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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 103 13 it is the complementary color RGB 226 152 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 103 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 103 13 shade: RGB 34 103 8, RGB 51 121 27, RGB 68 139 46, RGB 85 157 65 and RGB 102 175 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 103 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 103 13 shade: RGB 29 103 13, RGB 12 85 0, RGB 0 67 0, RGB 0 49 0 and RGB 0 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 103 13 shade: RGB 29 104 12, RGB 53 104 12, RGB 78 104 12, RGB 103 104 12 and RGB 104 80 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 103 13 shade: RGB 29 104 12, RGB 12 104 21, RGB 12 104 45, RGB 12 104 70 and RGB 12 104 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 103 13 shade matches the following richer shades: RGB 29 104 12 and RGB 23 113 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 103 13 shade: RGB 29 104 12, RGB 35 94 22, RGB 41 85 31, RGB 47 75 41 and RGB 53 66 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 103 13 shade: RGB 78 104 12, RGB 54 104 12, RGB 29 104 12, RGB 12 104 20 and RGB 12 104 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 103 13 shade: RGB 8 30 3, RGB 18 67 8, RGB 29 104 12, RGB 39 141 17 and RGB 49 177 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 103 13 shade: RGB 29 103 13, RGB 12 102 104 and RGB 104 12 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 103 13 shade: RGB 29 103 13, RGB 12 29 104 and RGB 104 12 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 103 13 shade: RGB 29 103 13, RGB 12 102 104, RGB 87 12 104 and RGB 104 14 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 103 13 shade: RGB 29 103 13, RGB 12 75 104, RGB 87 12 104 and RGB 104 41 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 87 / 60

HEX #1D670D

RGB 29 103 13

HSL 109.33, 0.78%, 0.23%

LAB 37.83, -39.44, 39.83

 

Complementary color

CMYK 7 / 37 / 0 / 5

HEX #E298F2

RGB 226 152 242

HSL 289.33, 0.78%, 0.77%

LAB 72.92, 42.35, -34.12

 

CMYK 67 / 0 / 92 / 60

HEX #226708

RGB 34 103 8

HSL 103.58, 0.86%, 0.22%

LAB 37.95, -38.51, 41.33

 

CMYK 58 / 0 / 78 / 53

HEX #33791B

RGB 51 121 27

HSL 104.68, 0.64%, 0.29%

LAB 44.88, -39.7, 42.08

 

CMYK 51 / 0 / 67 / 45

HEX #448B2E

RGB 68 139 46

HSL 105.81, 0.5%, 0.36%

LAB 51.71, -40.28, 41.56

 

CMYK 46 / 0 / 59 / 38

HEX #559D41

RGB 85 157 65

HSL 106.96, 0.41%, 0.44%

LAB 58.44, -40.5, 40.52

 

CMYK 42 / 0 / 52 / 31

HEX #66AF54

RGB 102 175 84

HSL 108.13, 0.36%, 0.51%

LAB 65.06, -40.51, 39.32

 

CMYK 72 / 0 / 87 / 60

HEX #1D670D

RGB 29 103 13

HSL 109.33, 0.78%, 0.23%

LAB 37.83, -39.44, 39.83

 

CMYK 86 / 0 / 100 / 67

HEX #0C5500

RGB 12 85 0

HSL 111.53, 1%, 0.17%

LAB 30.82, -37.06, 37.62

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 72 / 0 / 88 / 59

HEX #1D680C

RGB 29 104 12

HSL 108.91, 0.79%, 0.23%

LAB 38.18, -39.86, 40.44

 

CMYK 49 / 0 / 88 / 59

HEX #35680C

RGB 53 104 12

HSL 93.26, 0.79%, 0.23%

LAB 39.04, -32.94, 41.54

 

CMYK 25 / 0 / 88 / 59

HEX #4E680C

RGB 78 104 12

HSL 76.96, 0.79%, 0.23%

LAB 40.49, -22.92, 43.36

 

CMYK 1 / 0 / 88 / 59

HEX #67680C

RGB 103 104 12

HSL 60.65, 0.79%, 0.23%

LAB 42.48, -11.31, 45.85

 

CMYK 0 / 23 / 88 / 59

HEX #68500C

RGB 104 80 12

HSL 44.35, 0.79%, 0.23%

LAB 35.41, 3.24, 39.94

 

CMYK 72 / 0 / 88 / 59

HEX #1D680C

RGB 29 104 12

HSL 108.91, 0.79%, 0.23%

LAB 38.18, -39.86, 40.44

 

CMYK 88 / 0 / 80 / 59

HEX #0C6815

RGB 12 104 21

HSL 125.87, 0.79%, 0.23%

LAB 37.9, -42.07, 37.09

 

CMYK 88 / 0 / 57 / 59

HEX #0C682D

RGB 12 104 45

HSL 141.52, 0.79%, 0.23%

LAB 38.14, -39.1, 26.03

 

CMYK 88 / 0 / 33 / 59

HEX #0C6846

RGB 12 104 70

HSL 157.83, 0.79%, 0.23%

LAB 38.59, -33.94, 12.21

 

CMYK 88 / 0 / 9 / 59

HEX #0C685F

RGB 12 104 95

HSL 174.13, 0.79%, 0.23%

LAB 39.25, -26.91, -2.03

 

CMYK 72 / 0 / 88 / 59

HEX #1D680C

RGB 29 104 12

HSL 108.91, 0.79%, 0.23%

LAB 38.18, -39.86, 40.44

 

CMYK 80 / 0 / 97 / 56

HEX #177103

RGB 23 113 3

HSL 109.09, 0.95%, 0.23%

LAB 41.21, -44.53, 45.25

 

