 225 and RGB 29 105 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 225 134 shade matches the following richer shades: RGB 29 225 134 and RGB 8 246 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 49 205 133, RGB 70 184 131, RGB 91 163 130 and RGB 111 143 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 225 134 shade: RGB 29 225 29, RGB 29 225 81, RGB 29 225 134, RGB 29 225 186 and RGB 29 212 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 225 134 shade: RGB 19 152 90, RGB 24 189 112, RGB 29 225 134, RGB 65 230 153 and RGB 102 235 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 29 81 225 and RGB 225 55 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 134 29 225 and RGB 225 134 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 29 81 225, RGB 225 29 120 and RGB 225 173 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 225 134 shade: RGB 29 225 134, RGB 35 29 225, RGB 225 29 120 and RGB 219 225 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

Complementary color

CMYK 0 / 87 / 46 / 11

HEX #E21E79

RGB 226 30 121

HSL 332.14, 0.77%, 0.5%

LAB 50.07, 74.55, 0.61

 

CMYK 85 / 0 / 43 / 12

HEX #22E181

RGB 34 225 129

HSL 149.84, 0.76%, 0.51%

LAB 79.49, -65.39, 34.67

 

CMYK 79 / 0 / 39 / 5

HEX #33F394

RGB 51 243 148

HSL 150.31, 0.89%, 0.58%

LAB 85.48, -66.61, 33.05

 

CMYK 73 / 0 / 35 / 0

HEX #44FFA7

RGB 68 255 167

HSL 151.76, 1%, 0.63%

LAB 89.64, -65.32, 29.13

 

CMYK 67 / 0 / 27 / 0

HEX #55FFBA

RGB 85 255 186

HSL 155.65, 1%, 0.67%

LAB 90.32, -59.09, 20.47

 

CMYK 60 / 0 / 20 / 0

HEX #66FFCD

RGB 102 255 205

HSL 160.39, 1%, 0.7%

LAB 91.12, -52.12, 11.91

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 94 / 0 / 44 / 19

HEX #0CCF73

RGB 12 207 115

HSL 151.69, 0.89%, 0.43%

LAB 73.51, -63.08, 33.95

 

CMYK 100 / 0 / 49 / 26

HEX #00BD60

RGB 0 189 96

HSL 150.48, 1%, 0.37%

LAB 67.46, -60.81, 35.81

 

CMYK 100 / 0 / 55 / 33

HEX #00AB4D

RGB 0 171 77

HSL 147.02, 1%, 0.34%

LAB 61.36, -57.94, 37.74

 

CMYK 100 / 0 / 62 / 40

HEX #00993A

RGB 0 153 58

HSL 142.75, 1%, 0.3%

LAB 55.16, -54.83, 39.56

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 87 / 0 / 64 / 12

HEX #1DE151

RGB 29 225 81

HSL 135.92, 0.77%, 0.5%

LAB 78.87, -72.64, 56.26

 

CMYK 87 / 0 / 87 / 12

HEX #1EE11D

RGB 30 225 29

HSL 119.69, 0.77%, 0.5%

LAB 78.59, -76.27, 72.34

 

CMYK 64 / 0 / 87 / 12

HEX #52E11D

RGB 82 225 29

HSL 103.78, 0.77%, 0.5%

LAB 79.46, -68.69, 73.44

 

CMYK 40 / 0 / 87 / 12

HEX #87E11D

RGB 135 225 29

HSL 87.55, 0.77%, 0.5%

LAB 81.34, -54.04, 75.79

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 87 / 0 / 17 / 12

HEX #1DE1BB

RGB 29 225 187

HSL 168.37, 0.77%, 0.5%

LAB 80.57, -53.15, 6.04

 

CMYK 87 / 7 / 0 / 12

HEX #1DD2E1

RGB 29 210 225

HSL 184.59, 0.77%, 0.5%

LAB 77.16, -35.98, -19.31

 

CMYK 87 / 30 / 0 / 12

HEX #1D9DE1

RGB 29 157 225

HSL 200.82, 0.77%, 0.5%

LAB 61.49, -8.8, -43.5

 

CMYK 87 / 53 / 0 / 12

HEX #1D69E1

RGB 29 105 225

HSL 216.73, 0.77%, 0.5%

LAB 46.71, 22.81, -67.14

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 97 / 0 / 45 / 4

HEX #08F687

RGB 8 246 135

HSL 152.02, 0.94%, 0.5%

LAB 85.86, -72.57, 39.91

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 76 / 0 / 35 / 20

HEX #31CD85

RGB 49 205 133

HSL 152.31, 0.61%, 0.5%

LAB 73.55, -55.97, 24.79

 

