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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 249 155 it is the complementary color RGB 1 6 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 249 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 249 155 shade: RGB 255 249 150, RGB 255 255 169, RGB 255 255 188, RGB 255 255 207 and RGB 255 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 249 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 249 155 shade: RGB 254 249 155, RGB 237 231 136, RGB 220 213 117, RGB 203 195 98 and RGB 186 177 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 249 155 shade: RGB 254 249 154, RGB 254 222 154, RGB 254 195 154, RGB 254 168 154 and RGB 254 154 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 249 155 shade: RGB 254 249 154, RGB 232 254 154, RGB 205 254 154, RGB 178 254 154 and RGB 154 254 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 249 155 shade matches the following richer shades: RGB 254 249 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 249 155 shade: RGB 254 249 154, RGB 246 242 162, RGB 237 234 171, RGB 229 227 179 and RGB 221 219 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 249 155 shade: RGB 254 194 154, RGB 254 221 154, RGB 254 247 154, RGB 234 254 154 and RGB 207 254 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 249 155 shade: RGB 253 244 72, RGB 254 246 113, RGB 254 249 154, RGB 254 251 195 and RGB 255 254 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 249 155 shade: RGB 254 249 155, RGB 154 254 167 and RGB 207 154 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 249 155 shade: RGB 254 249 155, RGB 154 254 247 and RGB 247 154 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 249 155 shade: RGB 254 249 155, RGB 154 254 167, RGB 154 161 254 and RGB 254 154 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 249 155 shade: RGB 254 249 155, RGB 154 254 197, RGB 154 161 254 and RGB 254 154 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 39 / 0

HEX #FEF99B

RGB 254 249 155

HSL 56.97, 0.98%, 0.8%

LAB 96.49, -11.47, 45.68

 

Complementary color

CMYK 99 / 94 / 0 / 61

HEX #010664

RGB 1 6 100

HSL 236.97, 0.98%, 0.2%

LAB 9.46, 36.51, -52.36

 

CMYK 0 / 2 / 41 / 0

HEX #FFF996

RGB 255 249 150

HSL 56.57, 1%, 0.79%

LAB 96.5, -11.6, 48.13

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99B

RGB 254 249 155

HSL 56.97, 0.98%, 0.8%

LAB 96.49, -11.47, 45.68

 

CMYK 0 / 3 / 43 / 7

HEX #EDE788

RGB 237 231 136

HSL 56.44, 0.74%, 0.73%

LAB 90.29, -11.08, 46.83

 

CMYK 0 / 3 / 47 / 14

HEX #DCD575

RGB 220 213 117

HSL 55.92, 0.6%, 0.66%

LAB 84.01, -10.62, 48

 

CMYK 0 / 4 / 52 / 20

HEX #CBC362

RGB 203 195 98

HSL 55.43, 0.5%, 0.59%

LAB 77.64, -10.08, 49.17

 

CMYK 0 / 5 / 58 / 27

HEX #BAB14F

RGB 186 177 79

HSL 54.95, 0.44%, 0.52%

LAB 71.18, -9.43, 50.28

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99A

RGB 254 249 154

HSL 57, 0.98%, 0.8%

LAB 96.47, -11.58, 46.15

 

CMYK 0 / 13 / 39 / 0

HEX #FEDE9A

RGB 254 222 154

HSL 40.8, 0.98%, 0.8%

LAB 89.69, 1.95, 37.42

 

CMYK 0 / 23 / 39 / 0

HEX #FEC39A

RGB 254 195 154

HSL 24.6, 0.98%, 0.8%

LAB 83.14, 15.91, 28.74

 

CMYK 0 / 34 / 39 / 0

HEX #FEA89A

RGB 254 168 154

HSL 8.4, 0.98%, 0.8%

LAB 76.93, 30.06, 20.28

 

CMYK 0 / 39 / 39 / 0

HEX #FE9A9A

RGB 254 154 154

HSL 0, 0.98%, 0.8%

LAB 73.88, 37.33, 16.06

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99A

RGB 254 249 154

HSL 57, 0.98%, 0.8%

LAB 96.47, -11.58, 46.15

 

CMYK 9 / 0 / 39 / 0

HEX #E8FE9A

RGB 232 254 154

HSL 73.2, 0.98%, 0.8%

LAB 96.15, -22.29, 45.4

 

CMYK 19 / 0 / 39 / 0

HEX #CDFE9A

RGB 205 254 154

HSL 89.4, 0.98%, 0.8%

LAB 94.4, -32.07, 42.8

 

CMYK 30 / 0 / 39 / 0

HEX #B2FE9A

RGB 178 254 154

HSL 105.6, 0.98%, 0.8%

LAB 92.87, -41.24, 40.54

 

CMYK 39 / 0 / 38 / 0

HEX #9AFE9D

RGB 154 254 157

HSL 121.8, 0.98%, 0.8%

LAB 91.77, -48.23, 37.4

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99A

RGB 254 249 154

HSL 57, 0.98%, 0.8%

LAB 96.47, -11.58, 46.15

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99A

RGB 254 249 154

HSL 57, 0.98%, 0.8%

LAB 96.47, -11.58, 46.15

 

CMYK 0 / 2 / 34 / 4

HEX #F6F2A2

RGB 246 242 162

HSL 57.14, 0.82%, 0.8%

LAB 94.19, -10.29, 39.14

 

