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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 92 103 it is the complementary color RGB 1 163 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 92 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 254 92 103: RGB 255 92 98, RGB 255 110 117, RGB 255 128 136, RGB 255 146 155 and RGB 255 164 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 92 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 254 92 103: RGB 254 92 103, RGB 237 74 84, RGB 220 56 65, RGB 203 38 46 and RGB 186 20 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

Complementary color

CMYK 99 / 0 / 7 / 36

HEX #01A398

RGB 1 163 152

HSL 175.93, 0.99%, 0.32%

LAB 60.31, -37.71, -4.4

 

CMYK 0 / 64 / 62 / 0

HEX #FF5C62

RGB 255 92 98

HSL 357.79, 1%, 0.68%

LAB 61.48, 62.19, 30.72

 

CMYK 0 / 57 / 54 / 0

HEX #FF6E75

RGB 255 110 117

HSL 357.1, 1%, 0.72%

LAB 64.72, 55.77, 24.18

 

CMYK 0 / 50 / 47 / 0

HEX #FF8088

RGB 255 128 136

HSL 356.22, 1%, 0.75%

LAB 68.37, 48.92, 18.43

 

CMYK 0 / 43 / 39 / 0

HEX #FF929B

RGB 255 146 155

HSL 355.05, 1%, 0.79%

LAB 72.35, 41.89, 13.38

 

CMYK 0 / 36 / 32 / 0

HEX #FFA4AE

RGB 255 164 174

HSL 353.41, 1%, 0.82%

LAB 76.6, 34.86, 8.95

 

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

CMYK 0 / 69 / 65 / 7

HEX #ED4A54

RGB 237 74 84

HSL 356.32, 0.82%, 0.61%

LAB 55.63, 62.73, 30.69

 

CMYK 0 / 75 / 70 / 14

HEX #DC3841

RGB 220 56 65

HSL 356.71, 0.7%, 0.54%

LAB 50.01, 62.89, 34.16

 

CMYK 0 / 81 / 77 / 20

HEX #CB262E

RGB 203 38 46

HSL 357.09, 0.68%, 0.47%

LAB 44.63, 62.46, 38.16

 

CMYK 0 / 89 / 85 / 27

HEX #BA141B

RGB 186 20 27

HSL 357.47, 0.81%, 0.4%

LAB 39.61, 61.11, 42.48

 

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

CMYK 0 / 58 / 64 / 0

HEX #FE6A5C

RGB 254 106 92

HSL 5.19, 0.99%, 0.68%

LAB 63.47, 55.52, 36.54

 

CMYK 0 / 48 / 64 / 0

HEX #FE855C

RGB 254 133 92

HSL 15.19, 0.99%, 0.68%

LAB 68.47, 42.7, 42.62

 

CMYK 0 / 37 / 64 / 0

HEX #FE9F5C

RGB 254 159 92

HSL 24.81, 0.99%, 0.68%

LAB 73.96, 29.41, 49.08

 

CMYK 0 / 27 / 64 / 0

HEX #FEBA5C

RGB 254 186 92

HSL 34.81, 0.99%, 0.68%

LAB 80.16, 15.31, 56.15

 

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

CMYK 0 / 64 / 60 / 80

HEX #321214

RGB 50 18 20

HSL 356.25, 0.47%, 0.13%

LAB 10.27, 16.45, 6.28

 

CMYK 0 / 63 / 59 / 60

HEX #652529

RGB 101 37 41

HSL 356.25, 0.46%, 0.27%

LAB 24.48, 29.23, 12.36

 

CMYK 0 / 64 / 59 / 40

HEX #98373E

RGB 152 55 62

HSL 355.67, 0.47%, 0.41%

LAB 37.4, 41.13, 17.51

 

CMYK 0 / 64 / 60 / 20

HEX #CB4A52

RGB 203 74 82

HSL 356.28, 0.55%, 0.54%

LAB 49.74, 51.68, 23.15

 

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

CMYK 7 / 0 / 64 / 0

HEX #EBFE5C

RGB 235 254 92

HSL 67.04, 0.99%, 0.68%

LAB 95.71, -26.5, 72.49

 

CMYK 64 / 33 / 0 / 0

HEX #5CAAFE

RGB 92 170 254

HSL 211.11, 0.99%, 0.68%

LAB 68.15, 1.29, -48.8

 

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

CMYK 58 / 0 / 64 / 0

HEX #6AFE5C

RGB 106 254 92

HSL 114.81, 0.99%, 0.68%

LAB 89.26, -68.94, 63.66

 

CMYK 64 / 58 / 0 / 0

HEX #5C6AFE

RGB 92 106 254

HSL 234.81, 0.99%, 0.68%

LAB 51.54, 39.4, -75.41

 

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

CMYK 7 / 0 / 64 / 0

HEX #EBFE5C

RGB 235 254 92

HSL 67.04, 0.99%, 0.68%

LAB 95.71, -26.5, 72.49

 

CMYK 64 / 0 / 6 / 0

HEX #5CFEF0

RGB 92 254 240

HSL 174.81, 0.99%, 0.68%

LAB 91.44, -44.97, -5.77

 

CMYK 56 / 64 / 0 / 0

HEX #6F5CFE

RGB 111 92 254

HSL 247.04, 0.99%, 0.68%

LAB 49.73, 50.47, -78.32

 

CMYK 0 / 64 / 59 / 0

HEX #FE5C67

RGB 254 92 103

HSL 355.93, 0.99%, 0.68%

LAB 61.4, 62.19, 27.73

 

CMYK 27 / 0 / 64 / 0

HEX #BAFE5C

RGB 186 254 92

HSL 85.19, 0.99%, 0.68%

LAB 92.62, -45, 68.27

 

CMYK 64 / 0 / 6 / 0

HEX #5CFEF0

RGB 92 254 240

HSL 174.81, 0.99%, 0.68%

LAB 91.44, -44.97, -5.77

 

CMYK 37 / 64 / 0 / 0

HEX #9F5CFE

RGB 159 92 254

HSL 264.81, 0.99%, 0.68%

LAB 54.22, 59.15, -70.81

 

Description

Color code: RGB 254 92 103 | qconv.com Color code: RGB 254 92 103 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 92 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 92 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 59 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 59% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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