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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 72.8 181.4 it is the complementary color RGB 228 182.2 73.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 72.8 181.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 72.8 181.4 shade: RGB 32 72.8 176.4, RGB 49 90.8 195.4, RGB 66 108.8 214.4, RGB 83 126.8 233.4 and RGB 100 144.8 252.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 72.8 181.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 72.8 181.4 shade: RGB 27 72.8 181.4, RGB 10 54.8 162.4, RGB 0 36.8 143.4, RGB 0 18.8 124.4 and RGB 0 0.8 105.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 72.8 181.4 shade: RGB 27 73 182, RGB 27 31 182, RGB 65 27 182, RGB 106 27 182 and RGB 148 27 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 72.8 181.4 shade: RGB 27 73 182, RGB 27 31 182 and RGB 27 27 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 72.8 181.4 shade matches the following richer shades: RGB 27 73 182 and RGB 10 66 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 72.8 181.4 shade: RGB 27 73 182, RGB 44 80 165, RGB 61 87 148, RGB 78 94 131 and RGB 95 101 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 72.8 181.4 shade: RGB 27 156 182, RGB 27 115 182, RGB 27 74 182, RGB 27 32 182 and RGB 63 27 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 72.8 181.4 shade: RGB 16 44 110, RGB 22 59 146, RGB 27 73 182, RGB 33 88 218 and RGB 65 113 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 72.8 181.4 shade: RGB 27 72.8 181.4, RGB 166 27 182 and RGB 135 182 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 72.8 181.4 shade: RGB 27 72.8 181.4, RGB 182 27 74 and RGB 74 182 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 72.8 181.4 shade: RGB 27 72.8 181.4, RGB 166 27 182, RGB 182 135 27 and RGB 43 182 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 72.8 181.4 shade: RGB 27 72.8 181.4, RGB 182 27 151, RGB 182 135 27 and RGB 27 182 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 60 / 0 / 29

HEX #1B48B5

RGB 27 72.8 181.4

HSL 222.2, 0.74%, 0.41%

LAB 34.65, 26.83, -61.59

 

Complementary color

CMYK 0 / 20 / 68 / 11

HEX #E4B649

RGB 228 182.2 73.6

HSL 42.2, 0.74%, 0.59%

LAB 76.39, 5.37, 59.5

 

CMYK 82 / 59 / 0 / 31

HEX #2048B0

RGB 32 72.8 176.4

HSL 223.05, 0.69%, 0.41%

LAB 34.39, 25.29, -59.05

 

CMYK 75 / 54 / 0 / 23

HEX #315AC3

RGB 49 90.8 195.4

HSL 222.87, 0.6%, 0.48%

LAB 41.31, 22.49, -58.92

 

CMYK 69 / 49 / 0 / 16

HEX #426CD6

RGB 66 108.8 214.4

HSL 222.7, 0.65%, 0.55%

LAB 48.17, 20.22, -58.71

 

CMYK 64 / 46 / 0 / 8

HEX #537EE9

RGB 83 126.8 233.4

HSL 222.53, 0.78%, 0.62%

LAB 54.94, 18.36, -58.49

 

CMYK 60 / 43 / 0 / 1

HEX #6490FC

RGB 100 144.8 252.4

HSL 222.36, 0.97%, 0.69%

LAB 61.61, 16.83, -58.28

 

CMYK 85 / 60 / 0 / 29

HEX #1B48B5

RGB 27 72.8 181.4

HSL 222.2, 0.74%, 0.41%

LAB 34.65, 26.83, -61.59

 

CMYK 94 / 66 / 0 / 36

HEX #0A36A2

RGB 10 54.8 162.4

HSL 222.36, 0.88%, 0.34%

LAB 27.85, 30.48, -61.39

 

CMYK 100 / 74 / 0 / 44

HEX #00248F

RGB 0 36.8 143.4

HSL 224.6, 1%, 0.28%

LAB 21.23, 34.59, -60.66

 

CMYK 100 / 85 / 0 / 51

HEX #00127C

RGB 0 18.8 124.4

HSL 230.93, 1%, 0.24%

LAB 15.09, 38.36, -58.88

 

