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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 185 156 it is the complementary color RGB 228 70 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 185 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 185 156 shade: RGB 32 185 151, RGB 49 203 170, RGB 66 221 189, RGB 83 239 208 and RGB 100 255 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 185 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 185 156 shade: RGB 27 185 156, RGB 10 167 137, RGB 0 149 118, RGB 0 131 99 and RGB 0 113 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 185 156 shade: RGB 26 187 157, RGB 26 187 114, RGB 26 187 71, RGB 26 187 27 and RGB 68 187 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 185 156 shade: RGB 26 187 157, RGB 26 173 187, RGB 26 130 187, RGB 26 86 187 and RGB 26 43 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 185 156 shade matches the following richer shades: RGB 26 187 157 and RGB 9 204 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 185 156 shade: RGB 26 187 157, RGB 44 170 146, RGB 61 152 136, RGB 78 135 125 and RGB 96 118 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 185 156 shade: RGB 26 187 69, RGB 26 187 112, RGB 26 187 155, RGB 26 176 187 and RGB 26 133 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 185 156 shade: RGB 16 115 97, RGB 21 151 127, RGB 26 187 157, RGB 32 223 188 and RGB 68 228 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 185 156 shade: RGB 27 185 156, RGB 26 26 187 and RGB 187 91 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 185 156 shade: RGB 27 185 156, RGB 155 26 187 and RGB 187 155 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 185 156 shade: RGB 27 185 156, RGB 26 26 187, RGB 187 26 58 and RGB 187 187 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 185 156 shade: RGB 27 185 156, RGB 74 26 187, RGB 187 26 58 and RGB 139 187 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 16 / 27

HEX #1BB99C

RGB 27 185 156

HSL 168.99, 0.75%, 0.42%

LAB 67.52, -44.86, 3.94

 

Complementary color

CMYK 0 / 69 / 57 / 11

HEX #E44663

RGB 228 70 99

HSL 348.99, 0.75%, 0.58%

LAB 53.79, 62.41, 19.17

 

CMYK 83 / 0 / 18 / 27

HEX #20B997

RGB 32 185 151

HSL 166.67, 0.71%, 0.43%

LAB 67.46, -45.77, 6.59

 

CMYK 76 / 0 / 16 / 20

HEX #31CBAA

RGB 49 203 170

HSL 167.14, 0.61%, 0.49%

LAB 73.72, -46.75, 5.29

 

CMYK 70 / 0 / 14 / 13

HEX #42DDBD

RGB 66 221 189

HSL 167.61, 0.7%, 0.56%

LAB 79.92, -47.43, 4.11

 

CMYK 65 / 0 / 13 / 6

HEX #53EFD0

RGB 83 239 208

HSL 168.08, 0.83%, 0.63%

LAB 86.07, -47.91, 3.03

 

CMYK 61 / 0 / 11 / 0

HEX #64FFE3

RGB 100 255 227

HSL 169.16, 1%, 0.7%

LAB 91.58, -47.37, 1.21

 

CMYK 85 / 0 / 16 / 27

HEX #1BB99C

RGB 27 185 156

HSL 168.99, 0.75%, 0.42%

LAB 67.52, -44.86, 3.94

 

CMYK 94 / 0 / 18 / 35

HEX #0AA789

RGB 10 167 137

HSL 168.54, 0.89%, 0.35%

LAB 61.23, -43.32, 5.38

 

CMYK 100 / 0 / 21 / 42

HEX #009576

RGB 0 149 118

HSL 167.52, 1%, 0.29%

LAB 54.87, -41.3, 7

 

CMYK 100 / 0 / 24 / 49

HEX #008363

RGB 0 131 99

HSL 165.34, 1%, 0.26%

LAB 48.43, -38.8, 8.8

 

CMYK 100 / 0 / 29 / 56

HEX #007150

RGB 0 113 80

HSL 162.48, 1%, 0.22%

LAB 41.83, -36.21, 10.71

 

CMYK 86 / 0 / 16 / 27

HEX #1ABB9D

RGB 26 187 157

HSL 168.82, 0.76%, 0.42%

LAB 68.16, -45.51, 4.31

 

