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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 103 89 it is the complementary color RGB 230 152 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 103 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 103 89 shade: RGB 30 103 84, RGB 47 121 103, RGB 64 139 122, RGB 81 157 141 and RGB 98 175 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 103 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 103 89 shade: RGB 25 103 89, RGB 8 85 70, RGB 0 67 51, RGB 0 49 32 and RGB 0 31 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 103 89 shade: RGB 24 102 88, RGB 24 102 67, RGB 24 102 46, RGB 24 102 25 and RGB 44 102 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 103 89 shade: RGB 24 102 88, RGB 24 95 102, RGB 24 74 102, RGB 24 53 102 and RGB 24 32 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 103 89 shade matches the following richer shades: RGB 24 102 88, RGB 14 112 95 and RGB 4 123 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 103 89 shade: RGB 24 102 88, RGB 35 92 82, RGB 45 82 75, RGB 55 71 68 and RGB 66 61 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 103 89 shade: RGB 24 102 46, RGB 24 102 67, RGB 24 102 88, RGB 24 96 102 and RGB 24 75 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 103 89 shade: RGB 8 36 31, RGB 16 69 59, RGB 24 102 88, RGB 32 135 117 and RGB 40 169 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 103 89 shade: RGB 25 103 89, RGB 26 24 102 and RGB 102 57 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 103 89 shade: RGB 25 103 89, RGB 88 24 102 and RGB 102 88 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 103 89 shade: RGB 25 103 89, RGB 26 24 102, RGB 102 24 39 and RGB 101 102 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 103 89 shade: RGB 25 103 89, RGB 49 24 102, RGB 102 24 39 and RGB 78 102 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 14 / 60

HEX #196759

RGB 25 103 89

HSL 169.23, 0.61%, 0.25%

LAB 38.95, -26.72, 1.22

 

Complementary color

CMYK 0 / 34 / 28 / 10

HEX #E698A6

RGB 230 152 166

HSL 349.23, 0.61%, 0.75%

LAB 70.89, 31.08, 4.79

 

CMYK 71 / 0 / 18 / 60

HEX #1E6754

RGB 30 103 84

HSL 164.38, 0.55%, 0.26%

LAB 38.93, -27.31, 4.26

 

CMYK 61 / 0 / 15 / 53

HEX #2F7967

RGB 47 121 103

HSL 165.41, 0.44%, 0.33%

LAB 45.99, -27.59, 3.06

 

CMYK 54 / 0 / 12 / 45

HEX #408B7A

RGB 64 139 122

HSL 166.4, 0.37%, 0.4%

LAB 52.91, -27.65, 2.03

 

CMYK 48 / 0 / 10 / 38

HEX #519D8D

RGB 81 157 141

HSL 167.37, 0.32%, 0.47%

LAB 59.7, -27.6, 1.1

 

CMYK 44 / 0 / 9 / 31

HEX #62AFA0

RGB 98 175 160

HSL 168.31, 0.32%, 0.54%

LAB 66.36, -27.5, 0.26

 

CMYK 76 / 0 / 14 / 60

HEX #196759

RGB 25 103 89

HSL 169.23, 0.61%, 0.25%

LAB 38.95, -26.72, 1.22

 

CMYK 91 / 0 / 18 / 67

HEX #085546

RGB 8 85 70

HSL 168.31, 0.83%, 0.18%

LAB 31.79, -25.71, 2.62

 

CMYK 100 / 0 / 24 / 74

HEX #004333

RGB 0 67 51

HSL 165.67, 1%, 0.13%

LAB 24.49, -23.79, 4.37

 

CMYK 100 / 0 / 35 / 81

HEX #003120

RGB 0 49 32

HSL 159.18, 1%, 0.1%

LAB 16.99, -20.85, 6.52

 

CMYK 100 / 0 / 58 / 88

HEX #001F0D

RGB 0 31 13

HSL 145.16, 1%, 0.06%

LAB 9.07, -16.03, 7.82

 

CMYK 76 / 0 / 14 / 60

HEX #186658

RGB 24 102 88

HSL 169.23, 0.62%, 0.25%

LAB 38.55, -26.67, 1.26

 

