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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 114 43 it is the complementary color RGB 1 141 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 114 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 114 43 shade: RGB 255 114 38, RGB 255 132 57, RGB 255 150 76, RGB 255 168 95 and RGB 255 186 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 114 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 114 43 shade: RGB 254 114 43, RGB 237 96 24, RGB 220 78 5, RGB 203 60 0 and RGB 186 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 114 43 shade: RGB 253 113 41, RGB 253 56 41 and RGB 253 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 114 43 shade: RGB 253 113 41, RGB 253 170 41, RGB 253 227 41, RGB 223 253 41 and RGB 165 253 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 114 43 shade matches the following richer shades: RGB 253 113 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 114 43 shade: RGB 253 113 41, RGB 236 118 59, RGB 219 124 76, RGB 201 130 93 and RGB 184 135 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 114 43 shade: RGB 253 41 84, RGB 253 56 41, RGB 253 112 41, RGB 253 169 41 and RGB 253 225 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 114 43 shade: RGB 212 72 1, RGB 253 86 1, RGB 253 113 41, RGB 254 140 82 and RGB 254 167 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 114 43 shade: RGB 254 114 43, RGB 140 253 41 and RGB 41 56 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 114 43 shade: RGB 254 114 43, RGB 41 253 112 and RGB 112 41 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 114 43 shade: RGB 254 114 43, RGB 140 253 41, RGB 41 183 253 and RGB 154 41 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 114 43 shade: RGB 254 114 43, RGB 77 253 41, RGB 41 183 253 and RGB 218 41 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 83 / 0

HEX #FE722B

RGB 254 114 43

HSL 20.19, 0.99%, 0.58%

LAB 64.39, 49.81, 61.59

 

Complementary color

CMYK 100 / 33 / 0 / 17

HEX #018DD4

RGB 1 141 212

HSL 200.19, 0.99%, 0.42%

LAB 55.9, -5.62, -45.09

 

CMYK 0 / 55 / 85 / 0

HEX #FF7226

RGB 255 114 38

HSL 21.01, 1%, 0.57%

LAB 64.51, 50.05, 63.66

 

CMYK 0 / 48 / 78 / 0

HEX #FF8439

RGB 255 132 57

HSL 22.73, 1%, 0.61%

LAB 68.06, 41.9, 59.23

 

CMYK 0 / 41 / 70 / 0

HEX #FF964C

RGB 255 150 76

HSL 24.8, 1%, 0.65%

LAB 71.96, 33.58, 54.62

 

CMYK 0 / 34 / 63 / 0

HEX #FFA85F

RGB 255 168 95

HSL 27.38, 1%, 0.69%

LAB 76.13, 25.31, 50.15

 

CMYK 0 / 27 / 55 / 0

HEX #FFBA72

RGB 255 186 114

HSL 30.64, 1%, 0.72%

LAB 80.51, 17.25, 45.96

 

CMYK 0 / 55 / 83 / 0

HEX #FE722B

RGB 254 114 43

HSL 20.19, 0.99%, 0.58%

LAB 64.39, 49.81, 61.59

 

CMYK 0 / 59 / 90 / 7

HEX #ED6018

RGB 237 96 24

HSL 20.28, 0.86%, 0.51%

LAB 58.45, 51.51, 62.45

 

CMYK 0 / 65 / 98 / 14

HEX #DC4E05

RGB 220 78 5

HSL 20.37, 0.96%, 0.44%

LAB 52.59, 53.14, 61.93

 

CMYK 0 / 70 / 100 / 20

HEX #CB3C00

RGB 203 60 0

HSL 17.73, 1%, 0.4%

LAB 46.88, 54.55, 58.51

 

CMYK 0 / 77 / 100 / 27

HEX #BA2A00

RGB 186 42 0

HSL 13.55, 1%, 0.36%

LAB 41.37, 55.37, 54.11

 

CMYK 0 / 55 / 84 / 1

HEX #FD7129

RGB 253 113 41

HSL 20.38, 0.98%, 0.58%

LAB 64.04, 49.86, 62.02

 

CMYK 0 / 78 / 84 / 1

HEX #FD3829

RGB 253 56 41

HSL 4.25, 0.98%, 0.58%

LAB 55.96, 71.64, 55.05

 

CMYK 0 / 84 / 84 / 1

HEX #FD2929

RGB 253 41 41

HSL 0, 0.98%, 0.58%

LAB 54.69, 75.24, 53.94

 

CMYK 0 / 55 / 84 / 1

HEX #FD7129

RGB 253 113 41

HSL 20.38, 0.98%, 0.58%

LAB 64.04, 49.86, 62.02

 

CMYK 0 / 33 / 84 / 1

HEX #FDAA29

RGB 253 170 41

HSL 36.51, 0.98%, 0.58%

LAB 75.94, 21.07, 72.07

 

CMYK 0 / 10 / 84 / 1

HEX #FDE329

RGB 253 227 41

HSL 52.64, 0.98%, 0.58%

LAB 89.85, -8.23, 83.62

 

CMYK 12 / 0 / 84 / 1

HEX #DFFD29

RGB 223 253 41

HSL 68.49, 0.98%, 0.58%

LAB 94.35, -33, 86.42

 

CMYK 35 / 0 / 84 / 1

HEX #A5FD29

RGB 165 253 41

HSL 84.91, 0.98%, 0.58%

LAB 90.97, -54.65, 82.19

 

CMYK 0 / 55 / 84 / 1

HEX #FD7129

RGB 253 113 41

HSL 20.38, 0.98%, 0.58%

LAB 64.04, 49.86, 62.02

 

CMYK 0 / 55 / 84 / 1

HEX #FD7129

RGB 253 113 41

HSL 20.38, 0.98%, 0.58%

LAB 64.04, 49.86, 62.02

 

