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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 108.8 204.4 it is the complementary color RGB 230 146.2 50.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 108.8 204.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 108.8 204.4 shade: RGB 30 108.8 199.4, RGB 47 126.8 218.4, RGB 64 144.8 237.4, RGB 81 162.8 255 and RGB 98 180.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 108.8 204.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 108.8 204.4 shade: RGB 25 108.8 204.4, RGB 8 90.8 185.4, RGB 0 72.8 166.4, RGB 0 54.8 147.4 and RGB 0 36.8 128.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 108.8 204.4 shade: RGB 25 109 204, RGB 25 61 204, RGB 38 25 204, RGB 86 25 204 and RGB 135 25 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 108.8 204.4 shade: RGB 25 109 204, RGB 25 61 204 and RGB 25 25 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 108.8 204.4 shade matches the following richer shades: RGB 25 109 204 and RGB 7 108 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 108.8 204.4 shade: RGB 25 109 204, RGB 44 110 186, RGB 62 111 167, RGB 81 113 149 and RGB 100 114 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 108.8 204.4 shade: RGB 25 204 201, RGB 25 160 204, RGB 25 112 204, RGB 25 64 204 and RGB 34 25 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 108.8 204.4 shade: RGB 16 70 131, RGB 21 89 168, RGB 25 109 204, RGB 42 129 229 and RGB 79 151 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 108.8 204.4 shade: RGB 25 108.8 204.4, RGB 154 25 204 and RGB 183 204 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 108.8 204.4 shade: RGB 25 108.8 204.4, RGB 204 25 112 and RGB 112 204 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 108.8 204.4 shade: RGB 25 108.8 204.4, RGB 154 25 204, RGB 204 118 25 and RGB 76 204 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 108.8 204.4 shade: RGB 25 108.8 204.4, RGB 204 25 201, RGB 204 118 25 and RGB 25 204 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 47 / 0 / 20

HEX #196CCC

RGB 25 108.8 204.4

HSL 211.97, 0.78%, 0.45%

LAB 46.28, 12.11, -56.11

 

Complementary color

CMYK 0 / 36 / 78 / 10

HEX #E69232

RGB 230 146.2 50.6

HSL 31.97, 0.78%, 0.55%

LAB 67.78, 24.28, 60.46

 

CMYK 85 / 45 / 0 / 22

HEX #1E6CC7

RGB 30 108.8 199.4

HSL 212.09, 0.74%, 0.45%

LAB 46.06, 10.51, -53.59

 

CMYK 78 / 42 / 0 / 14

HEX #2F7EDA

RGB 47 126.8 218.4

HSL 212.07, 0.7%, 0.52%

LAB 52.75, 8.06, -53.67

 

CMYK 73 / 39 / 0 / 7

HEX #4090ED

RGB 64 144.8 237.4

HSL 212.04, 0.83%, 0.59%

LAB 59.36, 6.09, -53.7

 

CMYK 68 / 36 / 0 / 0

HEX #51A2FF

RGB 81 162.8 255

HSL 211.79, 1%, 0.66%

LAB 65.82, 4.01, -53.05

 

CMYK 62 / 29 / 0 / 0

HEX #62B4FF

RGB 98 180.8 255

HSL 208.36, 1%, 0.69%

LAB 71.41, -3.41, -44.21

 

CMYK 88 / 47 / 0 / 20

HEX #196CCC

RGB 25 108.8 204.4

HSL 211.97, 0.78%, 0.45%

LAB 46.28, 12.11, -56.11

 

CMYK 96 / 51 / 0 / 27

HEX #085AB9

RGB 8 90.8 185.4

HSL 212, 0.92%, 0.38%

LAB 39.61, 15.39, -55.89

 

CMYK 100 / 56 / 0 / 35

HEX #0048A6

RGB 0 72.8 166.4

HSL 213.75, 1%, 0.33%

LAB 32.93, 19.39, -55.48

 

