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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 211 97 it is the complementary color RGB 0 44 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 211 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 211 97 shade: RGB 255 211 92, RGB 255 229 111, RGB 255 247 130, RGB 255 255 149 and RGB 255 255 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 211 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 211 97 shade: RGB 255 211 97, RGB 238 193 78, RGB 221 175 59, RGB 204 157 40 and RGB 187 139 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 211 97 shade: RGB 255 210 96, RGB 255 168 96, RGB 255 125 96 and RGB 255 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 211 97 shade: RGB 255 210 96, RGB 255 253 96, RGB 213 255 96, RGB 171 255 96 and RGB 128 255 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 211 97 shade matches the following richer shades: RGB 255 210 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 211 97 shade: RGB 255 210 96, RGB 242 205 109, RGB 229 199 122, RGB 216 193 135 and RGB 203 188 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 211 97 shade: RGB 255 125 96, RGB 255 168 96, RGB 255 210 96, RGB 255 252 96 and RGB 215 255 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 211 97 shade: RGB 255 187 14, RGB 255 199 55, RGB 255 210 96, RGB 255 222 138 and RGB 255 233 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 211 97 shade: RGB 255 211 97, RGB 110 255 96 and RGB 146 96 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 211 97 shade: RGB 255 211 97, RGB 96 255 210 and RGB 210 96 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 211 97 shade: RGB 255 211 97, RGB 110 255 96, RGB 96 141 255 and RGB 241 96 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 211 97 shade: RGB 255 211 97, RGB 96 255 131, RGB 96 141 255 and RGB 255 96 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 62 / 0

HEX #FFD361

RGB 255 211 97

HSL 43.29, 1%, 0.69%

LAB 86.36, 3.09, 60.83

 

Complementary color

CMYK 100 / 72 / 0 / 38

HEX #002C9E

RGB 0 44 158

HSL 223.29, 1%, 0.31%

LAB 24.54, 35.54, -64.17

 

CMYK 0 / 17 / 64 / 0

HEX #FFD35C

RGB 255 211 92

HSL 43.8, 1%, 0.68%

LAB 86.32, 2.79, 62.97

 

CMYK 0 / 10 / 56 / 0

HEX #FFE56F

RGB 255 229 111

HSL 49.17, 1%, 0.72%

LAB 90.98, -5.07, 59.77

 

CMYK 0 / 3 / 49 / 0

HEX #FFF782

RGB 255 247 130

HSL 56.16, 1%, 0.75%

LAB 95.74, -12.48, 56.67

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 17 / 62 / 0

HEX #FFD361

RGB 255 211 97

HSL 43.29, 1%, 0.69%

LAB 86.36, 3.09, 60.83

 

CMYK 0 / 19 / 67 / 7

HEX #EEC14E

RGB 238 193 78

HSL 43.13, 0.82%, 0.62%

LAB 80.1, 4.18, 61.84

 

CMYK 0 / 21 / 73 / 13

HEX #DDAF3B

RGB 221 175 59

HSL 42.96, 0.7%, 0.55%

LAB 73.77, 5.44, 62.59

 

CMYK 0 / 23 / 80 / 20

HEX #CC9D28

RGB 204 157 40

HSL 42.8, 0.67%, 0.48%

LAB 67.36, 6.91, 62.84

 

CMYK 0 / 26 / 89 / 27

HEX #BB8B15

RGB 187 139 21

HSL 42.65, 0.8%, 0.41%

LAB 60.86, 8.63, 62.11

 

CMYK 0 / 18 / 62 / 0

HEX #FFD260

RGB 255 210 96

HSL 43.02, 1%, 0.69%

LAB 86.11, 3.54, 60.99

 

CMYK 0 / 34 / 62 / 0

HEX #FFA860

RGB 255 168 96

HSL 27.17, 1%, 0.69%

LAB 76.14, 25.38, 49.67

 

CMYK 0 / 51 / 62 / 0

HEX #FF7D60

RGB 255 125 96

HSL 10.94, 1%, 0.69%

LAB 67.11, 47.25, 38.87

 

CMYK 0 / 62 / 62 / 0

HEX #FF6060

RGB 255 96 96

HSL 0, 1%, 0.69%

LAB 62.06, 60.42, 32.59

 

CMYK 0 / 18 / 62 / 0

HEX #FFD260

RGB 255 210 96

HSL 43.02, 1%, 0.69%

LAB 86.11, 3.54, 60.99

 

CMYK 0 / 1 / 62 / 0

HEX #FFFD60

RGB 255 253 96

HSL 59.25, 1%, 0.69%

LAB 96.97, -17.85, 72.7

 

CMYK 16 / 0 / 62 / 0

HEX #D5FF60

RGB 213 255 96

HSL 75.85, 1%, 0.69%

LAB 94.53, -35.2, 69.22

 

CMYK 33 / 0 / 62 / 0

HEX #ABFF60

RGB 171 255 96

HSL 91.7, 1%, 0.69%

LAB 92.14, -50.32, 65.93

 

CMYK 50 / 0 / 62 / 0

HEX #80FF60

RGB 128 255 96

HSL 107.92, 1%, 0.69%

LAB 90.3, -63.44, 63.39

 

CMYK 0 / 18 / 62 / 0

HEX #FFD260

RGB 255 210 96

HSL 43.02, 1%, 0.69%

LAB 86.11, 3.54, 60.99

 

CMYK 0 / 18 / 62 / 0

HEX #FFD260

RGB 255 210 96

HSL 43.02, 1%, 0.69%

LAB 86.11, 3.54, 60.99

 

