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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 124 17 it is the complementary color RGB 1 131 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 124 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 254 124 17: RGB 255 124 12, RGB 255 142 31, RGB 255 160 50, RGB 255 178 69 and RGB 255 196 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 124 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 254 124 17: RGB 254 124 17, RGB 237 106 0, RGB 220 88 0, RGB 203 70 0 and RGB 186 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

Complementary color

CMYK 100 / 45 / 0 / 7

HEX #0183EE

RGB 1 131 238

HSL 207.09, 0.99%, 0.47%

LAB 54.46, 10.38, -61.92

 

CMYK 0 / 51 / 95 / 0

HEX #FF7C0C

RGB 255 124 12

HSL 27.65, 1%, 0.52%

LAB 66.29, 44.88, 71.81

 

CMYK 0 / 44 / 88 / 0

HEX #FF8E1F

RGB 255 142 31

HSL 29.73, 1%, 0.56%

LAB 69.97, 36.17, 70.23

 

CMYK 0 / 37 / 80 / 0

HEX #FFA032

RGB 255 160 50

HSL 32.2, 1%, 0.6%

LAB 73.95, 27.37, 67.48

 

CMYK 0 / 30 / 73 / 0

HEX #FFB245

RGB 255 178 69

HSL 35.16, 1%, 0.64%

LAB 78.19, 18.69, 64.18

 

CMYK 0 / 23 / 65 / 0

HEX #FFC458

RGB 255 196 88

HSL 38.8, 1%, 0.67%

LAB 82.62, 10.28, 60.7

 

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

CMYK 0 / 55 / 100 / 7

HEX #ED6A00

RGB 237 106 0

HSL 26.84, 1%, 0.46%

LAB 60.17, 46.62, 68.64

 

CMYK 0 / 60 / 100 / 14

HEX #DC5800

RGB 220 88 0

HSL 24, 1%, 0.43%

LAB 54.23, 48.71, 63.91

 

CMYK 0 / 66 / 100 / 20

HEX #CB4600

RGB 203 70 0

HSL 20.69, 1%, 0.4%

LAB 48.36, 50.55, 59.24

 

CMYK 0 / 72 / 100 / 27

HEX #BA3400

RGB 186 52 0

HSL 16.77, 1%, 0.36%

LAB 42.6, 51.94, 54.67

 

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

CMYK 0 / 36 / 94 / 1

HEX #FDA210

RGB 253 162 16

HSL 36.96, 0.98%, 0.53%

LAB 74.04, 24.8, 76.3

 

CMYK 0 / 20 / 94 / 1

HEX #FDCA10

RGB 253 202 16

HSL 47.09, 0.98%, 0.53%

LAB 83.53, 3.99, 83.12

 

CMYK 0 / 5 / 94 / 1

HEX #FDF110

RGB 253 241 16

HSL 56.96, 0.98%, 0.53%

LAB 93.38, -15.54, 90.42

 

CMYK 11 / 0 / 94 / 1

HEX #E2FD10

RGB 226 253 16

HSL 66.84, 0.98%, 0.53%

LAB 94.51, -32.26, 90.39

 

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

CMYK 0 / 52 / 94 / 80

HEX #321803

RGB 50 24 3

HSL 26.81, 0.89%, 0.1%

LAB 11.54, 10.99, 16.22

 

CMYK 0 / 51 / 93 / 60

HEX #653107

RGB 101 49 7

HSL 26.81, 0.87%, 0.21%

LAB 26.67, 20.57, 34.27

 

CMYK 0 / 51 / 93 / 40

HEX #984A0A

RGB 152 74 10

HSL 27.04, 0.88%, 0.32%

LAB 40.56, 29.08, 47.43

 

CMYK 0 / 51 / 93 / 20

HEX #CB630E

RGB 203 99 14

HSL 26.98, 0.87%, 0.43%

LAB 53.66, 37.02, 59.31

 

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

CMYK 61 / 0 / 94 / 1

HEX #63FD10

RGB 99 253 16

HSL 98.99, 0.98%, 0.53%

LAB 88.42, -74.25, 82.98

 

CMYK 89 / 94 / 0 / 1

HEX #1C10FD

RGB 28 16 253

HSL 243.04, 0.98%, 0.53%

LAB 33.37, 76.41, -104.94

 

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

CMYK 94 / 0 / 51 / 1

HEX #10FD7B

RGB 16 253 123

HSL 147.09, 0.98%, 0.53%

LAB 87.87, -76.43, 48.16

 

CMYK 51 / 94 / 0 / 1

HEX #7B10FD

RGB 123 16 253

HSL 267.09, 0.98%, 0.53%

LAB 40.69, 80.56, -92.56

 

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

CMYK 61 / 0 / 94 / 1

HEX #63FD10

RGB 99 253 16

HSL 98.99, 0.98%, 0.53%

LAB 88.42, -74.25, 82.98

 

CMYK 94 / 42 / 0 / 1

HEX #1093FD

RGB 16 147 253

HSL 206.84, 0.98%, 0.53%

LAB 59.95, 6.8, -61.39

 

CMYK 33 / 94 / 0 / 1

HEX #AA10FD

RGB 170 16 253

HSL 278.99, 0.98%, 0.53%

LAB 46.99, 85.15, -81.98

 

CMYK 0 / 51 / 93 / 0

HEX #FE7C11

RGB 254 124 17

HSL 27.09, 0.99%, 0.53%

LAB 66.16, 44.55, 70.76

 

CMYK 89 / 0 / 94 / 1

HEX #1CFD10

RGB 28 253 16

HSL 116.96, 0.98%, 0.53%

LAB 87.26, -84.33, 81.55

 

CMYK 94 / 42 / 0 / 1

HEX #1093FD

RGB 16 147 253

HSL 206.84, 0.98%, 0.53%

LAB 59.95, 6.8, -61.39

 

CMYK 5 / 94 / 0 / 1

HEX #F110FD

RGB 241 16 253

HSL 296.96, 0.98%, 0.53%

LAB 58.19, 94.81, -63.28

 

Description

Color code: RGB 254 124 17 | qconv.com Color code: RGB 254 124 17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 124 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 124 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 93 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 93% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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