CMYK 86 / 0 / 39 / 27

HEX #1ABB72

RGB 26 187 114

HSL 152.8, 0.76%, 0.42%

LAB 67.26, -55.48, 26.3

 

CMYK 86 / 0 / 62 / 27

HEX #1ABB47

RGB 26 187 71

HSL 136.77, 0.76%, 0.42%

LAB 66.68, -62.34, 46.85

 

CMYK 86 / 0 / 86 / 27

HEX #1ABB1B

RGB 26 187 27

HSL 120.37, 0.76%, 0.42%

LAB 66.4, -65.95, 62

 

CMYK 64 / 0 / 86 / 27

HEX #44BB1A

RGB 68 187 26

HSL 104.35, 0.76%, 0.42%

LAB 67.16, -59.37, 63.19

 

CMYK 86 / 0 / 16 / 27

HEX #1ABB9D

RGB 26 187 157

HSL 168.82, 0.76%, 0.42%

LAB 68.16, -45.51, 4.31

 

CMYK 86 / 7 / 0 / 27

HEX #1AADBB

RGB 26 173 187

HSL 185.22, 0.76%, 0.42%

LAB 64.72, -30.42, -17.39

 

CMYK 86 / 30 / 0 / 27

HEX #1A82BB

RGB 26 130 187

HSL 201.24, 0.76%, 0.42%

LAB 51.58, -7.5, -37.7

 

CMYK 86 / 54 / 0 / 27

HEX #1A56BB

RGB 26 86 187

HSL 217.64, 0.76%, 0.42%

LAB 38.66, 20.17, -58.35

 

CMYK 86 / 77 / 0 / 27

HEX #1A2BBB

RGB 26 43 187

HSL 233.66, 0.76%, 0.42%

LAB 28.21, 47.51, -75.51

 

CMYK 86 / 0 / 16 / 27

HEX #1ABB9D

RGB 26 187 157

HSL 168.82, 0.76%, 0.42%

LAB 68.16, -45.51, 4.31

 

CMYK 96 / 0 / 18 / 20

HEX #09CCA8

RGB 9 204 168

HSL 168.92, 0.92%, 0.42%

LAB 73.59, -50.44, 6.13

 

CMYK 86 / 0 / 16 / 27

HEX #1ABB9D

RGB 26 187 157

HSL 168.82, 0.76%, 0.42%

LAB 68.16, -45.51, 4.31

 

CMYK 74 / 0 / 14 / 33

HEX #2CAA92

RGB 44 170 146

HSL 168.57, 0.59%, 0.42%

LAB 62.81, -39.35, 2.69

 

CMYK 60 / 0 / 11 / 40

HEX #3D9888

RGB 61 152 136

HSL 169.45, 0.43%, 0.42%

LAB 57.3, -30.96, 0.36

 

CMYK 42 / 0 / 7 / 47

HEX #4E877D

RGB 78 135 125

HSL 169.47, 0.27%, 0.42%

LAB 52.32, -21.26, -0.5

 

CMYK 19 / 0 / 3 / 54

HEX #607672

RGB 96 118 114

HSL 169.09, 0.1%, 0.42%

LAB 47.83, -8.94, -0.49

 

CMYK 86 / 0 / 63 / 27

HEX #1ABB45

RGB 26 187 69

HSL 136.02, 0.76%, 0.42%

LAB 66.66, -62.58, 47.71

 

CMYK 86 / 0 / 40 / 27

HEX #1ABB70

RGB 26 187 112

HSL 152.05, 0.76%, 0.42%

LAB 67.22, -55.88, 27.31

 

CMYK 86 / 0 / 17 / 27

HEX #1ABB9B

RGB 26 187 155

HSL 168.07, 0.76%, 0.42%

LAB 68.11, -46.04, 5.33

 

CMYK 86 / 6 / 0 / 27

HEX #1AB0BB

RGB 26 176 187

HSL 184.1, 0.76%, 0.42%

LAB 65.64, -31.87, -16

 