CMYK 0 / 1 / 28 / 7

HEX #EDEAAB

RGB 237 234 171

HSL 57.27, 0.65%, 0.8%

LAB 91.59, -8.6, 31.05

 

CMYK 0 / 1 / 22 / 10

HEX #E5E3B3

RGB 229 227 179

HSL 57.6, 0.49%, 0.8%

LAB 89.32, -6.97, 23.76

 

CMYK 0 / 1 / 15 / 13

HEX #DDDBBB

RGB 221 219 187

HSL 56.47, 0.33%, 0.8%

LAB 86.81, -4.63, 16

 

CMYK 0 / 24 / 39 / 0

HEX #FEC29A

RGB 254 194 154

HSL 24, 0.98%, 0.8%

LAB 82.91, 16.44, 28.42

 

CMYK 0 / 13 / 39 / 0

HEX #FEDD9A

RGB 254 221 154

HSL 40.2, 0.98%, 0.8%

LAB 89.45, 2.46, 37.09

 

CMYK 0 / 3 / 39 / 0

HEX #FEF79A

RGB 254 247 154

HSL 55.8, 0.98%, 0.8%

LAB 95.97, -10.59, 45.5

 

CMYK 8 / 0 / 39 / 0

HEX #EAFE9A

RGB 234 254 154

HSL 72, 0.98%, 0.8%

LAB 96.29, -21.55, 45.61

 

CMYK 19 / 0 / 39 / 0

HEX #CFFE9A

RGB 207 254 154

HSL 88.2, 0.98%, 0.8%

LAB 94.52, -31.37, 42.98

 

CMYK 0 / 4 / 72 / 1

HEX #FDF448

RGB 253 244 72

HSL 57.02, 0.98%, 0.64%

LAB 94.33, -15.55, 78.79

 

CMYK 0 / 3 / 56 / 0

HEX #FEF671

RGB 254 246 113

HSL 56.6, 0.99%, 0.72%

LAB 95.23, -13.73, 63.71

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99A

RGB 254 249 154

HSL 57, 0.98%, 0.8%

LAB 96.47, -11.58, 46.15

 

CMYK 0 / 1 / 23 / 0

HEX #FEFBC3

RGB 254 251 195

HSL 56.95, 0.97%, 0.88%

LAB 97.63, -7.66, 27.27

 

CMYK 0 / 0 / 7 / 0

HEX #FFFEEC

RGB 255 254 236

HSL 56.84, 1%, 0.96%

LAB 99.3, -2.7, 8.71

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99B

RGB 254 249 155

HSL 56.97, 0.98%, 0.8%

LAB 96.49, -11.47, 45.68

 

CMYK 39 / 0 / 34 / 0

HEX #9AFEA7

RGB 154 254 167

HSL 127.8, 0.98%, 0.8%

LAB 91.93, -46.68, 32.64

 

CMYK 19 / 39 / 0 / 0

HEX #CF9AFE

RGB 207 154 254

HSL 271.8, 0.98%, 0.8%

LAB 71.91, 38.16, -42.35

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99B

RGB 254 249 155

HSL 56.97, 0.98%, 0.8%

LAB 96.49, -11.47, 45.68

 

CMYK 39 / 0 / 3 / 0

HEX #9AFEF7

RGB 154 254 247

HSL 175.8, 0.98%, 0.8%

LAB 93.65, -30.88, -5.89

 

CMYK 3 / 39 / 0 / 0

HEX #F79AFE

RGB 247 154 254

HSL 295.8, 0.98%, 0.8%

LAB 76.09, 49.8, -35.53

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99B

RGB 254 249 155

HSL 56.97, 0.98%, 0.8%

LAB 96.49, -11.47, 45.68

 

CMYK 39 / 0 / 34 / 0

HEX #9AFEA7

RGB 154 254 167

HSL 127.8, 0.98%, 0.8%

LAB 91.93, -46.68, 32.64

 

CMYK 39 / 37 / 0 / 0

HEX #9AA1FE

RGB 154 161 254

HSL 235.8, 0.98%, 0.8%

LAB 69.12, 19.76, -47.04

 

CMYK 0 / 39 / 5 / 0

HEX #FE9AF1

RGB 254 154 241

HSL 307.8, 0.98%, 0.8%

LAB 76.4, 49.61, -27.96

 

CMYK 0 / 2 / 39 / 0

HEX #FEF99B

RGB 254 249 155

HSL 56.97, 0.98%, 0.8%

LAB 96.49, -11.47, 45.68

 

CMYK 39 / 0 / 22 / 0

HEX #9AFEC5

RGB 154 254 197

HSL 145.8, 0.98%, 0.8%

LAB 92.48, -41.43, 18.19

 

CMYK 39 / 37 / 0 / 0

HEX #9AA1FE

RGB 154 161 254

HSL 235.8, 0.98%, 0.8%

LAB 69.12, 19.76, -47.04

 

CMYK 0 / 39 / 17 / 0

HEX #FE9AD3

RGB 254 154 211

HSL 325.8, 0.98%, 0.8%

LAB 75.38, 44.79, -13.13

 

Description

Color code: RGB 254 249 155 | qconv.com Color code: RGB 254 249 155 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 249 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 249 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 39 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 39% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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