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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 91 0 it is the complementary color RGB 0 164 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 91 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 255 109 14, RGB 255 127 33, RGB 255 145 52 and RGB 255 163 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 91 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 238 73 0, RGB 221 55 0, RGB 204 37 0 and RGB 187 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 255 22 0 and RGB 255 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 255 160 0, RGB 255 229 0, RGB 213 255 0 and RGB 144 255 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 91 0 shade matches the following richer shades: RGB 255 91 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 234 97 21, RGB 214 103 41, RGB 193 109 62 and RGB 172 115 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 91 0 shade: RGB 255 0 47, RGB 255 21 0, RGB 255 89 0, RGB 255 157 0 and RGB 255 225 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 91 0 shade: RGB 172 62 0, RGB 214 76 0, RGB 255 91 0, RGB 255 118 41 and RGB 255 144 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 115 255 0 and RGB 0 13 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 0 255 89 and RGB 89 0 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 115 255 0, RGB 0 166 255 and RGB 140 0 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 91 0 shade: RGB 255 91 0, RGB 38 255 0, RGB 0 166 255 and RGB 217 0 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

Complementary color

CMYK 100 / 36 / 0 / 0

HEX #00A4FF

RGB 0 164 255

HSL 201.41, 1%, 0.5%

LAB 64.78, -2.82, -54.79

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 0 / 57 / 95 / 0

HEX #FF6D0E

RGB 255 109 14

HSL 23.65, 1%, 0.53%

LAB 63.53, 51.98, 69.71

 

CMYK 0 / 50 / 87 / 0

HEX #FF7F21

RGB 255 127 33

HSL 25.41, 1%, 0.56%

LAB 66.94, 43.71, 67.29

 

CMYK 0 / 43 / 80 / 0

HEX #FF9134

RGB 255 145 52

HSL 27.49, 1%, 0.6%

LAB 70.7, 35.17, 63.78

 

CMYK 0 / 36 / 72 / 0

HEX #FFA347

RGB 255 163 71

HSL 30, 1%, 0.64%

LAB 74.77, 26.61, 59.85

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 0 / 69 / 100 / 7

HEX #EE4900

RGB 238 73 0

HSL 18.4, 1%, 0.47%

LAB 55.01, 61.09, 66.02

 

CMYK 0 / 75 / 100 / 13

HEX #DD3700

RGB 221 55 0

HSL 14.93, 1%, 0.43%

LAB 49.62, 62, 61.72

 

CMYK 0 / 82 / 100 / 20

HEX #CC2500

RGB 204 37 0

HSL 10.88, 1%, 0.4%

LAB 44.46, 62.13, 57.55

 

CMYK 0 / 90 / 100 / 27

HEX #BB1300

RGB 187 19 0

HSL 6.1, 1%, 0.37%

LAB 39.63, 61.16, 53.53

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 0 / 91 / 100 / 0

HEX #FF1600

RGB 255 22 0

HSL 5.18, 1%, 0.5%

LAB 53.85, 78.32, 67.44

 

CMYK 0 / 100 / 100 / 0

HEX #FF0000

RGB 255 0 0

HSL 0, 1%, 0.5%

LAB 53.23, 80.11, 67.22

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 0 / 37 / 100 / 0

HEX #FFA000

RGB 255 160 0

HSL 37.65, 1%, 0.5%

LAB 73.81, 26.54, 78.22

 

CMYK 0 / 10 / 100 / 0

HEX #FFE500

RGB 255 229 0

HSL 53.88, 1%, 0.5%

LAB 90.46, -8.94, 89.65

 

CMYK 16 / 0 / 100 / 0

HEX #D5FF00

RGB 213 255 0

HSL 69.88, 1%, 0.5%

LAB 94.17, -38.46, 90.95

 

CMYK 44 / 0 / 100 / 0

HEX #90FF00

RGB 144 255 0

HSL 86.12, 1%, 0.5%

LAB 90.53, -63.05, 86.57

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 0 / 59 / 91 / 8

HEX #EA6115

RGB 234 97 21

HSL 21.41, 0.84%, 0.5%

LAB 58.13, 49.93, 62.88

 

CMYK 0 / 52 / 81 / 16

HEX #D66729

RGB 214 103 41

HSL 21.5, 0.68%, 0.5%

LAB 56.24, 39.96, 52.83

 