CMYK 100 / 63 / 0 / 42

HEX #003693

RGB 0 54.8 147.4

HSL 217.69, 1%, 0.29%

LAB 26.25, 23.96, -54.86

 

CMYK 100 / 71 / 0 / 50

HEX #002480

RGB 0 36.8 128.4

HSL 222.8, 1%, 0.25%

LAB 19.56, 28.66, -54.02

 

CMYK 88 / 47 / 0 / 20

HEX #196DCC

RGB 25 109 204

HSL 211.84, 0.78%, 0.45%

LAB 46.32, 11.82, -55.83

 

CMYK 88 / 70 / 0 / 20

HEX #193DCC

RGB 25 61 204

HSL 227.93, 0.78%, 0.45%

LAB 33.78, 42.83, -76.27

 

CMYK 81 / 88 / 0 / 20

HEX #2619CC

RGB 38 25 204

HSL 244.36, 0.78%, 0.45%

LAB 28.03, 61.39, -85.8

 

CMYK 58 / 88 / 0 / 20

HEX #5619CC

RGB 86 25 204

HSL 260.45, 0.78%, 0.45%

LAB 31.88, 64.32, -79.28

 

CMYK 34 / 88 / 0 / 20

HEX #8719CC

RGB 135 25 204

HSL 276.87, 0.78%, 0.45%

LAB 38.21, 69.75, -68.64

 

CMYK 88 / 47 / 0 / 20

HEX #196DCC

RGB 25 109 204

HSL 211.84, 0.78%, 0.45%

LAB 46.32, 11.82, -55.83

 

CMYK 88 / 70 / 0 / 20

HEX #193DCC

RGB 25 61 204

HSL 227.93, 0.78%, 0.45%

LAB 33.78, 42.83, -76.27

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 88 / 47 / 0 / 20

HEX #196DCC

RGB 25 109 204

HSL 211.84, 0.78%, 0.45%

LAB 46.32, 11.82, -55.83

 

CMYK 97 / 52 / 0 / 13

HEX #076CDF

RGB 7 108 223

HSL 211.94, 0.94%, 0.45%

LAB 47.1, 19.17, -65.39

 

CMYK 88 / 47 / 0 / 20

HEX #196DCC

RGB 25 109 204

HSL 211.84, 0.78%, 0.45%

LAB 46.32, 11.82, -55.83

 

CMYK 76 / 41 / 0 / 27

HEX #2C6EBA

RGB 44 110 186

HSL 212.11, 0.62%, 0.45%

LAB 45.95, 6.01, -46.01

 

CMYK 63 / 34 / 0 / 35

HEX #3E6FA7

RGB 62 111 167

HSL 212, 0.46%, 0.45%

LAB 45.88, 1.32, -35

 

CMYK 46 / 24 / 0 / 42

HEX #517195

RGB 81 113 149

HSL 211.76, 0.3%, 0.45%

LAB 46.62, -1.37, -23.18

 

CMYK 23 / 12 / 0 / 49

HEX #647282

RGB 100 114 130

HSL 212, 0.13%, 0.45%

LAB 47.44, -1.43, -10.54

 

CMYK 88 / 0 / 1 / 20

HEX #19CCC9

RGB 25 204 201

HSL 178.99, 0.78%, 0.45%

LAB 74.58, -40.65, -10.25

 

CMYK 88 / 22 / 0 / 20

HEX #19A0CC

RGB 25 160 204

HSL 194.75, 0.78%, 0.45%

LAB 61.4, -18.17, -31.97

 

CMYK 88 / 45 / 0 / 20

HEX #1970CC

RGB 25 112 204

HSL 210.84, 0.78%, 0.45%

LAB 47.18, 9.92, -54.44

 

CMYK 88 / 69 / 0 / 20

HEX #1940CC

RGB 25 64 204

HSL 226.93, 0.78%, 0.45%

LAB 34.46, 40.98, -75.14

 

CMYK 83 / 88 / 0 / 20

HEX #2219CC

RGB 34 25 204

HSL 243.02, 0.78%, 0.45%

LAB 27.83, 61.25, -86.12

 