CMYK 72 / 0 / 88 / 59

HEX #1D680C

RGB 29 104 12

HSL 108.91, 0.79%, 0.23%

LAB 38.18, -39.86, 40.44

 

CMYK 63 / 0 / 77 / 63

HEX #235E16

RGB 35 94 22

HSL 109.17, 0.62%, 0.23%

LAB 34.84, -33.82, 33.78

 

CMYK 52 / 0 / 64 / 67

HEX #29551F

RGB 41 85 31

HSL 108.89, 0.47%, 0.23%

LAB 31.96, -27.05, 26.4

 

CMYK 37 / 0 / 45 / 71

HEX #2F4B29

RGB 47 75 41

HSL 109.41, 0.29%, 0.23%

LAB 28.89, -18.31, 16.99

 

CMYK 20 / 0 / 24 / 74

HEX #354232

RGB 53 66 50

HSL 108.75, 0.14%, 0.23%

LAB 26.4, -8.96, 8.03

 

CMYK 25 / 0 / 88 / 59

HEX #4E680C

RGB 78 104 12

HSL 76.96, 0.79%, 0.23%

LAB 40.49, -22.92, 43.36

 

CMYK 48 / 0 / 88 / 59

HEX #36680C

RGB 54 104 12

HSL 92.61, 0.79%, 0.23%

LAB 39.09, -32.59, 41.6

 

CMYK 72 / 0 / 88 / 59

HEX #1D680C

RGB 29 104 12

HSL 108.91, 0.79%, 0.23%

LAB 38.18, -39.86, 40.44

 

CMYK 88 / 0 / 81 / 59

HEX #0C6814

RGB 12 104 20

HSL 125.22, 0.79%, 0.23%

LAB 37.89, -42.15, 37.46

 

CMYK 88 / 0 / 58 / 59

HEX #0C682C

RGB 12 104 44

HSL 140.87, 0.79%, 0.23%

LAB 38.13, -39.26, 26.56

 

CMYK 73 / 0 / 90 / 88

HEX #081E03

RGB 8 30 3

HSL 108.89, 0.82%, 0.06%

LAB 8.88, -14.48, 11.79

 

CMYK 73 / 0 / 88 / 74

HEX #124308

RGB 18 67 8

HSL 109.83, 0.79%, 0.15%

LAB 24.19, -28.62, 28.68

 

CMYK 72 / 0 / 88 / 59

HEX #1D680C

RGB 29 104 12

HSL 108.91, 0.79%, 0.23%

LAB 38.18, -39.86, 40.44

 

CMYK 72 / 0 / 88 / 45

HEX #278D11

RGB 39 141 17

HSL 109.35, 0.78%, 0.31%

LAB 51.29, -50.42, 50.97

 

CMYK 72 / 0 / 88 / 31

HEX #31B115

RGB 49 177 21

HSL 109.23, 0.79%, 0.39%

LAB 63.47, -60.14, 60.85

 

CMYK 72 / 0 / 87 / 60

HEX #1D670D

RGB 29 103 13

HSL 109.33, 0.78%, 0.23%

LAB 37.83, -39.44, 39.83

 

CMYK 88 / 2 / 0 / 59

HEX #0C6668

RGB 12 102 104

HSL 181.3, 0.79%, 0.23%

LAB 38.86, -22.97, -8.12

 

CMYK 0 / 88 / 37 / 59

HEX #680C42

RGB 104 12 66

HSL 324.78, 0.79%, 0.23%

LAB 22.3, 42.72, -7.85

 

CMYK 72 / 0 / 87 / 60

HEX #1D670D

RGB 29 103 13

HSL 109.33, 0.78%, 0.23%

LAB 37.83, -39.44, 39.83

 

CMYK 88 / 72 / 0 / 59

HEX #0C1D68

RGB 12 29 104

HSL 228.91, 0.79%, 0.23%

LAB 15.26, 24.85, -45.37

 

CMYK 0 / 88 / 72 / 59

HEX #680C1D

RGB 104 12 29

HSL 348.91, 0.79%, 0.23%

LAB 21.19, 39.48, 16.4

 

CMYK 72 / 0 / 87 / 60

HEX #1D670D

RGB 29 103 13

HSL 109.33, 0.78%, 0.23%

LAB 37.83, -39.44, 39.83

 

CMYK 88 / 2 / 0 / 59

HEX #0C6668

RGB 12 102 104

HSL 181.3, 0.79%, 0.23%

LAB 38.86, -22.97, -8.12

 

CMYK 16 / 88 / 0 / 59

HEX #570C68

RGB 87 12 104

HSL 288.91, 0.79%, 0.23%

LAB 21.16, 44.91, -35.37

 

CMYK 0 / 87 / 88 / 59

HEX #680E0C

RGB 104 14 12

HSL 1.3, 0.79%, 0.23%

LAB 21.15, 38.22, 26.89

 

CMYK 72 / 0 / 87 / 60

HEX #1D670D

RGB 29 103 13

HSL 109.33, 0.78%, 0.23%

LAB 37.83, -39.44, 39.83

 

CMYK 88 / 28 / 0 / 59

HEX #0C4B68

RGB 12 75 104

HSL 198.91, 0.79%, 0.23%

LAB 29.69, -7.53, -22.18

 

CMYK 16 / 88 / 0 / 59

HEX #570C68

RGB 87 12 104

HSL 288.91, 0.79%, 0.23%

LAB 21.16, 44.91, -35.37

 

CMYK 0 / 61 / 88 / 59

HEX #68290C

RGB 104 41 12

HSL 18.91, 0.79%, 0.23%

LAB 25.43, 26.61, 31.24

 

Description

Color code: RGB 29 103 13 | qconv.com Color code: RGB 29 103 13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 103 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 103 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 87 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 87% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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