CMYK 100 / 99 / 0 / 59

HEX #000069

RGB 0 0.8 105.4

HSL 239.54, 1%, 0.21%

LAB 9.37, 40.92, -56.09

 

CMYK 85 / 60 / 0 / 29

HEX #1B49B6

RGB 27 73 182

HSL 222.19, 0.74%, 0.41%

LAB 34.75, 26.94, -61.78

 

CMYK 85 / 83 / 0 / 29

HEX #1B1FB6

RGB 27 31 182

HSL 238.45, 0.74%, 0.41%

LAB 25.53, 52.08, -76.97

 

CMYK 64 / 85 / 0 / 29

HEX #411BB6

RGB 65 27 182

HSL 254.71, 0.74%, 0.41%

LAB 27.53, 56.14, -73.58

 

CMYK 42 / 85 / 0 / 29

HEX #6A1BB6

RGB 106 27 182

HSL 270.58, 0.74%, 0.41%

LAB 32.31, 60.62, -65.53

 

CMYK 19 / 85 / 0 / 29

HEX #941BB6

RGB 148 27 182

HSL 286.84, 0.74%, 0.41%

LAB 38.65, 66.94, -54.93

 

CMYK 85 / 60 / 0 / 29

HEX #1B49B6

RGB 27 73 182

HSL 222.19, 0.74%, 0.41%

LAB 34.75, 26.94, -61.78

 

CMYK 85 / 83 / 0 / 29

HEX #1B1FB6

RGB 27 31 182

HSL 238.45, 0.74%, 0.41%

LAB 25.53, 52.08, -76.97

 

CMYK 85 / 85 / 0 / 29

HEX #1B1BB6

RGB 27 27 182

HSL 240, 0.74%, 0.41%

LAB 24.93, 53.86, -77.97

 

CMYK 85 / 60 / 0 / 29

HEX #1B49B6

RGB 27 73 182

HSL 222.19, 0.74%, 0.41%

LAB 34.75, 26.94, -61.78

 

CMYK 95 / 67 / 0 / 22

HEX #0A42C7

RGB 10 66 199

HSL 222.22, 0.9%, 0.41%

LAB 34.16, 37.27, -72.74

 

CMYK 85 / 60 / 0 / 29

HEX #1B49B6

RGB 27 73 182

HSL 222.19, 0.74%, 0.41%

LAB 34.75, 26.94, -61.78

 

CMYK 73 / 52 / 0 / 35

HEX #2C50A5

RGB 44 80 165

HSL 222.15, 0.58%, 0.41%

LAB 35.96, 17.44, -49.68

 

CMYK 59 / 41 / 0 / 42

HEX #3D5794

RGB 61 87 148

HSL 222.07, 0.42%, 0.41%

LAB 37.75, 9.6, -36.56

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E83

RGB 78 94 131

HSL 221.89, 0.25%, 0.41%

LAB 40.02, 3.96, -22.62

 

CMYK 17 / 11 / 0 / 55

HEX #5F6572

RGB 95 101 114

HSL 221.05, 0.09%, 0.41%

LAB 42.7, 0.66, -8.09

 

CMYK 85 / 14 / 0 / 29

HEX #1B9CB6

RGB 27 156 182

HSL 190.06, 0.74%, 0.41%

LAB 59.33, -23.47, -22.8

 

CMYK 85 / 37 / 0 / 29

HEX #1B73B6

RGB 27 115 182

HSL 205.94, 0.74%, 0.41%

LAB 46.81, -0.36, -42.36

 

CMYK 85 / 59 / 0 / 29

HEX #1B4AB6

RGB 27 74 182

HSL 221.81, 0.74%, 0.41%

LAB 35.02, 26.27, -61.34

 

CMYK 85 / 82 / 0 / 29

HEX #1B20B6

RGB 27 32 182

HSL 238.06, 0.74%, 0.41%

LAB 25.69, 51.61, -76.71

 

