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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 110.2 132.6 it is the complementary color RGB 227 144.8 122.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 110.2 132.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 110.2 132.6 shade: RGB 33 110.2 127.6, RGB 50 128.2 146.6, RGB 67 146.2 165.6, RGB 84 164.2 184.6 and RGB 101 182.2 203.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 110.2 132.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 110.2 132.6 shade: RGB 28 110.2 132.6, RGB 11 92.2 113.6, RGB 0 74.2 94.6, RGB 0 56.2 75.6 and RGB 0 38.2 56.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 110.2 132.6 shade: RGB 28 108 130, RGB 28 81 130, RGB 28 53 130, RGB 30 28 130 and RGB 58 28 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 110.2 132.6 shade: RGB 28 108 130, RGB 28 81 130, RGB 28 53 130 and RGB 28 28 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 110.2 132.6 shade matches the following richer shades: RGB 28 108 130, RGB 15 116 143 and RGB 2 123 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 110.2 132.6 shade: RGB 28 108 130, RGB 40 101 118, RGB 53 94 105, RGB 66 86 92 and RGB 79 79 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 110.2 132.6 shade: RGB 28 130 96, RGB 28 130 124, RGB 28 110 130, RGB 28 82 130 and RGB 28 55 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 110.2 132.6 shade: RGB 13 52 62, RGB 20 80 96, RGB 28 108 130, RGB 35 137 164 and RGB 42 165 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 110.2 132.6 shade: RGB 28 110.2 132.6, RGB 69 28 130 and RGB 130 110 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 110.2 132.6 shade: RGB 28 110.2 132.6, RGB 130 28 110 and RGB 110 130 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 110.2 132.6 shade: RGB 28 110.2 132.6, RGB 69 28 130, RGB 130 48 28 and RGB 89 130 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 110.2 132.6 shade: RGB 28 110.2 132.6, RGB 100 28 130, RGB 130 48 28 and RGB 58 130 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 17 / 0 / 48

HEX #1C6E84

RGB 28 110.2 132.6

HSL 192.85, 0.65%, 0.31%

LAB 42.95, -15.85, -19.24

 

Complementary color

CMYK 0 / 36 / 46 / 11

HEX #E3907A

RGB 227 144.8 122.4

HSL 12.85, 0.65%, 0.69%

LAB 67.97, 28.64, 24.85

 

CMYK 74 / 14 / 0 / 50

HEX #216E7F

RGB 33 110.2 127.6

HSL 191.04, 0.59%, 0.31%

LAB 42.86, -16.93, -16.36

 

CMYK 66 / 13 / 0 / 43

HEX #328092

RGB 50 128.2 146.6

HSL 191.43, 0.49%, 0.39%

LAB 49.81, -17.77, -16.98

 

CMYK 60 / 12 / 0 / 35

HEX #4392A5

RGB 67 146.2 165.6

HSL 191.81, 0.42%, 0.46%

LAB 56.64, -18.34, -17.52

 

CMYK 54 / 11 / 0 / 28

HEX #54A4B8

RGB 84 164.2 184.6

HSL 192.17, 0.42%, 0.53%

LAB 63.34, -18.72, -18.02

 

CMYK 50 / 11 / 0 / 20

HEX #65B6CB

RGB 101 182.2 203.6

HSL 192.51, 0.5%, 0.6%

LAB 69.93, -19, -18.49

 

CMYK 79 / 17 / 0 / 48

HEX #1C6E84

RGB 28 110.2 132.6

HSL 192.85, 0.65%, 0.31%

LAB 42.95, -15.85, -19.24

 

CMYK 90 / 19 / 0 / 55

HEX #0B5C71

RGB 11 92.2 113.6

HSL 192.51, 0.82%, 0.24%

LAB 35.92, -14.23, -18.52

 

CMYK 100 / 22 / 0 / 63

HEX #004A5E

RGB 0 74.2 94.6

HSL 192.94, 1%, 0.19%

LAB 28.76, -11.9, -17.65

 

CMYK 100 / 26 / 0 / 70

HEX #00384B

RGB 0 56.2 75.6

HSL 195.4, 1%, 0.15%

LAB 21.45, -8.57, -16.58

 

