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Color name
RGB 25 229 103

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 229 103 it is the complementary color RGB 230 26 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 229 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 229 103 shade: RGB 30 229 98, RGB 47 247 117, RGB 64 255 136, RGB 81 255 155 and RGB 98 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 229 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 229 103 shade: RGB 25 229 103, RGB 8 211 84, RGB 0 193 65, RGB 0 175 46 and RGB 0 157 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 229 103 shade: RGB 26 230 103, RGB 26 230 48, RGB 58 230 26, RGB 113 230 26 and RGB 168 230 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 229 103 shade: RGB 26 230 103, RGB 26 230 159, RGB 26 230 214, RGB 26 190 230 and RGB 26 135 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 229 103 shade matches the following richer shades: RGB 26 230 103 and RGB 5 250 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 229 103 shade: RGB 26 230 103, RGB 46 209 108, RGB 67 188 113, RGB 87 168 118 and RGB 108 147 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 229 103 shade: RGB 60 230 26, RGB 26 230 46, RGB 26 230 100, RGB 26 230 155 and RGB 26 230 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 229 103 shade: RGB 17 155 70, RGB 21 192 87, RGB 26 230 103, RGB 63 234 128 and RGB 100 238 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 229 103 shade: RGB 25 229 103, RGB 26 114 230 and RGB 230 26 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 229 103 shade: RGB 25 229 103, RGB 100 26 230 and RGB 230 100 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 229 103 shade: RGB 25 229 103, RGB 26 114 230, RGB 230 26 155 and RGB 230 141 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 229 103 shade: RGB 25 229 103, RGB 26 53 230, RGB 230 26 155 and RGB 230 202 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 55 / 10

HEX #19E567

RGB 25 229 103

HSL 142.94, 0.8%, 0.5%

LAB 80.31, -71.42, 48.24

 

Complementary color

CMYK 0 / 89 / 34 / 10

HEX #E61A98

RGB 230 26 152

HSL 322.94, 0.8%, 0.5%

LAB 51.64, 78.93, -15.64

 

CMYK 87 / 0 / 57 / 10

HEX #1EE562

RGB 30 229 98

HSL 140.5, 0.79%, 0.51%

LAB 80.29, -71.76, 50.51

 

CMYK 81 / 0 / 53 / 3

HEX #2FF775

RGB 47 247 117

HSL 141, 0.93%, 0.58%

LAB 86.21, -73.38, 48.97

 

CMYK 75 / 0 / 47 / 0

HEX #40FF88

RGB 64 255 136

HSL 142.62, 1%, 0.63%

LAB 89.11, -71.24, 43.67

 

CMYK 68 / 0 / 39 / 0

HEX #51FF9B

RGB 81 255 155

HSL 145.52, 1%, 0.66%

LAB 89.69, -65.66, 35.22

 

CMYK 62 / 0 / 32 / 0

HEX #62FFAE

RGB 98 255 174

HSL 149.04, 1%, 0.69%

LAB 90.4, -59.25, 26.73

 

CMYK 89 / 0 / 55 / 10

HEX #19E567

RGB 25 229 103

HSL 142.94, 0.8%, 0.5%

LAB 80.31, -71.42, 48.24

 

CMYK 96 / 0 / 60 / 17

HEX #08D354

RGB 8 211 84

HSL 142.46, 0.93%, 0.43%

LAB 74.37, -69.18, 49.84

 

CMYK 100 / 0 / 66 / 24

HEX #00C141

RGB 0 193 65

HSL 140.21, 1%, 0.38%

LAB 68.4, -66.29, 51.31

 

CMYK 100 / 0 / 74 / 31

HEX #00AF2E

RGB 0 175 46

HSL 135.77, 1%, 0.34%

LAB 62.39, -62.82, 52.42

 

CMYK 100 / 0 / 83 / 38

HEX #009D1B

RGB 0 157 27

HSL 130.32, 1%, 0.31%

LAB 56.28, -58.96, 52.71

 