CMYK 86 / 29 / 0 / 27

HEX #1A85BB

RGB 26 133 187

HSL 200.12, 0.76%, 0.42%

LAB 52.49, -9.24, -36.27

 

CMYK 86 / 0 / 16 / 55

HEX #107361

RGB 16 115 97

HSL 169.09, 0.76%, 0.26%

LAB 43.11, -31.19, 2.4

 

CMYK 86 / 0 / 16 / 41

HEX #15977F

RGB 21 151 127

HSL 168.92, 0.76%, 0.34%

LAB 55.91, -38.53, 3.38

 

CMYK 86 / 0 / 16 / 27

HEX #1ABB9D

RGB 26 187 157

HSL 168.82, 0.76%, 0.42%

LAB 68.16, -45.51, 4.31

 

CMYK 86 / 0 / 16 / 13

HEX #20DFBC

RGB 32 223 188

HSL 169.01, 0.75%, 0.5%

LAB 80.02, -51.91, 4.72

 

CMYK 70 / 0 / 13 / 11

HEX #44E4C6

RGB 68 228 198

HSL 168.75, 0.75%, 0.58%

LAB 82.27, -47.87, 2.74

 

CMYK 85 / 0 / 16 / 27

HEX #1BB99C

RGB 27 185 156

HSL 168.99, 0.75%, 0.42%

LAB 67.52, -44.86, 3.94

 

CMYK 86 / 86 / 0 / 27

HEX #1A1ABB

RGB 26 26 187

HSL 240, 0.76%, 0.42%

LAB 25.4, 55.73, -80.17

 

CMYK 0 / 51 / 86 / 27

HEX #BB5B1A

RGB 187 91 26

HSL 24.22, 0.76%, 0.42%

LAB 49.64, 34.92, 51.54

 

CMYK 85 / 0 / 16 / 27

HEX #1BB99C

RGB 27 185 156

HSL 168.99, 0.75%, 0.42%

LAB 67.52, -44.86, 3.94

 

CMYK 17 / 86 / 0 / 27

HEX #9B1ABB

RGB 155 26 187

HSL 288.07, 0.76%, 0.42%

LAB 40.07, 69.23, -55.53

 

CMYK 0 / 17 / 86 / 27

HEX #BB9B1A

RGB 187 155 26

HSL 48.07, 0.76%, 0.42%

LAB 65.03, 0.03, 64.24

 

CMYK 85 / 0 / 16 / 27

HEX #1BB99C

RGB 27 185 156

HSL 168.99, 0.75%, 0.42%

LAB 67.52, -44.86, 3.94

 

CMYK 86 / 86 / 0 / 27

HEX #1A1ABB

RGB 26 26 187

HSL 240, 0.76%, 0.42%

LAB 25.4, 55.73, -80.17

 

CMYK 0 / 86 / 69 / 27

HEX #BB1A3A

RGB 187 26 58

HSL 348.07, 0.76%, 0.42%

LAB 40.59, 61.33, 25.45

 

CMYK 0 / 0 / 86 / 27

HEX #BBBB1A

RGB 187 187 26

HSL 60, 0.76%, 0.42%

LAB 73.66, -16.68, 71.3

 

CMYK 85 / 0 / 16 / 27

HEX #1BB99C

RGB 27 185 156

HSL 168.99, 0.75%, 0.42%

LAB 67.52, -44.86, 3.94

 

CMYK 60 / 86 / 0 / 27

HEX #4A1ABB

RGB 74 26 187

HSL 257.89, 0.76%, 0.42%

LAB 28.86, 58.62, -74.33

 

CMYK 0 / 86 / 69 / 27

HEX #BB1A3A

RGB 187 26 58

HSL 348.07, 0.76%, 0.42%

LAB 40.59, 61.33, 25.45

 

CMYK 26 / 0 / 86 / 27

HEX #8BBB1A

RGB 139 187 26

HSL 77.89, 0.76%, 0.42%

LAB 70.25, -36.69, 67.07

 

Description

Color code: RGB 27 185 156 | qconv.com Color code: RGB 27 185 156 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 185 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 185 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 16 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 16% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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