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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 47 168 it is the complementary color RGB 1 208 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 47 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 47 168 shade: RGB 255 47 163, RGB 255 65 182, RGB 255 83 201, RGB 255 101 220 and RGB 255 119 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 47 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 237 29 149, RGB 220 11 130, RGB 203 0 111 and RGB 186 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 254 47 112, RGB 254 47 56 and RGB 254 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 254 47 224, RGB 228 47 254, RGB 172 47 254 and RGB 117 47 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 47 168 shade matches the following richer shades: RGB 254 47 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 237 64 165, RGB 220 81 162, RGB 203 98 159 and RGB 186 115 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 47 168 shade: RGB 226 47 254, RGB 254 47 226, RGB 254 47 171, RGB 254 47 116 and RGB 254 47 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 47 168 shade: RGB 217 1 127, RGB 254 6 151, RGB 254 47 168, RGB 254 88 185 and RGB 254 129 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 254 171 47 and RGB 47 254 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 171 254 47 and RGB 47 171 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 254 171 47, RGB 47 254 130 and RGB 47 130 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 47 168 shade: RGB 254 47 168, RGB 254 233 47, RGB 47 254 130 and RGB 47 68 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

Complementary color

CMYK 100 / 0 / 58 / 18

HEX #01D057

RGB 1 208 87

HSL 144.93, 0.99%, 0.41%

LAB 73.42, -68.14, 47.38

 

CMYK 0 / 82 / 36 / 0

HEX #FF2FA3

RGB 255 47 163

HSL 326.54, 1%, 0.59%

LAB 57.98, 81.69, -12.12

 

CMYK 0 / 75 / 29 / 0

HEX #FF41B6

RGB 255 65 182

HSL 323.05, 1%, 0.63%

LAB 60.26, 79.09, -19.68

 

CMYK 0 / 67 / 21 / 0

HEX #FF53C9

RGB 255 83 201

HSL 318.84, 1%, 0.66%

LAB 63.06, 75.55, -26.25

 

CMYK 0 / 60 / 14 / 0

HEX #FF65DC

RGB 255 101 220

HSL 313.64, 1%, 0.7%

LAB 66.32, 71.25, -31.92

 

CMYK 0 / 53 / 6 / 0

HEX #FF77EF

RGB 255 119 239

HSL 307.06, 1%, 0.73%

LAB 69.96, 66.41, -36.8

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 88 / 37 / 7

HEX #ED1D95

RGB 237 29 149

HSL 325.38, 0.85%, 0.52%

LAB 53.01, 79.7, -11.66

 

CMYK 0 / 95 / 41 / 14

HEX #DC0B82

RGB 220 11 130

HSL 325.84, 0.9%, 0.45%

LAB 48.34, 76.42, -7.55

 

CMYK 0 / 100 / 45 / 20

HEX #CB006F

RGB 203 0 111

HSL 327.19, 1%, 0.4%

LAB 44.01, 72.03, -2.65

 

CMYK 0 / 100 / 51 / 27

HEX #BA005C

RGB 186 0 92

HSL 330.32, 1%, 0.36%

LAB 39.93, 66.74, 2.95

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 81 / 56 / 0

HEX #FE2F70

RGB 254 47 112

HSL 341.16, 0.99%, 0.59%

LAB 56.36, 77.26, 15.7

 

CMYK 0 / 81 / 78 / 0

HEX #FE2F38

RGB 254 47 56

HSL 357.39, 0.99%, 0.59%

LAB 55.47, 74.59, 47.07

 

CMYK 0 / 81 / 81 / 0

HEX #FE2F2F

RGB 254 47 47

HSL 0, 0.99%, 0.59%

LAB 55.39, 74.34, 51.69

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 81 / 12 / 0

HEX #FE2FE0

RGB 254 47 224

HSL 308.7, 0.99%, 0.59%

LAB 60.33, 88.54, -43.53

 

CMYK 10 / 81 / 0 / 0

HEX #E42FFE

RGB 228 47 254

HSL 292.46, 0.99%, 0.59%

LAB 57.73, 88.21, -64.68

 

CMYK 32 / 81 / 0 / 0

HEX #AC2FFE

RGB 172 47 254

HSL 276.23, 0.99%, 0.59%

LAB 49.45, 79.39, -78.5

 

CMYK 54 / 81 / 0 / 0

HEX #752FFE

RGB 117 47 254

HSL 260.29, 0.99%, 0.59%

LAB 42.72, 72.48, -89.79

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 73 / 30 / 7

HEX #ED40A5

RGB 237 64 165

HSL 324.97, 0.83%, 0.59%

LAB 56.47, 73.08, -15.87

 

