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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 103 17 it is the complementary color RGB 230 152 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 103 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 103 17 shade: RGB 30 103 12, RGB 47 121 31, RGB 64 139 50, RGB 81 157 69 and RGB 98 175 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 103 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 103 17 shade: RGB 25 103 17, RGB 8 85 0, RGB 0 67 0, RGB 0 49 0 and RGB 0 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 103 17 shade: RGB 25 105 17, RGB 49 105 17, RGB 73 105 17, RGB 97 105 17 and RGB 105 90 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 103 17 shade: RGB 25 105 17, RGB 17 105 33, RGB 17 105 56, RGB 17 105 80 and RGB 17 105 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 103 17 shade matches the following richer shades: RGB 25 105 17 and RGB 17 115 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 103 17 shade: RGB 25 105 17, RGB 33 95 27, RGB 41 85 37, RGB 50 76 47 and RGB 58 66 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 103 17 shade: RGB 73 105 17, RGB 49 105 17, RGB 26 105 17, RGB 17 105 32 and RGB 17 105 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 103 17 shade: RGB 8 34 6, RGB 17 70 11, RGB 25 105 17, RGB 34 141 23 and RGB 42 176 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 103 17 shade: RGB 25 103 17, RGB 17 96 105 and RGB 105 17 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 103 17 shade: RGB 25 103 17, RGB 17 26 105 and RGB 105 17 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 103 17 shade: RGB 25 103 17, RGB 17 96 105, RGB 96 17 105 and RGB 105 26 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 103 17 shade: RGB 25 103 17, RGB 17 70 105, RGB 96 17 105 and RGB 105 52 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 83 / 60

HEX #196711

RGB 25 103 17

HSL 114.42, 0.72%, 0.24%

LAB 37.75, -40.03, 38.46

 

Complementary color

CMYK 3 / 36 / 0 / 7

HEX #E698EE

RGB 230 152 238

HSL 294.42, 0.72%, 0.76%

LAB 73.19, 42.79, -31.48

 

CMYK 71 / 0 / 88 / 60

HEX #1E670C

RGB 30 103 12

HSL 108.13, 0.79%, 0.23%

LAB 37.85, -39.27, 40.15

 

CMYK 61 / 0 / 74 / 53

HEX #2F791F

RGB 47 121 31

HSL 109.33, 0.59%, 0.3%

LAB 44.77, -40.5, 40.37

 

CMYK 54 / 0 / 64 / 45

HEX #408B32

RGB 64 139 50

HSL 110.56, 0.47%, 0.37%

LAB 51.59, -41.06, 39.56

 

CMYK 48 / 0 / 56 / 38

HEX #519D45

RGB 81 157 69

HSL 111.82, 0.39%, 0.44%

LAB 58.31, -41.26, 38.39

 

CMYK 44 / 0 / 50 / 31

HEX #62AF58

RGB 98 175 88

HSL 113.1, 0.35%, 0.52%

LAB 64.93, -41.25, 37.12

 

CMYK 76 / 0 / 83 / 60

HEX #196711

RGB 25 103 17

HSL 114.42, 0.72%, 0.24%

LAB 37.75, -40.03, 38.46

 

CMYK 91 / 0 / 100 / 67

HEX #085500

RGB 8 85 0

HSL 114.35, 1%, 0.17%

LAB 30.76, -37.62, 37.54

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 76 / 0 / 84 / 59

HEX #196911

RGB 25 105 17

HSL 114.55, 0.72%, 0.24%

LAB 38.46, -40.74, 39.14

 

CMYK 53 / 0 / 84 / 59

HEX #316911

RGB 49 105 17

HSL 98.18, 0.72%, 0.24%

LAB 39.24, -34.46, 40.14

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 8 / 0 / 84 / 59

HEX #616911

RGB 97 105 17

HSL 65.45, 0.72%, 0.24%

LAB 42.28, -14.54, 44.05

 

CMYK 0 / 14 / 84 / 59

HEX #695A11

RGB 105 90 17

HSL 49.77, 0.72%, 0.24%

LAB 38.47, -2.09, 40.94

 

CMYK 76 / 0 / 84 / 59

HEX #196911

RGB 25 105 17

HSL 114.55, 0.72%, 0.24%

LAB 38.46, -40.74, 39.14

 

CMYK 84 / 0 / 69 / 59

HEX #116921

RGB 17 105 33

HSL 130.91, 0.72%, 0.24%

LAB 38.43, -40.56, 32.51

 

CMYK 84 / 0 / 47 / 59

HEX #116938

RGB 17 105 56

HSL 146.59, 0.72%, 0.24%

LAB 38.74, -36.9, 20.65

 

CMYK 84 / 0 / 24 / 59

HEX #116950

RGB 17 105 80

HSL 162.95, 0.72%, 0.24%

LAB 39.24, -31.26, 7.11

 

CMYK 84 / 0 / 1 / 59

HEX #116968

RGB 17 105 104

HSL 179.32, 0.72%, 0.24%

LAB 39.95, -24.06, -6.49

 

CMYK 76 / 0 / 84 / 59

HEX #196911

RGB 25 105 17

HSL 114.55, 0.72%, 0.24%

LAB 38.46, -40.74, 39.14

 

CMYK 85 / 0 / 94 / 55

HEX #117307

RGB 17 115 7

HSL 114.44, 0.89%, 0.24%

LAB 41.84, -45.89, 44.79

 

