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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 24 26 it is the complementary color RGB 1 231 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 24 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 24 26 shade: RGB 255 24 21, RGB 255 42 40, RGB 255 60 59, RGB 255 78 78 and RGB 255 96 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 24 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 24 26 shade: RGB 254 24 26, RGB 237 6 7, RGB 220 0 0, RGB 203 0 0 and RGB 186 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 24 26 shade: RGB 254 27 29 and RGB 254 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 24 26 shade: RGB 254 27 29, RGB 254 27 90, RGB 254 27 151, RGB 254 27 212 and RGB 234 27 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 24 26 shade matches the following richer shades: RGB 254 27 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 24 26 shade: RGB 254 27 29, RGB 235 45 47, RGB 217 64 65, RGB 198 82 83 and RGB 180 101 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 24 26 shade: RGB 254 27 152, RGB 254 27 91, RGB 254 27 30, RGB 254 83 27 and RGB 254 144 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 24 26 shade: RGB 197 1 3, RGB 238 1 3, RGB 254 27 29, RGB 254 68 69 and RGB 254 109 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 24 26 shade: RGB 254 24 26, RGB 212 254 27 and RGB 27 121 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 24 26 shade: RGB 254 24 26, RGB 30 254 27 and RGB 27 30 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 24 26 shade: RGB 254 24 26, RGB 212 254 27, RGB 27 254 250 and RGB 68 27 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 24 26 shade: RGB 254 24 26, RGB 144 254 27, RGB 27 254 250 and RGB 136 27 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 90 / 0

HEX #FE181A

RGB 254 24 26

HSL 359.48, 0.99%, 0.55%

LAB 53.81, 78.06, 59.94

 

Complementary color

CMYK 100 / 0 / 1 / 9

HEX #01E7E5

RGB 1 231 229

HSL 179.48, 0.99%, 0.45%

LAB 83.35, -45.18, -12.15

 

CMYK 0 / 91 / 92 / 0

HEX #FF1815

RGB 255 24 21

HSL 0.77, 1%, 0.54%

LAB 53.99, 78.24, 61.99

 

CMYK 0 / 84 / 84 / 0

HEX #FF2A28

RGB 255 42 40

HSL 0.56, 1%, 0.58%

LAB 55.14, 75.54, 54.96

 

CMYK 0 / 76 / 77 / 0

HEX #FF3C3B

RGB 255 60 59

HSL 0.31, 1%, 0.62%

LAB 56.89, 71.58, 47

 

CMYK 0 / 69 / 69 / 0

HEX #FF4E4E

RGB 255 78 78

HSL 0, 1%, 0.65%

LAB 59.21, 66.48, 39.2

 

CMYK 0 / 62 / 62 / 0

HEX #FF6061

RGB 255 96 97

HSL 359.62, 1%, 0.69%

LAB 62.07, 60.48, 32.04

 

CMYK 0 / 91 / 90 / 0

HEX #FE181A

RGB 254 24 26

HSL 359.48, 0.99%, 0.55%

LAB 53.81, 78.06, 59.94

 

CMYK 0 / 97 / 97 / 7

HEX #ED0607

RGB 237 6 7

HSL 359.74, 0.95%, 0.48%

LAB 49.68, 75.39, 61.75

 

CMYK 0 / 100 / 100 / 14

HEX #DC0000

RGB 220 0 0

HSL 0, 1%, 0.43%

LAB 45.93, 71.66, 60.13

 

CMYK 0 / 100 / 100 / 20

HEX #CB0000

RGB 203 0 0

HSL 0, 1%, 0.4%

LAB 42.3, 67.46, 56.61

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1D

RGB 254 27 29

HSL 359.47, 0.99%, 0.55%

LAB 53.97, 77.7, 58.84

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1B

RGB 254 27 27

HSL 0, 0.99%, 0.55%

LAB 53.96, 77.67, 59.64

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1D

RGB 254 27 29

HSL 359.47, 0.99%, 0.55%

LAB 53.97, 77.7, 58.84

 

CMYK 0 / 89 / 65 / 0

HEX #FE1B5A

RGB 254 27 90

HSL 343.35, 0.99%, 0.55%

LAB 54.65, 79.64, 26.56

 

CMYK 0 / 89 / 41 / 0

HEX #FE1B97

RGB 254 27 151

HSL 327.22, 0.99%, 0.55%

LAB 56.18, 83.86, -7.77

 

CMYK 0 / 89 / 17 / 0

HEX #FE1BD4

RGB 254 27 212

HSL 311.1, 0.99%, 0.55%

LAB 58.61, 90.33, -39.44

 

CMYK 8 / 89 / 0 / 0

HEX #EA1BFE

RGB 234 27 254

HSL 294.71, 0.99%, 0.55%

LAB 57.49, 92.71, -65.01

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1D

RGB 254 27 29

HSL 359.47, 0.99%, 0.55%

LAB 53.97, 77.7, 58.84

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1D

RGB 254 27 29

HSL 359.47, 0.99%, 0.55%

LAB 53.97, 77.7, 58.84

 

CMYK 0 / 81 / 80 / 8

HEX #EB2D2F

RGB 235 45 47

HSL 359.37, 0.83%, 0.55%

LAB 51.55, 69.65, 46.71

 

CMYK 0 / 71 / 70 / 15

HEX #D94041

RGB 217 64 65

HSL 359.61, 0.67%, 0.55%

LAB 50.45, 59.22, 34.55

 

