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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 162 241 it is the complementary color RGB 230 93 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 162 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 162 241 shade: RGB 30 162 236, RGB 47 180 255, RGB 64 198 255, RGB 81 216 255 and RGB 98 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 162 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 162 241 shade: RGB 25 162 241, RGB 8 144 222, RGB 0 126 203, RGB 0 108 184 and RGB 0 90 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 162 241 shade: RGB 24 162 242, RGB 24 103 242, RGB 24 44 242, RGB 62 24 242 and RGB 120 24 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 162 241 shade: RGB 24 162 242, RGB 24 103 242, RGB 24 44 242 and RGB 24 24 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 162 241 shade matches the following richer shades: RGB 24 162 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 162 241 shade: RGB 24 162 242, RGB 43 157 222, RGB 63 151 202, RGB 83 146 182 and RGB 103 141 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 162 241 shade: RGB 24 242 202, RGB 24 223 242, RGB 24 165 242, RGB 24 107 242 and RGB 24 49 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 162 241 shade: RGB 10 113 173, RGB 12 139 212, RGB 24 162 242, RGB 63 178 244 and RGB 102 193 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 162 241 shade: RGB 25 162 241, RGB 143 24 242 and RGB 242 231 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 162 241 shade: RGB 25 162 241, RGB 242 24 165 and RGB 165 242 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 162 241 shade: RGB 25 162 241, RGB 143 24 242, RGB 242 100 24 and RGB 122 242 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 162 241 shade: RGB 25 162 241, RGB 209 24 242, RGB 242 100 24 and RGB 56 242 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 33 / 0 / 5

HEX #19A2F1

RGB 25 162 241

HSL 201.94, 0.89%, 0.52%

LAB 63.67, -6.03, -48.89

 

Complementary color

CMYK 0 / 60 / 94 / 10

HEX #E65D0E

RGB 230 93 14

HSL 21.94, 0.89%, 0.48%

LAB 56.77, 50.21, 63.42

 

CMYK 87 / 31 / 0 / 7

HEX #1EA2EC

RGB 30 162 236

HSL 201.55, 0.84%, 0.52%

LAB 63.49, -7.57, -46.43

 

CMYK 82 / 29 / 0 / 0

HEX #2FB4FF

RGB 47 180 255

HSL 201.63, 1%, 0.59%

LAB 69.8, -9.6, -46.83

 

CMYK 75 / 22 / 0 / 0

HEX #40C6FF

RGB 64 198 255

HSL 197.91, 1%, 0.63%

LAB 75.26, -17.57, -38.27

 

CMYK 68 / 15 / 0 / 0

HEX #51D8FF

RGB 81 216 255

HSL 193.45, 1%, 0.66%

LAB 80.78, -24.61, -29.71

 

CMYK 62 / 8 / 0 / 0

HEX #62EAFF

RGB 98 234 255

HSL 188.03, 1%, 0.69%

LAB 86.34, -30.83, -21.21

 

CMYK 90 / 33 / 0 / 5

HEX #19A2F1

RGB 25 162 241

HSL 201.94, 0.89%, 0.52%

LAB 63.67, -6.03, -48.89

 

CMYK 96 / 35 / 0 / 13

HEX #0890DE

RGB 8 144 222

HSL 201.87, 0.93%, 0.45%

LAB 57.34, -3.38, -48.41

 

CMYK 100 / 38 / 0 / 20

HEX #007ECB

RGB 0 126 203

HSL 202.76, 1%, 0.4%

LAB 50.96, -0.21, -47.84

 

CMYK 100 / 41 / 0 / 28

HEX #006CB8

RGB 0 108 184

HSL 204.78, 1%, 0.36%

LAB 44.5, 3.38, -47.21

 

CMYK 100 / 45 / 0 / 35

HEX #005AA5

RGB 0 90 165

HSL 207.27, 1%, 0.32%

LAB 37.89, 7.21, -46.62

 