CMYK 0 / 44 / 68 / 24

HEX #C16D3E

RGB 193 109 62

HSL 21.53, 0.51%, 0.5%

LAB 54.68, 29.34, 40.13

 

CMYK 0 / 33 / 52 / 33

HEX #AC7353

RGB 172 115 83

HSL 21.57, 0.35%, 0.5%

LAB 53.66, 18.83, 26.78

 

CMYK 0 / 100 / 82 / 0

HEX #FF002F

RGB 255 0 47

HSL 348.94, 1%, 0.5%

LAB 53.45, 80.72, 49.93

 

CMYK 0 / 92 / 100 / 0

HEX #FF1500

RGB 255 21 0

HSL 4.94, 1%, 0.5%

LAB 53.81, 78.44, 67.42

 

CMYK 0 / 65 / 100 / 0

HEX #FF5900

RGB 255 89 0

HSL 20.94, 1%, 0.5%

LAB 60.25, 60.48, 70.26

 

CMYK 0 / 38 / 100 / 0

HEX #FF9D00

RGB 255 157 0

HSL 36.94, 1%, 0.5%

LAB 73.14, 28.1, 77.79

 

CMYK 0 / 12 / 100 / 0

HEX #FFE100

RGB 255 225 0

HSL 52.94, 1%, 0.5%

LAB 89.44, -6.95, 88.92

 

CMYK 0 / 64 / 100 / 33

HEX #AC3E00

RGB 172 62 0

HSL 21.63, 1%, 0.34%

LAB 41.56, 42.9, 52.71

 

CMYK 0 / 64 / 100 / 16

HEX #D64C00

RGB 214 76 0

HSL 21.31, 1%, 0.42%

LAB 51.23, 51.85, 61.77

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 0 / 54 / 84 / 0

HEX #FF7629

RGB 255 118 41

HSL 21.59, 1%, 0.58%

LAB 65.26, 48.24, 63.17

 

CMYK 0 / 44 / 67 / 0

HEX #FF9053

RGB 255 144 83

HSL 21.28, 1%, 0.66%

LAB 70.75, 37.02, 49.91

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 55 / 0 / 100 / 0

HEX #73FF00

RGB 115 255 0

HSL 92.94, 1%, 0.5%

LAB 89.47, -71.28, 85.29

 

CMYK 100 / 95 / 0 / 0

HEX #000DFF

RGB 0 13 255

HSL 236.94, 1%, 0.5%

LAB 32.94, 77.23, -106.8

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 100 / 0 / 65 / 0

HEX #00FF59

RGB 0 255 89

HSL 140.94, 1%, 0.5%

LAB 88.08, -81.71, 63.15

 

CMYK 65 / 100 / 0 / 0

HEX #5900FF

RGB 89 0 255

HSL 260.94, 1%, 0.5%

LAB 36.64, 80.89, -100.52

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 55 / 0 / 100 / 0

HEX #73FF00

RGB 115 255 0

HSL 92.94, 1%, 0.5%

LAB 89.47, -71.28, 85.29

 

CMYK 100 / 35 / 0 / 0

HEX #00A6FF

RGB 0 166 255

HSL 200.94, 1%, 0.5%

LAB 65.35, -3.96, -53.88

 

CMYK 45 / 100 / 0 / 0

HEX #8C00FF

RGB 140 0 255

HSL 272.94, 1%, 0.5%

LAB 42.45, 84.13, -90.7

 

CMYK 0 / 64 / 100 / 0

HEX #FF5B00

RGB 255 91 0

HSL 21.41, 1%, 0.5%

LAB 60.55, 59.67, 70.42

 

CMYK 85 / 0 / 100 / 0

HEX #26FF00

RGB 38 255 0

HSL 111.06, 1%, 0.5%

LAB 87.94, -84.37, 83.42

 

CMYK 100 / 35 / 0 / 0

HEX #00A6FF

RGB 0 166 255

HSL 200.94, 1%, 0.5%

LAB 65.35, -3.96, -53.88

 

CMYK 15 / 100 / 0 / 0

HEX #D900FF

RGB 217 0 255

HSL 291.06, 1%, 0.5%

LAB 54, 92.74, -71.35

 

Description

Color code: RGB 255 91 0 | qconv.com Color code: RGB 255 91 0 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 91 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 91 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 100% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - Gioca Giuè
Link: http://www.giocagiue.it

43% - midd.ag
Link: http://midd.ag

37% - Telefonia movil sin ...
Link: http://www.simyo.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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