CMYK 89 / 0 / 55 / 10

HEX #1AE667

RGB 26 230 103

HSL 142.65, 0.8%, 0.5%

LAB 80.62, -71.67, 48.62

 

CMYK 89 / 0 / 79 / 10

HEX #1AE630

RGB 26 230 48

HSL 126.47, 0.8%, 0.5%

LAB 80.19, -77.04, 69.27

 

CMYK 75 / 0 / 89 / 10

HEX #3AE61A

RGB 58 230 26

HSL 110.59, 0.8%, 0.5%

LAB 80.5, -74.65, 74.67

 

CMYK 51 / 0 / 89 / 10

HEX #71E61A

RGB 113 230 26

HSL 94.41, 0.8%, 0.5%

LAB 81.94, -62.75, 76.47

 

CMYK 27 / 0 / 89 / 10

HEX #A8E61A

RGB 168 230 26

HSL 78.24, 0.8%, 0.5%

LAB 84.48, -44.47, 79.62

 

CMYK 89 / 0 / 55 / 10

HEX #1AE667

RGB 26 230 103

HSL 142.65, 0.8%, 0.5%

LAB 80.62, -71.67, 48.62

 

CMYK 89 / 0 / 31 / 10

HEX #1AE69F

RGB 26 230 159

HSL 159.12, 0.8%, 0.5%

LAB 81.47, -61.79, 21.99

 

CMYK 89 / 0 / 7 / 10

HEX #1AE6D6

RGB 26 230 214

HSL 175.29, 0.8%, 0.5%

LAB 82.74, -48.23, -5.1

 

CMYK 89 / 17 / 0 / 10

HEX #1ABEE6

RGB 26 190 230

HSL 191.76, 0.8%, 0.5%

LAB 71.39, -24.83, -30.82

 

CMYK 89 / 41 / 0 / 10

HEX #1A87E6

RGB 26 135 230

HSL 207.94, 0.8%, 0.5%

LAB 55.34, 5.75, -56.05

 

CMYK 89 / 0 / 55 / 10

HEX #1AE667

RGB 26 230 103

HSL 142.65, 0.8%, 0.5%

LAB 80.62, -71.67, 48.62

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 89 / 0 / 55 / 10

HEX #1AE667

RGB 26 230 103

HSL 142.65, 0.8%, 0.5%

LAB 80.62, -71.67, 48.62

 

CMYK 78 / 0 / 48 / 18

HEX #2ED16C

RGB 46 209 108

HSL 142.82, 0.64%, 0.5%

LAB 74.36, -62.29, 38.6

 

CMYK 64 / 0 / 40 / 26

HEX #43BC71

RGB 67 188 113

HSL 142.81, 0.47%, 0.5%

LAB 68.28, -50.44, 28.31

 

CMYK 48 / 0 / 30 / 34

HEX #57A876

RGB 87 168 118

HSL 142.96, 0.32%, 0.5%

LAB 62.79, -36.38, 18.36

 

CMYK 27 / 0 / 16 / 42

HEX #6C937B

RGB 108 147 123

HSL 143.08, 0.15%, 0.5%

LAB 57.55, -18.66, 8.4

 

CMYK 74 / 0 / 89 / 10

HEX #3CE61A

RGB 60 230 26

HSL 110, 0.8%, 0.5%

LAB 80.53, -74.35, 74.72

 

CMYK 89 / 0 / 80 / 10

HEX #1AE62E

RGB 26 230 46

HSL 125.88, 0.8%, 0.5%

LAB 80.19, -77.15, 69.82

 

CMYK 89 / 0 / 57 / 10

HEX #1AE664

RGB 26 230 100

HSL 141.76, 0.8%, 0.5%

LAB 80.59, -72.08, 49.95

 

CMYK 89 / 0 / 33 / 10

HEX #1AE69B

RGB 26 230 155

HSL 157.94, 0.8%, 0.5%

LAB 81.39, -62.64, 23.95

 