CMYK 90 / 33 / 0 / 5

HEX #18A2F2

RGB 24 162 242

HSL 202.02, 0.89%, 0.52%

LAB 63.71, -5.72, -49.37

 

CMYK 90 / 57 / 0 / 5

HEX #1867F2

RGB 24 103 242

HSL 218.26, 0.89%, 0.52%

LAB 47.37, 30.33, -75.63

 

CMYK 90 / 82 / 0 / 5

HEX #182CF2

RGB 24 44 242

HSL 234.5, 0.89%, 0.52%

LAB 34.82, 64.35, -96.34

 

CMYK 74 / 90 / 0 / 5

HEX #3E18F2

RGB 62 24 242

HSL 250.46, 0.89%, 0.52%

LAB 34.17, 72.7, -97.37

 

CMYK 50 / 90 / 0 / 5

HEX #7818F2

RGB 120 24 242

HSL 266.42, 0.89%, 0.52%

LAB 39.68, 76.48, -88.07

 

CMYK 90 / 33 / 0 / 5

HEX #18A2F2

RGB 24 162 242

HSL 202.02, 0.89%, 0.52%

LAB 63.71, -5.72, -49.37

 

CMYK 90 / 57 / 0 / 5

HEX #1867F2

RGB 24 103 242

HSL 218.26, 0.89%, 0.52%

LAB 47.37, 30.33, -75.63

 

CMYK 90 / 82 / 0 / 5

HEX #182CF2

RGB 24 44 242

HSL 234.5, 0.89%, 0.52%

LAB 34.82, 64.35, -96.34

 

CMYK 90 / 90 / 0 / 5

HEX #1818F2

RGB 24 24 242

HSL 240, 0.89%, 0.52%

LAB 32.39, 71.65, -100.38

 

CMYK 90 / 33 / 0 / 5

HEX #18A2F2

RGB 24 162 242

HSL 202.02, 0.89%, 0.52%

LAB 63.71, -5.72, -49.37

 

CMYK 90 / 33 / 0 / 5

HEX #18A2F2

RGB 24 162 242

HSL 202.02, 0.89%, 0.52%

LAB 63.71, -5.72, -49.37

 

CMYK 81 / 29 / 0 / 13

HEX #2B9DDE

RGB 43 157 222

HSL 201.79, 0.73%, 0.52%

LAB 61.57, -8.79, -41.7

 

CMYK 69 / 25 / 0 / 21

HEX #3F97CA

RGB 63 151 202

HSL 202.01, 0.57%, 0.52%

LAB 59.39, -9.92, -33.91

 

CMYK 54 / 20 / 0 / 29

HEX #5392B6

RGB 83 146 182

HSL 201.82, 0.4%, 0.52%

LAB 57.82, -9.86, -24.99

 

CMYK 36 / 13 / 0 / 36

HEX #678DA2

RGB 103 141 162

HSL 201.36, 0.24%, 0.52%

LAB 56.63, -7.73, -15.32

 

CMYK 90 / 0 / 17 / 5

HEX #18F2CA

RGB 24 242 202

HSL 168.99, 0.89%, 0.52%

LAB 85.99, -56.39, 5.95

 

CMYK 90 / 8 / 0 / 5

HEX #18DFF2

RGB 24 223 242

HSL 185.23, 0.89%, 0.52%

LAB 81.5, -37.04, -21.8

 

CMYK 90 / 32 / 0 / 5

HEX #18A5F2

RGB 24 165 242

HSL 201.19, 0.89%, 0.52%

LAB 64.58, -7.41, -48

 

CMYK 90 / 56 / 0 / 5

HEX #186BF2

RGB 24 107 242

HSL 217.16, 0.89%, 0.52%

LAB 48.41, 27.78, -73.94

 

CMYK 90 / 80 / 0 / 5

HEX #1831F2

RGB 24 49 242

HSL 233.12, 0.89%, 0.52%

LAB 35.6, 62.05, -95.03

 