CMYK 0 / 63 / 26 / 14

HEX #DC51A2

RGB 220 81 162

HSL 325.04, 0.67%, 0.59%

LAB 55.8, 62.02, -15.41

 

CMYK 0 / 52 / 22 / 20

HEX #CB629F

RGB 203 98 159

HSL 325.14, 0.5%, 0.59%

LAB 56.02, 48.81, -13.56

 

CMYK 0 / 38 / 16 / 27

HEX #BA739D

RGB 186 115 157

HSL 324.51, 0.34%, 0.59%

LAB 57.21, 33.97, -10.84

 

CMYK 11 / 81 / 0 / 0

HEX #E22FFE

RGB 226 47 254

HSL 291.88, 0.99%, 0.59%

LAB 57.42, 87.88, -65.2

 

CMYK 0 / 81 / 11 / 0

HEX #FE2FE2

RGB 254 47 226

HSL 308.12, 0.99%, 0.59%

LAB 60.42, 88.8, -44.5

 

CMYK 0 / 81 / 33 / 0

HEX #FE2FAB

RGB 254 47 171

HSL 324.06, 0.99%, 0.59%

LAB 58.08, 82.27, -16.65

 

CMYK 0 / 81 / 54 / 0

HEX #FE2F74

RGB 254 47 116

HSL 340, 0.99%, 0.59%

LAB 56.45, 77.53, 13.44

 

CMYK 0 / 81 / 76 / 0

HEX #FE2F3D

RGB 254 47 61

HSL 355.94, 0.99%, 0.59%

LAB 55.52, 74.75, 44.41

 

CMYK 0 / 100 / 41 / 15

HEX #D9017F

RGB 217 1 127

HSL 325, 0.99%, 0.43%

LAB 47.37, 76.32, -7.23

 

CMYK 0 / 98 / 41 / 0

HEX #FE0697

RGB 254 6 151

HSL 324.92, 0.99%, 0.51%

LAB 55.52, 85.78, -8.76

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 65 / 27 / 0

HEX #FE58B9

RGB 254 88 185

HSL 324.94, 0.99%, 0.67%

LAB 62.97, 71.46, -17.3

 

CMYK 0 / 49 / 20 / 0

HEX #FE81CA

RGB 254 129 202

HSL 324.96, 0.98%, 0.75%

LAB 70.2, 55.89, -15.95

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 33 / 81 / 0

HEX #FEAB2F

RGB 254 171 47

HSL 35.94, 0.99%, 0.59%

LAB 76.32, 21.13, 70.56

 

CMYK 81 / 0 / 0 / 0

HEX #2FFEFE

RGB 47 254 254

HSL 180, 0.99%, 0.59%

LAB 91.07, -46.12, -13.66

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 33 / 0 / 81 / 0

HEX #ABFE2F

RGB 171 254 47

HSL 84.06, 0.99%, 0.59%

LAB 91.57, -52.77, 81.49

 

CMYK 81 / 33 / 0 / 0

HEX #2FABFE

RGB 47 171 254

HSL 204.06, 0.99%, 0.59%

LAB 67.19, -4.96, -50.4

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 33 / 81 / 0

HEX #FEAB2F

RGB 254 171 47

HSL 35.94, 0.99%, 0.59%

LAB 76.32, 21.13, 70.56

 

CMYK 81 / 0 / 49 / 0

HEX #2FFE82

RGB 47 254 130

HSL 144.06, 0.99%, 0.59%

LAB 88.5, -73.72, 45.7

 

CMYK 81 / 49 / 0 / 0

HEX #2F82FE

RGB 47 130 254

HSL 215.94, 0.99%, 0.59%

LAB 55.81, 19.33, -68.58

 

CMYK 0 / 81 / 34 / 0

HEX #FE2FA8

RGB 254 47 168

HSL 324.93, 0.99%, 0.59%

LAB 57.97, 81.96, -15.07

 

CMYK 0 / 8 / 81 / 0

HEX #FEE92F

RGB 254 233 47

HSL 53.91, 0.99%, 0.59%

LAB 91.48, -10.63, 83.59

 

CMYK 81 / 0 / 49 / 0

HEX #2FFE82

RGB 47 254 130

HSL 144.06, 0.99%, 0.59%

LAB 88.5, -73.72, 45.7

 

CMYK 81 / 73 / 0 / 0

HEX #2F44FE

RGB 47 68 254

HSL 233.91, 0.99%, 0.59%

LAB 41.05, 56.99, -92.72

 

Description

Color code: RGB 254 47 168 | qconv.com Color code: RGB 254 47 168 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 47 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 47 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 34 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 34% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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