CMYK 76 / 0 / 34 / 60

HEX #186643

RGB 24 102 67

HSL 153.08, 0.62%, 0.25%

LAB 38.03, -32.23, 13.27

 

CMYK 76 / 0 / 55 / 60

HEX #18662E

RGB 24 102 46

HSL 136.92, 0.62%, 0.25%

LAB 37.65, -36.45, 24.94

 

CMYK 76 / 0 / 75 / 60

HEX #186619

RGB 24 102 25

HSL 120.77, 0.62%, 0.25%

LAB 37.42, -39.2, 35.07

 

CMYK 57 / 0 / 76 / 60

HEX #2C6618

RGB 44 102 24

HSL 104.62, 0.62%, 0.25%

LAB 38.03, -34.3, 36.3

 

CMYK 76 / 0 / 14 / 60

HEX #186658

RGB 24 102 88

HSL 169.23, 0.62%, 0.25%

LAB 38.55, -26.67, 1.26

 

CMYK 76 / 7 / 0 / 60

HEX #185F66

RGB 24 95 102

HSL 185.38, 0.62%, 0.25%

LAB 36.63, -18.59, -10.24

 

CMYK 76 / 27 / 0 / 60

HEX #184A66

RGB 24 74 102

HSL 201.54, 0.62%, 0.25%

LAB 29.54, -6.2, -21.12

 

CMYK 76 / 48 / 0 / 60

HEX #183566

RGB 24 53 102

HSL 217.69, 0.62%, 0.25%

LAB 22.65, 8, -32.02

 

CMYK 76 / 69 / 0 / 60

HEX #182066

RGB 24 32 102

HSL 233.85, 0.62%, 0.25%

LAB 16.44, 23.16, -42.1

 

CMYK 76 / 0 / 14 / 60

HEX #186658

RGB 24 102 88

HSL 169.23, 0.62%, 0.25%

LAB 38.55, -26.67, 1.26

 

CMYK 88 / 0 / 15 / 56

HEX #0E705F

RGB 14 112 95

HSL 169.59, 0.78%, 0.25%

LAB 42.01, -30.56, 2

 

CMYK 97 / 0 / 18 / 52

HEX #047B65

RGB 4 123 101

HSL 168.91, 0.94%, 0.25%

LAB 45.81, -34.54, 3.9

 

CMYK 76 / 0 / 14 / 60

HEX #186658

RGB 24 102 88

HSL 169.23, 0.62%, 0.25%

LAB 38.55, -26.67, 1.26

 

CMYK 62 / 0 / 11 / 64

HEX #235C52

RGB 35 92 82

HSL 169.47, 0.45%, 0.25%

LAB 35.24, -21.31, 0.18

 

CMYK 45 / 0 / 9 / 68

HEX #2D524B

RGB 45 82 75

HSL 168.65, 0.29%, 0.25%

LAB 32.03, -15.19, -0.05

 

CMYK 23 / 0 / 4 / 72

HEX #374744

RGB 55 71 68

HSL 168.75, 0.13%, 0.25%

LAB 28.74, -7.09, -0.3

 

CMYK 0 / 8 / 6 / 74

HEX #423D3E

RGB 66 61 62

HSL 348, 0.04%, 0.25%

LAB 26.28, 2.36, 0.16

 

CMYK 76 / 0 / 55 / 60

HEX #18662E

RGB 24 102 46

HSL 136.92, 0.62%, 0.25%

LAB 37.65, -36.45, 24.94

 

CMYK 76 / 0 / 34 / 60

HEX #186643

RGB 24 102 67

HSL 153.08, 0.62%, 0.25%

LAB 38.03, -32.23, 13.27

 

CMYK 76 / 0 / 14 / 60

HEX #186658

RGB 24 102 88

HSL 169.23, 0.62%, 0.25%

LAB 38.55, -26.67, 1.26

 

CMYK 76 / 6 / 0 / 60

HEX #186066

RGB 24 96 102

HSL 184.62, 0.62%, 0.25%

LAB 36.97, -19.14, -9.72

 

