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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 76 59 it is the complementary color RGB 230 179 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 76 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 25 76 59: RGB 30 76 54, RGB 47 94 73, RGB 64 112 92, RGB 81 130 111 and RGB 98 148 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 76 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 25 76 59: RGB 25 76 59, RGB 8 58 40, RGB 0 40 21, RGB 0 22 2 and RGB 0 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

Complementary color

CMYK 0 / 22 / 15 / 10

HEX #E6B3C4

RGB 230 179 196

HSL 340, 0.5%, 0.8%

LAB 77.9, 21.08, -1.49

 

CMYK 61 / 0 / 29 / 70

HEX #1E4C36

RGB 30 76 54

HSL 151.3, 0.43%, 0.21%

LAB 28.67, -21.8, 8.43

 

CMYK 50 / 0 / 22 / 63

HEX #2F5E49

RGB 47 94 73

HSL 153.19, 0.33%, 0.28%

LAB 36.16, -21.64, 7.14

 

CMYK 43 / 0 / 18 / 56

HEX #40705C

RGB 64 112 92

HSL 155, 0.27%, 0.35%

LAB 43.44, -21.41, 6.05

 

CMYK 38 / 0 / 15 / 49

HEX #51826F

RGB 81 130 111

HSL 156.73, 0.23%, 0.41%

LAB 50.53, -21.16, 5.08

 

CMYK 34 / 0 / 12 / 42

HEX #629482

RGB 98 148 130

HSL 158.4, 0.2%, 0.48%

LAB 57.45, -20.92, 4.2

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 86 / 0 / 31 / 77

HEX #083A28

RGB 8 58 40

HSL 158.4, 0.76%, 0.13%

LAB 20.95, -21.3, 6.66

 

CMYK 100 / 0 / 48 / 84

HEX #002815

RGB 0 40 21

HSL 151.5, 1%, 0.08%

LAB 13.06, -19.69, 8.7

 

CMYK 100 / 0 / 91 / 91

HEX #001602

RGB 0 22 2

HSL 125.45, 1%, 0.04%

LAB 5.22, -10.31, 6.81

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 67 / 0 / 11 / 70

HEX #194C44

RGB 25 76 68

HSL 170.59, 0.5%, 0.2%

LAB 28.88, -19.13, -0.27

 

CMYK 67 / 0 / 0 / 70

HEX #194C4C

RGB 25 76 76

HSL 180, 0.5%, 0.2%

LAB 29.15, -16.6, -5.04

 

CMYK 67 / 11 / 0 / 70

HEX #19444C

RGB 25 68 76

HSL 189.41, 0.5%, 0.2%

LAB 26.34, -11.94, -9.26

 

CMYK 67 / 22 / 0 / 70

HEX #193B4C

RGB 25 59 76

HSL 200, 0.5%, 0.2%

LAB 23.19, -6.32, -14.08

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 67 / 0 / 22 / 50

HEX #2A7F63

RGB 42 127 99

HSL 160.24, 0.5%, 0.33%

LAB 47.72, -32.49, 7.88

 

CMYK 67 / 0 / 22 / 30

HEX #3BB28A

RGB 59 178 138

HSL 159.83, 0.5%, 0.46%

LAB 65.44, -42.6, 10.93

 

CMYK 67 / 0 / 22 / 10

HEX #4BE5B2

RGB 75 229 178

HSL 160.13, 0.75%, 0.6%

LAB 82.24, -52.06, 13.26

 

CMYK 68 / 0 / 24 / 90

HEX #081913

RGB 8 25 19

HSL 158.82, 0.52%, 0.06%

LAB 7.17, -7.75, 1.79

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 67 / 58 / 0 / 70

HEX #19204C

RGB 25 32 76

HSL 231.76, 0.5%, 0.2%

LAB 14.18, 12.87, -28.31

 

CMYK 0 / 49 / 67 / 70

HEX #4C2719

RGB 76 39 25

HSL 16.47, 0.5%, 0.2%

LAB 20.27, 15.83, 16.77

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 22 / 67 / 0 / 70

HEX #3B194C

RGB 59 25 76

HSL 280, 0.5%, 0.2%

LAB 16.24, 26.68, -24.8

 

CMYK 0 / 22 / 67 / 70

HEX #4C3B19

RGB 76 59 25

HSL 40, 0.5%, 0.2%

LAB 25.96, 2.9, 23.52

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 67 / 58 / 0 / 70

HEX #19204C

RGB 25 32 76

HSL 231.76, 0.5%, 0.2%

LAB 14.18, 12.87, -28.31

 

CMYK 0 / 67 / 45 / 70

HEX #4C192A

RGB 76 25 42

HSL 340, 0.5%, 0.2%

LAB 17.46, 25.95, 1.17

 

CMYK 0 / 9 / 67 / 70

HEX #4C4519

RGB 76 69 25

HSL 51.76, 0.5%, 0.2%

LAB 29.06, -3.41, 27.01

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 55 / 67 / 0 / 70

HEX #22194C

RGB 34 25 76

HSL 250.59, 0.5%, 0.2%

LAB 12.97, 20.01, -30.24

 

CMYK 0 / 67 / 45 / 70

HEX #4C192A

RGB 76 25 42

HSL 340, 0.5%, 0.2%

LAB 17.46, 25.95, 1.17

 

CMYK 11 / 0 / 67 / 70

HEX #444C19

RGB 68 76 25

HSL 69.41, 0.5%, 0.2%

LAB 30.56, -11.58, 28.43

 

Description

Color code: RGB 25 76 59 | qconv.com Color code: RGB 25 76 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 76 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 76 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 22 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 22% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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