CMYK 0 / 50 / 75 / 7

HEX #EC763B

RGB 236 118 59

HSL 20, 0.82%, 0.58%

LAB 62.6, 41.64, 51.97

 

CMYK 0 / 43 / 65 / 14

HEX #DB7C4C

RGB 219 124 76

HSL 20.14, 0.67%, 0.58%

LAB 61.65, 32.75, 41.76

 

CMYK 0 / 35 / 54 / 21

HEX #C9825D

RGB 201 130 93

HSL 20.56, 0.5%, 0.58%

LAB 60.93, 23.48, 31.24

 

CMYK 0 / 27 / 40 / 28

HEX #B8876F

RGB 184 135 111

HSL 19.73, 0.34%, 0.58%

LAB 60.49, 15.6, 20.26

 

CMYK 0 / 84 / 67 / 1

HEX #FD2954

RGB 253 41 84

HSL 347.83, 0.98%, 0.58%

LAB 55.18, 76.71, 30.76

 

CMYK 0 / 78 / 84 / 1

HEX #FD3829

RGB 253 56 41

HSL 4.25, 0.98%, 0.58%

LAB 55.96, 71.64, 55.05

 

CMYK 0 / 56 / 84 / 1

HEX #FD7029

RGB 253 112 41

HSL 20.09, 0.98%, 0.58%

LAB 63.86, 50.32, 61.86

 

CMYK 0 / 33 / 84 / 1

HEX #FDA929

RGB 253 169 41

HSL 36.23, 0.98%, 0.58%

LAB 75.71, 21.59, 71.87

 

CMYK 0 / 11 / 84 / 1

HEX #FDE129

RGB 253 225 41

HSL 52.08, 0.98%, 0.58%

LAB 89.34, -7.24, 83.2

 

CMYK 0 / 66 / 100 / 17

HEX #D44801

RGB 212 72 1

HSL 20.19, 0.99%, 0.42%

LAB 50.26, 52.84, 60.84

 

CMYK 0 / 66 / 100 / 1

HEX #FD5601

RGB 253 86 1

HSL 20.24, 0.99%, 0.5%

LAB 59.47, 61.02, 69.49

 

CMYK 0 / 55 / 84 / 1

HEX #FD7129

RGB 253 113 41

HSL 20.38, 0.98%, 0.58%

LAB 64.04, 49.86, 62.02

 

CMYK 0 / 45 / 68 / 0

HEX #FE8C52

RGB 254 140 82

HSL 20.23, 0.99%, 0.66%

LAB 69.78, 38.61, 49.26

 

CMYK 0 / 34 / 52 / 0

HEX #FEA77B

RGB 254 167 123

HSL 20.15, 0.98%, 0.74%

LAB 76.15, 27.53, 35.86

 

CMYK 0 / 55 / 83 / 0

HEX #FE722B

RGB 254 114 43

HSL 20.19, 0.99%, 0.58%

LAB 64.39, 49.81, 61.59

 

CMYK 45 / 0 / 84 / 1

HEX #8CFD29

RGB 140 253 41

HSL 91.98, 0.98%, 0.58%

LAB 89.85, -62.73, 80.79

 

CMYK 84 / 78 / 0 / 1

HEX #2938FD

RGB 41 56 253

HSL 235.75, 0.98%, 0.58%

LAB 38.54, 62.61, -96.33

 

CMYK 0 / 55 / 83 / 0

HEX #FE722B

RGB 254 114 43

HSL 20.19, 0.99%, 0.58%

LAB 64.39, 49.81, 61.59

 

CMYK 84 / 0 / 56 / 1

HEX #29FD70

RGB 41 253 112

HSL 140.09, 0.98%, 0.58%

LAB 87.92, -76.48, 53.28

 

CMYK 56 / 84 / 0 / 1

HEX #7029FD

RGB 112 41 253

HSL 260.09, 0.98%, 0.58%

LAB 41.41, 73.77, -91.41

 

CMYK 0 / 55 / 83 / 0

HEX #FE722B

RGB 254 114 43

HSL 20.19, 0.99%, 0.58%

LAB 64.39, 49.81, 61.59

 

CMYK 45 / 0 / 84 / 1

HEX #8CFD29

RGB 140 253 41

HSL 91.98, 0.98%, 0.58%

LAB 89.85, -62.73, 80.79

 

CMYK 84 / 28 / 0 / 1

HEX #29B7FD

RGB 41 183 253

HSL 199.81, 0.98%, 0.58%

LAB 70.48, -12.4, -44.69

 

CMYK 39 / 84 / 0 / 1

HEX #9A29FD

RGB 154 41 253

HSL 271.98, 0.98%, 0.58%

LAB 46.38, 78.43, -83.06

 

CMYK 0 / 55 / 83 / 0

HEX #FE722B

RGB 254 114 43

HSL 20.19, 0.99%, 0.58%

LAB 64.39, 49.81, 61.59

 

CMYK 70 / 0 / 84 / 1

HEX #4DFD29

RGB 77 253 41

HSL 109.81, 0.98%, 0.58%

LAB 87.96, -77.89, 78.4

 

CMYK 84 / 28 / 0 / 1

HEX #29B7FD

RGB 41 183 253

HSL 199.81, 0.98%, 0.58%

LAB 70.48, -12.4, -44.69

 

CMYK 14 / 84 / 0 / 1

HEX #DA29FD

RGB 218 41 253

HSL 290.09, 0.98%, 0.58%

LAB 55.67, 87.69, -67.53

 

Description

Color code: RGB 254 114 43 | qconv.com Color code: RGB 254 114 43 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 114 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 114 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 83 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 83% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - Cristalería Tama || ...
Link: http://cristaleriatama.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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