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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 127 36 it is the complementary color RGB 0 128 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 127 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 127 36: RGB 255 127 31, RGB 255 145 50, RGB 255 163 69, RGB 255 181 88 and RGB 255 199 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 127 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 127 36: RGB 255 127 36, RGB 238 109 17, RGB 221 91 0, RGB 204 73 0 and RGB 187 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

Complementary color

CMYK 100 / 42 / 0 / 14

HEX #0080DB

RGB 0 128 219

HSL 204.93, 1%, 0.43%

LAB 52.46, 4.81, -54.51

 

CMYK 0 / 50 / 88 / 0

HEX #FF7F1F

RGB 255 127 31

HSL 25.71, 1%, 0.56%

LAB 66.93, 43.68, 67.89

 

CMYK 0 / 43 / 80 / 0

HEX #FF9132

RGB 255 145 50

HSL 27.8, 1%, 0.6%

LAB 70.69, 35.11, 64.54

 

CMYK 0 / 36 / 73 / 0

HEX #FFA345

RGB 255 163 69

HSL 30.32, 1%, 0.64%

LAB 74.75, 26.52, 60.71

 

CMYK 0 / 29 / 65 / 0

HEX #FFB558

RGB 255 181 88

HSL 33.41, 1%, 0.67%

LAB 79.05, 18.09, 56.79

 

CMYK 0 / 22 / 58 / 0

HEX #FFC76B

RGB 255 199 107

HSL 37.3, 1%, 0.71%

LAB 83.53, 9.96, 52.99

 

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

CMYK 0 / 54 / 93 / 7

HEX #EE6D11

RGB 238 109 17

HSL 24.98, 0.87%, 0.5%

LAB 60.92, 45.72, 66.1

 

CMYK 0 / 59 / 100 / 13

HEX #DD5B00

RGB 221 91 0

HSL 24.71, 1%, 0.43%

LAB 54.92, 47.7, 64.37

 

CMYK 0 / 64 / 100 / 20

HEX #CC4900

RGB 204 73 0

HSL 21.47, 1%, 0.4%

LAB 49.01, 49.62, 59.67

 

CMYK 0 / 71 / 100 / 27

HEX #BB3700

RGB 187 55 0

HSL 17.65, 1%, 0.37%

LAB 43.21, 51.14, 55.07

 

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

CMYK 0 / 38 / 86 / 0

HEX #FF9F23

RGB 255 159 35

HSL 33.82, 1%, 0.57%

LAB 73.66, 27.5, 72.02

 

CMYK 0 / 23 / 86 / 0

HEX #FFC423

RGB 255 196 35

HSL 43.91, 1%, 0.57%

LAB 82.3, 8.23, 78.93

 

CMYK 0 / 9 / 86 / 0

HEX #FFE923

RGB 255 233 35

HSL 54, 1%, 0.57%

LAB 91.53, -10.5, 86.31

 

CMYK 6 / 0 / 86 / 0

HEX #F0FF23

RGB 240 255 35

HSL 64.09, 1%, 0.57%

LAB 96.07, -27.25, 89.47

 

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

CMYK 0 / 51 / 86 / 80

HEX #331907

RGB 51 25 7

HSL 24.55, 0.76%, 0.11%

LAB 12.05, 11.14, 15.32

 

CMYK 0 / 50 / 86 / 60

HEX #66330E

RGB 102 51 14

HSL 25.23, 0.76%, 0.23%

LAB 27.36, 20.07, 31.95

 

CMYK 0 / 50 / 86 / 40

HEX #994C16

RGB 153 76 22

HSL 24.73, 0.75%, 0.34%

LAB 41.21, 28.69, 43.85

 

CMYK 0 / 50 / 86 / 20

HEX #CC661D

RGB 204 102 29

HSL 25.03, 0.75%, 0.46%

LAB 54.48, 36.17, 55.49

 

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

CMYK 52 / 0 / 86 / 0

HEX #7BFF23

RGB 123 255 35

HSL 96, 1%, 0.57%

LAB 89.79, -68.53, 81.69

 

CMYK 86 / 86 / 0 / 0

HEX #2323FF

RGB 35 35 255

HSL 240, 1%, 0.57%

LAB 35.56, 71.88, -102.41

 

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

CMYK 86 / 0 / 52 / 0

HEX #23FF7B

RGB 35 255 123

HSL 144, 1%, 0.57%

LAB 88.59, -76.05, 49.08

 

CMYK 52 / 86 / 0 / 0

HEX #7B23FF

RGB 123 35 255

HSL 264, 1%, 0.57%

LAB 42.21, 77.07, -91.18

 

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

CMYK 52 / 0 / 86 / 0

HEX #7BFF23

RGB 123 255 35

HSL 96, 1%, 0.57%

LAB 89.79, -68.53, 81.69

 

CMYK 86 / 35 / 0 / 0

HEX #23A7FF

RGB 35 167 255

HSL 204, 1%, 0.57%

LAB 65.92, -3.22, -52.97

 

CMYK 35 / 86 / 0 / 0

HEX #A723FF

RGB 167 35 255

HSL 276, 1%, 0.57%

LAB 47.8, 81.97, -81.78

 

CMYK 0 / 50 / 86 / 0

HEX #FF7F24

RGB 255 127 36

HSL 24.93, 1%, 0.57%

LAB 66.95, 43.78, 66.34

 

CMYK 78 / 0 / 86 / 0

HEX #39FF23

RGB 57 255 35

HSL 114, 1%, 0.57%

LAB 88.21, -81.66, 79.71

 

CMYK 86 / 35 / 0 / 0

HEX #23A7FF

RGB 35 167 255

HSL 204, 1%, 0.57%

LAB 65.92, -3.22, -52.97

 

CMYK 9 / 86 / 0 / 0

HEX #E923FF

RGB 233 35 255

HSL 294, 1%, 0.57%

LAB 57.79, 91.53, -65.09

 

Description

Color code: RGB 255 127 36 | qconv.com Color code: RGB 255 127 36 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as chocolate1.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 127 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 127 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 86 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 86% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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