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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 114 86 it is the complementary color RGB 0 141 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 114 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 114 86: RGB 255 114 81, RGB 255 132 100, RGB 255 150 119, RGB 255 168 138 and RGB 255 186 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 114 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 114 86: RGB 255 114 86, RGB 238 96 67, RGB 221 78 48, RGB 204 60 29 and RGB 187 42 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

Complementary color

CMYK 100 / 17 / 0 / 34

HEX #008DA9

RGB 0 141 169

HSL 189.94, 1%, 0.33%

LAB 53.94, -21.48, -23.71

 

CMYK 0 / 55 / 68 / 0

HEX #FF7251

RGB 255 114 81

HSL 11.38, 1%, 0.66%

LAB 64.87, 51.62, 44.2

 

CMYK 0 / 48 / 61 / 0

HEX #FF8464

RGB 255 132 100

HSL 12.39, 1%, 0.7%

LAB 68.52, 44.08, 38.47

 

CMYK 0 / 41 / 53 / 0

HEX #FF9677

RGB 255 150 119

HSL 13.68, 1%, 0.73%

LAB 72.5, 36.4, 33.3

 

CMYK 0 / 34 / 46 / 0

HEX #FFA88A

RGB 255 168 138

HSL 15.38, 1%, 0.77%

LAB 76.74, 28.77, 28.67

 

CMYK 0 / 27 / 38 / 0

HEX #FFBA9D

RGB 255 186 157

HSL 17.76, 1%, 0.81%

LAB 81.19, 21.34, 24.53

 

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

CMYK 0 / 60 / 72 / 7

HEX #EE6043

RGB 238 96 67

HSL 10.18, 0.83%, 0.6%

LAB 58.93, 53.15, 44.11

 

CMYK 0 / 65 / 78 / 13

HEX #DD4E30

RGB 221 78 48

HSL 10.4, 0.72%, 0.53%

LAB 52.99, 54.34, 46.79

 

CMYK 0 / 71 / 86 / 20

HEX #CC3C1D

RGB 204 60 29

HSL 10.63, 0.75%, 0.46%

LAB 47.18, 55.29, 49.4

 

CMYK 0 / 78 / 95 / 27

HEX #BB2A0A

RGB 187 42 10

HSL 10.85, 0.9%, 0.39%

LAB 41.6, 55.79, 51.11

 

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

CMYK 0 / 45 / 66 / 0

HEX #FF8B56

RGB 255 139 86

HSL 18.82, 1%, 0.67%

LAB 69.75, 39.72, 47.26

 

CMYK 0 / 34 / 66 / 0

HEX #FFA856

RGB 255 168 86

HSL 29.11, 1%, 0.67%

LAB 76.03, 24.77, 54.37

 

CMYK 0 / 23 / 66 / 0

HEX #FFC456

RGB 255 196 86

HSL 39.05, 1%, 0.67%

LAB 82.6, 10.17, 61.56

 

CMYK 0 / 12 / 66 / 0

HEX #FFE056

RGB 255 224 86

HSL 48.99, 1%, 0.67%

LAB 89.51, -4.15, 68.87

 

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

CMYK 0 / 55 / 67 / 80

HEX #331711

RGB 51 23 17

HSL 10.59, 0.5%, 0.13%

LAB 11.67, 13.34, 10.12

 

CMYK 0 / 55 / 67 / 60

HEX #662E22

RGB 102 46 34

HSL 10.59, 0.5%, 0.27%

LAB 26.43, 24.12, 19.5

 

CMYK 0 / 56 / 66 / 40

HEX #994434

RGB 153 68 52

HSL 9.5, 0.49%, 0.4%

LAB 39.84, 34.37, 26.78

 

CMYK 0 / 55 / 66 / 20

HEX #CC5B45

RGB 204 91 69

HSL 9.78, 0.57%, 0.54%

LAB 52.67, 43.35, 34.4

 

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

CMYK 23 / 0 / 66 / 0

HEX #C4FF56

RGB 196 255 86

HSL 80.95, 1%, 0.67%

LAB 93.42, -42.23, 71.6

 

CMYK 66 / 50 / 0 / 0

HEX #5680FF

RGB 86 128 255

HSL 225.09, 1%, 0.67%

LAB 56.72, 25.49, -67.59

 

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

CMYK 66 / 0 / 56 / 0

HEX #56FF6F

RGB 86 255 111

HSL 128.88, 1%, 0.67%

LAB 89.23, -71.32, 55.45

 

CMYK 56 / 66 / 0 / 0

HEX #6F56FF

RGB 111 86 255

HSL 248.88, 1%, 0.67%

LAB 48.58, 54.07, -80.74

 

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

CMYK 23 / 0 / 66 / 0

HEX #C4FF56

RGB 196 255 86

HSL 80.95, 1%, 0.67%

LAB 93.42, -42.23, 71.6

 

CMYK 66 / 10 / 0 / 0

HEX #56E5FF

RGB 86 229 255

HSL 189.23, 1%, 0.67%

LAB 84.61, -30.27, -23.87

 

CMYK 43 / 66 / 0 / 0

HEX #9156FF

RGB 145 86 255

HSL 260.95, 1%, 0.67%

LAB 51.72, 59.73, -75.49

 

CMYK 0 / 55 / 66 / 0

HEX #FF7256

RGB 255 114 86

HSL 9.94, 1%, 0.67%

LAB 64.94, 51.88, 41.62

 

CMYK 43 / 0 / 66 / 0

HEX #91FF56

RGB 145 255 86

HSL 99.05, 1%, 0.67%

LAB 90.88, -59.44, 68.15

 

CMYK 66 / 10 / 0 / 0

HEX #56E5FF

RGB 86 229 255

HSL 189.23, 1%, 0.67%

LAB 84.61, -30.27, -23.87

 

CMYK 23 / 66 / 0 / 0

HEX #C456FF

RGB 196 86 255

HSL 279.05, 1%, 0.67%

LAB 57.67, 69.68, -65.58

 

Description

Color code: RGB 255 114 86 | qconv.com Color code: RGB 255 114 86 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as coral1.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 114 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 114 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 66 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 66% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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