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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 153 184 it is the complementary color RGB 229 102 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 153 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 26 153 184: RGB 31 153 179, RGB 48 171 198, RGB 65 189 217, RGB 82 207 236 and RGB 99 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 153 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 26 153 184: RGB 26 153 184, RGB 9 135 165, RGB 0 117 146, RGB 0 99 127 and RGB 0 81 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

Complementary color

CMYK 0 / 55 / 69 / 10

HEX #E56647

RGB 229 102 71

HSL 11.77, 0.75%, 0.59%

LAB 58.62, 47.37, 41.25

 

CMYK 83 / 15 / 0 / 30

HEX #1F99B3

RGB 31 153 179

HSL 190.54, 0.7%, 0.41%

LAB 58.35, -22.61, -22.61

 

CMYK 76 / 14 / 0 / 22

HEX #30ABC6

RGB 48 171 198

HSL 190.8, 0.61%, 0.48%

LAB 64.83, -23.93, -23.31

 

CMYK 70 / 13 / 0 / 15

HEX #41BDD9

RGB 65 189 217

HSL 191.05, 0.67%, 0.55%

LAB 71.23, -24.94, -23.94

 

CMYK 65 / 12 / 0 / 7

HEX #52CFEC

RGB 82 207 236

HSL 191.3, 0.8%, 0.62%

LAB 77.56, -25.71, -24.5

 

CMYK 61 / 12 / 0 / 0

HEX #63E1FF

RGB 99 225 255

HSL 191.54, 1%, 0.69%

LAB 83.82, -26.31, -25.03

 

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

CMYK 95 / 18 / 0 / 35

HEX #0987A5

RGB 9 135 165

HSL 191.54, 0.9%, 0.34%

LAB 51.95, -19.33, -24.46

 

CMYK 100 / 20 / 0 / 43

HEX #007592

RGB 0 117 146

HSL 191.92, 1%, 0.29%

LAB 45.36, -16.81, -23.54

 

CMYK 100 / 22 / 0 / 50

HEX #00637F

RGB 0 99 127

HSL 193.23, 1%, 0.25%

LAB 38.65, -13.79, -22.53

 

CMYK 100 / 25 / 0 / 58

HEX #00516C

RGB 0 81 108

HSL 195, 1%, 0.21%

LAB 31.73, -10.62, -21.53

 

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

CMYK 86 / 30 / 0 / 29

HEX #1A80B6

RGB 26 128 182

HSL 200.77, 0.75%, 0.41%

LAB 50.73, -8.2, -36.16

 

CMYK 86 / 45 / 0 / 29

HEX #1A65B6

RGB 26 101 182

HSL 211.15, 0.75%, 0.41%

LAB 42.62, 8.36, -49.04

 

CMYK 86 / 59 / 0 / 29

HEX #1A4BB6

RGB 26 75 182

HSL 221.15, 0.75%, 0.41%

LAB 35.26, 25.53, -60.95

 

CMYK 86 / 73 / 0 / 29

HEX #1A31B6

RGB 26 49 182

HSL 231.15, 0.75%, 0.41%

LAB 28.89, 42.32, -71.42

 

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

CMYK 86 / 17 / 0 / 8

HEX #21C3EB

RGB 33 195 235

HSL 191.88, 0.83%, 0.53%

LAB 73.12, -25.3, -30.85

 

CMYK 87 / 16 / 0 / 88

HEX #041A1F

RGB 4 26 31

HSL 191.11, 0.77%, 0.07%

LAB 7.8, -6.31, -6.13

 

CMYK 85 / 17 / 0 / 68

HEX #0C4452

RGB 12 68 82

HSL 192, 0.74%, 0.18%

LAB 26.22, -11.89, -13.4

 

CMYK 86 / 17 / 0 / 48

HEX #136F85

RGB 19 111 133

HSL 191.58, 0.75%, 0.3%

LAB 43.06, -17.09, -19.32

 

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

CMYK 53 / 86 / 0 / 29

HEX #561AB6

RGB 86 26 182

HSL 263.08, 0.75%, 0.41%

LAB 29.65, 58.52, -70.01

 

CMYK 0 / 19 / 86 / 29

HEX #B6941A

RGB 182 148 26

HSL 46.92, 0.75%, 0.41%

LAB 62.68, 1.57, 62.1

 

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

CMYK 0 / 86 / 15 / 29

HEX #B61A9A

RGB 182 26 154

HSL 310.77, 0.75%, 0.41%

LAB 42.79, 69.05, -31.25

 

CMYK 15 / 0 / 86 / 29

HEX #9AB61A

RGB 154 182 26

HSL 70.77, 0.75%, 0.41%

LAB 69.75, -28.29, 67.04

 

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

CMYK 53 / 86 / 0 / 29

HEX #561AB6

RGB 86 26 182

HSL 263.08, 0.75%, 0.41%

LAB 29.65, 58.52, -70.01

 

CMYK 0 / 70 / 86 / 29

HEX #B6361A

RGB 182 54 26

HSL 10.77, 0.75%, 0.41%

LAB 42.24, 50.25, 44.94

 

CMYK 33 / 0 / 86 / 29

HEX #7AB61A

RGB 122 182 26

HSL 83.08, 0.75%, 0.41%

LAB 67.78, -41, 64.57

 

CMYK 86 / 17 / 0 / 28

HEX #1A99B8

RGB 26 153 184

HSL 191.77, 0.75%, 0.41%

LAB 58.47, -21.31, -25.25

 

CMYK 27 / 86 / 0 / 29

HEX #851AB6

RGB 133 26 182

HSL 281.15, 0.75%, 0.41%

LAB 36.18, 64.77, -59.05

 

CMYK 0 / 70 / 86 / 29

HEX #B6361A

RGB 182 54 26

HSL 10.77, 0.75%, 0.41%

LAB 42.24, 50.25, 44.94

 

CMYK 59 / 0 / 86 / 29

HEX #4BB61A

RGB 75 182 26

HSL 101.15, 0.75%, 0.41%

LAB 65.77, -55.97, 62.05

 

Description

Color code: RGB 26 153 184 | qconv.com Color code: RGB 26 153 184 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 153 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 153 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 17 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 17% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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