CMYK 0 / 59 / 58 / 22

HEX #C65253

RGB 198 82 83

HSL 359.48, 0.5%, 0.55%

LAB 50.29, 46.42, 23.12

 

CMYK 0 / 44 / 43 / 29

HEX #B46566

RGB 180 101 102

HSL 359.24, 0.34%, 0.55%

LAB 51.8, 31.8, 13.47

 

CMYK 0 / 89 / 40 / 0

HEX #FE1B98

RGB 254 27 152

HSL 326.96, 0.99%, 0.55%

LAB 56.21, 83.95, -8.32

 

CMYK 0 / 89 / 64 / 0

HEX #FE1B5B

RGB 254 27 91

HSL 343.08, 0.99%, 0.55%

LAB 54.67, 79.69, 25.99

 

CMYK 0 / 89 / 88 / 0

HEX #FE1B1E

RGB 254 27 30

HSL 359.21, 0.99%, 0.55%

LAB 53.97, 77.71, 58.43

 

CMYK 0 / 67 / 89 / 0

HEX #FE531B

RGB 254 83 27

HSL 14.8, 0.99%, 0.55%

LAB 59.28, 62.77, 63.39

 

CMYK 0 / 43 / 89 / 0

HEX #FE901B

RGB 254 144 27

HSL 30.93, 0.99%, 0.55%

LAB 70.24, 34.68, 71.43

 

CMYK 0 / 99 / 98 / 23

HEX #C50103

RGB 197 1 3

HSL 359.39, 0.99%, 0.39%

LAB 41.05, 65.89, 54.26

 

CMYK 0 / 100 / 99 / 7

HEX #EE0103

RGB 238 1 3

HSL 359.49, 0.99%, 0.47%

LAB 49.74, 75.98, 62.97

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1D

RGB 254 27 29

HSL 359.47, 0.99%, 0.55%

LAB 53.97, 77.7, 58.84

 

CMYK 0 / 73 / 73 / 0

HEX #FE4445

RGB 254 68 69

HSL 359.68, 0.99%, 0.63%

LAB 57.69, 69.21, 42.39

 

CMYK 0 / 57 / 57 / 0

HEX #FE6D6E

RGB 254 109 110

HSL 359.59, 0.99%, 0.71%

LAB 64.27, 55.36, 27.51

 

CMYK 0 / 91 / 90 / 0

HEX #FE181A

RGB 254 24 26

HSL 359.48, 0.99%, 0.55%

LAB 53.81, 78.06, 59.94

 

CMYK 17 / 0 / 89 / 0

HEX #D4FE1B

RGB 212 254 27

HSL 71.1, 0.99%, 0.55%

LAB 93.87, -38.09, 88.18

 

CMYK 89 / 52 / 0 / 0

HEX #1B79FE

RGB 27 121 254

HSL 215.15, 0.99%, 0.55%

LAB 53.02, 23.63, -73.12

 

CMYK 0 / 91 / 90 / 0

HEX #FE181A

RGB 254 24 26

HSL 359.48, 0.99%, 0.55%

LAB 53.81, 78.06, 59.94

 

CMYK 88 / 0 / 89 / 0

HEX #1EFE1B

RGB 30 254 27

HSL 119.21, 0.99%, 0.55%

LAB 87.6, -84.21, 80.44

 

CMYK 89 / 88 / 0 / 0

HEX #1B1EFE

RGB 27 30 254

HSL 239.21, 0.99%, 0.55%

LAB 34.64, 73.1, -103.39

 

CMYK 0 / 91 / 90 / 0

HEX #FE181A

RGB 254 24 26

HSL 359.48, 0.99%, 0.55%

LAB 53.81, 78.06, 59.94

 

CMYK 17 / 0 / 89 / 0

HEX #D4FE1B

RGB 212 254 27

HSL 71.1, 0.99%, 0.55%

LAB 93.87, -38.09, 88.18

 

CMYK 89 / 0 / 2 / 0

HEX #1BFEFA

RGB 27 254 250

HSL 178.94, 0.99%, 0.55%

LAB 90.79, -48.37, -12.02

 

CMYK 73 / 89 / 0 / 0

HEX #441BFE

RGB 68 27 254

HSL 250.84, 0.99%, 0.55%

LAB 36.31, 75.2, -100.55

 

CMYK 0 / 91 / 90 / 0

HEX #FE181A

RGB 254 24 26

HSL 359.48, 0.99%, 0.55%

LAB 53.81, 78.06, 59.94

 

CMYK 43 / 0 / 89 / 0

HEX #90FE1B

RGB 144 254 27

HSL 89.07, 0.99%, 0.55%

LAB 90.27, -62.29, 83.76

 

CMYK 89 / 0 / 2 / 0

HEX #1BFEFA

RGB 27 254 250

HSL 178.94, 0.99%, 0.55%

LAB 90.79, -48.37, -12.02

 

CMYK 46 / 89 / 0 / 0

HEX #881BFE

RGB 136 27 254

HSL 268.81, 0.99%, 0.55%

LAB 43.02, 79.99, -89.22

 

Description

Color code: RGB 254 24 26 | qconv.com Color code: RGB 254 24 26 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 24 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 24 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 90 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 90% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to HKS®

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CMYK to PANTONE®

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convert from #RRGGBB to RAL®-number (RAL 0000)

HEX to HKS®

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HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)

RAL® to Sherwin Williams®

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RAL® to NCS®

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HKS® to RGB

convert from HKS®-number (HKS 00) to RGB red green blue

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HKS® to CMYK

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HKS® to HEX

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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