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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 110.2 237.6 it is the complementary color RGB 227 144.8 17.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 110.2 237.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 110.2 237.6 shade: RGB 33 110.2 232.6, RGB 50 128.2 251.6, RGB 67 146.2 255, RGB 84 164.2 255 and RGB 101 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 110.2 237.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 110.2 237.6 shade: RGB 28 110.2 237.6, RGB 11 92.2 218.6, RGB 0 74.2 199.6, RGB 0 56.2 180.6 and RGB 0 38.2 161.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 110.2 237.6 shade: RGB 27 110 238, RGB 27 53 238, RGB 58 27 238, RGB 115 27 238 and RGB 172 27 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 110.2 237.6 shade: RGB 27 110 238, RGB 27 53 238 and RGB 27 27 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 110.2 237.6 shade matches the following richer shades: RGB 27 110 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 110.2 237.6 shade: RGB 27 110 238, RGB 47 114 218, RGB 67 118 198, RGB 87 123 178 and RGB 107 127 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 110.2 237.6 shade: RGB 27 224 238, RGB 27 168 238, RGB 27 112 238, RGB 27 55 238 and RGB 55 27 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 110.2 237.6 shade: RGB 13 74 170, RGB 16 91 208, RGB 27 110 238, RGB 66 134 241 and RGB 104 159 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 110.2 237.6 shade: RGB 28 110.2 237.6, RGB 196 27 238 and RGB 196 238 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 110.2 237.6 shade: RGB 28 110.2 237.6, RGB 238 27 112 and RGB 112 238 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 110.2 237.6 shade: RGB 28 110.2 237.6, RGB 196 27 238, RGB 238 154 27 and RGB 69 238 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 110.2 237.6 shade: RGB 28 110.2 237.6, RGB 238 27 217, RGB 238 154 27 and RGB 27 238 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 54 / 0 / 7

HEX #1C6EED

RGB 28 110.2 237.6

HSL 216.47, 0.86%, 0.52%

LAB 49, 24.26, -70.52

 

Complementary color

CMYK 0 / 36 / 92 / 11

HEX #E39011

RGB 227 144.8 17.4

HSL 36.47, 0.86%, 0.48%

LAB 66.95, 22.94, 69.55

 

CMYK 86 / 53 / 0 / 9

HEX #216EE8

RGB 33 110.2 232.6

HSL 216.79, 0.82%, 0.52%

LAB 48.73, 22.65, -68.14

 

CMYK 80 / 49 / 0 / 1

HEX #3280FB

RGB 50 128.2 251.6

HSL 216.73, 0.97%, 0.59%

LAB 55.25, 19.82, -68.16

 

CMYK 74 / 43 / 0 / 0

HEX #4392FF

RGB 67 146.2 255

HSL 214.72, 1%, 0.63%

LAB 60.81, 11.88, -61.06

 

CMYK 67 / 36 / 0 / 0

HEX #54A4FF

RGB 84 164.2 255

HSL 211.86, 1%, 0.66%

LAB 66.31, 3.65, -52.27

 

CMYK 60 / 29 / 0 / 0

HEX #65B6FF

RGB 101 182.2 255

HSL 208.36, 1%, 0.7%

LAB 71.91, -3.65, -43.41

 

CMYK 88 / 54 / 0 / 7

HEX #1C6EED

RGB 28 110.2 237.6

HSL 216.47, 0.86%, 0.52%

LAB 49, 24.26, -70.52

 

CMYK 95 / 58 / 0 / 14

HEX #0B5CDA

RGB 11 92.2 218.6

HSL 216.53, 0.9%, 0.45%

LAB 42.54, 27.8, -70.31

 

CMYK 100 / 63 / 0 / 22

HEX #004AC7

RGB 0 74.2 199.6

HSL 217.7, 1%, 0.39%

LAB 36.13, 31.86, -69.86

 

CMYK 100 / 69 / 0 / 29

HEX #0038B4

RGB 0 56.2 180.6

HSL 221.33, 1%, 0.35%

LAB 29.83, 36.3, -69.04

 