CMYK 100 / 33 / 0 / 78

HEX #002638

RGB 0 38.2 56.6

HSL 199.51, 1%, 0.11%

LAB 13.77, -4.94, -15.54

 

CMYK 78 / 17 / 0 / 49

HEX #1C6C82

RGB 28 108 130

HSL 192.94, 0.65%, 0.31%

LAB 42.13, -15.54, -18.94

 

CMYK 78 / 38 / 0 / 49

HEX #1C5182

RGB 28 81 130

HSL 208.82, 0.65%, 0.31%

LAB 33.44, 0.87, -32.5

 

CMYK 78 / 59 / 0 / 49

HEX #1C3582

RGB 28 53 130

HSL 225.29, 0.65%, 0.31%

LAB 24.97, 20.06, -46.13

 

CMYK 77 / 78 / 0 / 49

HEX #1E1C82

RGB 30 28 130

HSL 241.18, 0.65%, 0.31%

LAB 18.88, 36.76, -56.11

 

CMYK 55 / 78 / 0 / 49

HEX #3A1C82

RGB 58 28 130

HSL 257.65, 0.65%, 0.31%

LAB 21.36, 40.11, -51.93

 

CMYK 78 / 17 / 0 / 49

HEX #1C6C82

RGB 28 108 130

HSL 192.94, 0.65%, 0.31%

LAB 42.13, -15.54, -18.94

 

CMYK 78 / 38 / 0 / 49

HEX #1C5182

RGB 28 81 130

HSL 208.82, 0.65%, 0.31%

LAB 33.44, 0.87, -32.5

 

CMYK 78 / 59 / 0 / 49

HEX #1C3582

RGB 28 53 130

HSL 225.29, 0.65%, 0.31%

LAB 24.97, 20.06, -46.13

 

CMYK 78 / 78 / 0 / 49

HEX #1C1C82

RGB 28 28 130

HSL 240, 0.65%, 0.31%

LAB 18.75, 36.59, -56.32

 

CMYK 78 / 17 / 0 / 49

HEX #1C6C82

RGB 28 108 130

HSL 192.94, 0.65%, 0.31%

LAB 42.13, -15.54, -18.94

 

CMYK 90 / 19 / 0 / 44

HEX #0F748F

RGB 15 116 143

HSL 192.66, 0.81%, 0.31%

LAB 45.05, -16.55, -22.23

 

CMYK 99 / 21 / 0 / 39

HEX #027B9C

RGB 2 123 156

HSL 192.86, 0.97%, 0.31%

LAB 47.73, -16.35, -25.76

 

CMYK 78 / 17 / 0 / 49

HEX #1C6C82

RGB 28 108 130

HSL 192.94, 0.65%, 0.31%

LAB 42.13, -15.54, -18.94

 

CMYK 66 / 14 / 0 / 54

HEX #286576

RGB 40 101 118

HSL 193.08, 0.49%, 0.31%

LAB 39.69, -13.87, -15.37

 

CMYK 50 / 10 / 0 / 59

HEX #355E69

RGB 53 94 105

HSL 192.69, 0.33%, 0.31%

LAB 37.45, -11.07, -10.75

 

CMYK 28 / 7 / 0 / 64

HEX #42565C

RGB 66 86 92

HSL 193.85, 0.16%, 0.31%

LAB 35.18, -6.07, -5.99

 

CMYK 0 / 0 / 0 / 69

HEX #4F4F4F

RGB 79 79 79

HSL 0, 0%, 0.31%

LAB 33.6, 0, -0

 

CMYK 78 / 0 / 26 / 49

HEX #1C8260

RGB 28 130 96

HSL 160, 0.65%, 0.31%

LAB 48.33, -36.82, 10.45

 

CMYK 78 / 0 / 5 / 49

HEX #1C827C

RGB 28 130 124

HSL 176.47, 0.65%, 0.31%

LAB 49.09, -29.04, -4.85

 

CMYK 78 / 15 / 0 / 49

HEX #1C6E82

RGB 28 110 130

HSL 191.76, 0.65%, 0.31%

LAB 42.78, -16.66, -17.94

 

CMYK 78 / 37 / 0 / 49

HEX #1C5282

RGB 28 82 130

HSL 208.24, 0.65%, 0.31%

LAB 33.76, 0.22, -32

 