CMYK 88 / 47 / 0 / 49

HEX #104683

RGB 16 70 131

HSL 211.83, 0.78%, 0.29%

LAB 29.74, 7.34, -39.06

 

CMYK 88 / 47 / 0 / 34

HEX #1559A8

RGB 21 89 168

HSL 212.24, 0.78%, 0.37%

LAB 38.08, 10.2, -48.1

 

CMYK 88 / 47 / 0 / 20

HEX #196DCC

RGB 25 109 204

HSL 211.84, 0.78%, 0.45%

LAB 46.32, 11.82, -55.83

 

CMYK 82 / 44 / 0 / 10

HEX #2A81E5

RGB 42 129 229

HSL 212.09, 0.78%, 0.53%

LAB 53.87, 10.19, -57.83

 

CMYK 66 / 35 / 0 / 9

HEX #4F97E9

RGB 79 151 233

HSL 211.95, 0.78%, 0.61%

LAB 61.38, 3.09, -48.03

 

CMYK 88 / 47 / 0 / 20

HEX #196CCC

RGB 25 108.8 204.4

HSL 211.97, 0.78%, 0.45%

LAB 46.28, 12.11, -56.11

 

CMYK 25 / 88 / 0 / 20

HEX #9A19CC

RGB 154 25 204

HSL 283.24, 0.78%, 0.45%

LAB 41.1, 72.42, -63.81

 

CMYK 10 / 0 / 88 / 20

HEX #B7CC19

RGB 183 204 25

HSL 67.04, 0.78%, 0.45%

LAB 78.07, -26.75, 74.95

 

CMYK 88 / 47 / 0 / 20

HEX #196CCC

RGB 25 108.8 204.4

HSL 211.97, 0.78%, 0.45%

LAB 46.28, 12.11, -56.11

 

CMYK 0 / 88 / 45 / 20

HEX #CC1970

RGB 204 25 112

HSL 330.84, 0.78%, 0.45%

LAB 45.22, 69.48, -1.46

 

CMYK 45 / 0 / 88 / 20

HEX #70CC19

RGB 112 204 25

HSL 90.84, 0.78%, 0.45%

LAB 74, -53.45, 69.91

 

CMYK 88 / 47 / 0 / 20

HEX #196CCC

RGB 25 108.8 204.4

HSL 211.97, 0.78%, 0.45%

LAB 46.28, 12.11, -56.11

 

CMYK 25 / 88 / 0 / 20

HEX #9A19CC

RGB 154 25 204

HSL 283.24, 0.78%, 0.45%

LAB 41.1, 72.42, -63.81

 

CMYK 0 / 42 / 88 / 20

HEX #CC7619

RGB 204 118 25

HSL 31.17, 0.78%, 0.45%

LAB 57.91, 27.65, 59.59

 

CMYK 63 / 0 / 88 / 20

HEX #4CCC19

RGB 76 204 25

HSL 102.91, 0.78%, 0.45%

LAB 72.75, -63.28, 68.36

 

CMYK 88 / 47 / 0 / 20

HEX #196CCC

RGB 25 108.8 204.4

HSL 211.97, 0.78%, 0.45%

LAB 46.28, 12.11, -56.11

 

CMYK 0 / 88 / 1 / 20

HEX #CC19C9

RGB 204 25 201

HSL 301.01, 0.78%, 0.45%

LAB 49.19, 80.07, -48.6

 

CMYK 0 / 42 / 88 / 20

HEX #CC7619

RGB 204 118 25

HSL 31.17, 0.78%, 0.45%

LAB 57.91, 27.65, 59.59

 

CMYK 88 / 0 / 86 / 20

HEX #19CC1C

RGB 25 204 28

HSL 121.01, 0.78%, 0.45%

LAB 71.88, -70.84, 66.64

 

Description

Color code: RGB 25 108.8 204.4 | qconv.com Color code: RGB 25 108.8 204.4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 108.8 green and 204.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 108.8 204.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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