CMYK 76 / 26 / 0 / 60

HEX #184B66

RGB 24 75 102

HSL 200.77, 0.62%, 0.25%

LAB 29.88, -6.83, -20.6

 

CMYK 78 / 0 / 14 / 86

HEX #08241F

RGB 8 36 31

HSL 169.29, 0.64%, 0.09%

LAB 12.04, -12.09, 0.21

 

CMYK 77 / 0 / 14 / 73

HEX #10453B

RGB 16 69 59

HSL 168.68, 0.62%, 0.17%

LAB 25.81, -19.93, 1.06

 

CMYK 76 / 0 / 14 / 60

HEX #186658

RGB 24 102 88

HSL 169.23, 0.62%, 0.25%

LAB 38.55, -26.67, 1.26

 

CMYK 76 / 0 / 13 / 47

HEX #208775

RGB 32 135 117

HSL 169.51, 0.62%, 0.33%

LAB 50.59, -32.97, 1.46

 

CMYK 76 / 0 / 14 / 34

HEX #28A992

RGB 40 169 146

HSL 169.3, 0.62%, 0.41%

LAB 62.43, -39.4, 2.12

 

CMYK 76 / 0 / 14 / 60

HEX #196759

RGB 25 103 89

HSL 169.23, 0.61%, 0.25%

LAB 38.95, -26.72, 1.22

 

CMYK 75 / 76 / 0 / 60

HEX #1A1866

RGB 26 24 102

HSL 241.54, 0.62%, 0.25%

LAB 14.58, 28.81, -45.14

 

CMYK 0 / 44 / 76 / 60

HEX #663918

RGB 102 57 24

HSL 25.38, 0.62%, 0.25%

LAB 28.95, 16.92, 28.38

 

CMYK 76 / 0 / 14 / 60

HEX #196759

RGB 25 103 89

HSL 169.23, 0.61%, 0.25%

LAB 38.95, -26.72, 1.22

 

CMYK 14 / 76 / 0 / 60

HEX #581866

RGB 88 24 102

HSL 289.23, 0.62%, 0.25%

LAB 22.61, 40.63, -31.73

 

CMYK 0 / 14 / 76 / 60

HEX #665818

RGB 102 88 24

HSL 49.23, 0.62%, 0.25%

LAB 37.61, -2.05, 37.24

 

CMYK 76 / 0 / 14 / 60

HEX #196759

RGB 25 103 89

HSL 169.23, 0.61%, 0.25%

LAB 38.95, -26.72, 1.22

 

CMYK 75 / 76 / 0 / 60

HEX #1A1866

RGB 26 24 102

HSL 241.54, 0.62%, 0.25%

LAB 14.58, 28.81, -45.14

 

CMYK 0 / 76 / 62 / 60

HEX #661827

RGB 102 24 39

HSL 348.46, 0.62%, 0.25%

LAB 22.39, 35.5, 10.95

 

CMYK 1 / 0 / 76 / 60

HEX #656618

RGB 101 102 24

HSL 60.77, 0.62%, 0.25%

LAB 41.74, -10.65, 41.21

 

CMYK 76 / 0 / 14 / 60

HEX #196759

RGB 25 103 89

HSL 169.23, 0.61%, 0.25%

LAB 38.95, -26.72, 1.22

 

CMYK 52 / 76 / 0 / 60

HEX #311866

RGB 49 24 102

HSL 259.23, 0.62%, 0.25%

LAB 16.82, 32.32, -41.38

 

CMYK 0 / 76 / 62 / 60

HEX #661827

RGB 102 24 39

HSL 348.46, 0.62%, 0.25%

LAB 22.39, 35.5, 10.95

 

CMYK 24 / 0 / 76 / 60

HEX #4E6618

RGB 78 102 24

HSL 78.46, 0.62%, 0.25%

LAB 39.9, -21.28, 38.79

 

Description

Color code: RGB 25 103 89 | qconv.com Color code: RGB 25 103 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 103 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 103 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 14 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 14% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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