CMYK 65 / 85 / 0 / 29

HEX #3F1BB6

RGB 63 27 182

HSL 253.94, 0.74%, 0.41%

LAB 27.35, 55.97, -73.9

 

CMYK 85 / 60 / 0 / 57

HEX #102C6E

RGB 16 44 110

HSL 222.13, 0.75%, 0.25%

LAB 20.19, 16.88, -41.19

 

CMYK 85 / 60 / 0 / 43

HEX #163B92

RGB 22 59 146

HSL 222.1, 0.74%, 0.33%

LAB 27.77, 21.73, -51.49

 

CMYK 85 / 60 / 0 / 29

HEX #1B49B6

RGB 27 73 182

HSL 222.19, 0.74%, 0.41%

LAB 34.75, 26.94, -61.78

 

CMYK 85 / 60 / 0 / 15

HEX #2158DA

RGB 33 88 218

HSL 222.16, 0.74%, 0.49%

LAB 41.79, 31.35, -71.18

 

CMYK 71 / 50 / 0 / 11

HEX #4171E3

RGB 65 113 227

HSL 222.22, 0.74%, 0.57%

LAB 50.07, 21.96, -62.78

 

CMYK 85 / 60 / 0 / 29

HEX #1B48B5

RGB 27 72.8 181.4

HSL 222.2, 0.74%, 0.41%

LAB 34.65, 26.83, -61.59

 

CMYK 9 / 85 / 0 / 29

HEX #A61BB6

RGB 166 27 182

HSL 293.81, 0.74%, 0.41%

LAB 41.64, 70.03, -49.96

 

CMYK 26 / 0 / 85 / 29

HEX #87B61B

RGB 135 182 27

HSL 78.19, 0.74%, 0.41%

LAB 68.52, -35.98, 65.28

 

CMYK 85 / 60 / 0 / 29

HEX #1B48B5

RGB 27 72.8 181.4

HSL 222.2, 0.74%, 0.41%

LAB 34.65, 26.83, -61.59

 

CMYK 0 / 85 / 59 / 29

HEX #B61B4A

RGB 182 27 74

HSL 341.81, 0.74%, 0.41%

LAB 39.95, 60.7, 14.33

 

CMYK 59 / 0 / 85 / 29

HEX #4AB61B

RGB 74 182 27

HSL 101.81, 0.74%, 0.41%

LAB 65.74, -56.18, 61.78

 

CMYK 85 / 60 / 0 / 29

HEX #1B48B5

RGB 27 72.8 181.4

HSL 222.2, 0.74%, 0.41%

LAB 34.65, 26.83, -61.59

 

CMYK 9 / 85 / 0 / 29

HEX #A61BB6

RGB 166 27 182

HSL 293.81, 0.74%, 0.41%

LAB 41.64, 70.03, -49.96

 

CMYK 0 / 26 / 85 / 29

HEX #B6871B

RGB 182 135 27

HSL 41.81, 0.74%, 0.41%

LAB 59.3, 8.73, 59.01

 

CMYK 76 / 0 / 85 / 29

HEX #2BB61B

RGB 43 182 27

HSL 113.81, 0.74%, 0.41%

LAB 65, -62.43, 60.84

 

CMYK 85 / 60 / 0 / 29

HEX #1B48B5

RGB 27 72.8 181.4

HSL 222.2, 0.74%, 0.41%

LAB 34.65, 26.83, -61.59

 

CMYK 0 / 85 / 17 / 29

HEX #B61B97

RGB 182 27 151

HSL 312, 0.74%, 0.41%

LAB 42.71, 68.45, -29.57

 

CMYK 0 / 26 / 85 / 29

HEX #B6871B

RGB 182 135 27

HSL 41.81, 0.74%, 0.41%

LAB 59.3, 8.73, 59.01

 

CMYK 85 / 0 / 68 / 29

HEX #1BB63A

RGB 27 182 58

HSL 132, 0.74%, 0.41%

LAB 64.96, -62.13, 50.51

 

Description

Color code: RGB 27 72.8 181.4 | qconv.com Color code: RGB 27 72.8 181.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 72.8 green and 181.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 72.8 181.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 60 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 60% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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