CMYK 0 / 15 / 55 / 5

HEX #F2CD6D

RGB 242 205 109

HSL 43.31, 0.84%, 0.69%

LAB 83.78, 1.69, 52.02

 

CMYK 0 / 13 / 47 / 10

HEX #E5C77A

RGB 229 199 122

HSL 43.18, 0.67%, 0.69%

LAB 81.24, 0.64, 42.29

 

CMYK 0 / 11 / 38 / 15

HEX #D8C187

RGB 216 193 135

HSL 42.96, 0.51%, 0.69%

LAB 78.75, -0.07, 32.19

 

CMYK 0 / 7 / 27 / 20

HEX #CBBC94

RGB 203 188 148

HSL 43.64, 0.35%, 0.69%

LAB 76.56, -0.9, 22.2

 

CMYK 0 / 51 / 62 / 0

HEX #FF7D60

RGB 255 125 96

HSL 10.94, 1%, 0.69%

LAB 67.11, 47.25, 38.87

 

CMYK 0 / 34 / 62 / 0

HEX #FFA860

RGB 255 168 96

HSL 27.17, 1%, 0.69%

LAB 76.14, 25.38, 49.67

 

CMYK 0 / 18 / 62 / 0

HEX #FFD260

RGB 255 210 96

HSL 43.02, 1%, 0.69%

LAB 86.11, 3.54, 60.99

 

CMYK 0 / 1 / 62 / 0

HEX #FFFC60

RGB 255 252 96

HSL 58.87, 1%, 0.69%

LAB 96.71, -17.37, 72.43

 

CMYK 16 / 0 / 62 / 0

HEX #D7FF60

RGB 215 255 96

HSL 75.09, 1%, 0.69%

LAB 94.66, -34.45, 69.39

 

CMYK 0 / 27 / 95 / 0

HEX #FFBB0E

RGB 255 187 14

HSL 43.07, 1%, 0.53%

LAB 80.09, 12.58, 80.96

 

CMYK 0 / 22 / 78 / 0

HEX #FFC737

RGB 255 199 55

HSL 43.2, 1%, 0.61%

LAB 83.12, 7.23, 74.03

 

CMYK 0 / 18 / 62 / 0

HEX #FFD260

RGB 255 210 96

HSL 43.02, 1%, 0.69%

LAB 86.11, 3.54, 60.99

 

CMYK 0 / 13 / 46 / 0

HEX #FFDE8A

RGB 255 222 138

HSL 43.08, 1%, 0.77%

LAB 89.55, 0.72, 45.25

 

CMYK 0 / 9 / 30 / 0

HEX #FFE9B3

RGB 255 233 179

HSL 42.63, 1%, 0.85%

LAB 92.92, -0.35, 29.01

 

CMYK 0 / 17 / 62 / 0

HEX #FFD361

RGB 255 211 97

HSL 43.29, 1%, 0.69%

LAB 86.36, 3.09, 60.83

 

CMYK 57 / 0 / 62 / 0

HEX #6EFF60

RGB 110 255 96

HSL 114.72, 1%, 0.69%

LAB 89.71, -67.98, 62.57

 

CMYK 43 / 62 / 0 / 0

HEX #9260FF

RGB 146 96 255

HSL 258.87, 1%, 0.69%

LAB 53.7, 54.79, -72.26

 

CMYK 0 / 17 / 62 / 0

HEX #FFD361

RGB 255 211 97

HSL 43.29, 1%, 0.69%

LAB 86.36, 3.09, 60.83

 

CMYK 62 / 0 / 18 / 0

HEX #60FFD2

RGB 96 255 210

HSL 163.02, 1%, 0.69%

LAB 91.08, -52.05, 9.25

 

CMYK 18 / 62 / 0 / 0

HEX #D260FF

RGB 210 96 255

HSL 283.02, 1%, 0.69%

LAB 61.03, 68.36, -60.08

 

CMYK 0 / 17 / 62 / 0

HEX #FFD361

RGB 255 211 97

HSL 43.29, 1%, 0.69%

LAB 86.36, 3.09, 60.83

 

CMYK 57 / 0 / 62 / 0

HEX #6EFF60

RGB 110 255 96

HSL 114.72, 1%, 0.69%

LAB 89.71, -67.98, 62.57

 

CMYK 62 / 45 / 0 / 0

HEX #608DFF

RGB 96 141 255

HSL 223.02, 1%, 0.69%

LAB 60.57, 19.25, -61.39

 

CMYK 5 / 62 / 0 / 0

HEX #F160FF

RGB 241 96 255

HSL 294.72, 1%, 0.69%

LAB 65.19, 75.38, -53.21

 

CMYK 0 / 17 / 62 / 0

HEX #FFD361

RGB 255 211 97

HSL 43.29, 1%, 0.69%

LAB 86.36, 3.09, 60.83

 

CMYK 62 / 0 / 49 / 0

HEX #60FF83

RGB 96 255 131

HSL 133.21, 1%, 0.69%

LAB 89.69, -66.81, 46.92

 

CMYK 62 / 45 / 0 / 0

HEX #608DFF

RGB 96 141 255

HSL 223.02, 1%, 0.69%

LAB 60.57, 19.25, -61.39

 

CMYK 0 / 62 / 14 / 0

HEX #FF60DC

RGB 255 96 220

HSL 313.21, 1%, 0.69%

LAB 65.59, 73.26, -33.05

 

Description

Color code: RGB 255 211 97 | qconv.com Color code: RGB 255 211 97 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 211 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 211 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 62% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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