CMYK 76 / 0 / 84 / 59

HEX #196911

RGB 25 105 17

HSL 114.55, 0.72%, 0.24%

LAB 38.46, -40.74, 39.14

 

CMYK 65 / 0 / 72 / 63

HEX #215F1B

RGB 33 95 27

HSL 114.71, 0.56%, 0.24%

LAB 35.18, -34.28, 31.89

 

CMYK 52 / 0 / 56 / 67

HEX #295525

RGB 41 85 37

HSL 115, 0.39%, 0.24%

LAB 32.04, -26.22, 23.21

 

CMYK 34 / 0 / 38 / 70

HEX #324C2F

RGB 50 76 47

HSL 113.79, 0.24%, 0.24%

LAB 29.54, -16.6, 14.18

 

CMYK 12 / 0 / 14 / 74

HEX #3A4239

RGB 58 66 57

HSL 113.33, 0.07%, 0.24%

LAB 26.99, -5.36, 4.37

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 53 / 0 / 84 / 59

HEX #316911

RGB 49 105 17

HSL 98.18, 0.72%, 0.24%

LAB 39.24, -34.46, 40.14

 

CMYK 75 / 0 / 84 / 59

HEX #1A6911

RGB 26 105 17

HSL 113.86, 0.72%, 0.24%

LAB 38.49, -40.54, 39.17

 

CMYK 84 / 0 / 70 / 59

HEX #116920

RGB 17 105 32

HSL 130.23, 0.72%, 0.24%

LAB 38.42, -40.68, 32.97

 

CMYK 84 / 0 / 48 / 59

HEX #116937

RGB 17 105 55

HSL 145.91, 0.72%, 0.24%

LAB 38.72, -37.09, 21.2

 

CMYK 76 / 0 / 82 / 87

HEX #082206

RGB 8 34 6

HSL 115.71, 0.7%, 0.08%

LAB 10.62, -16.9, 13.04

 

CMYK 76 / 0 / 84 / 73

HEX #11460B

RGB 17 70 11

HSL 113.9, 0.73%, 0.16%

LAB 25.33, -29.82, 28.57

 

CMYK 76 / 0 / 84 / 59

HEX #196911

RGB 25 105 17

HSL 114.55, 0.72%, 0.24%

LAB 38.46, -40.74, 39.14

 

CMYK 76 / 0 / 84 / 45

HEX #228D17

RGB 34 141 23

HSL 114.41, 0.72%, 0.32%

LAB 51.21, -51.02, 49.28

 

CMYK 76 / 0 / 84 / 31

HEX #2AB01D

RGB 42 176 29

HSL 114.69, 0.72%, 0.4%

LAB 63.04, -60.62, 58.56

 

CMYK 76 / 0 / 83 / 60

HEX #196711

RGB 25 103 17

HSL 114.42, 0.72%, 0.24%

LAB 37.75, -40.03, 38.46

 

CMYK 84 / 9 / 0 / 59

HEX #116069

RGB 17 96 105

HSL 186.14, 0.72%, 0.24%

LAB 36.94, -18.96, -11.63

 

CMYK 0 / 84 / 42 / 59

HEX #69113D

RGB 105 17 61

HSL 330, 0.72%, 0.24%

LAB 22.8, 41.04, -3.64

 

CMYK 76 / 0 / 83 / 60

HEX #196711

RGB 25 103 17

HSL 114.42, 0.72%, 0.24%

LAB 37.75, -40.03, 38.46

 

CMYK 84 / 75 / 0 / 59

HEX #111A69

RGB 17 26 105

HSL 233.86, 0.72%, 0.24%

LAB 14.83, 27.71, -46.72

 

CMYK 0 / 84 / 75 / 59

HEX #69111A

RGB 105 17 26

HSL 353.86, 0.72%, 0.24%

LAB 21.87, 38.19, 19.33

 

CMYK 76 / 0 / 83 / 60

HEX #196711

RGB 25 103 17

HSL 114.42, 0.72%, 0.24%

LAB 37.75, -40.03, 38.46

 

CMYK 84 / 9 / 0 / 59

HEX #116069

RGB 17 96 105

HSL 186.14, 0.72%, 0.24%

LAB 36.94, -18.96, -11.63

 

CMYK 9 / 84 / 0 / 59

HEX #601169

RGB 96 17 105

HSL 293.86, 0.72%, 0.24%

LAB 23.36, 45.49, -32.4

 

CMYK 0 / 75 / 84 / 59

HEX #691A11

RGB 105 26 17

HSL 6.14, 0.72%, 0.24%

LAB 22.94, 34.47, 26.27

 

CMYK 76 / 0 / 83 / 60

HEX #196711

RGB 25 103 17

HSL 114.42, 0.72%, 0.24%

LAB 37.75, -40.03, 38.46

 

CMYK 84 / 33 / 0 / 59

HEX #114669

RGB 17 70 105

HSL 203.86, 0.72%, 0.24%

LAB 28.17, -3.39, -25.2

 

CMYK 9 / 84 / 0 / 59

HEX #601169

RGB 96 17 105

HSL 293.86, 0.72%, 0.24%

LAB 23.36, 45.49, -32.4

 

CMYK 0 / 50 / 84 / 59

HEX #693411

RGB 105 52 17

HSL 23.86, 0.72%, 0.24%

LAB 28.11, 20.97, 31.37

 

Description

Color code: RGB 25 103 17 | qconv.com Color code: RGB 25 103 17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 103 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 103 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 83 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 83% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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