CMYK 100 / 76 / 0 / 37

HEX #0026A1

RGB 0 38.2 161.6

HSL 225.82, 1%, 0.32%

LAB 23.65, 40.51, -67.84

 

CMYK 89 / 54 / 0 / 7

HEX #1B6EEE

RGB 27 110 238

HSL 216.4, 0.86%, 0.52%

LAB 48.96, 24.48, -70.81

 

CMYK 89 / 78 / 0 / 7

HEX #1B35EE

RGB 27 53 238

HSL 232.61, 0.86%, 0.52%

LAB 35.89, 58.91, -92.28

 

CMYK 76 / 89 / 0 / 7

HEX #3A1BEE

RGB 58 27 238

HSL 248.82, 0.86%, 0.52%

LAB 33.68, 70.68, -95.92

 

CMYK 52 / 89 / 0 / 7

HEX #731BEE

RGB 115 27 238

HSL 265.02, 0.86%, 0.52%

LAB 38.9, 74.46, -87.1

 

CMYK 28 / 89 / 0 / 7

HEX #AC1BEE

RGB 172 27 238

HSL 281.23, 0.86%, 0.52%

LAB 46.62, 80.95, -74.15

 

CMYK 89 / 54 / 0 / 7

HEX #1B6EEE

RGB 27 110 238

HSL 216.4, 0.86%, 0.52%

LAB 48.96, 24.48, -70.81

 

CMYK 89 / 78 / 0 / 7

HEX #1B35EE

RGB 27 53 238

HSL 232.61, 0.86%, 0.52%

LAB 35.89, 58.91, -92.28

 

CMYK 89 / 89 / 0 / 7

HEX #1B1BEE

RGB 27 27 238

HSL 240, 0.86%, 0.52%

LAB 32.24, 69.75, -98.37

 

CMYK 89 / 54 / 0 / 7

HEX #1B6EEE

RGB 27 110 238

HSL 216.4, 0.86%, 0.52%

LAB 48.96, 24.48, -70.81

 

CMYK 89 / 54 / 0 / 7

HEX #1B6EEE

RGB 27 110 238

HSL 216.4, 0.86%, 0.52%

LAB 48.96, 24.48, -70.81

 

CMYK 78 / 48 / 0 / 15

HEX #2F72DA

RGB 47 114 218

HSL 216.49, 0.7%, 0.52%

LAB 49.13, 15.88, -59.24

 

CMYK 66 / 40 / 0 / 22

HEX #4376C6

RGB 67 118 198

HSL 216.64, 0.53%, 0.52%

LAB 49.77, 8.79, -46.79

 

CMYK 51 / 31 / 0 / 30

HEX #577BB2

RGB 87 123 178

HSL 216.26, 0.37%, 0.52%

LAB 51.16, 3.13, -33.03

 

CMYK 33 / 20 / 0 / 38

HEX #6B7F9F

RGB 107 127 159

HSL 216.92, 0.21%, 0.52%

LAB 52.74, 0.67, -19.48

 

CMYK 89 / 6 / 0 / 7

HEX #1BE0EE

RGB 27 224 238

HSL 183.98, 0.86%, 0.52%

LAB 81.68, -38.59, -19.4

 

CMYK 89 / 29 / 0 / 7

HEX #1BA8EE

RGB 27 168 238

HSL 199.91, 0.86%, 0.52%

LAB 65.29, -10.37, -44.69

 

CMYK 89 / 53 / 0 / 7

HEX #1B70EE

RGB 27 112 238

HSL 215.83, 0.86%, 0.52%

LAB 49.49, 23.21, -69.95

 

CMYK 89 / 77 / 0 / 7

HEX #1B37EE

RGB 27 55 238

HSL 232.04, 0.86%, 0.52%

LAB 36.25, 57.88, -91.69

 

CMYK 77 / 89 / 0 / 7

HEX #371BEE

RGB 55 27 238

HSL 247.96, 0.86%, 0.52%

LAB 33.5, 70.56, -96.23

 