CMYK 94 / 35 / 0 / 32

HEX #0A71AD

RGB 10 113 173

HSL 202.09, 0.89%, 0.36%

LAB 45.49, -3.68, -39.22

 

CMYK 94 / 34 / 0 / 17

HEX #0C8BD4

RGB 12 139 212

HSL 201.9, 0.89%, 0.44%

LAB 55.38, -4.11, -45.91

 

CMYK 90 / 33 / 0 / 5

HEX #18A2F2

RGB 24 162 242

HSL 202.02, 0.89%, 0.52%

LAB 63.71, -5.72, -49.37

 

CMYK 74 / 27 / 0 / 4

HEX #3FB2F4

RGB 63 178 244

HSL 201.88, 0.89%, 0.6%

LAB 69.06, -10.67, -42

 

CMYK 59 / 22 / 0 / 4

HEX #66C1F6

RGB 102 193 246

HSL 202.08, 0.89%, 0.68%

LAB 74.58, -12.09, -34.4

 

CMYK 90 / 33 / 0 / 5

HEX #19A2F1

RGB 25 162 241

HSL 201.94, 0.89%, 0.52%

LAB 63.67, -6.03, -48.89

 

CMYK 41 / 90 / 0 / 5

HEX #8F18F2

RGB 143 24 242

HSL 272.75, 0.89%, 0.52%

LAB 42.62, 78.76, -83.12

 

CMYK 0 / 5 / 90 / 5

HEX #F2E718

RGB 242 231 24

HSL 56.97, 0.89%, 0.52%

LAB 89.9, -15.16, 86.42

 

CMYK 90 / 33 / 0 / 5

HEX #19A2F1

RGB 25 162 241

HSL 201.94, 0.89%, 0.52%

LAB 63.67, -6.03, -48.89

 

CMYK 0 / 90 / 32 / 5

HEX #F218A5

RGB 242 24 165

HSL 321.19, 0.89%, 0.52%

LAB 54.29, 83.05, -19.11

 

CMYK 32 / 0 / 90 / 5

HEX #A5F218

RGB 165 242 24

HSL 81.19, 0.89%, 0.52%

LAB 87.76, -50.64, 82.54

 

CMYK 90 / 33 / 0 / 5

HEX #19A2F1

RGB 25 162 241

HSL 201.94, 0.89%, 0.52%

LAB 63.67, -6.03, -48.89

 

CMYK 41 / 90 / 0 / 5

HEX #8F18F2

RGB 143 24 242

HSL 272.75, 0.89%, 0.52%

LAB 42.62, 78.76, -83.12

 

CMYK 0 / 59 / 90 / 5

HEX #F26418

RGB 242 100 24

HSL 20.92, 0.89%, 0.52%

LAB 59.94, 51.5, 63.89

 

CMYK 50 / 0 / 90 / 5

HEX #7AF218

RGB 122 242 24

HSL 93.03, 0.89%, 0.52%

LAB 85.86, -64.54, 80.19

 

CMYK 90 / 33 / 0 / 5

HEX #19A2F1

RGB 25 162 241

HSL 201.94, 0.89%, 0.52%

LAB 63.67, -6.03, -48.89

 

CMYK 14 / 90 / 0 / 5

HEX #D118F2

RGB 209 24 242

HSL 290.92, 0.89%, 0.52%

LAB 52.53, 87.4, -66.53

 

CMYK 0 / 59 / 90 / 5

HEX #F26418

RGB 242 100 24

HSL 20.92, 0.89%, 0.52%

LAB 59.94, 51.5, 63.89

 

CMYK 77 / 0 / 90 / 5

HEX #38F218

RGB 56 242 24

HSL 111.19, 0.89%, 0.52%

LAB 84.18, -78.45, 78.11

 

Description

Color code: RGB 25 162 241 | qconv.com Color code: RGB 25 162 241 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 162 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 162 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 33 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 33% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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