CMYK 78 / 58 / 0 / 49

HEX #1C3782

RGB 28 55 130

HSL 224.12, 0.65%, 0.31%

LAB 25.54, 18.65, -45.2

 

CMYK 79 / 16 / 0 / 76

HEX #0D343E

RGB 13 52 62

HSL 192.24, 0.65%, 0.15%

LAB 19.6, -9.58, -10.23

 

CMYK 79 / 17 / 0 / 62

HEX #145060

RGB 20 80 96

HSL 192.63, 0.66%, 0.23%

LAB 31.19, -12.74, -14.77

 

CMYK 78 / 17 / 0 / 49

HEX #1C6C82

RGB 28 108 130

HSL 192.94, 0.65%, 0.31%

LAB 42.13, -15.54, -18.94

 

CMYK 79 / 16 / 0 / 36

HEX #2389A4

RGB 35 137 164

HSL 192.56, 0.65%, 0.39%

LAB 52.87, -18.84, -22.44

 

CMYK 79 / 17 / 0 / 22

HEX #2AA5C7

RGB 42 165 199

HSL 192.99, 0.65%, 0.47%

LAB 62.95, -21.14, -26.76

 

CMYK 79 / 17 / 0 / 48

HEX #1C6E84

RGB 28 110.2 132.6

HSL 192.85, 0.65%, 0.31%

LAB 42.95, -15.85, -19.24

 

CMYK 47 / 78 / 0 / 49

HEX #451C82

RGB 69 28 130

HSL 264.12, 0.65%, 0.31%

LAB 22.68, 41.85, -49.72

 

CMYK 0 / 15 / 78 / 49

HEX #826E1C

RGB 130 110 28

HSL 48.24, 0.65%, 0.31%

LAB 46.95, -1.19, 45.6

 

CMYK 79 / 17 / 0 / 48

HEX #1C6E84

RGB 28 110.2 132.6

HSL 192.85, 0.65%, 0.31%

LAB 42.95, -15.85, -19.24

 

CMYK 0 / 78 / 15 / 49

HEX #821C6E

RGB 130 28 110

HSL 311.76, 0.65%, 0.31%

LAB 31.12, 50.73, -22.94

 

CMYK 15 / 0 / 78 / 49

HEX #6E821C

RGB 110 130 28

HSL 71.76, 0.65%, 0.31%

LAB 51.11, -21.35, 48.86

 

CMYK 79 / 17 / 0 / 48

HEX #1C6E84

RGB 28 110.2 132.6

HSL 192.85, 0.65%, 0.31%

LAB 42.95, -15.85, -19.24

 

CMYK 47 / 78 / 0 / 49

HEX #451C82

RGB 69 28 130

HSL 264.12, 0.65%, 0.31%

LAB 22.68, 41.85, -49.72

 

CMYK 0 / 63 / 78 / 49

HEX #82301C

RGB 130 48 28

HSL 11.76, 0.65%, 0.31%

LAB 31.68, 34.19, 30.45

 

CMYK 32 / 0 / 78 / 49

HEX #59821C

RGB 89 130 28

HSL 84.12, 0.65%, 0.31%

LAB 49.71, -30.22, 47.04

 

CMYK 79 / 17 / 0 / 48

HEX #1C6E84

RGB 28 110.2 132.6

HSL 192.85, 0.65%, 0.31%

LAB 42.95, -15.85, -19.24

 

CMYK 23 / 78 / 0 / 49

HEX #641C82

RGB 100 28 130

HSL 282.35, 0.65%, 0.31%

LAB 27.16, 47.61, -42.23

 

CMYK 0 / 63 / 78 / 49

HEX #82301C

RGB 130 48 28

HSL 11.76, 0.65%, 0.31%

LAB 31.68, 34.19, 30.45

 

CMYK 55 / 0 / 78 / 49

HEX #3A821C

RGB 58 130 28

HSL 102.35, 0.65%, 0.31%

LAB 48.2, -41.16, 45.06

 

Description

Color code: RGB 28 110.2 132.6 | qconv.com Color code: RGB 28 110.2 132.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 110.2 green and 132.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 110.2 132.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 17 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 17% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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