CMYK 89 / 0 / 9 / 10

HEX #1AE6D1

RGB 26 230 209

HSL 173.82, 0.8%, 0.5%

LAB 82.6, -49.59, -2.66

 

CMYK 89 / 0 / 55 / 39

HEX #119B46

RGB 17 155 70

HSL 143.04, 0.8%, 0.34%

LAB 56.09, -52.74, 34.85

 

CMYK 89 / 0 / 55 / 25

HEX #15C057

RGB 21 192 87

HSL 143.16, 0.8%, 0.42%

LAB 68.42, -62.2, 41.45

 

CMYK 89 / 0 / 55 / 10

HEX #1AE667

RGB 26 230 103

HSL 142.65, 0.8%, 0.5%

LAB 80.62, -71.67, 48.62

 

CMYK 73 / 0 / 45 / 8

HEX #3FEA80

RGB 63 234 128

HSL 142.81, 0.8%, 0.58%

LAB 82.63, -65.47, 39.3

 

CMYK 58 / 0 / 36 / 7

HEX #64EE99

RGB 100 238 153

HSL 143.04, 0.8%, 0.66%

LAB 85.08, -56.11, 30.18

 

CMYK 89 / 0 / 55 / 10

HEX #19E567

RGB 25 229 103

HSL 142.94, 0.8%, 0.5%

LAB 80.31, -71.42, 48.24

 

CMYK 89 / 50 / 0 / 10

HEX #1A72E6

RGB 26 114 230

HSL 214.12, 0.8%, 0.5%

LAB 49.46, 18.81, -65.51

 

CMYK 0 / 89 / 86 / 10

HEX #E61A20

RGB 230 26 32

HSL 358.24, 0.8%, 0.5%

LAB 49.09, 71.8, 51.66

 

CMYK 89 / 0 / 55 / 10

HEX #19E567

RGB 25 229 103

HSL 142.94, 0.8%, 0.5%

LAB 80.31, -71.42, 48.24

 

CMYK 57 / 89 / 0 / 10

HEX #641AE6

RGB 100 26 230

HSL 261.76, 0.8%, 0.5%

LAB 36.29, 71.54, -86.93

 

CMYK 0 / 57 / 89 / 10

HEX #E6641A

RGB 230 100 26

HSL 21.76, 0.8%, 0.5%

LAB 58.05, 47.14, 61.03

 

CMYK 89 / 0 / 55 / 10

HEX #19E567

RGB 25 229 103

HSL 142.94, 0.8%, 0.5%

LAB 80.31, -71.42, 48.24

 

CMYK 89 / 50 / 0 / 10

HEX #1A72E6

RGB 26 114 230

HSL 214.12, 0.8%, 0.5%

LAB 49.46, 18.81, -65.51

 

CMYK 0 / 89 / 33 / 10

HEX #E61A9B

RGB 230 26 155

HSL 322.06, 0.8%, 0.5%

LAB 51.76, 79.24, -17.26

 

CMYK 0 / 39 / 89 / 10

HEX #E68D1A

RGB 230 141 26

HSL 33.82, 0.8%, 0.5%

LAB 66.48, 26.36, 67.46

 

CMYK 89 / 0 / 55 / 10

HEX #19E567

RGB 25 229 103

HSL 142.94, 0.8%, 0.5%

LAB 80.31, -71.42, 48.24

 

CMYK 89 / 77 / 0 / 10

HEX #1A35E6

RGB 26 53 230

HSL 232.06, 0.8%, 0.5%

LAB 34.96, 56.31, -89.28

 

CMYK 0 / 89 / 33 / 10

HEX #E61A9B

RGB 230 26 155

HSL 322.06, 0.8%, 0.5%

LAB 51.76, 79.24, -17.26

 

CMYK 0 / 12 / 89 / 10

HEX #E6CA1A

RGB 230 202 26

HSL 51.76, 0.8%, 0.5%

LAB 81.37, -5.73, 79.02

 

Description

Color code: RGB 25 229 103 | qconv.com Color code: RGB 25 229 103 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 229 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 229 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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