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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 182 6 it is the complementary color RGB 1 73 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 182 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 182 6 shade: RGB 255 182 1, RGB 255 200 20, RGB 255 218 39, RGB 255 236 58 and RGB 255 254 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 182 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 182 6 shade: RGB 254 182 6, RGB 237 164 0, RGB 220 146 0, RGB 203 128 0 and RGB 186 110 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 182 6 shade: RGB 253 181 6, RGB 253 115 6, RGB 253 48 6 and RGB 253 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 182 6 shade: RGB 253 181 6, RGB 253 248 6, RGB 192 253 6, RGB 125 253 6 and RGB 58 253 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 182 6 shade matches the following richer shades: RGB 253 181 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 182 6 shade: RGB 253 181 6, RGB 233 173 26, RGB 213 164 46, RGB 193 156 67 and RGB 172 148 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 182 6 shade: RGB 253 47 6, RGB 253 113 6, RGB 253 179 6, RGB 253 245 6 and RGB 196 253 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 182 6 shade: RGB 176 125 0, RGB 217 154 1, RGB 253 181 6, RGB 253 193 47 and RGB 254 206 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 182 6 shade: RGB 254 182 6, RGB 31 253 6 and RGB 80 6 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 182 6 shade: RGB 254 182 6, RGB 6 253 179 and RGB 179 6 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 182 6 shade: RGB 254 182 6, RGB 31 253 6, RGB 6 80 253 and RGB 229 6 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 182 6 shade: RGB 254 182 6, RGB 6 253 55, RGB 6 80 253 and RGB 253 6 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 98 / 0

HEX #FEB606

RGB 254 182 6

HSL 42.58, 0.99%, 0.51%

LAB 78.78, 14.69, 80.84

 

Complementary color

CMYK 100 / 71 / 0 / 2

HEX #0149F9

RGB 1 73 249

HSL 222.58, 0.99%, 0.49%

LAB 40.59, 50.94, -90.71

 

CMYK 0 / 29 / 100 / 0

HEX #FFB601

RGB 255 182 1

HSL 42.76, 1%, 0.5%

LAB 78.88, 15.07, 81.47

 

CMYK 0 / 22 / 92 / 0

HEX #FFC814

RGB 255 200 20

HSL 45.96, 1%, 0.54%

LAB 83.24, 5.91, 82.46

 

CMYK 0 / 15 / 85 / 0

HEX #FFDA27

RGB 255 218 39

HSL 49.72, 1%, 0.58%

LAB 87.75, -2.93, 82.42

 

CMYK 0 / 7 / 77 / 0

HEX #FFEC3A

RGB 255 236 58

HSL 54.21, 1%, 0.61%

LAB 92.38, -11.36, 81.43

 

CMYK 0 / 0 / 70 / 0

HEX #FFFE4D

RGB 255 254 77

HSL 59.66, 1%, 0.65%

LAB 97.1, -19.33, 79.81

 

CMYK 0 / 28 / 98 / 0

HEX #FEB606

RGB 254 182 6

HSL 42.58, 0.99%, 0.51%

LAB 78.78, 14.69, 80.84

 

CMYK 0 / 31 / 100 / 7

HEX #EDA400

RGB 237 164 0

HSL 41.52, 1%, 0.46%

LAB 72.6, 16.84, 76.4

 

CMYK 0 / 34 / 100 / 14

HEX #DC9200

RGB 220 146 0

HSL 39.82, 1%, 0.43%

LAB 66.35, 19.11, 71.29

 

CMYK 0 / 37 / 100 / 20

HEX #CB8000

RGB 203 128 0

HSL 37.83, 1%, 0.4%

LAB 60.01, 21.46, 66.12

 

CMYK 0 / 41 / 100 / 27

HEX #BA6E00

RGB 186 110 0

HSL 35.48, 1%, 0.36%

LAB 53.59, 23.89, 60.91

 