CMYK 92 / 56 / 0 / 33

HEX #0D4AAA

RGB 13 74 170

HSL 216.69, 0.86%, 0.36%

LAB 33.74, 20.61, -56.31

 

CMYK 92 / 56 / 0 / 18

HEX #105BD0

RGB 16 91 208

HSL 216.56, 0.86%, 0.44%

LAB 41.45, 24.61, -66.02

 

CMYK 89 / 54 / 0 / 7

HEX #1B6EEE

RGB 27 110 238

HSL 216.4, 0.86%, 0.52%

LAB 48.96, 24.48, -70.81

 

CMYK 73 / 44 / 0 / 5

HEX #4286F1

RGB 66 134 241

HSL 216.69, 0.86%, 0.6%

LAB 56.64, 14.14, -60.02

 

CMYK 57 / 35 / 0 / 4

HEX #689FF4

RGB 104 159 244

HSL 216.43, 0.86%, 0.68%

LAB 65.18, 6.55, -48.01

 

CMYK 88 / 54 / 0 / 7

HEX #1C6EED

RGB 28 110.2 237.6

HSL 216.47, 0.86%, 0.52%

LAB 49, 24.26, -70.52

 

CMYK 18 / 89 / 0 / 7

HEX #C41BEE

RGB 196 27 238

HSL 288.06, 0.86%, 0.52%

LAB 50.33, 84.35, -67.95

 

CMYK 18 / 0 / 89 / 7

HEX #C4EE1B

RGB 196 238 27

HSL 71.94, 0.86%, 0.52%

LAB 88.43, -37.2, 83.37

 

CMYK 88 / 54 / 0 / 7

HEX #1C6EED

RGB 28 110.2 237.6

HSL 216.47, 0.86%, 0.52%

LAB 49, 24.26, -70.52

 

CMYK 0 / 89 / 53 / 7

HEX #EE1B70

RGB 238 27 112

HSL 335.83, 0.86%, 0.52%

LAB 51.98, 77.16, 9.14

 

CMYK 53 / 0 / 89 / 7

HEX #70EE1B

RGB 112 238 27

HSL 95.83, 0.86%, 0.52%

LAB 84.31, -65.82, 78.29

 

CMYK 88 / 54 / 0 / 7

HEX #1C6EED

RGB 28 110.2 237.6

HSL 216.47, 0.86%, 0.52%

LAB 49, 24.26, -70.52

 

CMYK 18 / 89 / 0 / 7

HEX #C41BEE

RGB 196 27 238

HSL 288.06, 0.86%, 0.52%

LAB 50.33, 84.35, -67.95

 

CMYK 0 / 35 / 89 / 7

HEX #EE9A1B

RGB 238 154 27

HSL 36.11, 0.86%, 0.52%

LAB 70.43, 22.87, 70.68

 

CMYK 71 / 0 / 89 / 7

HEX #45EE1B

RGB 69 238 27

HSL 108.06, 0.86%, 0.52%

LAB 83.18, -75.25, 76.87

 

CMYK 88 / 54 / 0 / 7

HEX #1C6EED

RGB 28 110.2 237.6

HSL 216.47, 0.86%, 0.52%

LAB 49, 24.26, -70.52

 

CMYK 0 / 89 / 9 / 7

HEX #EE1BD9

RGB 238 27 217

HSL 305.97, 0.86%, 0.52%

LAB 56.06, 88.06, -46.49

 

CMYK 0 / 35 / 89 / 7

HEX #EE9A1B

RGB 238 154 27

HSL 36.11, 0.86%, 0.52%

LAB 70.43, 22.87, 70.68

 

CMYK 89 / 0 / 80 / 7

HEX #1BEE30

RGB 27 238 48

HSL 125.97, 0.86%, 0.52%

LAB 82.7, -79.19, 71.63

 

Description

Color code: RGB 28 110.2 237.6 | qconv.com Color code: RGB 28 110.2 237.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 110.2 green and 237.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 110.2 237.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 54 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 54% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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