CMYK 62 / 0 / 29 / 28

HEX #46B883

RGB 70 184 131

HSL 152.11, 0.45%, 0.5%

LAB 67.44, -44.68, 17.59

 

CMYK 44 / 0 / 20 / 36

HEX #5BA382

RGB 91 163 130

HSL 152.5, 0.28%, 0.5%

LAB 61.68, -30.46, 10.19

 

CMYK 22 / 0 / 10 / 44

HEX #6F8F80

RGB 111 143 128

HSL 151.88, 0.13%, 0.5%

LAB 56.67, -14.47, 4.31

 

CMYK 87 / 0 / 87 / 12

HEX #1DE11D

RGB 29 225 29

HSL 120, 0.77%, 0.5%

LAB 78.58, -76.35, 72.33

 

CMYK 87 / 0 / 64 / 12

HEX #1DE151

RGB 29 225 81

HSL 135.92, 0.77%, 0.5%

LAB 78.87, -72.64, 56.26

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 87 / 0 / 17 / 12

HEX #1DE1BA

RGB 29 225 186

HSL 168.06, 0.77%, 0.5%

LAB 80.55, -53.41, 6.54

 

CMYK 87 / 6 / 0 / 12

HEX #1DD4E1

RGB 29 212 225

HSL 183.98, 0.77%, 0.5%

LAB 77.75, -36.91, -18.41

 

CMYK 88 / 0 / 41 / 40

HEX #13985A

RGB 19 152 90

HSL 152.03, 0.78%, 0.34%

LAB 55.41, -47.96, 23.46

 

CMYK 87 / 0 / 41 / 26

HEX #18BD70

RGB 24 189 112

HSL 152, 0.77%, 0.42%

LAB 67.84, -56.74, 28.12

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 72 / 0 / 33 / 10

HEX #41E699

RGB 65 230 153

HSL 152, 0.77%, 0.58%

LAB 81.85, -59.24, 25.69

 

CMYK 57 / 0 / 26 / 8

HEX #66EBAD

RGB 102 235 173

HSL 152.03, 0.77%, 0.66%

LAB 84.62, -50.66, 19.3

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 87 / 64 / 0 / 12

HEX #1D51E1

RGB 29 81 225

HSL 224.08, 0.77%, 0.5%

LAB 40.54, 38.21, -77.21

 

CMYK 0 / 76 / 87 / 12

HEX #E1371D

RGB 225 55 29

HSL 7.96, 0.77%, 0.5%

LAB 50.49, 63.56, 53.72

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 40 / 87 / 0 / 12

HEX #861DE1

RGB 134 29 225

HSL 272.14, 0.77%, 0.5%

LAB 40.22, 73.1, -77.45

 

CMYK 0 / 40 / 87 / 12

HEX #E1861D

RGB 225 134 29

HSL 32.14, 0.77%, 0.5%

LAB 64.28, 28.03, 64.65

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 87 / 64 / 0 / 12

HEX #1D51E1

RGB 29 81 225

HSL 224.08, 0.77%, 0.5%

LAB 40.54, 38.21, -77.21

 

CMYK 0 / 87 / 47 / 12

HEX #E11D78

RGB 225 29 120

HSL 332.14, 0.77%, 0.5%

LAB 49.79, 74.4, 0.79

 

CMYK 0 / 23 / 87 / 12

HEX #E1AD1D

RGB 225 173 29

HSL 44.08, 0.77%, 0.5%

LAB 73.53, 7.25, 72.02

 

CMYK 87 / 0 / 40 / 12

HEX #1DE186

RGB 29 225 134

HSL 152.14, 0.77%, 0.5%

LAB 79.52, -64.85, 32.19

 

CMYK 84 / 87 / 0 / 12

HEX #231DE1

RGB 35 29 225

HSL 241.84, 0.77%, 0.5%

LAB 31.05, 65.73, -92.92

 

CMYK 0 / 87 / 47 / 12

HEX #E11D78

RGB 225 29 120

HSL 332.14, 0.77%, 0.5%

LAB 49.79, 74.4, 0.79

 

CMYK 3 / 0 / 87 / 12

HEX #DBE11D

RGB 219 225 29

HSL 61.84, 0.77%, 0.5%

LAB 86.5, -21.76, 82.16

 

Description

Color code: RGB 29 225 134 | qconv.com Color code: RGB 29 225 134 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 225 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 225 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 40 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 40% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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