CMYK 0 / 28 / 98 / 1

HEX #FDB506

RGB 253 181 6

HSL 42.51, 0.98%, 0.51%

LAB 78.43, 14.79, 80.55

 

CMYK 0 / 55 / 98 / 1

HEX #FD7306

RGB 253 115 6

HSL 26.48, 0.98%, 0.51%

LAB 64.29, 48.4, 71.32

 

CMYK 0 / 81 / 98 / 1

HEX #FD3006

RGB 253 48 6

HSL 10.2, 0.98%, 0.51%

LAB 55.08, 73.23, 66.31

 

CMYK 0 / 98 / 98 / 1

HEX #FD0606

RGB 253 6 6

HSL 0, 0.98%, 0.51%

LAB 52.98, 79.26, 65.37

 

CMYK 0 / 28 / 98 / 1

HEX #FDB506

RGB 253 181 6

HSL 42.51, 0.98%, 0.51%

LAB 78.43, 14.79, 80.55

 

CMYK 0 / 2 / 98 / 1

HEX #FDF806

RGB 253 248 6

HSL 58.79, 0.98%, 0.51%

LAB 95.17, -19, 92.55

 

CMYK 24 / 0 / 98 / 1

HEX #C0FD06

RGB 192 253 6

HSL 74.82, 0.98%, 0.51%

LAB 92.34, -45.59, 88.57

 

CMYK 51 / 0 / 98 / 1

HEX #7DFD06

RGB 125 253 6

HSL 91.09, 0.98%, 0.51%

LAB 89.22, -67.86, 84.79

 

CMYK 77 / 0 / 98 / 1

HEX #3AFD06

RGB 58 253 6

HSL 107.37, 0.98%, 0.51%

LAB 87.56, -81.63, 82.77

 

CMYK 0 / 28 / 98 / 1

HEX #FDB506

RGB 253 181 6

HSL 42.51, 0.98%, 0.51%

LAB 78.43, 14.79, 80.55

 

CMYK 0 / 28 / 98 / 1

HEX #FDB506

RGB 253 181 6

HSL 42.51, 0.98%, 0.51%

LAB 78.43, 14.79, 80.55

 

CMYK 0 / 26 / 89 / 9

HEX #E9AD1A

RGB 233 173 26

HSL 42.61, 0.82%, 0.51%

LAB 74.37, 10.66, 73.7

 

CMYK 0 / 23 / 78 / 16

HEX #D5A42E

RGB 213 164 46

HSL 42.4, 0.67%, 0.51%

LAB 70.1, 7.3, 63.63

 

CMYK 0 / 19 / 65 / 24

HEX #C19C43

RGB 193 156 67

HSL 42.38, 0.5%, 0.51%

LAB 66.15, 3.92, 50.43

 

CMYK 0 / 14 / 49 / 33

HEX #AC9457

RGB 172 148 87

HSL 43.06, 0.34%, 0.51%

LAB 62.2, 0.78, 35.38

 

CMYK 0 / 81 / 98 / 1

HEX #FD2F06

RGB 253 47 6

HSL 9.96, 0.98%, 0.51%

LAB 55, 73.47, 66.28

 

CMYK 0 / 55 / 98 / 1

HEX #FD7106

RGB 253 113 6

HSL 25.99, 0.98%, 0.51%

LAB 63.92, 49.34, 71.11

 

CMYK 0 / 29 / 98 / 1

HEX #FDB306

RGB 253 179 6

HSL 42.02, 0.98%, 0.51%

LAB 77.96, 15.83, 80.22

 

CMYK 0 / 3 / 98 / 1

HEX #FDF506

RGB 253 245 6

HSL 58.06, 0.98%, 0.51%

LAB 94.4, -17.56, 91.98

 

CMYK 23 / 0 / 98 / 1

HEX #C4FD06

RGB 196 253 6

HSL 73.85, 0.98%, 0.51%

LAB 92.57, -44.08, 88.85

 

CMYK 0 / 29 / 100 / 31

HEX #B07D00

RGB 176 125 0

HSL 42.61, 1%, 0.35%

LAB 55.98, 11.09, 61.87

 

CMYK 0 / 29 / 100 / 15

HEX #D99A01

RGB 217 154 1

HSL 42.5, 0.99%, 0.43%

LAB 67.92, 13.52, 72.04

 

CMYK 0 / 28 / 98 / 1

HEX #FDB506

RGB 253 181 6

HSL 42.51, 0.98%, 0.51%

LAB 78.43, 14.79, 80.55

 

CMYK 0 / 24 / 81 / 1

HEX #FDC12F

RGB 253 193 47

HSL 42.52, 0.98%, 0.59%

LAB 81.42, 9.24, 74.94

 

CMYK 0 / 19 / 65 / 0

HEX #FECE58

RGB 254 206 88

HSL 42.65, 0.99%, 0.67%

LAB 84.95, 4.7, 63.2

 

CMYK 0 / 28 / 98 / 0

HEX #FEB606

RGB 254 182 6

HSL 42.58, 0.99%, 0.51%

LAB 78.78, 14.69, 80.84

 

CMYK 88 / 0 / 98 / 1

HEX #1FFD06

RGB 31 253 6

HSL 113.93, 0.98%, 0.51%

LAB 87.27, -84.29, 82.41

 

CMYK 68 / 98 / 0 / 1

HEX #5006FD

RGB 80 6 253

HSL 257.98, 0.98%, 0.51%

LAB 35.84, 79.3, -100.74

 

CMYK 0 / 28 / 98 / 0

HEX #FEB606

RGB 254 182 6

HSL 42.58, 0.99%, 0.51%

LAB 78.78, 14.69, 80.84

 

CMYK 98 / 0 / 29 / 1

HEX #06FDB3

RGB 6 253 179

HSL 162.02, 0.98%, 0.51%

LAB 88.71, -66.48, 21.67

 

CMYK 29 / 98 / 0 / 1

HEX #B306FD

RGB 179 6 253

HSL 282.02, 0.98%, 0.51%

LAB 48.01, 87.12, -80.24

 

CMYK 0 / 28 / 98 / 0

HEX #FEB606

RGB 254 182 6

HSL 42.58, 0.99%, 0.51%

LAB 78.78, 14.69, 80.84

 

CMYK 88 / 0 / 98 / 1

HEX #1FFD06

RGB 31 253 6

HSL 113.93, 0.98%, 0.51%

LAB 87.27, -84.29, 82.41

 

CMYK 98 / 68 / 0 / 1

HEX #0650FD

RGB 6 80 253

HSL 222.02, 0.98%, 0.51%

LAB 42.56, 48.27, -89.68

 

CMYK 9 / 98 / 0 / 1

HEX #E506FD

RGB 229 6 253

HSL 294.17, 0.98%, 0.51%

LAB 55.97, 93.71, -66.96

 

CMYK 0 / 28 / 98 / 0

HEX #FEB606

RGB 254 182 6

HSL 42.58, 0.99%, 0.51%

LAB 78.78, 14.69, 80.84

 

CMYK 98 / 0 / 78 / 1

HEX #06FD37

RGB 6 253 55

HSL 131.9, 0.98%, 0.51%

LAB 87.27, -83.75, 73.98

 

CMYK 98 / 68 / 0 / 1

HEX #0650FD

RGB 6 80 253

HSL 222.02, 0.98%, 0.51%

LAB 42.56, 48.27, -89.68

 

CMYK 0 / 98 / 19 / 1

HEX #FD06CC

RGB 253 6 204

HSL 311.9, 0.98%, 0.51%

LAB 57.44, 91.01, -36.72

 

Description

Color code: RGB 254 182 6 | qconv.com Color code: RGB 254 182 6 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 182 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 182 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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